The Lincoln Tradition in American Poetry By
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The Bookman Anthology of Verse
The Bookman Anthology Of Verse Edited by John Farrar The Bookman Anthology Of Verse Table of Contents The Bookman Anthology Of Verse..........................................................................................................................1 Edited by John Farrar.....................................................................................................................................1 Hilda Conkling...............................................................................................................................................2 Edwin Markham.............................................................................................................................................3 Milton Raison.................................................................................................................................................4 Sara Teasdale.................................................................................................................................................5 Amy Lowell...................................................................................................................................................7 George O'Neil..............................................................................................................................................10 Jeanette Marks..............................................................................................................................................11 John Dos Passos...........................................................................................................................................12 -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Selected Bibliography of American History Through Biography
DOCUMENT RESUME ED 088 763 SO 007 145 AUTHOR Fustukjian, Samuel, Comp. TITLE Selected Bibliography of American History through Biography. PUB DATE Aug 71 NOTE 101p.; Represents holdings in the Penfold Library, State University of New York, College at Oswego EDRS PRICE MF-$0.75 HC-$5.40 DESCRIPTORS *American Culture; *American Studies; Architects; Bibliographies; *Biographies; Business; Education; Lawyers; Literature; Medicine; Military Personnel; Politics; Presidents; Religion; Scientists; Social Work; *United States History ABSTRACT The books included in this bibliography were written by or about notable Americans from the 16th century to the present and were selected from the moldings of the Penfield Library, State University of New York, Oswego, on the basis of the individual's contribution in his field. The division irto subject groups is borrowed from the biographical section of the "Encyclopedia of American History" with the addition of "Presidents" and includes fields in science, social science, arts and humanities, and public life. A person versatile in more than one field is categorized under the field which reflects his greatest achievement. Scientists who were more effective in the diffusion of knowledge than in original and creative work, appear in the tables as "Educators." Each bibliographic entry includes author, title, publisher, place and data of publication, and Library of Congress classification. An index of names and list of selected reference tools containing biographies concludes the bibliography. (JH) U S DEPARTMENT Of NIA1.114, EDUCATIONaWELFARE NATIONAL INSTITUTE OP EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED ExAC ICY AS RECEIVED FROM THE PERSON OR ORGANIZATIONORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF EDUCATION POSITION OR POLICY PREFACE American History, through biograRhies is a bibliography of books written about 1, notable Americans, found in Penfield Library at S.U.N.Y. -
1 Balz Engler Poetry and Performance: the Case of Vachel Lindsay The
1 Balz Engler, “Poetry and Performance: The Case of Vachel Lindsay”. Anglistentag 1982 Zürich: Vorträge. Ed. Udo Fries and Jörg Hasler. Giessen: Hoffmann, 345-58 Balz Engler Poetry and Performance: The Case of Vachel Lindsay The power of print over literary criticism is still so great that all the verbal arts, with the partial exception of drama, are commonly considered in terms of reading -- the silent interaction between a fixed text and an individual. The power of print has been so strong that it has even affected what is left of the art of performing poetry. It has given us the poetry reading, in which the book is the central object, placed between reader and audience. It has given us the reader who speaks with a flat intonation, almost monotonously, and who avoids eye contact with his audience; and it has also given us listeners who turn their glance inwards, sitting motionless, individuals in medita- tion. This, one might say, is the closest the performance of poetry can get to becoming an imitation of reading a book. Under these circumstances, other types of performance, including singing, gesturing and audience participation, have remained an embarrassing Problem to critics, one that can best be dealt with by excluding them from the realm of literature. The reception of Vachel Lindsay is a case in point. T.S. Eliot found him "impossible" after hearing him perform (Perkins 353), and Ezra Pound, who acknowledged his originality, criticized the craftsmanship of his poetry: "Believe 'me one can write it by the hour as fast as one scribbles." (54) Already during his lifetime Lindsay found it difficult to be taken seriously by students of literature, as Henry Seidel Canby's report on a performance at Yale indicates: The nice boys from the ivory towers of the best schools and the Gothic dormitories of Yale tittered at first. -
A Bibliography of Edwin Arlington Robinson, 1941-1963
Colby Quarterly Volume 7 Issue 1 March Article 3 March 1965 A Bibliography of Edwin Arlington Robinson, 1941-1963 William White Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 7, no.1, March 1965, p.1-26 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. White: A Bibliography of Edwin Arlington Robinson, 1941-1963 Colby Library Quarterly Series VII March 1965 No.1 A BIBLIOGRAPHY OF EDWIN ARLINGTON ROBINSON, 1941-1963 By WILLIAM WHITE HIS bibliography of Edwin Arlington Robinson is a supple T ment to Charles Beecher Hogan's "Edwin Arlington Robin son: New Bibliographical Notes," The Papers of the Biblio graphical Society of America (New York), Vol. XXXV, pp. 115-144, Second Quarter 1941, which itself supplements Mr. Hogan's admirable A Bibliography of Edwin Arlington Robin son (New Haven: Yale University Press, 1936). I have fol lowed Mr. Hogan's organization and style, with some slight modifications, particularly in the descriptions of books by Robinson. Although an attempt has been made to be as com plete as possible, I certainly do not approach Mr. Hogan's work in this respect. While he says (on p. iii of his Bibliography) that his book is "intended primarily for collectors," the present supplement is meant for scholars and critics who would like to know what has been written on the creator of "Luke Havergal" and "Miniver Cheevy" in the past t\venty-two years. -
April Showers
PARTART 2 Realism and Naturalism Mrs. Charles Thursby, 1897–1898. John Singer Sargent. 3 Oil on canvas, 78 x 39 /4 in. Collection of The Newark Museum. “There are two ways of spreading light: to be The candle or the mirror that reflects it.” —Edith Wharton, “Vesalius in Zante” 531 The Newark Museum/Art Resource, NY 0531 U4P2-845481.indd 531 4/7/06 6:06:33 PM LITERARY HISTORY The Two Faces of Urban America N THE LATE NINETEENTH AND EARLY twentieth centuries, despite the emergence of a Igrowing middle class, rapid industrialization created two sharply contrasting urban classes: wealthy entrepreneurs and poor immigrants from Europe and Asia who provided them with cheap labor. Although dependent upon each other, these two groups seldom met, as they lived in starkly different neighborhoods. The wealthiest families established fashionable districts in the hearts of cities, where they built fabulous mansions. By contrast, the majority of factory workers squeezed into dark, overcrowded tenements where crime, violence, fire, and disease were constant threats. U.S. writers of the time responded to and reflected these urban conditions in their novels, stories, essays, and articles. Picnicking in Central Park, 1885. Robert L. Bracklow. Black and white photograph. “The entire metropolitan center possessed a high and mighty air her heroine Lily Bart’s descent from wealth into poverty is mirrored by a decline in the houses she is calculated to overawe and abash the forced to inhabit. common applicant, and to make the Wharton’s older contemporary and friend Henry James gulf between poverty and success was born into a distinguished Boston family in 1843. -
John Gould Fletcher - Poems
Classic Poetry Series John Gould Fletcher - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive John Gould Fletcher(3 January 1886 – 10 May 1950) John Gould Fletcher was an Imagist poet, author and authority on modern painting. He was born in Little Rock, Arkansas to a socially prominent family. After attending Phillips Academy, Andover Fletcher went on to Harvard University from 1903 to 1907, when he dropped out shortly after his father's death. <b>Background</b> Fletcher lived in England for a large portion of his life. While in Europe he associated with <a href="http://www.poemhunter.com/amy-lowell/">Amy Lowell</a>, <a href="http://www.poemhunter.com/ezra-pound/">Ezra Pound</a>, and other Imagist poets, he was one of the six Imagists who adopted the name and stuck to it until their aims were achieved. Fletcher resumed a liaison with Florence Emily “Daisy” Arbuthnot (née Goold) at her house in Kent. She had been married to Malcolm Arbuthnot and Fletcher's adultery with her was the grounds for the divorce. The couple married on July 5, 1916. Their marriage produced no children, but Arbuthnot’s son and daughter from her previous marriage lived with the couple. On January 18, 1936 he married a noted author of children's books, Charlie May Simon. The two of them built "Johnswood", a residence on the bluffs of the Arkansas River outside Little Rock. They traveled frequently, however, to New York for the intellectual stimulation and to the American Southwest for the climate, after Fletcher began to suffer from arthritis. -
Edwin Arlington Robinson's Interpretation of Tristram
/ EDWIN ARLINGTON ROBINSON’S INTERPRETATION OF TRISTRAM BY MARY EDNA MOLSEED 'r A THESIS Submitted to the Faculty of The Creighton University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of E n g l i s h OMAHA, 1937 TABLE OF CONTENTS CHAPTER PAGE F O R E W O R D ................................................. i I. AN INTRODUCTION TO ROBINSON .......................... 1 II. THE POSSIBLE ORIGIN OF THE TRISTRAM L E G E N D ..................................................... 13 III. SOME CHARACTERISTICS OF THE TRISTAN STORY BY THOMAS ........................................ 19 IV. LATER VERSIONS OF TRISTRAM .......................... 24 V. ROBINSON'S INTERPRETATION OF TRISTRAM .............33 BIBLIOGRAPHY 44 i FOREWORD ■ The third great epic, Tristram, which was to complete the Arthurian trilogy, so majestically and movingly in terpreted the world-famous medieval romance that the out standing excellences of Robinson's verse, thus far ignored by the large reading public, forced themselves into recognition, and he, after thirty years' patient waiting and unflagging trust in his own genius, at last was greeted with universal applause. Although America in the interval had witnessed an exceptional efflorescence of good poetry, he was hailed, not only as the dean, but as the prince of American bards.* The writer, who considers this statement as valid, bases her thesis on the premise that Robinson did appeal to the modem reader. She aims, first, through a study of the poet in general, to show how he appealed to the public. Because Tristram is classed as a medieval character, she will consider the possible origin of the story. -
The Hamlet of Edwin Booth Ebook Free Download
THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums. -
Actor, Assassin, Patriot, Pawn; What You Think You Know About John Wilkes Booth”
April 14, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Actor, Assassin, Patriot, Pawn; What you think you know about John Wilkes Booth” It was sad news to hear of Don “Duffy” Forsyth’s pass- ing last month. His gentle smile has been missed the last few months. His efforts in getting the speaker for our last luncheon were important to the success of the event. I was pleased to hear from his wife, Nancy, about how much he enjoyed the time he spent with Old Baldy. We are grateful that the family listed Old Baldy as an organization to which a donation could be made to honor Don. Bob Hanrahan, Jr. told us all about the battle between the Kearsarge and the Alabama last month. This month Joanne Hulme, a Booth descendant, will inform us what we do not know about John Wilkes Booth. Next month our vice-president Bob Russo will share his research on Arlington National Cemetery. Be sure to tell others about Joanne Hulme our great programs and activities. Ticket sales for our Iwo Jima print are going well. Pick up a flyer at the meeting to display in your area. Join us at 7:15 PM on Thursday, April 14th, at Camden Planning for our October Symposium is coming along well. County College in the Connector Building, Room 101. At our meeting on the 14th, we will present opportunities This month’s topic is "Actor, Assassin, Patriot, Pawn; for some members to assist on the project. Some tasks we What you think you know about John Wilkes Booth" have identified so far include contacting local businesses presented by Joanne Hulme. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
An Interpretation of Amy Lowell's Poems from Emerson's
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 13, No. 5, 2017, pp. 38-41 www.cscanada.net DOI:10.3968/9694 www.cscanada.org Picturing Her Landscape: An Interpretation of Amy Lowell’s Poems From Emerson’s Transcendentalism ZHENG Chang[a],* [a]College of International Studies, Southwest University, Chongqing, posthumously won Pulitzer Prize for Poetry in 1926. China. From 1913 until 1925, Lowell was deeply involved in *Corresponding author. Imagism. After the break from Ezra Pound, she redirected Received 18 February 2017; accepted 15 April 2017 the Imagist Movement, and then literary people called Published online 26 May 2017 the American Imagist Movement “Aymgist” Movement, which indicated Amy was really a woman of importance Abstract in this undertaking. The current studies on Imagism have Amy Lowell is a female poet in the American Imagist showed that people have placed much importance on movement in the twentieth century. The former studies Pound, but so rare efforts have been directed to Lowell. have mainly focused on the images in her poems from the Few of her poems have been thoroughly understood, and perspective of aesthetics. Few studies have pointed out much more still waits probing. Considering this problem, the philosophical implications of her poetry. This paper the paper will shed some new light on Lowell studies. A tries to approach Lowell’s poems from the perspective of new spectrum for viewing her poems is from Emerson’s Emerson’s transcendental philosophy. Although the two transcendental philosophy. great figures lived in different times, a direct link between It is hard to find a direct link between imagism and them can hardly be built, they share some similarities, and transcendentalism, for they are the voices of different their poems are colored by transcendental thoughts: Both times in American history.