S700 SNG Production Truck

Total Page：16

File Type：pdf, Size：1020Kb

S700 SNG HD MPEG4 SNG/PRODUCTION TRUCK Eutelsat Registration UKI 1870 General /Production Equipment (continued) Vehicle Model Mercedes Vario SWB Sound Mixer Yamaha DM1000 Length 6.2m Professional desk Width 2.4m IFB Equipment 2 Channel GSM system, Comrex IP Codec, 2 x ISDN Codecs, Height 3.4m 4 x Prospect IEM, RTS Zeus IFB Number (1) 07855 129821 Comms Duplex system with IFB Number (2) 07525 119251 various talk back panels Antenna Size 2.0m AVL Ku-band / Crew Comms 2 x Tait radio base station 1.0m AVL Ka Band IP with handsets TVRO Auto-pointing, roof mounted antenna Mics 2 x lapel, 2 x handheld, 1 x lip HPAs 2 x Xicom 750KHE Linearised Dolby Monitoring Full Genelec Dolby Surround monitor speaker system MPEG4/MPEG2 HD Encoders 3 x Ericsson AVP3000 HD Fibre System with 300m Cable On board – booking required HD/SD Vision & Sound Cabling 4 x 60m HD single video, Colour Depth 8 bit / 10 bit 1 x 60m audio multi (4 core) MPEG4 4:2:2 Yes Various XLR & BNC patch cables Modulation QPSK, DVBS, 8PSK, DVBS2, Power Cablin g/Requirement 50m - 63Amp single phase 16PSK Generator 15Kva BISS Yes UPS Yes Audio Inputs 4 pairs embedded Workspace MPEG4/MPEG2 HD IRD 3 x Ericsson RX8200 Sound Supervisor Comms-SNG Engineer MPEG4 4:2:2 Yes Vision Mixer/Director EVS Operator Modulation QPSK, DVBS, 8PSK, DVBS2 Racks Engineer BISS Yes Truck Infrastructure General /Production Equipment Snell-Vega 58 x 80 HD-SDI router IP /Internet 1.0m Ka AVL antenna on Tooway Axon Glue Newspotter platform with 4G backup plus WiFi access Tektronix Waveform monitor & rasteriser DEL Lines 2 x UK numbered VoiP lines TSL PAM2-3G audio monitor with Dolby options Vision Mixer FOR-A HVS-100 (8 input) Murraypro PPMs Trilogy TSG/SPG See reverse for interior layout plan Telephone +44 (0)1279 630555 Email [email protected] www.linksbroadcast.com S700 SNG HD MPEG4 SNG/PRODUCTION TRUCK Telephone +44 (0)1279 630555 Email [email protected] www.linksbroadcast.com.

Copy Link

Recommended publications

International Planning Guide
International Planning guide Indianapolis February 2012 Dear Super Bowl Broadcaster: With the NFL season about to get underway, preparations have begun for Super Bowl XLVI February 5, 2012 in Indianapolis, Indiana. If you plan to broadcast the game from the stadium, please note the following deadlines: 1. Sign and return the “Letter of Intent” AS SOON AS POSSIBLE. This is the only way to ensure your booth position is reserved. Requests received after September 9th are granted on a space-available basis. 2. Fill out and return the “Technical Requirements Form” and "General Services Form" by November 11, 2011. A cost estimate is generated for you by mid-December. Your assigned Unit Manager will be available to review details. If you withdraw after December 14, 2011 out-of-pocket costs will apply. 3. Fill out and return the "Accreditation and Hotel Request Forms" to the NY Office by November 18, 2011. 4. Sign and return a service contract from NFL Films by January 06, 2012. Your Unit Manager will review this with you and give you an opportunity to ask questions before signing the contract. At this time, you will be financially obligated to pay for the cost of your commentary position and any other services rendered. Additional requests and changes may be made until Game Day Thank you in advance for your cooperation this season. We look forward to working with you to assure your Super Bowl broadcast will be successful and rewarding. Best regards, Jeff Lombardi Director of International Production Operations LETTER of INTENT FOR ON-SITE BROADCAST SUPER BOWL XLVI ___________________________ intends to broadcast Super Bowl XLVI (Company Name) from Lucas Oil Stadium in Indianapolis on February 5, 2012.
[Show full text]
Broadcasting Department of Broadcasting and Journalism, College of Fine Arts and Communication
WESTERN ILLINOIS UNIVERSITY Broadcasting Department of Broadcasting and Journalism, College of Fine Arts and Communication Program of Study The Department of Broadcasting and Journalism offers a Bachelor of Arts in Broadcasting and Sports Broadcasting. The broadcasting curriculum is designed to meet the challenges of media convergence by providing multi-platform production skills to students. Students operate an FM broadcast station, WIUS and produce programming for wiutv3, using state-of-the-art, high-definition television facilities. Graduates of the program enter various careers in television, radio, cable, satellite and post-production operations, including directing, producing, reporting, on-air talent programming, sales, advertising, sports and post-production. News/Performance The news/performance track focuses on the preparation of students for careers in front of the camera and/or microphone. The wiutv3 station is the outlet for live, local television newscasts. Students learn to gather news, cover news events, edit news packages and produce and direct half-hour newscasts that reach Macomb and McDonough County viewers. There are opportunities to be reporters and anchors (news, weather and sports), as well as to produce and direct newscasts. WIUS-FM is the music, news and sports outlet on the radio side. On-air shifts are available to all majors every semester. WIUS-FM and wiutv3 are student-run, under the guidance of faculty and staff. Production The production track is designed for students interested in working in video, audio and/or film production and post-production. The program is hands-on and students work with faculty and peers in an interactive environment to learn production and editing skills.
[Show full text]
MASS COMMUNICATIONS and DESIGN FALL 2017 Chair’S Note Sports Broadcasting Grows by Melissa Sgroi, Ed.D
MCAD MASS COMMUNICATIONS AND DESIGN FALL 2017 Chair’s Note Sports Broadcasting Grows By Melissa Sgroi, Ed.D. By Dan Kimbrough, Assistant Professor Our students did New equipment purchases, with help from it yet again: Three Athletics and Alumni Relations, allows for students won media expanded coverage of MU events. We’ve awards. Each upgraded our state-of-the-art Tricaster student honed his system to allow for NDI capabilities, which or her skills through means we can send a video signal from work in class and different areas of campus back to our student media— TV studio in Lower Walsh Hall. We can MCN87 television, do multi-camera live production from Service by Design, Mangelsdorf Field, Anderson Sports Sean Lynch (2018) calls a game with Parker Cougar Radio and The Highlander—and Center, and the Lemmond Theater. These Abate (2019). they compete with students throughout events will be live streamed so off campus the state and the nation. fans will be able to view events. We also so that family, friends and alumni of MU have new cameras that will allow for single can stream the events. This will also help We are also celebrating our new Sports camera events to be live streamed as well. bolster our new Sport Communication Communications Specialization, which curriculum as students will get hands- is enrolling now. Cougar Radio and MCN 87 are working on training in shooting, producing and on covering all MU home athletic events directing live sports and events. Sport communication is a growing segment within the field, as it involves the robust integration of multiple media products and platforms.
[Show full text]
Educational Television Commission
Accountability Report Transmittal Form Organization Name: ETV Date of Submission: September 14, 2010 Organization Director: David Crouch Organization Contact Person: Mark Whittington Organization Contact’s Telephone Number: 803-737-3249 1 ETV 2009-2010 Accountability Report 2 Section I -- Executive Summary 1. Mission and Values “ETV enriches people’s lives through programs and services that educate our children, engage our citizens, celebrate our culture, and share the thrill of discovery and the joy of learning. Our values are South Carolina’s Uniqueness and Diversity, Educational Success, Public Service, A Great Place to Work, and Best Business Practices.” 2. Major achievements from the past year: • ETV television broadcast channels now include ETV-HD, South Carolina Channel/Create TV, and ETV World. ETV-HD showcases PBS and local programs. The SCChannel includes original South Carolina and regionally focused programs along with the best in how-to programs during the day on Create TV. ETV World hosts news and public affairs programming from a local, national and international perspective and State House coverage. • Carolina Stories was awarded a grant for local outreach and engagement in association with the Ken Burn's PBS National Park’s series. Two other Carolina Stories programs were awarded Southeast Emmys. The Connections series covered a variety of current topics that impact the minority communities in South Carolina including health care reform, the economy and green living. ETV’s news magazine program The Big Picture covered a number of diverse topics, including a rare one-on-one interview with Darla Moore, previews of the 2010 primary elections, and an exploration of the impact of health care reform on South Carolina.
[Show full text]
Audio PRODUCTION TRUCK SET up Audio Set up and Fax
PRODUCTION TRUCK SET UP Audio PRODUCTION TRUCK SET UP Audio Set up and Fax Announce Booth/Table set up Plug in XLR Cables according to cabling sheet. The back of the announce boxes are cabled as follows: Main Out = Microphone out from Multi-pair cable number 1 for play by play announcer , number 2, for color analyst or number 3 for the spare or Guest analyst IFB IN = from multi-pair cable number 10 for play by play announcer, number 11 for color announcer, or number 12 for the spare or Guest analyst. In most cases these cables will need to have a Y cord attached to duplicate the IFB signal for the Handheld stick microphone. TalkBack Out = multipair cable number 7. This cable requires a 3 way Y cord to enable one to connect all three accouncer boxes into the number 7 microphone line. Mic In = the XLR cable that is attached to the annoucer headphones Phones out = the ¼” plug that is attached to the annoucer headphones Please connect the 24VDC connector to power the annouce box. Not Not Not used used used Hand Held microphones In the Home TV Booth for football attach a microphone to the longer black cable on one of two 25 foot married pair XLR Cables. One end of the two married pair XLR cables the ends are close to being the same length, the other end the black cable will be significantly longer. Use the longer end of the married pair to plug into the IFB box, (blue cable), and the longer black cable for the microphone.
[Show full text]
Object-Based Broadcasting at the FA Cup in Wembley Stadium
CHI 2019 Case Study CHI 2019, May 4–9, 2019, Glasgow, Scotland, UK From the Lab to the OB Truck: Object-Based Broadcasting at the FA Cup in Wembley Stadium Thomas Röggla1, Jie Li1, Stefan Fjellsten4, Jack Jansen1, Ian Kegel3, Luke Pilgrim3, Martin Trimby3, Doug Williams3, Pablo Cesar1;2 Centrum Wiskunde & Informatica1 Amsterdam, The Netherlands Delft University of Technology2 Delft, The Netherlands BT Applied Research3 Ipswich, United Kingdom ChyronHego AB4 Stockholm, Sweden {t.roggla, jie.li, jack.jansen}@cwi.nl, [email protected], {ian.c.kegel, luke.2.pilgrim, martin.trimby, doug.williams}@bt.com, [email protected] ABSTRACT While traditional live-broadcasting is typically comprised of a handful of well-defined workflows, these become insufficient when targeting multiple screens and interactive companion devices on the viewer side. In this case study, we describe the development of an end-to-end system enabling immersive and interactive experiences using an object-based broadcasting approach. We detail the deployment of this system during the live broadcast of the FA Cup Final at Wembley Stadium in London in May 2018. We also describe the trials and interviews we ran in the run-up to this event, the infrastructure we used, the final software developed for controlling and rendering on-screen graphics Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page.
[Show full text]
Signature Redacted Hisham Bedri Program in Media and Sciences
.i - Spatial News Exploring Augmented Reality as a Format for Content Production, Organization, and Consumption By Hisham Bedri M.S. Technology and Policy, MIT, 2015 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences at the Massachusetts Institute of Technology. September 2018 Massachusetts Institute of Technology 2018. All rights reserved. Signature of Author: _Signature redacted Hisham Bedri Program in Media And Sciences Certified by: Signature redacted Andrew Lipp~an V Senior Research Scientist and Associate Director of the MIT Media Lab Thesis Supervisor Accepted by: Signature redacted Tod Machovef Academic Head, Program in Media Arts and Sciences MASSACHUSS ISTTTE OF TECHNOLOGY OCT 1 6 2018 LIBRARIES ARQHIVES Spatial News: Exploring Augmented Reality as a Format for Content Production, Organization, and Consumption By Hisham Bedri The following served as a reader for this thesis: A Thesis reader: Signature redacted V. Michael Bove Principal Research Scientist Object Based Media Group, MIT Media Lab 2 Spatial News: Exploring Augmented Reality as a Format for Content Production, Organization, and Consumption By Hisham Bedri The following served as a reader for this thesis: Thesis reader: Signature redacted lyad Rahwan Associate Professor of MEdia Arts and Sciences AT&T Career Development Professor of Media Arts and Sciences 3 Abstract: News has been criticised for being fake and promoting echo-chambers. At the same time, spatial technologies have become more accessible, enabling affordable virtual reality (VR) and augmented reality (AR) systems. These systems enable a new channel for interfaces and content.
[Show full text]
The College of Communications
THE COLLEGE OF COMMUNICATIONS Arkansas State University’s College of Communications oers you an academic experience like none other in the region -- literally. We are the only accredited, stand-alone College of Communications in the arkansas state university Mid-South. Our Journalism and Radio-Television programs are accredited by the Accrediting Council on Education in Journalism and Mass Communications. Your communications degree from ASU is recognized throughout the country enrollment as being superior because we meet and exceed national requirements. • 14,000+ Total • 74% undergraduates Here are a few other unique ways that ASU’s College of Communications can • 39% male provide you with a deep, one-of-a-kind learning experience. • 61% female • 1,000+ international students representing 58 countries real world relationships CNN - Arkansas State University is 1 of only 5 universities in the nation to be aliated with CNN. CNN Newsource is a primary source of video involvement programming in broadcast news classes, daily cable newscast produced by • 300+ student organizations advanced classes, and for ASU-TV’s cable television operation. • 16 NCAA Division I athletic teams • Study Abroad Experience ESPN - We also maintain a strong, enduring relationship with ESPN. is • More than 300 on-campus events/activities each year connection means that you have the opportunity to work side-by-side with broadcast professionals to produce nationally-televised ESPN sporting events. academics NPR - KASU, our on-campus radio station, uses daily audio programming • 43 degrees from National Public Radio, American Public Media, and Public Radio • 156 elds of study International. KASU is the oldest, non-commercial education station in • 19: 1 student-to-faculty ratio the Mid-South • 138 web courses available • 178 evening courses facilities • 10 colleges We oer you state-of-the-art facilities, and strive to keep our equipment and facilities at • More than 85% of faculty hold the highest par with those found in the industry.
[Show full text]
Alternative Sources of Funding for Public Broadcasting Stations
Alternative Sources of Funding for Public Broadcasting Stations This report is provided by the Corporation for Public Broadcasting (CPB) in response to the Conference Report accompanying the Military Construction and Veterans Affairs and Related Agencies Appropriations Act, 2012 (H.R. 2055). June 20, 2012 Table of Contents I. Introduction ................................................................................................................... 1 II. Executive Summary ....................................................................................................... 1 III. The Role of Public Broadcasting in the United States ...................................................5 Mission.................................................................................................................... 6 The Role of CPB ...................................................................................................... 8 Education ................................................................................................................ 8 Local Service and Engagement .............................................................................. 11 Serving the Underserved ....................................................................................... 12 News and Public Affairs ......................................................................................... 13 History, Science and Cultural Content .................................................................. 15 IV. The Organizational Structure of Public
[Show full text]
Lead Broadcast and Audio Technicians
Board Approved April 13, 2016 FLSA: NON-EXEMPT LEAD BROADCAST AND AUDIO TECHNICIAN DEFINITION Under general supervision, oversees, and performs technical support in the design, installation, operation, maintenance, troubleshooting, diagnosis, and repair of broadcast radio and television facilities; provides support for all campus and Police and Campus Safety radio communications facilities; provides technical support to students, faculty, and staff on the operation, maintenance, and repair of equipment and systems. SUPERVISION RECEIVED AND EXERCISED Receives general supervision from the Manager, Broadcast Services. May exercise technical and functional direction over and provides training to assigned staff and student workers. CLASS CHARACTERISTICS This is an advanced technical classification responsible for overseeing and performing technical support of all broadcast radio and television facilities. Responsibilities include inspecting and attending to assigned areas in a timely manner and performing a wide variety of highly technical tasks in the design, installation, maintenance, and repair of assigned facilities and systems. Incumbents are expected to work independently and exercise judgment and initiative. Incumbents at this level are required to be fully trained in all procedures related to assigned area(s) of responsibility, working with a high degree of independent judgment, tact, and initiative. This class is distinguished from the Production Specialist in that the latter performs technical and creative development work of video, audio, media, and broadcast production and post-production. This class is further distinguished from the Manager, Broadcast Services in that the latter oversees the entire department and has ultimate responsibility for organizing, assigning, supervising, and reviewing the work of all staff involved in its operations. EXAMPLES OF ESSENTIAL FUNCTIONS (Illustrative Only) 1.
[Show full text]
2012 Mobile Sports Production Yearbook
2012 THE COMPLETE GUIDE TO MOBILE 2012 MOBILE PRODUCTION SERVICES & TECHNOLOGY SPORTS SPORTS PRODUCTION MOBILE SPORTS PRODUCTION YE A R BOO YEARBOOK FEATURING THE K SIXTH ANNUAL REMOTE SERVICES DIRECTORY • a • SPORT S VIDEO GROUP A SPORTS VIDEO GROUP PUBLICATION PUBLICATION T 2012MOBILE SPORTS able of PUBLISHED BY PRODUCTION YEARBOOK FROM THE EDITORIAL DIRECTOR 112 Gearhouse Broadcast C SpORTS VIDEO GROUP ontents 260 Fifth Ave., Ste. 600 12 A Busy Industry in Transition Gerling & Associates New York, NY 10001 116 Tel: 212.481.8140 CEO ROUNDTABLE IDS Fax: 212.696.1783 17 Truck Vendors Remain Illumination Dynamics www.sportsvideo.org in High Gear IMT Paul Gallo, Executive Director Despite fluctuating fuel costs, tight KTV [email protected] credit, and labor strife, the industry is Mansion Mobile Television Tel: 212.696.1799 118 Metrovision Production Group Martin Porter, Executive Director still growing [email protected] ENGINEERING REPORT NES Communications Services Tel: 516.767.6720 On Call Communications Ken Kerschbaumer, Editorial Director 33 Truck Design: IT Settles In [email protected] Production units continue shift to PACSAT Tel: 212.481.8140, Fax: 212.696.1783 network-based infrastructure ProductionHUB Jason Dachman, Managing Editor PSSI/Strategic TV [email protected] Tel: 646.861.2373, Fax: 212.696.1783 NEW TRUCK PROFILES 120 Reality Check Systems Brandon Costa, Associate Editor Show Partners [email protected] 54 CBC Mobile Productions Tel: 646.861.2370, Fax: 212.696.1783 60 Corplex SOS Global Express Karen
[Show full text]
WESTERN ILLINOIS UNIVERSITY Sports Broadcasting Emphasis Department of Broadcasting & Journalism, College of Fine Arts & Communication
WESTERN ILLINOIS UNIVERSITY Sports Broadcasting Emphasis Department of Broadcasting & Journalism, College of Fine Arts & Communication Program of Study The Department of Broadcasting and Journalism offers a Bachelor of Arts in Broadcasting. Students in Broadcasting study curriculum designed to meet the challenges of media convergence by providing multi-platform production skills to students. Students operate an FM broadcast station, WIUS, and produce programming for wiutv3 using state-of-the-art high-definition television facilities. Graduates of the program enter various careers in television, radio, cable, satellite, and post-production operations, including directing, producing, reporting, on-air talent programming, sales, advertising, sports, and post-production. Sports Broadcasting Emphasis • Sports, Media, and Society • Interactive Web Sportscasting • Sports Production I & II • Broadcast Sports Writing • Broadcast Sports Performance Practica Courses Hands-on experience with football, basketball, soccer, volleyball, softball, and baseball announcing, live radio and television game production, sports talk radio, game blogging, enhanced podcasting, and sports reporting. The Broadcasting and Journalism department has a live sports truck with an HD camera set-up to do live sports as well as community events. Audio broadcasts are carried live on wiutv3; WIUS-FM; and on RockyVision, the University’s Internet programming provider. Students also host and produce Pigskin Preview, a football coaches’ show, and Inside Leatherneck Athletics,
[Show full text]