1 2020-21 IHSAA Media Rules and Regulations Overview
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A Producer's Handbook
DEVELOPMENT AND OTHER CHALLENGES A PRODUCER’S HANDBOOK by Kathy Avrich-Johnson Edited by Daphne Park Rehdner Summer 2002 Introduction and Disclaimer This handbook addresses business issues and considerations related to certain aspects of the production process, namely development and the acquisition of rights, producer relationships and low budget production. There is no neat title that encompasses these topics but what ties them together is that they are all areas that present particular challenges to emerging producers. In the course of researching this book, the issues that came up repeatedly are those that arise at the earlier stages of the production process or at the earlier stages of the producer’s career. If not properly addressed these will be certain to bite you in the end. There is more discussion of various considerations than in Canadian Production Finance: A Producer’s Handbook due to the nature of the topics. I have sought not to replicate any of the material covered in that book. What I have sought to provide is practical guidance through some tricky territory. There are often as many different agreements and approaches to many of the topics discussed as there are producers and no two productions are the same. The content of this handbook is designed for informational purposes only. It is by no means a comprehensive statement of available options, information, resources or alternatives related to Canadian development and production. The content does not purport to provide legal or accounting advice and must not be construed as doing so. The information contained in this handbook is not intended to substitute for informed, specific professional advice. -
2016-10-21 Oregon Game Notes
Football Associate Director of Athletic Communications (Primary Contact, Road Credentials): Kyle McRae Phone: (510) 219-9340 • Email: [email protected] • Twitter: @KyleMcraeCal Assistant Director of Athletic Communications (Secondary Contact): Tim Miguel Phone: (510) 326-9761 • Email: [email protected] Assistant Athletic Director, Athletic Communications (Home Credentials): Herb Benenson Phone: (510) 334-0791 • Email: [email protected] Cal Seeks fifth Straight Home Win FRIDAY SCHEDULE Overall: 3-3-0 • Pac-12: 1-2-0 California Golden Bears vs. Oregon Ducks Home: 2-0-0 • Away: 0-3-0 • Neutral: 1-0-0 Friday, Oct. 21 (7:30 pm PT) Kabam Field at California Memorial Stadium | Berkeley, Calif. DATE OPPONENT (TV) TIME/RESULT TV: ESPN – Allen Bestwick (Play-By-Play), Mike Bellotti (Analyst), Kris Budden (Sideline) Aug. 27 vs. Hawai’i (ESPN)^ W, 51-31 OREGON Sept. 10 at San Diego State (CBSSN) L, 40-45 WatchESPN: http://es.pn/2ep2YK6 Sept. 17 #11/16 Texas (ESPN) W, 50-43 DUCKS Cal Radio: KGO 810 AM/Cal Bears Sports Network Powered by Learfi eld Sept. 24 at Arizona State (ESPN2)* L, 41-51 (2-4, 0-3 Pac-12) Joe Starkey (Play-By-Play), Mike Pawlawski (Analyst), Todd McKim (Sideline) Oct. 1 #18/18 Utah (P12N)*# W, 28-23 Westwood One National Radio: Ryan Radtke (Play-By-Play), Brady Poppinga Oct. 8 at Oregon State (P12N)* L, 44-47(OT) (Analyst) Oct. 21 Oregon (ESPN)* 7:30 pm Cal Student Radio: KALX 90.7 FM – Eamonn Shannon (Play-By-Play), Oct. 27 at USC (ESPN)* 7:30 pm George Littlefi eld (Anaylist), Prasanna Rajan (Analyst) Nov. -
Jill Jackson: Pioneering in the Press Box
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-16-2016 Jill Jackson: Pioneering in the Press Box Katherine C. Perkins University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Law and Gender Commons, Radio Commons, Sports Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Perkins, Katherine C., "Jill Jackson: Pioneering in the Press Box" (2016). University of New Orleans Theses and Dissertations. 2267. https://scholarworks.uno.edu/td/2267 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Jill Jackson: Pioneering in the Press Box A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Masters of Arts in History by Camille Perkins B.A., Louisiana -
Digital Television and the Allure of Auctions: the Birth and Stillbirth of DTV Legislation
Federal Communications Law Journal Volume 49 Issue 3 Article 2 4-1997 Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman Covington & Burling Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the Legislation Commons Recommended Citation Goodman, Ellen P. (1997) "Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation," Federal Communications Law Journal: Vol. 49 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman* I. INTRODUCTION ................................... 517 II. ORIGINS OF THE DTV PRovIsIoNs OF THE 1996 ACT .... 519 A. The Regulatory Process ..................... 519 B. The FirstBills ............................ 525 1. The Commerce Committee Bills ............. 526 2. Budget Actions ......................... 533 C. The Passage of the 1996Act .................. 537 Ill. THE AFTERMATH OF THE 1996 ACT ................ 538 A. Setting the Stage .......................... 538 B. The CongressionalHearings .................. 542 IV. CONCLUSION ................................ 546 I. INTRODUCTION President Clinton signed into law the Telecommunications Act of 1996 (1996 Act or the Act) on February 8, 1996.1 The pen he used to sign the Act was also used by President Eisenhower to create the federal highway system in 1957 and was later given to Senator Albert Gore, Sr., the father of the highway legislation. -
2019 Playoff Media Booklet
Football Site Manager's Media Packet 2019 MSHSAA Football Site Manager’s Media Packet Congratulations on hosting this MSHSAA football playoff contest! With the many other Media Packet Supply List managerial duties that accompany such an event also comes the responsibility and obligation of Media Instructions and Score coordinating the increased demands of local and Reporting Procedures Folder state media, in addition to your reporting duties to the Association. Football Public Address This packet contains some general guidelines Announcement Sheet in coordinating media at your contest and accommodating print and broadcast personnel. Broadcast Report Form * It also includes vital details on how and when to report the results of your game. Radio Broadcast Agreements * Should any media or statistics-related questions Televison Broadcast arise before, during or after your game, please Agreements* feel free to contact MSHSAA Communications DirectorJason West at (573) 875-1077 at the Internet Broadcast Agreements* MSHSAA office or (573) 356-0419 after hours. Please keep in mind that the success of this MSHSAA Football Radio/TV event is relative to the planning, administration PSA Scripts and coordination that takes place at your site. By previewing and then following these media and broadcast guidelines, you will certainly have the (*) Indicates items that should be returned upper hand on media arrangements before the to MSHSAA Office following your game. game takes place and help alleviate snags that might occur on game day. Don’t forget to report the score of your game the MSHSAA website immediately after your game is over. MSHSAA and media outlets statewide are anxiously waiting for your final score, and every minute counts. -
Competition in Local Broadcast Television Advertising Markets Kevin Caves and Hal Singer August 4, 2014
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) 2014 Quadrennial Regulatory Review – Review ) MB Docket No. 14-50 of the Commission’s Broadcast Ownership Rules ) and Other Rules Adopted Pursuant to Section ) 202 of the Telecommunications Act of 1996 ) ) 2010 Quadrennial Regulatory Review – Review ) MB Docket No. 09-182 of the Commission’s Broadcast Ownership Rules ) and Other Rules Adopted Pursuant to Section ) 202 of the Telecommunications Act of 1996 ) ) Promoting Diversification of Ownership ) MB Docket No. 07-294 in the Broadcasting Services ) ) Rules and Policies Concerning ) MB Docket No. 04-256 Attribution of Joint Sales Agreements ) in Local Television Markets ) ) Competition in Local Broadcast Television Advertising Markets Kevin Caves and Hal Singer August 4, 2014 -2- Introduction ..................................................................................................................................... 3 I. Background ......................................................................................................................... 4 A. The DOJ Asserts That Local Broadcast Television Advertising Is a Relevant Antitrust Product Market ........................................................................................ 4 B. The DOJ’s Position Lacks Empirical Support ........................................................ 5 II. Empirical Evidence Is Inconsistent with the DOJ’s Definition of the Relevant Product Market ................................................................................................................................ -
Media Relations Guide
MMediaedia RelationsRelations GuideGuide Tips on working with the media and increasing awareness of your school activities program Published by the Kansas State High School Activities Association PO Box 495, Topeka, KS 66601-0495 Why Media Relations? It doesn’t necessarily take a winning program to gain good, positive exposure in the news media. Positive exposure is often the result of good preparation and providing media rep- resentatives with information and/or ideas they need and then allowing them to do their job. Professional sport teams, college and university athletic programs and their conferences spend huge amounts of money each year to publicize their teams or sport. Because of their efforts, it has become more and more important that public and private schools work dili- gently with the media, helping them get your story in print or on the air. Nurturing these relationships with the media can help develop a supportive voice in the newsroom which can speak positively about your school and which can make a difference in what is printed or broadcast, and what isn’t. The key to getting your story out is having an effective, well-organized method of working with media requests as well as getting them interested in what you have to offer. We hope this brochure can be of some use to you in doing this effectively without necessarily having a large staff or committing a lot of money to the task. SPORTS BROADCASTING CODE OF ETHICS 1. Written permission must be obtained from the high school Principal a reasonable time before the broadcast date. -
International Planning Guide
International Planning guide Indianapolis February 2012 Dear Super Bowl Broadcaster: With the NFL season about to get underway, preparations have begun for Super Bowl XLVI February 5, 2012 in Indianapolis, Indiana. If you plan to broadcast the game from the stadium, please note the following deadlines: 1. Sign and return the “Letter of Intent” AS SOON AS POSSIBLE. This is the only way to ensure your booth position is reserved. Requests received after September 9th are granted on a space-available basis. 2. Fill out and return the “Technical Requirements Form” and "General Services Form" by November 11, 2011. A cost estimate is generated for you by mid-December. Your assigned Unit Manager will be available to review details. If you withdraw after December 14, 2011 out-of-pocket costs will apply. 3. Fill out and return the "Accreditation and Hotel Request Forms" to the NY Office by November 18, 2011. 4. Sign and return a service contract from NFL Films by January 06, 2012. Your Unit Manager will review this with you and give you an opportunity to ask questions before signing the contract. At this time, you will be financially obligated to pay for the cost of your commentary position and any other services rendered. Additional requests and changes may be made until Game Day Thank you in advance for your cooperation this season. We look forward to working with you to assure your Super Bowl broadcast will be successful and rewarding. Best regards, Jeff Lombardi Director of International Production Operations LETTER of INTENT FOR ON-SITE BROADCAST SUPER BOWL XLVI ___________________________ intends to broadcast Super Bowl XLVI (Company Name) from Lucas Oil Stadium in Indianapolis on February 5, 2012. -
Broadcast License Renewal and the Telecommunications Act of 1996 Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 1996 Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996 Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons Recommended Citation Lili Levi, Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996, 29 Conn. L. Rev. 243 (1996). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996 Liu LEvi In 1969, public outrage derailed a bill providing that the Federal Communications Commission ("FCC" or "Commission") could not con- sider competing applications for broadcast licenses unless it first found that renewal of the incumbent's license would not be in the public interest.' Citizen groups claimed that eliminating comparative challenges to incumbent broadcasters was "back-door racism" and reinforced the under-representation of minorities in broadcasting.2 They decried the bill as a "vicious ... attempt to limit the efforts of the black community to challenge the prevailing racist practices of the vast majority of TV stations."3 When the FCC thereupon issued a policy statement adopting a similar reform of the comparative renewal process, it was reversed by * Professor of Law, University of Miami School of Law. -
Broadcasting Department of Broadcasting and Journalism, College of Fine Arts and Communication
WESTERN ILLINOIS UNIVERSITY Broadcasting Department of Broadcasting and Journalism, College of Fine Arts and Communication Program of Study The Department of Broadcasting and Journalism offers a Bachelor of Arts in Broadcasting and Sports Broadcasting. The broadcasting curriculum is designed to meet the challenges of media convergence by providing multi-platform production skills to students. Students operate an FM broadcast station, WIUS and produce programming for wiutv3, using state-of-the-art, high-definition television facilities. Graduates of the program enter various careers in television, radio, cable, satellite and post-production operations, including directing, producing, reporting, on-air talent programming, sales, advertising, sports and post-production. News/Performance The news/performance track focuses on the preparation of students for careers in front of the camera and/or microphone. The wiutv3 station is the outlet for live, local television newscasts. Students learn to gather news, cover news events, edit news packages and produce and direct half-hour newscasts that reach Macomb and McDonough County viewers. There are opportunities to be reporters and anchors (news, weather and sports), as well as to produce and direct newscasts. WIUS-FM is the music, news and sports outlet on the radio side. On-air shifts are available to all majors every semester. WIUS-FM and wiutv3 are student-run, under the guidance of faculty and staff. Production The production track is designed for students interested in working in video, audio and/or film production and post-production. The program is hands-on and students work with faculty and peers in an interactive environment to learn production and editing skills. -
Renewal Primer for Television Stations for Renewal Cycle Beginning June 2020
Renewal Primer for Television Stations for Renewal Cycle Beginning June 2020 March 2020 This primer provides detailed guidance on the television station license renewal process.1 Please have those involved in the license renewal process at your station take some time to review these materials. Stations must begin their post-filing announcements on the date that their renewal application is filed. Note that we are happy to set up a call with our clients to walk through this process and answer any questions. We are also glad to handle the mechanics of filing renewal applications through the FCC’s “new” Licensing Management System (“LMS”). SECTION I: THE BASICS The deadline by which a station is required to file its license renewal application is determined by the state in which the station is licensed. Attachment A contains a state-by-state list of license renewal application filing dates and license expiration dates.2 After filing its license renewal application, a station must air post-filing announcements for one month.3 Pre-filing announcements are no longer required.4 Section II of this memorandum provides detailed guidance on the required post-filing announcements, the specific text required, and sample statements for certifying compliance with the public announcement requirements (Attachments B-E). The license renewal application must be filed electronically through the FCC’s Licensing Management System (LMS) platform using FCC Form 2100/Schedule 303-S (“Form 303-S”). A sample copy of the Form 303-S from LMS is available at Attachment F, along with the FCC’s instructions for the form. -
2019-20 OHSAA General Media Regulations
2019-20 OHSAA General Media Regulations Contents Contact Information Pg. 1 - Introduction and Commonly Asked Questions Web site: www.ohsaa.org (News & Media) Pg. 2 - Exclusive Tournament Video Coverage Twitter: @OHSAASports Pg. 3 - Section 1, General Broadcasting Regulations Facebook: /OHSAASports Pg. 4 - Section 2, Video Broadcast Regulations Fax: 614-267-2502 Pg. 6 - Section 3, Audio Broadcast Regulations Phone: 614-267-2502 Pg. 7 - Section 4, Webcast Regulations Pg. 9 - Section 5, Tournament Media Credentials Director of Communications: Pg. 12 - Section 6, Electronic Lighting & Photography Tim Stried Phone: 614-267-2502, ext. 124 Email: [email protected] Note: Underlined text or text with a strike-through (text) denote changes from 2018-19 media regulations. Introduction the “News & Media” page at OHSAA.org. * There are four state tournaments that do not require submission of a The Ohio High School Athletic Association develops the credential application: golf, tennis, field hockey and bowling. regulations for media coverage of all OHSAA tournament contests. Some policies shall also be in effect for regular- 3. What is the policy for photographers at events? season contests. Besides the following regulations, the During regular-season events, the host school is re- OHSAA Board of Directors may adopt additional media sponsible for determining which media and photographers regulations for OHSAA tournament contests. can have sideline access. During postseason OHSAA tour- nament contests, the site manager or media coordinator are responsible for determining access. For state tournaments, the OHSAA’s communications department is responsible for OHSAA Media Regulations credenialing and determining access. Commonly Asked Questions Bona fide newspapers may sell photos from any regular-season or OHSAA postseason tournament contest 1.