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Altenglische und mittelenglische Literatur
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Die Frühe Neuzeit – Von Morus bis Milton
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Von der Restauration zur Frühromantik
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Romantik und viktorianische Zeit
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Vormoderne und Moderne
Beauman, Nicola, A Very Great Profession. The Woman’s Novel 1914–1939, London 1983 Beja, Morris, Epiphany in the Modern Novel, London 1971 Bell, Michael (Hg.), The Context of English Literature 1900–1930, London 1980 Bergonzi, Bernard, Heroes’ Twilight. A Study of the Literature of the Great War, London 1965 Bode, Christoph / Broich, Ulrich (Hg.), Die Zwanziger Jahre in Großbritannien: Litera- tur und Gesellschaft einer spannungsreichen Dekade, Tübingen 1998 Booth, Wayne C., The Rhetoric of Fiction, Chicago 1961 586 Bibliographie
Bradbury, Malcolm, The Modern British Novel, London 1993 Bradbury, Malcolm, The Social Context of Modern English Literature, Oxford 1971 Bradbury, Malcolm / McFarlane, James (Hg.), Modernism 1890–1930, Harmonds- worth 1976 Broich, Ulrich, Gattungen des modernen englischen Romans, Wiesbaden 1975 Brooker, Peter (Hg.), Modernism / Postmodernism, London 1992 Brown, Ian / Riach, Alan, The Edinburgh Companion to Twentieth-Century Scottish Literature, Edinburgh 2009 Childs, Peter, Modernism, London 2000 Cohn, Dorrit, Transparent Minds. Narrative Modes for Presenting Consciousness in Fiction, Princeton 1978 Collini, Stefan, English Pasts. Essays in History and Culture, Oxford 1999 Cunningham, Valentine, British Writers of the Thirties, Oxford 1988 D’haen, Theo / Bertens, Hans (Hg.), British Postmodern Fiction, Amsterdam 1993 Eliot, Thomas S., Selected Essays, London 1951 Erzgräber, Willi. Der englische Roman von Joseph Conrad bis Graham Greene, Tübin- gen 1999 Faas, Egbert, Offene Formen in der modernen Kunst und Literatur, München 1975 Faulkner, Peter, Modernism, London 1977 Ford, Boris (Hg.), The Modern Age, Harmondsworth 1963 Füger, Wilhelm, James Joyce: Epoche-Werk-Wirkung, München 1994 Fussell, Paul, The Great War and Modern Memory, Oxford 1975 Garratt, Robert F., Modern Irish Poetry, Berkeley 1989 Goetsch, Paul (Hg.), Englische Literatur zwischen Viktorianismus und Moderne, Darm- stadt 1983 Goetsch, Paul / Müllenbrock, Heinz-Joachim (Hg.), Englische Literatur und Politik im 20. Jahrhundert, Wiesbaden 1981 Göller, Karl Heinz / Hoffmann, Gerhard (Hg.), Die englische Kurzgeschichte, Düssel- dorf 1973 Grabes, Herbert, Einführung in die Literatur und Kunst der Moderne und Postmoderne, Tübingen und Basel 2004 Hanke, Michael (Hg.), Englische Gedichte des 20. Jahrhunderts, Stuttgart 1997 Harrison, John R., The Reactionaries. Yeats, Lewis, Pound, Eliot, Lawrence etc. A Study of the Anti-Democratic Intelligentsia, New York 1967 Hynes, Samuel, The Edwardian Turn of Mind, Princeton 1968 James, Henry, The Art of the Novel. Critical Prefaces, Richard Blackmur (Hg.), New York 1934 Kenner, Hugh, The Pound Era, Berkeley 1973 Leavis, Frank R., New Bearings in English Poetry, London 1950 Lester, John A., Journey through Despair 1880–1914. Transformations in British Litera- ry Culture, Princeton 1968 Levenson, Michael H., The Cambridge Companion to Modernism, Cambridge 22011 Levenson, Michael H., A Genealogy of Modernism. A Study of English Literary Doctrine 1908–1922, Cambridge 1984 Lodge, David, After Bakhtin. Essays on Fiction and Criticism, London / New York 1990 Ludwig, Hans Werner (Hg.), Arbeitsbuch Romananalyse, Tübingen 1989 Lyons, F.S. L., Culture and Anarchy in Ireland 1890–1939, Oxford 1979 Miller, Jane Eldridge, Rebel Women. Feminism, Modernism and the Edwardian Novel, London 1994 Nünning, Ansgar, Der englische Roman des 20. Jahrhunderts, Stuttgart 1998 Oppel, Horst (Hg.), Die moderne englische Lyrik. Interpretationen, Berlin 1967 O’Neill, Maggie, Twentieth-Century British and Irish Poetry, Oxford 2009 Pfi ster, Manfred / Schulte-Middelich, Bernd (Hg.), Die Nineties. Das englische Fin de siècle zwischen Dekadenz und Sozialkritik, München 1983 Press, John, A Map of Modern English Verse, London 1969 Ray, Paul C., The Surrealist Movement in England, Cornell 1971 Bibliographie 587
Schwartz, Sanford, The Matrix of Modernism. Pound, Eliot and Early Twentieth Century Thought, Princeton 1985 Seeber, Hans Ulrich, Die englische Literatur in Text und Darstellung, Bd. 9, 20. Jahr- hundert 1, Stuttgart 1984 Spears, Monroe K., Dionysus and the City. Modernism in Twentieth Century Poetry, Oxford 1970 Stead, Carl K. The New Poetic, London 1964 Stevenson, Randall, A Reader’s Guide to the Twentieth-Century Novel in Britain, New York, 1993 Stevenson, Randall, Modernist Fiction. An Introduction, Hemel Hempstead 1992 Tetzeli von Rosador, Kurt, Das englische Geschichtsdrama seit Shaw, Heidelberg 1976 Whitehead, Alfred N., Science and the Modern World, Cambridge 1926 Wilson, Edmund, Axel’s Castle. A Study in the Imaginative Literature of 1870–1930, London 1961 (11931) Wolf, Werner, Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst, Tü- bingen 1993
Die Zeit nach 1945
Achilles, Jochen / Imhof, Rüdiger (Hg.), Irische Dramatiker der Gegenwart, Darmstadt 1996 Ahrends, Günter / Seeber, Hans Ulrich (Hg.), Englische und amerikanische Natur- dichtung im 20. Jahrhundert, Tübingen 1985 Alderman, Nigel, A Concise Companion to Postwar British and Irish Poetry, Malden, Mass. 2009 Allsop, Kenneth, The Angry Decade. A Survey of the Cultural Revolt of the 1950’s, Lon- don 1969 Appleyard, Bryan, The Pleasures of Peace. Art and Imagination in Post-War Britain, London 1989 Aston, Elaine / Reinelt, Janelle (Hg.), Modern British Women Playwrights, Cambridge 2000 Aston, Elaine, Feminist Views on the English Stage: Women Playwrights, 1990–2000, Cambridge 2003 Barnes, Philip, A Companion to Post-War British Theatre, London 1986 Barry, Peter, Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court, Cam- bridge 2006 Bell, Ian A., Peripheral Visions. Images of Nationhood in Contemporary British Fiction, Cardiff 1995 Berger, Dieter A., »Ästhetik des Spiels im zeitgenössischen britischen Drama«, Forum modernes Theater 3, 1988, S. 17–30 Bergonzi, Bernard, The Situation of the Novel, London 1979 Bertens, Hans, The Idea of the Postmodern. A History, London 1994 Beyer, Manfred, Das englische Drama des 20. Jahrhunderts. Eine motiv- und bildge- schichtliche Untersuchung, Tübingen 1996 Bigsby, Christopher W.E. (Hg.), Contemporary English Drama, London 1981 Bock, Hedwig / Wertheim, Albert (Hg.), Essays on Contemporary British Drama, Mün- chen 1981 Bold, Alan, Modern Scottish Literature, London 1983 Bradbury, Malcolm, The Modern British Novel, Harmondsworth 1994 Brown, John R. (Hg.), Modern British Dramatists. New Perspectives, Englewood Cliffs 1984 Caserio, Robert L. (Hg.), The Cambridge Companion to the Twentieth Century Novel, Cambridge 2009 Chambers, Colin / Prior, Mike, Playwright’s Progress. Patterns of Postwar British Dra- ma, Oxford 1987 588 Bibliographie
Clarke, Peter, Hope and Glory: Britain 1900–2000, London 2004 Contemporary Drama in English, Jahresbände 1–8, (Hg. Bernhard Reitz, Martin Mid- deke), Trier 1994–2001 Craig, Stephen (Hg.), Dreams and Deconstructions. Alternative Theatre in Britain, Ambergate 1980 D’Monte, Rebecca / Saunders, Graham (Hg.), Cool Britannia? British Political Drama in the 1990s, Basingstoke 2008 Duncan, Andrew, The Failure of Conservatism in Modern British Poetry, Cambridge 2003 Esslin, Martin, Das Theater des Absurden, Hamburg 1965 Fietz, Lothar / Hoffmann, Paul / Ludwig, Hans-Werner (Hg.), Regionalität, Nationali- tät und Internationalität in der zeitgenössischen Lyrik, Tübingen 1992 Godiwala, Dimple (Hg.), Alternatives within the Mainstream: British Black and Asian Theatres, Newcastle 2006 Goetsch, Paul, Bauformen des modernen englischen und amerikanischen Dramas, Darmstadt 1977 Grene, Nicholas, »Contemporary Irish Theatre: The Way We Live Now«, in: Werner Huber, Margarete Rubik und Julia Novak (Hg.), Staging Multiculturality, Trier 2010, 177–193 Grene, Nicholas, The Politics of Irish Drama. Plays in Context from Boucicault to Friel, Cambridge 1999 Griffi n, Gabriele, Contemporary Black and Asian Women Playwrights in Britain, Cam- bridge 2003 Gsiorek, Andrzej, Post-War British Fiction. Realism and After, London and New York 1995 Head, Dominic, The Cambridge Introduction to Modern British Fiction, 1950–2000, Cambridge 2002 Heaney, Seamus, The Government of the Tongue, London 1988 Henke, Christoph / Middeke, Martin (Hg.), Drama and/after Postmodernism, Trier 2007 Höltgen, Karl Josef / Hönnighausen, Lothar / Kreutzer, Eberhard / Schmidt, Götz (Hg.), Tradition und Innovation in der englischen und amerikanischen Lyrik des 20. Jahrhunderts, Tübingen 1986 Howe Kritzer, Amelia, Political Theatre in Post-Thatcher Britain: New Writing 1995– 2005, Basingstoke 2008 Hutcheon, Linda, A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988 Imhof, Rüdiger, The Modern Irish Novel. Irish Novelists After 1945, Dublin 2002 Imhof, Rüdiger / Maack, Annegret (Hg.), Der englische Roman der Gegenwart, Tübin- gen 1987 Innes, Christopher, Modern British Drama. The Twentieth Century, Cambridge & New York 2002 Itzin, Catherine, Stages in the Revolution. Political Theatre in Britain Since 1969, Lon- don 1980 Jordan, Eamonn (Hg.), Theatre Stuff: Critical Essays on Contemporary Irish Theatre, Dublin 2000 Kennedy, David, new relations. the refashioning of british poetry 1980–1994, Kosok, Heinz (Hg.), Drama und Theater im England des 20. Jahrhunderts, Düsseldorf 1980 Lane, Richard J. / Mengham, Rod / Tew, Philip (Hg.), Contemporary British Fiction, Cambridge 2003 Lehmann, Hans-Thies, Postdramatic Theatre [dt. 1999], London 2006 Lonergan, Patrick, Theatre and Globalization: Irish Drama in the Celtic Tiger Era, Basingstoke 2009 Lucas, John, Modern English Poetry. From Hardy to Hughes, London 1986 Maack, Annegret, Der experimentelle englische Roman der Gegenwart, Darmstadt 1984 Maack, Annegret / Imhof, Rüdiger (Hg.), Radikalität und Mäßigung. Der englische Roman seit 1960, Darmstadt 1993 Bibliographie 589
McHale, Brian, Constructing Postmodernism, London / New York 1992 Middeke, Martin / Schnierer, Peter Paul (Hg.), The Methuen Drama Guide to Contem- porary Irish Playwrights, London / New York 2010 Middeke, Martin / Schnierer, Peter Paul / Sierz, Aleks (Hg.), The Methuen Drama Guide to Contemporary British Playwrights, London / New York 2011 Morash, Christopher, A History of Irish Theatre: 1601–2000, Cambridge 2002 Morrison, Blake, The Movement: English Poetry and Fiction of the 1950s, Oxford 1986 Motion, Andrew, Philip Larkin, London / New York 1982 Müller, Klaus Peter (Hg.), Englisches Theater der Gegenwart. Geschichte(n) und Struk- turen, Tübingen 1993 Murray, Christopher, Twentieth-Century Irish Drama. Mirror up to Nation, New York 2000 Nünning, Ansgar, Von historischer Fiktion zu historiographischer Metafi ktion, Bd. 1: Theorie, Typologie und Poetik des historischen Romans, Bd. 2: Erscheinungsformen und Entwicklungstendenzen des historischen Romans in England seit 1950, Trier 1995 Oppel, Horst (Hg.), Das englische Drama der Gegenwart. Interpretationen, Berlin 1976 Orr, Peter (Hg.), The Poet Speaks. Interviews with Contemporary Poets, London 1966 Peach, Linden, The Contemporary Irish Novel. Critical Readings, Houndmills 2004 Plett, Heinrich F. (Hg.), Englisches Drama von Beckett bis Bond, München 1982 Purves, Robin, Complicities: British Poetry 1945–2007, Prag 2007 Raab, Michael, Erfahrungsräume. Das englische Drama der neunziger Jahre, CDE Bd. 4, Trier 1999 Rabinovitz, Rubin, The Reaction against Experiment in the English Novel 1950–1960, New York 1967 Rebellato, Dan, Theatre & Globalization, Basingstoke 2009 Richards, Shaun (Hg.), The Cambridge Companion to Twentieth-Century Irish Drama, Cambridge 2004 Ritchie, Harry, Success Stories. Literature and the Media in England, 1950–1959, Lon- don 1989 Roche, Anthony, Contemporary Irish Drama. From Beckett to McGuinness, Dublin 1994; Basingstoke 2009 Rubik, Margaret / Mettinger-Schartmann, Elke (Hg.), (Dis)Continuities. Trends and Traditions in Contemporary Theatre and Drama in English, CDE Bd. 9, Trier 2002 Schenkel, Elmar, Sense of Place. Regionalität und Raumbewusstsein in der neueren britischen Lyrik, Tübingen 1993 Schnierer, Peter Paul, Modernes englisches Drama. Eine Einführung, Tübingen 1997 Schnierer, Peter Paul, Rekonventionalisierung im englischen Drama 1980–1990, Tübin- gen 1994 Shaffer, Brian W. (Hg.), A Companion to the British and Irish novel, 1945–2000, Mal- den, Mass. 2005 Sheppard Robert, When Bad Times Made for Good Poetry: Episodes in the History of the Poetics of Innovation, Exeter 2011 Sheppard, Robert, The Poetry of Saying: British Poetry and its Discontents, Liverpool 2005 Sierz, Aleks, Rewriting the Nation: British Theatre Today, London 2011 Sierz, Aleks, In-Yer-Face-Theatre. British Drama Today, London 2000 Simard, Rodney, Postmodern Drama. Contemporary Playwrights in America and Bri- tain, Lanham / London 1984 Steiger, Klaus Peter (Hg.), Das englische Drama nach 1945, Darmstadt 1983 Suvin, Darko, Metamorphoses of Science Fiction. On the Poetics and History of a Liter- ary Genre, New Haven 1979 Taylor, D. J., After the War. The Novel and England since 1945, London 1994 Taylor, John R., The Second Wave. British Drama of the Sixties, London 1971 Tew, Philip / Mengham, Rod (Hg.), British Fiction Today, London 2006 Thomsen, Christian, Das englische Theater der Gegenwart, Düsseldorf 1980 Thurley, Geoffrey, The Ironic Harvest. English Poetry in the Twentieth Century, London 1974 590 Bibliographie
Tönnies, Merle (Hg.) Das englische Drama der Gegenwart: Kategorien – Entwicklungen – Modellinterpretationen, Trier 2010 Twaite, Anthony, Twentieth Century English Poetry. An Introduction, London 1978 Wallace, Gavin / Stevenson, Randall (Hg.), The Scottish Novel since the Seventies, Edinburgh 1993 Wandor, Michelene, Look Back in Gender. The Family and Sexuality in Post-War British Drama, London 1986 Weatherhead, Andrew Kingsley, The British Dissonance. Essays on Ten Contemporary Poets, Columbia / London 1983 Weise, Wolf-Dietrich, Die »neuen englischen Dramatiker« in ihrem Verhältnis zu Brecht (unter besonderer Berücksichtigung von Wesker, Osborne und Arden), Bad Homburg etc. 1969 Wu, Duncan, Six Contemporary Dramatists: Bennett, Pinter, Gray, Brenton, Hare, Ayck- bourn, London 1995 Zapf, Hubert, Das Drama in der abstrakten Gesellschaft. Zur Theorie und Struktur des modernen englischen Dramas, Tübingen 1988 Zettelmann, Eva, »Genres as a Repository of Cultural Memory: Familiarising Poetry and the Canonisation of Englishness«, in: Anglistentag 2003 München. Proceedings. Hg. v. Christoph Bode, Sebastian Domsch and Hans Sauer, Trier 2004, 397–409.
Literatur- und Kulturtheorie nach 1900
Ahrens, Rüdiger / Volkmann, Laurenz (Hg.), Why Literature Matters. Theories and Functions of Literature, Heidelberg 1996 Ahrens, Rüdiger / Wolff, Erwin (Hg.), Englische und amerikanische Literaturtheorie. Studien zu ihrer historischen Entwicklung, Bd. 1: Renaissance, Klassizismus und Romantik; Bd. 2: Viktorianische Zeit und 20. Jahrhundert, Heidelberg 1978 Ayers, David, Literary Theory: A Reintroduction, Malden, MA / Oxford 2008 Barry, Peter, Beginning Theory. An Introduction to Literary and Cultural Theory. Man- chester 32009 Berensmeyer, Ingo, Literary Theory. An Introduction to Approaches, Methods and Terms, Stuttgart 2009. Greenblatt, Stephen / Gunn, Giles (Hg.), Redrawing the Boundaries, New York 1992 Groden, Michael / Kreiswirth, Martin / Szeman, Imre (Hg.), The Johns Hopkins Guide to Literary Theory and Criticism, Baltimore / London 22005 Köppe, Tilmann / Winko, Simone, Neuere Literaturtheorien: Eine Einführung, Stutt- gart / Weimar 2008 Nünning, Ansgar (Hg.), Metzler Lexikon Literatur- und Kulturtheorie. Stuttgart / Wei- mar 42008 Selden, Raman (Hg.), The Theory of Criticism from Plato to the Present. A Reader, London / New York 1997 Selden, Raman / Widdowson, Peter / Brooker, Peter (Hg.), A Reader’s Guide to Con- temporary Literary Theory, Harlow 52005 Zapf, Hubert, Kurze Geschichte der anglo-amerikanischen Literaturtheorie, München 21996
Die neuen englischsprachigen Literaturen
Arnold, A. James (Hg.), History of Literature in the Caribbean, 3 Bde., Amsterdam 1994–22002 Ashcroft, Bill et al., The Empire Writes Back. Theory and Practice in Post-Colonial Lite- ratures, London 1989 Bardolf, Jacqueline (Hg.), Telling Stories. Postcolonial Short Fiction in English, Amster- dam 2001 Bibliographie 591
Benson, Eugene / Conolly, L.W. (Hg.), Encyclopedia of Post-Colonial Literatures in English, 3 Bde., London 22005 Birns, Nicholas / McNeer, Rebecca (Hg.), A Companion to Australian Literature Since 1900, Rochester, NY, 2007 Boehmer, Elleke, Colonial and Postcolonial Literature. Migrant Metaphors, Oxford 22005 Breiner, Laurence A., An Introduction to West Indian Poetry, Cambridge 1998 Bucknor, Michael A. / Donnell, Alison (Hg.), The Routledge Companion to Anglophone Caribbean Literature, London 2011 Childs, Peter / Williams, Patrick, An Introduction to Post-Colonial Theory, London 1997 Cornwell, Gareth et al. (Hg.), The Columbia Guide to South African Literature in Eng- lish, New York 2010 Cox, C. Brian (Hg.), African Writers, 2 Bde., New York 1997 Döring, Tobias, Postcolonial Literatures in English, Stuttgart 2008 Döring, Tobias (Hg.), A History of Postcolonial Literature in 12 Books, Trier 2007 Evans, Patrick, The Penguin History of New Zealand Literature, Auckland 1990 Gelder, Ken / Salzman, Paul, After the Celebration: Australian Fiction 1998–2007, Mel- bourne 2009 Gelder, Ken / Salzman, Paul, The New Diversity. Australian Fiction 1970–88, Ring- wood, Vict. 1989 Gikandi, Simon (Hg.), Encyclopedia of African Literature, London 2002 Griffi ths, Gareth, African Literatures in English. East and West, London 2000 Groß, Konrad / Klooß, Wolfgang / Nischik, Reingard M. (Hg.), Kanadische Literatur- geschichte, Stuttgart / Weimar 2005 Howell, Corall Ann / Kröller, Eva-Marie (Hg.), The Cambridge History of Canadian Literature, Cambridge 2009 Huggan, Graham, Australian Literature: Postcolonialism, Racism, Transnationalism, Oxford 2007 Innes, C.L., The Cambridge Introduction to Postcolonial Literatures in English, Cam- bridge 2007 Innes, C. L., A History of Black and Asian Writing in Britain, Oxford ²2008 Irele, F. Abiola / Gikandi, Simon (Hg.), The Cambridge History of African and Carib- bean Literature, 2 Bde., Cambridge 2004 James, Louis, Caribbean Literature in English, London 1999 Jansohn, Christa (Hg.), Companion to the New Literatures in English, Berlin 2002 Killam, Douglas / Rowe, Ruth (Hg.), The Companion to African Literatures, Oxford 2000 King, Bruce, The Internationalization of English Literature (1948–2000), Oxford 2004 King, Bruce (Hg.), Introduction to West Indian Literature, London 21996 King, Bruce (Hg.), New National and Post-Colonial Literatures. An Introduction, Ox- ford 1996 Kroeller, Eva-Marie (Hg.), The Cambridge Companion to Canadian Literature, Cam- bridge 2004 Lee, Robert (Hg.), Other Britain, Other British. Contemporary Multicultural Fiction, London 1995 Moore-Gilbert, Bart, Postcolonial Theory. Contexts, Practices, Politics, London 1997 Naik, Madhukar K., A History of Indian English Literature, New Delhi 1982 Naik, Madhukar K. / Narayan, Shyamala, Indian English Literature 1980–2000, Delhi 2001 Nasta, Susheila, Home Truths. Fictions of the South Asian Diaspora in Britain, Basing- stoke 2002 Nelson, Emmanuel S. (Hg.), Reworlding. Literature of the Indian Diaspora, Westport, Conn. 1992 New, William H., A History of Canadian Literature, London 22003 Patteson, Richard F., Caribbean Passages. A Critical Perspective on New Fiction from the West Indies, Boulder, Col. 1998 Pierce, Peter (Hg.), The Cambridge History of Australian Literature, Cambridge 2009 Robinson, Roger / Wattie, Nelson (Hg.), The Oxford Companion to New Zealand Lite- rature, Melbourne 1999 592 Bibliographie
Sommer, Roy, Fictions of Migration: Ein Beitrag zur Theorie und Gattungstypologie des zeitgenössischen interkulturellen Romans in Großbritannien, Trier 2001 Stein, Mark, Black British Literature: Novels of Transformation, Columbus, O. 2004 Skinner, John, The Stepmother Tongue. An Introduction to New Anglophone Fiction, London 1998 Sturm, Terry (Hg.), The Oxford History of New Zealand Literature in English, Auckland 1991 Toye, William (Hg.), The Concise Oxford Companion to Canadian Literature, Oxford ²2011 Walder, Dennis, Post-Colonial Literatures in English. History, Language, Theory, Oxford 1998 Webby, Elizabeth (Hg.), The Cambridge Companion to Australian Literature, Cam- bridge 2000 Wiemann, Dirk, Genres of Modernity: Contemporary Indian Novels in English, Amster- dam 2008 Wilde, William H. et al. (Hg.), The Oxford Companion to Australian Literature, Mel- bourne 21994 Wright, Derek, New Directions in African Fiction, New York 1997 Zapf, Hubert (Hg.), Amerikanische Literaturgeschichte, Stuttgart / Weimar 32010 593
Personen- und Werk register
A Adorno, Theodor W., S. 426 – That Uncertain Feeling, Armstrong, Jeannette C. Æ S. Russell, George S. 465 (*1948), S. 535 Abercrombie, Lascelles William, S. 347 Amis, Martin (*1949), Arnold, Matthew (1881–1938), S. 353, 354 ÆIfric (955–1020), S. 18, 20 S. 477 f., 489 (1822–88), S. 236, 261, – Poetry and Contemporary – Catholic Homilies, S. 18 – London Fields, S. 477 303 f., 309–315, 476, 496, Speech, S. 549 – Lives of the Saints, S. 18 – Money. A Suicide Note, 499 Abrahams, Peter Henry Aesop, S. 177 S. 477 – »The Buried Life«, S. 314 (*1919), S. 549 Agard, John (*1949), S. 404, Anand, Mulk Raj – Culture and Anarchy, – Tell Freedom, S. 549 406 (1905–2004), S. 517 f., S. 236, 310, 496 Achebe, Chinua (*1930), – »Listen Mr Oxford Man«, 522, 546, 560 – »Democracy«, S. 309 S. 540, 542, 556, 520– S. 406 – Coolie, S. 522, 560 – »Dover Beach«, S. 310 f., 522, 539 Agbabi, Patience (*1965), – The Old Woman and the 314 f., 378 – »African Trilogy«, S. 540 S. 416 Cow, S. 573 – Empedocles on Etna, – Anthills of the Savannah, Agrippa, Henricus Cornelius – Untouchable, S. 546, S. 314 S. 542 von Nettesheim, S. 129 560 – Essays in Criticism, S. 309 – Arrow of God, S. 540 Aidoo, Ama Ata (*1942), Anderson, Alexander – »The Function of – Man of the People, S. 542 S. 562 (1845–1909), S. 325 Criticism at the Present – Morning Yet on Creation – Anowa, S. 562 Andreas, S. 12 f. Time«, S. 310 Day, S. 520 – The Dilemma of a Ghost, Andrewes, Lancelot – »The Future«, S. 314 – No Longer at Ease, S. 540 S. 562 (1555–1626), S. 74 – »Isolation. – Things Fall Apart, S. 52, – Changes – A Love Story?, Anglo-Saxon Chronicle, S. 8, To Marguerite«, S. 314 539 18, 22, 34 – Poems, S. 309, 312 Ackroyd, Peter (*1949), S. 562 – The Popular Education of S. 38, 393, 476, 481 f., 489 Ainsworth, William Apollonius of Tyre, S. 20 – Chatterton, S. 476, 481 Harrison (1805–82), Arbuthnot, John France, S. 309 – Dan Leno and the Lime- S. 286 (1667–1735), S. 165 – »Resignation. To Fausta«, house Golem, S. 476 Aldhelm (ca. 639–709), S. 1 Arden, John (*1930), S. 314 – The Death of King Aldiss, Brian Wilson S. 423 f.,432, 435, 437 – »The Scholar-Gipsy«, Arthur, S. 38 (*1925), S. 492 – Left-Handed Liberty, S. 311 – English Music, S. 476 Alfred der Große (849–99), S. 432 – »Stanzas from the Grande – Hawksmoor, S. 476, 481, S. 17, 18 – Serjeant Musgrave’s Chartreuse«, S. 314 f. 489 Ali, Monica (*1967), S. 569 Dance, S. 423 – »The Strayed Reveller«, – The House of Doctor Dee, – Brick Lane, S. 569 Arden of Feversham, S. 314 S. 476 Ali, Tariq (*1943), S. 437 S. 140 – The Strayed Reveller and – The Last Testament of – Iranian Nights (mit Aretino, Pietro, S. 76, 129 Other Poems, S. 303 Oscar Wilde, S. 476 Howard Brenton), S. 437 Ariosto, Ludovico, S. 117, – »Thyrsis«, S. 310 f., 315 – Notes for a New Culture, Allen, Walter (1911–95), 131 Artaud, Antonin, S. 431 S. 393 S. 463 – Orlando Furioso, S. 117, Ascham, Roger Addison, Joseph Althusser, Louis 131 (1515/16–68), S. 57, 72, (1672–1719), S. 163, (1918–1990), S. 498 Aristoteles, S. 72, 91, 158, 76, 81, 128 167 f., 174, 218 f., 227, Alvarez, A (lfred) (*1929), 241 – The Scholemaster, S. 57, 241 S. 392 f., 399 f. Armah, Ayi Kwei (*1939), 72 – Cato, S. 227 Alvi, Moniza (*1954), S. 453, 539–542 Ash, John (*1948), S. 405 – Chevy-Chase-Essays, S. 407 – The Beautiful Ones Are – »Streets«, S. 405 S. 219 – »Arrival 1946«, S. 407 Not Yet Born, S. 542 Ashcroft, Bill (*1946), S. 510 Adichie, Chimamanda Amis, Kingsley (1922–95), – Two Thousand Seasons, – The Empire Writes Back Ngozi ( *1942), S. 542 S. 397, 463–466, 492 S. 540 (mit Griffi ths und Tiffi n), – Half of a Yellow Sun, – I Like it Here, S. 465 Armitage, Simon (*1963), S. 510 S. 542 – Lucky Jim, S. 464–466 S. 35, 392, 413, 416 Astley, Neil (*1953), S. 413 594 Personen- und Werkregister
Atkinson, Kate (*1951), – The Advancement of – The Ghost Road, S. 389, – Waiting for Godot, S. 489 Learning, S. 80 479 S. 424 f., 430 f., 457 Atterbury, Francis – Essays or Counsels, Civil Barnes, Julian (*1946), Beda (673–735), S. 1, 17 (1663–1732), S. 171 and Moral, S. 99 S. 480 f., 489 – Historia Ecclesiastica Attridge, Derek (*1945), – Instauratio Magna, S. 82 – Flaubert’s Parrot, S. 480 Gentis Anglorum, S. 1, 17 S. 499 – New Atlantis, S. 81 f., 173 – A History of the World in Beddoes, Thomas Lovell Atwood, Margaret (*1939), – »Of Cunning«, S. 100 10½ Chapters, S. 480 (1803–49), S. 267 f. S. 47, 517, 532 f., 559, 565 – »Of Friendship«, S. 100 – The Sense of an Ending, – »Death Sweet«, S. 268 – The Handmaid’s Tale, – »Of Love«, S. 100 S. 480 – Death’s Jest Book or S. 47, 559 – »Of Marriage and Single Barrett, Elizabeth, The Fool’s Tragedy, – The Journals of Susanna Life«, S. 100 S. Browning, S. 268 Moodie, S. 517, 553, 565 – »Of Plantations«, S. 99 Elizabeth Barrett – »A Dirge«, S. 259 – Surfacing, S. 532 – »Of Revenge«, S. 148 Barrie, Sir J (ames) – »Song by Ibrand«, S. 268 – Survival, S. 532 – »Of Simulation and M (atthew) (1860–1937), The Bee (Wochenschrift, Aubrey, John (1626–97), Dissimulation«, S. 100 S. 283, 338, 352 f., 382 hg. O. Goldsmith), S. 213 S. 88 – »Of Studies«, S. 100 – The Admirable Crichton, Behan, Brendan Auden, W (ystan) H (ugh) – »Of Truth«, S. 100 S. 352 f. (1923–1964), S. 457 (1907–73), S. 353, – »Valerius Terminus«, S. 82 – Auld Licht Idylls, S. 338 – The Hostage, S. 457 379–381, 395, 465 Bail, Murray (*1941), S. 517, – Dear Brutus, S. 353 Behn, Aphra (1640–89), – Age of Anxiety, S. 379 531 – Farewell to Miss Julie S. 171, 195 – The Ascent of F 6 – Eucalyptus, S. 531 Logan, S. 283 – Love Letters between a (mit Isherwood), S. 353 Baillie, Joanna (1762–1851), – Peter Pan, S. 352, 382 Noble-Man and his Sister, – The Dog Beneath the Skin S. 232, 240 Barry, Sebastian (*1955), S. 195 (mit Isherwood), S. 353 Ballantyne, R (obert) S. 459, 486 – Oroonoko; or, The Royal – »If I Could Tell You«, M (ichael) (1825–94), Barthes, Roland Slave, S. 171 S. 380 S. 382, 467 (1915–1980), S. 414, 418, Bellamy, Edward (1850–98), – »In Praise of Limestone«, – The Coral Island, S. 382, 474, 477 S. 344 S. 381 467 The Battle of Brunanburh, – Looking Backward, S. 344 – Look Stranger!, S. 380 Ballard, J.W. (1875–1959), S. 8, 18 Belli, Giuseppe Gioachino – »Look, stranger, on this S. 492 The Battle of Maldon, S. 8 f., (1791–1863), S. 475 island now«, S. 381 – The Crystal World, S. 492 16 Belloc, Hilaire (1870–1953), – »Musée des Beaux Arts«, – The Drought, S. 492 Bates, H.E. (1905–1974), S. 382 S. 381 – The Drowned World, S. 384f Belsey, Catherine (*1940), – On the Frontier S. 492 – »For the Dead«, S. 384 f. S. 498 (mit Isherwood), S. 353 – The Wind from Nowhere, Baudelaire, Charles – The Subject of Tragedy, – Poems, S. 380 S. 492 (1821–1867), S. 270, 321, S. 498 – »Ten Songs«, S. 381 Balzac, Honoré de, S. 93, 341 323 f., 335, 363, 398 Bennett, Arnold – Thank You, Fog, S. 381 Banks, Iain M (enzies) Baynton, Barbara (1867–1931), S. 373 – »The Unknown Citizen«, (*1954), S. 81, 488, 493 (1862–1929), S. 559 – The Old Wives’ Tale, S. 381 – The Bridge, S. 488 Beaumont, Sir Francis S. 373 – »The Watershed«, S. 381 – The Crow Road, S. 88 (1584–1616), S. 137, Beowulf, S. 4–7, 12, 402 Austen, Jane (1775–1817), Banville, John (*1945), 158 Berger, John (*1926), S. 472 S. 186, 198, 200, 239, S. 484, 489 – A King and No King Bergson, Henri, S. 329, 272, 278 f. 282, 297–300, – Athena, S. 484 (mit Fletcher), S. 158 358 f., 361, 387 477, 497 – The Book of Evidence, – The Knight of the Berkeley, George – Emma, S. 299 S. 484 Burning Pestle, S. 137 (1685–1753), S. 176 f. – Northanger Abbey, – Doctor Copernicus, S. 484 – Philaster (mit Fletcher), – Essay, S. 177 S. 282 – Ghosts, S. 484 S. 158 – The Principles of Human – Pride and Prejudice, – The Infi nities, S. 484 Beckett, Samuel Barclay Knowledge, S. 176 S. 299 – Kepler, S. 484 (1906–89), S. IX, 344, Besant, Sir Walter – Sense and Sensibility, – Mefi sto, S. 484 369, 424–426, 430, 437, (1836–1901), S. 273 S. 299 – The Newton Letter, S. 484 447, 450, 457 f., 460, 470, Betjeman, Sir John Ayckbourn, Alan (*1939), Barbauld, Anna Laetitia 472, 484 f., 525, 543, 551 (1906–84), S. 389, 392, S. 437, 440 (1743–1825), S. 40 f., 381 – En attendant Godot, 394, 408 – Woman in Mind, S. 437 – Eighteen Hundred and S. 424 – »Executive«, S. 397 Eleven, S. 241 – Endgame, S. 425 – »A Subaltern’s Love B Barker, George Granville – Happy Days, S. 426 Song«, S. 397 (1913–91), S. 351, 395 – Malone dies, S. 472, 484 Bhabha, Homi K. (*1949), Bacon, Francis, 1. Baron Barker, Howard (*1946), – Molloy, S. 369, 457, 472, S. 508, 510, 572 Verulam and Viscount S. 390, 437, 443 484 – The Location of Culture, St. Albans (1561–1626), – The Castle, S. 437 – Murphy, S. 457–459, 470 S. 510 S. 80–83, 86, 99–102, 148, Barker, Pat (*1943), S. 389, – The Unnamable, S. 472, Bhatt, Sujata (*1956), 173, 304, 392 479 484 S. 404 Personen- und Werkregister 595
Bierce, Ambrose – De Consolatione Bowdler, Thomas Brook, Peter (*1925), S. 431, (1842–1914), S. 384 Philosophiae, S. 18 (1754–1825), S. 381 467 Birche, William (*1575), Boileau, Nicholas, Bowen, Elizabeth Brooke, Arthur (†1563), S. 57 gen. Boileau-Despreaux (1899–1973), S. 384 S. 147 – »Song between the (1636–1711), S. 177 f. – »The Demon Lover«, – Tragical History of Queen’s Majesty and – Le lutrin, S. 178 S. 384 Romeus and Juliet, S. 147 England«, S. 57 Boland, Eavan (*1944), Bradbury, Sir Malcolm Brooke, Henry (1703–83), Birney, Earle (1904–95), S. 394, 407 f., 410 (Stanley) (1932–2000), S. 207 S. 533 – The Time of Violence, S. 391, 465 – The Fool of Quality; or, – Rag and Bone Shop, S. 410 – The History Man, S. 465 The History of Henry Earl S. 533 Bolger, Dermot (*1959), Braddon, H., S. 273 of Moreland, S. 207 Bissoondath, Neil (*1955), S. 459, 485 Brahe, Tycho, S. 80 Brooke, Rupert Chawner S. 566 Bolingbroke, Henri St John, Braine, John Gerard (1887–1915), S. 355, 357, – Digging Up the Moun- 1. Viscount (1678–1751), (1922–86), S. 464–466 418 tains, S. 566 S. 182 – Room at the Top, Brooke-Rose, Christine Blackmore, Sir Richard Bolt, Robert Oxton S. 464–466 (1923–2012), S. 474, 494 (1654–1729), S. 173 (1924–95), S. 432 Brand, Dionne (*1953), – Thru, S. 474 – Creation, S. 173 – A Man for All Seasons, S. 566 Brophy, Brigid (1929–1995), Black Orpheus (Zt. Austra- S. 432 – Sans Souci and Other S. 472 lien, seit 1957), S. 519 Bond, (Thomas) Edward Stories, S. 566 Brown, Ford Maddox Blair, Tony (*1953), S. 390, (*1934), S. X, 424, Brathwaite, Edward Kamau (1821–93), S. 287, 289 438, 454 f., 499 430–433, 435, 438–440 (*1930), S. 507, 523, – Work, S. 287 Blake, William – Bingo, S. 431 526–528, 537 f., 568 Browne, Sir Thomas (1757–1827), S. 133, 173, – Early Morning, S. 432 – The Arrivants, (1605–82), S. 85 f., 101 f. 237, 248–250, 263, 268, – In the Company of Men, S. 526–528, 537 – Religio Medici, S. 85, 101 279, 481 S. 439 f. Brecht, Bertolt, S. 137, 228, Browning, Elizabeth Barrett – Annotations to – Lear, S. 431, 440 350, 423 f., 430, 433, 446, (1806–61), S. 311 f., 320 Berkeleys’s »Siris«, S. 248 – Olly’s Prison, S. 440 450 – Sonnets from the – »The Chimney-Sweeper«, – Saved, S. 433, 435 – Die Dreigroschenoper, Portuguese, S. 311 f., 320 S. 250 – The Sea, S. 431 S. 228 Browning, Robert – Jerusalem, S. 249 – Summer, S. 438 Brenton, Howard (*1942), (1812–89), S. 316, 360 f., – »The Lamb«, S. 250 Book of Common Prayer, S. 390, 424, 432–434, 476 – »London«, S. 251 S. 56 f., 74 437, 440 – »Andrea del Sarto«, S. 316 – The Marriage of Heaven Books of Homilies, S. 69 – Bloody Poetry, S. 432 – »The Bishop Orders His and Hell, S. 133, 249 Boorman, John (*1933), – Iranian Nights Tomb at Saint Praxed’s – Milton, S. 249 S. 38 (mit Tariq Ali), S. 437 Church«, S. 316 – »Proverbs of Hell«, S. 249 Booth, William – The Romans in Britain, – »Childe Roland to the – »The Sick Rose«, S. 250 (1829–1912), S. 273, 328 S. 432 Dark Tower Came«, S. 317 – Songs of Innocence and – In Darkest England, Breton, André (1896–1966), – Dramatic Lyrics, S. 316 of Experience, S. 250 S. 328 S. 331 – Dramatis Personae, S. 316 – »The Tyger«, S. 250 Borrow, George Breytenbach, Breyten – »Fra Lippo Lippi«, S. 316 – Vala, or The Four Zoas, (1803–1881), S. 279 (*1939), S. 549 – »Johannes Agricola in S. 249 – Lavengro, S. 279 – Confessions of an Albino Meditation«, S. 316 Bland, Peter (*1934), Boswell, James (1740–95), Terrorist, S. 549 – Men and Women, S. 316 S. 527 S. 164, 218 Bridie, James, eig. Osborne – »My Last Duchess«, – Blast. Review of the Great Bottomley, Gordon Henry Mavor S. 316 English Vortex, S. 355 (1874–1948), S. 353 (1888–1951), S. 352 – The Ring and the Book, – The Crusoe Factor, S. 527 Boucicault, Dion Brodber, Erna (*1940), S. 316 Bloch, Ernst (1885–1977), (1820–1890), S. 348, 450 S. 561 – »Soliloquy of the Spanish S. 51 – The Colleen Bawn, – Jane and Louisa Will Cloister«, S. 316 Blunden, Edmund Charles S. 348 Soon Come Home, S. 561 – Sordello, S. 316 (1896–1974), S. 355 Bourdieu, Pierre Brontë, Anne (1820–49), Brunner, John (1934–1995), Boccaccio, Giovanni (1930–2002), S. 497 S. 297, 300, 477 S. 492 (1313–1375), S. 38, 72, Boyd, William (*1952), Brontë, Charlotte (1816–55), Bruno, Giordano, S. 80 122, 144, 383, 575 S. 490 f. S. 238, 269, 278, 282, Brutus, Dennis (Vincent) – Il Decamerone, S. 122 – Restless, S. 490 297, 300, 477, 529 (1924–2009), S. 507, – De casibus virorum – Waiting for Sunrise, – Jane Eyre, S. 238, 282, 549 illustrium, S. 144 f. S. 490 f. 298, 300, 529 – Letters to Martha, S. 549 – Il Filostrato, S. 38 Boyle, Robert (1627–91), – Shirley, S. 300 Buchanan, George Böhme, Jakob (1575–1624), S. 80, 174 Brontë, Emily (1818–48), (1506–82), S. 59 S. 248 – The Usefulnesse of S. 275, 282, 297, 300, 477 Buckle, Henry Thomas Boethius (480–524), S. 18, Experimental Natural – Wuthering Heights, (1821–62), S. 305 38 f., 44, 48, 55, 73 Philosophy, S. 174 S. 282, 300 f., 442 Buffon, George Louis 596 Personen- und Werkregister
Leclerc, Comte de – »Holy Willie’s Prayer«, – Britannia, S. 65 – Heroes and Villains, (1707–1788), S. 93 S. 187 Campe, Joachim Heinrich S. 475 Bulwer-Lytton, Edward – »Tam o‹ Shanter«, S. 187 f. (1746–1818), S. 194 – Nights at the Circus, George Earle Lytton, 1. Burnside, John (*1955), Canadian Literature S. 475 Baron Lytton (1803–73), S. 416 (Zt., seit 1959), S. 519 Cartwright, Jim (*1958), S. 275, 286, 343 Burton, Robert Carew, Thomas S. 448 – The Coming Race, S. 343 (1577–1640), S. 61, 122, (1594/95–1640), S. 102 f. Cary, Joyce (1888–1957), – The Last Days of 148 – »Elegy upon the Death of S. 373 f. Pompeii, S. 275 – Anatomy of Melancholy, Doctor Donne, Dean of – Mister Johnson, S. 373 f. – Rienzi: The Last of the S. 61, 122, 148 Paul’s«, S. 103 Castiglione, Baldassare, Roman Tribunes, S. 286 Butler, Samuel (1613–80), Carey, Peter (*1943), S. 517, S. 73, 76, 105, 108 Bunting, Basil (1900–85), S. 211 f. 523, 553 f. – Il libro del cortegiano, S. 394, 403, 417 – Hudibras, S. 211 – Illywhacker, S. 523, 553 S. 73, 76, 105, 108 – Briggfl atts, S. 393 Butler, Samuel (1835–1902), – Oscar and Lucinda, S. 523 The Castle of Perseverance, – Collected Poems, S. 393, S. 235, 238, 278, 331, Carlyle, Jane Baillie Welsh S. 30 403, 406 342 f. (1801–66), S. 269 Castle’s Popular Educator, Bunyan, John (1628–88), – Erewhon, S. 238, 281, 343 Carlyle, Thomas S. 274 S. 190, 294, 476 – The Way of All Flesh, (1795–1881), S. 194, Caudwell, Christopher, – Grace Abounding to the S. 224, 235, 278 232 f., 286, 288 f., 303 f., eig. Christopher St John Chief of Sinners, S. 190 Butterworth, Jez (*1970), 306 f., 309, 314, 320 Sprigg (1907–37), S. 330, – The Pilgrim’s Progress, S. 444 f. – Chartism, S. 288, 307 379 S. 190, 294, 476 – Mojo, S. 444 f. – »The Everlasting Yea«, – Illusion and Reality, Burckhardt, Jakob Byatt, Dame A (ntonia) S. 307 S. 379 (1901–1981), S. 71, 80 S (usan) (*1936), S. 476, – The French Revolution, – Studies in a Dying – Die Kultur der Renais- 479, 481 S. 286, 307 Culture, S. 379 sance in Italien, S. 71 – Babel Tower, S. 476 – History of Frederick II of Cavendish, Margaret, Burgess, Anthony (John – The Children’s Book, Prussia, S. 307 Duchess of Newcastle Anthony Burgess Wilson) S. 479 – Oliver Cromwell’s Letters (1623–73), S. 83 (1917–93), S. 474 f., 483, – »The Conjugial Angel«, and Speeches, S. 307 – The Description of a New 493, 502 S. 481 – On Heroes, Hero-Worship World Called The Blazing – ABBA ABBA, S. 475 – Possession. A Romance, and the Heroic in History, World, S. 83 – A Clockwork Orange, S. 476 S. 307 – Philosophical Letters, S. 474 – Still Life, S. 476 – Past and Present, S. 307 S. 83 – Earthly Powers, S. 475 – The Virgin in the Garden, – Sartor Resartus. The Life Caxton, William – Enderby-Romane, S. 475 S. 476 and Opinions of Herr (ca. 1422–91), S. 23, 37 – The Long Day Wanes, – A Whistling Woman, Teufelsdröckh, S. 306 Cervantes Saavedra, Miguel S. 483 S. 476 – »Signs of the Times«, de (1547–1616), S. 125, – MF, S. 475 Byron, George Gordon, S. 232, 307 294 – Nothing Like the Sun, 6. Baron (1788–1824), Carr, Marina (*1964), – Galatea, S. 125 S. 475 S. 113, 237, 239 f., 248, S. 460 f. Chambers, Ephraim Burke, Edmund (1729–97), 251, 258, 264, 266 f., 269, – Portia Coughlan, S. 461 (†1740), S. 171 S. 233, 241, 247, 255, 279 283, 304 Carroll, Lewis, eig. Charles – Cyclopaedia, S. 171 – A Philosophical Enquiry – Childe Harold’s Lutwidge Dodgson Chandra, Vikram (*1961), into the Origin of our Pilgrimage, S. 243, 366 (1832–98), S. 308, 312, S. 506, 548 Ideas of the Sublime and – The Corsair, S. 265. 324, 382 f. – Red Earth and Pouring Beautiful, S. 247, 279 – Don Juan, S. 266 f. – Alice’s Adventures in Rain, S. 548 – Refl ections on the Revolu- – English Bards and Scotch Wonderland, S. 312, 382 f. Chapman, George tion in France, S. 233 Reviewers, S. 266 – The Hunting of the (ca. 1559–1634), S. 54, Burke, Gregory (*1968), – Lara, S. 265 Snark, S. 382 73, 143 S. 445 f., 455 – Manfred, S. 265 – Through the Looking- Chaucer, Geoffrey – Gagarin Way, S. 446 – The Vision of Judgement, Glass and What Alice (um 1340–1400), S. 22– Burney, Fanny (Frances, S. 266 Found There, S. 382 24, 32, 38–40, 42, 45–48, Mme d’Arblay) Carroll, Paul Vincent 50, 103, 145, 320, 322, (1752–1840), S. 208 C (1900–1968), S. 457 363 – Evelina; or, The History Carson, Ciaran (*1948), – The Canterbury Tales, of a Young Lady’s Cædmon († ca. 675), S. 16, S. 394, 405 S. 22, 24, 32, 42, 45–48, Entrance into the World, 54 – »Belfast Confetti«, S. 394, 363 S. 208 – Hymn, S. 16 405 – »The Clerk’s Tale«, Burns, Alan (*1929), S. 472 Calvin, Jean (1509–1564), – »Dresden«, S. 405 S. 42 Burns, Robert (1759–96), S. 108 f., 283, 285, 289, Carter, Angela (Olive) – Ellesmere-Handschrift, S. 187 f. 306, 486 (1940–92), S. 475 S. 41 – »A’That and A’That«, Camden, William – The Bloody Chamber, – »The Franklin’s Tale«, S. 188 (1551–1623), S. 65 S. 475 S. 42 Personen- und Werkregister 597
– »General Prologue«, S. 41 – The Shepherd’s Calendar, – Lyrical Ballads (mit Corneille, Pierre, S. 221, 241 – The House of Fame, S. 42 S. 269 Wordsworth), S. 252–254 Cornhill Magazine, S. 275 – »The Knight’s Tale«, – The Village Minstrel, – »The Rime of the Ancient Coryates, Thomas (ca. S. 46, 48 S. 269 Mariner«, S. 255–257 1577–1617), S. 275 – »Monk’s Tale«, S. 145 Clarke, Arthur C (harles) – »Sonnets on Eminent – Crudities, S. 129 – »The Parson’s Tale«, S. 22 (1917–2008), S. 493 Characters«, S. 255 Coward, Noël (1899–1973), – »Sir Thopas«, S. 32 Clarke, Austin (*1934), – »This Lime-Tree Bower S. 352, 422 – Troilus and Criseyde, S. 566 My Prison«, S. 257 – Design for Living, S. 352 S. 24, 38–40 – The Meeting Point, S. 566 Colet, John (1466–1519), Cowley, Abraham Chaudhuri, Amit (*1962), Clarke, Gillian (*1937), S. 72, 74 (1618–67), S. 53, 113 S. 506, 569 S. 394 Collier, Jeremy – Davideis, S. 53 – Afternoon Raag, S. 569 Clarke, Samuel (1650–1726), S. 226 Cowper, William Chaudhuri, Nirad (1675–1729), S. 171 – A Short View of the (1731–1800), S. 168, 186 (1897–1999), S. 557 Cleland, John (1709–89), Immorality and – The Task, S. 168 – The Autobiography of an S. 198 Profaneness of the Crabbe, George Unknown Indian, S. 557 – Memoirs of a Woman of English Stage, S. 226 (1754–1832), S. 267 Cheke, Sir John (1519–57), Pleasure [Fanny Hill], Collins, (William) Wilkie – The Village, S. 267 S. 72 S. 198 (1824–89), S. 273, – The Borough, S. 267 Cheney-Coker, Syl (*1945), Clough, Arthur Hugh 281–283 Crashaw, Richard S. 539–541 (1819–61), S. 311 f., 315, – The Woman in White, (1612/13–49), S. 116 f. – The Last Harmattan of 324 S. 281 – »The Flaming Heart«, Alusine Dunbar, S. 540 f. – »Amours de Voyage« Collins, William (1721–59), S. 117 Chesterfi eld, Philip Dormer S. 311, 315 S. 168, 184 f. – »Hymn to Saint Theresa«, Stanhope, 4. Earl of – The Bothie of Tober-na- – »Ode to Evening«, S. 117 (1694–1773), S. 172 Vuolich, S. 311, 315 S. 184 f. – Steps to the Temple, S. 116 – Briefe, S. 172 – »Dipsychus«, S. 315 Colum, Padraic Crawford, Robert Chesterton, G (ilbert) K(eith) – »The Latest Decalogue«, (1881–1972), S. 347 (1959–2011), S. 392, 405 (1874–1936), S. 328 S. 315 Compton-Burnett, Dame Ivy Crews, Frederick C. Chester-Stücke (Zyklus), – »Spectator ab Extra«, (1884–1969), S. 377 (*1958), S. 383 S. 28 f. S. 315 – A House and Its Head, Crimp, Martin (*1956), Chinweizu (*1943), S. 524 Cobbett, William S. 377 S. 436, 444, 447 f., 450 Christ and Satan, S. 16 (1763–1835) S. 271 – Manservant and – Attempts On Her Life, Christie, Agatha – Rural Rides, S. 271 Maidservant, S. 377 S. 447 f. (1891–1976), S. 282, 489 Cobbing, Bob (1920–2002), Congreve, William – The Country, S. 448 Churchill, Caryl (*1938), S. 413 (1670–1729), S. 168, – Dealing with Clair, S. 436 S. 424, 432–437, 440 f. Coetzee, J (ohn) M (axwell) 223–226 – The Treatment, S. 444 – Cloud Nine, S. 433 f. (*1940), S. 527, 549–552 – The Way of the World, The Crisis (Zt.), S. 236 – Far Away, S. 441 – Disgrace, S. 552 S. 224 f. Crozier, Andrew – Light Shining in Bucking- – Foe, S. 527 Conquest, (George) Robert (1943–2008), S. 404 hamshire, S. 432 – In the Heart of the (Acworth) (*1917), Cynewulf († 785), S. 13, 15 – A Mouthful of Birds (mit Country, S. 550 S. 392 f., 396 f. – Elene, S. 15 David Lan), S. 434, 437 – Life and Times of Conrad, Joseph, – The Fates of the Apostles, – Serious Money, S. 436, Michael K, S. 550 f. eig. Teodor Josef Konrad S. 13 441 – Waiting for the Korzeniowski – Juliana, S. 15 – The Skryker, S. 441 Barbarians, S. 549 (1857–1924), S. 290, – This Is a Chair, S. 441 Coleridge, Samuel Taylor 331 f., 338–340, 366, 372, D – Top Girls, S. 434 (1772–1834), S. 113, 186, 374, 381, 381, 384, 497, Churchill, Charles 237–240, 246, 251 f., 517 Dabydeen, David (*1956), (1732–64), S. 217 255–257, 262, 262, 270, – »An Outpost of Progress«, S. 523, 528, 537 f., 567, – The Rosciad, S. 217 306 S. 339, 384 569 Cibber, Colley (1671–1757), – Biographia Literaria, – Heart of Darkness, S. 332, – Coolie Odyssey, S. 528, S. 213, 225 f., 229 S. 246, 255, 258 339 f., 374, 517 538 – Love’s Last Shift, S. 225, – »Dejection: An Ode«, – Lord Jim, S. 339 f., 366 – Slave Song, S. 523 229 S. 257 – Nostromo, S. 340 – Turner, S. 538 Cicero, S. 72, 100, 122, 152 – »The Destiny of Nations«, – The Nigger of the D’Aguiar, Fred (*1960), Clare, John (1793–1864), S. 255 Narcissus, S. 339 S. 404, 413, 569 S. 235, 251, 258, 268 f., – »France: An Ode«, S. 255 – The Secret Agent, S. 290, – Bloodlines, S. 569 310, 356 – »Frost at Midnight«, 340 – British Subjects, S. 569 – »I am«, S. 269 S. 257 f. – The Shadow-Line, S. 339 – Feeding the Ghosts, S. 569 – Poems Descriptive of – »Hymn before Sun-rise, Constantine, David (*1944), – »Home«, S. 413 Rural Life and Scenery, in the Vale of Chamou- S. 405 – Mama Dot, S. 569 S. 269 ni«, S. 247 Cope, Wendy (*1945), The Daily Courant – The Rural Muse, S. 269 – »Kubla Khan«, S. 255–257 S. 414 (Zt., seit 1702), S. 168 598 Personen- und Werkregister
Dahl, Roald (1916–1990), Deevy, Teresa (1894–1963), Derham, William Dobson, Henry Austin S. 382 S. 457 (1657–1735), S. 174 (1840–1921), S. 337 Dampier, William Defoe, Daniel (1660–1731), – Physico-Theology, S. 174 Dollimore, Jonathan (1652–1715), S. 174, 192 S. 166 f., 171, 189–195, Desai, Anita (*1937), S. 506, (*1948), S. 498 – A New Voyage Round the 208–210, 218, 294, 298, 561 f. – Political Shakespeare World, S. 192 382, 527 – Clear Light of Day, (mit Alan Sinfi eld‹) S. 498 Dangarembga, Tsitsi – Captain Singleton, S. 192 S. 561 f. Donne, John (1572–1631), (*1959), S. 561 f. – Colonel Jacque, S. 192 Desai, Kiran (*1971), S. 506 S. 66, 84–86, 98, 102 f., – Nervous Conditions, – Essay on Projects, S. 167 Desani, G (ovindas) 111–117, 129, 370, 494 S. 562 – »Essay upon Literature«, V (ishnoodas) – »Air and Angels«, S. 114 Daniel (Bibel), S. 16, 82 S. 166 (1909–2000), S. 558 – An Anatomy of the Daniel, Samuel – The Family Instructor, – All Abouth H. Hatterr, World, S. 85 (1536–1619), S. 69 S. 167 S. 558 – »Batter my heart, three- – The Civil Wars between – The Farther Adventures of Descartes, René personed God«, S. 112 the two Houses of York Robinson Crusoe, S. 194 (1596–1650), S. 83, 174, – »The Canonization«, and Lancaster, S. 69 – »Hymne an den Pranger« 253 S. 116 Daniels, Sarah (*1957), (Hymn to the Pillory), Des Imagistes (Anthologie, – »The Extasie«, S. 116 f. S. 433, 437, 442 S. 210 hg. Ezra Pound), S. 359 – »The Flea«, S. 115 – Byrthrite, S. 437 – A Journal of the Plague Devi, Mahasweta (*1926), – »The Good Morrow«, Dante Alighieri, S. 362, 364, Year, S. 191 S. 509 S. 98 529 – Moll Flanders, S. 171, Devlin, Anne (*1951), – »Holy Sonnets« (»Divine Darwin, Charles Robert 173, 189, 194 f., 298 S. 460 Meditations«), S. 111 f. (1809–82), S. 232, 235, – Robinson Crusoe, S. 167, Diaper, William – »Love’s Growth«, S. 116 255, 323, 342 f., 368, 467, 171, 192–194, 294, 382, (1685–1717), S. 181 – »Of Religion«, S. 86 483 527, 529 – Dryades; or, the Nymphs – Of the Progress of the – On the Origin of Species, – Roxana, S. 171, 195, 527 Prophecy, S. 181 Soul, S. 85 S. 232, 342, 483 – The Shortest Way with Dickens, Charles (1812–70), – Predigten, S. 66 Das, Kamala (*1934), S. 521 Dissenters, S. 209 S. 235, 237, 273–279, – »Songs and Sonets«, Dasgupta, Rana (*1971), De la Fontaine, Jean 286–295, 297, 301, 331, S. 105 S. 575 f. (1621–1695), S. 177 366, 384, 387, 466, 481 – »The Sun Rising«, S. 115 – Tokyo Cancelled, S. 575 f. De la Mare, Walter – Bleak House, S. 290, 292 – »To his Mistress, Going to Davenant, Sir William (1873–1956), S. 355–357, – A Christmas Carol, S. 293 Bed«, S. 98 f. (1606–68), S. 221 382, 384 – David Copperfi eld, S. 273, – »A Valediction: – Love and Honour, – »The Ghost«, S. 357 292 f. Forbidding Mourning«, S. 221 – »The Song of the Mad – Dombey and Son, S. 292 S. 114 – The Siege of Rhodos, Prince«, S. 357 – Great Expectations, Donoghue, Emma (*1969), S. 221 – »An Ideal Craftsman«, S. 292 S. 460 Davidson, John S. 384 – Hard Times, S. 279, Doolittle, Hilda (H. D.) (1857–1909), S. 324, 331, Deighton, Len (*1929), 287–289, 372 (1886–1961), S. 338 33 f. S. 490 – Little Dorrit, S. 293 – »Oread«, S. 338 – »The Crystal Palace«, Deloney, Thomas (ca. – Nicholas Nickleby, S. 291 Douglas, Lord Alfred S.334 1560–1600), S. 118 – The Old Curiosity Shop, (1870–1945), S. 336 Davie, Donald (Alfred) – Jack of Newberie, S. 118 S. 291 Douglas, Keith Castellain (1922–95), S. 394, 397 Denham, Sir John – Oliver Twist, S. 290, 292 (1920–44), S. 395 Davies, Sir John (1615–69), S. 181 – Our Mutual Friend, Dowson, Ernest Christopher (1569–1626), S. 76 – Cooper’s Hill, S. 181 S. 290, 293, 301 (1867–1900), S. 337 – Orchestra, or, A Poem of Deor, S. 11 – The Pickwick Papers, Doyle, Sir Arthur Conan Dancing, S. 76 De Lisser, Herbert George S. 275, 290f (1859–1930), S. 281 f., Davies, Robertson (1878–1944), S. 560 – »The Signalman«, S. 384 384 (1913–95), S. 527, 534 – Jane’s Career, S. 560 – A Tale of Two Cities, – The Adventures of – Deptford-Trilogie, S. 534 De Quincey, Thomas S. 286 Sherlock Holmes, S. 281 – Fifth Business, S. 534 f. (1785–1859), S. 243, Dickinson, Emily Doyle, Roddy (*1958), – Tempest Tost, S. 527 270 f. (1830–86), S. 476 S. 485 Davies, W (illiam) H (enry) – Confessions of an English Diderot, Denis (1713–1784), – The Commitments, S. 485 (1871–1940), S. 355 Opium-Eater, S. 270 S. 198 – Paddy Clarke Ha Ha Ha, Davis, Jack (1917–2000), – »The English Mail-Coach, Didsbury, Peter (*1946), S. 485 S. 522, 564 or The Glory of Motion«, S. 405 – The Snapper, S. 485 – Kullark, S. 564 S. 270 f. – »The Web«, S. 405 – A Star Called Henry, Day-Lewis, Cecil (1904–72), – »On the Knocking at the Disraeli, Benjamin, 1. Earl S. 485 S. 380 Gate in Macbeth«, of Beaconsfi eld – The Van, S. 485 de Angelis, April (*1960), S. 270 f. (1804–81), S. 287 f. Drabble, Margaret (*1939), S. 442 – Suspiria de Profundis, – Sybil or: The Two S. 472 f. – Ironmistress, S. 442 S. 270 f. Nations, S. 287 f. – The Ice Age, S. 472 f. Personen- und Werkregister 599
– The Middle Ground, (*1942), S. 394, 403, 405, – Adam Bede, S. 238, 272, – Some Versions of S. 472 f. 407 302 P astoral, S. 495 – The Radiant Way, S. 473 – »On Roofs of Terry – Daniel Deronda, S. 301 – The Structure of Complex Drake, Sir Francis Street«, S. 407 – Middlemarch, S. 237 f., Words, S. 495 (ca. 1540–96), S. 96 f. – (Hg.) The Faber Book of 275, 278 f., 298, 302 f. Ende, Michael, S. 119 Drayton, Michael Twentieth Century – »The National History of Enigma, S. 440 (1563–1631), S. 65, 96 Scottish Poetry, S. 405 German Life«, S. 293 Enright, Anne (*1962), – Poly-Olbion, S. 65 Durcan Paul (*1944), S. 394, – Romola, S. 286 S. 397 – »To the Virginian 411 – Silas Marner, S. 302 Enright, D (ennis) J (oseph) Voyage«, S. 96 – »In Memory of Those Eliot, T.S. (1888–1965), (1920–2002), S. 397 The Dream of the Rood, Murdered in the Dublin S. XI, 83, 102, 126, 261, Erasmus, Desiderius S. 13 f. Massacre« 1974«, S. 411 324, 328–330, 353, 355, (Erasmus von Rotter- Drum (Zt.), S. 549 Durrell, Lawrence George 359–364, 392, 394, 403, dam), S. 71 f., 79, 129, Drummond of (1912–90), S. 472 f. 413, 416f, 419, 422, 463, 213 Hawthornden, William – The Alexandria Quartet, 465, 481, 495–497, 524, – Encomium Moriae (1585–1649), S. 113 S. 473 526, 529, 562 (Lob der Torheit), S. 213 Dryden, John (1631–1700), – Avignon-Quintet, S. 473 – After Strange Gods, S. 328 – Vertraute Gespräche, S. 77 S. 113, 163, 168, 178, 212, – Balthazar, S. 473 – »A Dialogue on Dramatic Essex, Robert Devereux, 221–223 Poetry«, S. 353 2.Earl of (1566–1601), – Absalom and Achitophel, E – Criterion (Zt. hg. von S. 88, 107, 120 S. 212 T.S. Eliot), S. 496 Etherege oder Etheredge, – All for Love: or, The Eagleton, Terry (*1943), – The Family Reunion, Sir George (ca. 1634–91), World Well Lost, S. 221 f. S. 498 S. 353 S. 224 f., 444 – Astraea Redux, S. 163 – Criticism and Ideology, – Four Quartets, S. 364 – The Man of Mode, – The Conquest of Granada S. 498 – »Gerontion«, S. 364 S. 224 f., 444 by the Spaniards, S. 222 – The Function of Criticism, – »The Hollow Men«, Everyman, S. 29 f., 138 – Discourse Concerning the S. 498 S. 363 f. The Examiner, S. 167 Original and Progress of – The Illusions of Post- – »The Love Song of J. Exeter-Buch, S. 4,10 Satire, S. 205 modernism, S. 498 Alfred Prufrock«, S. 362 Exodus, S. 16 – MacFlecknoe; or, – The Idea of Culture, – »The Metaphysical A Satire on the True S. 498 Poets«, S. 102 F Blue Protestant Poet, T.S., – Literary Theory: – Murder in the Cathedral, S. 212 An Introduction, S. 498 S. 353 Farah, Nuruddin (*1945), – Marriage à la Mode, – After Theory, S. 498 – Notes towards the S. 542, 544 f., 560 S. 216 – Holy Terror, S. 498 Defi nition of Culture, – From a Crooked Rib, – Virgil, S. 172 – The Meaning of Life, S. 496 S. 560 Dub Poets, S. 523, 526, 567, S. 498 – Poems, S. 362 – Gifts, S. 544 569 – Reason, Faith and – »Preludes«, S. 364 – Maps, S. 544 f. Duff, Alan (*1950), S. 565 Revolution, S. 498 – Prufrock and Other – Secrets, S. 544 – Once Were Warriors, Edgar, David (*1948), Observations, S. 362 – Variations on a Theme of S. 565 S. 432, 440 – »Tradition and the an African Dictatorship, Duffy, Carol Ann (*1955), – Maydays, S. 432 Individual Talent«, S. 496 S. 542 S. 394, 405, 407–409, 411, Edgeworth, Maria – The Waste Land, S. 324, Farley, Paul (*1965), S. 416 415, 419 (1768–1849), S. 205, 278, 361–364 Farquhar, George – »Adultery«, S. 407 381 Elliot, Ebenezer (1678–1707), S. 223–225, – »The Captain of the 1964 – Castle Rackrent, S. 278 (1781–1849), S. 267 441 Top of the Form Team«, Ekwensi, Cyprian – »The Splendid Village«, – The Beaux’ Stratagem, S. 409 (1921–2007), S. 556, 560 S. 267 S. 223–225 – »Education for Leisure«, – Jagua Nana, S. 560 Elyot, Kevin (*1951), S. 450 – The Recruiting Offi cer, S. 411 Eldridge, David (*1973), Elyot, Sir Thomas (ca. S. 225, 441 – Feminine Gospels, S. 409 S. 436 f., 448 f. 1490–1546), S. 72, 74–76 Farrell, J (ames) G (ordon) – »The Laughter of the – Market Boy, S. 436 – The Governour, S. 72, 74 f. (1935–79), S. 389, 483 Staffordshire Girls’ High, – Incomplete and Random Emecheta, Buchi (*1944), – The Siege of Krishnapur, S. 409 Acts of Kindness, S. 562, 569 S. 389 – »Mrs Lazarus«, S. 408 S. 448 f. – Adah’s Story, S. 569 Fenoblosa, Ernest – »Poet of Our Times«, Elfyn, Menna (*1951), – The Joys of Motherhood, (1853–1908), S. 361 S. 409 S. 405 S. 562 – »The Chinese Written – »Warming Her Pearls«, Eliot, George, eig. Mary Empson, Sir William Character as a Medium S. 408 f. Ann (später Marian) (1906–1984), S. 396, for Poetry«, S. 361 Duncan, Ronald (Frederick Evans (1819–80), S. X, 495 Fenton, James (Martin) Henry) (1914–82), 198, 235, 237f, 272f, – Milton’s God, S. 495 (*1949), S. 402, 405 S. 353 275–279, 286, 293, 297, – Seven Types of – »The Ballad of the Imam Dunn, Douglas (Eaglesham) 301–303, 338, 373 Ambiguity, S. 495 and the Shah«, S. 402 600 Personen- und Werkregister
– »A German Requiem«, – The Faithful Shepherdess, Friel, Brian (*1929), S. 457– – The Children’s Bach, S. 402 S. 123 459 S. 560 Ferguson, Adam – A King and No King – Dancing at Lughnasa, – Postcards from Surfers, (1723–1816), S. 283 f. (mit Beaumont), S. 158 S. 459 S. 560 – An Essay on the History – Philaster – Philadelphia Here I Garnier, Robert, S. 73 of Civil Society, S. 283 f. (mit Beaumont), S. 158 Come!, S. 459 – Marc-Antoine, S. 73 Fergusson, Robert Florio, John – The Freedom of the City, Garrick, David (1717–79), (1750–74), S. 187 (ca. 1553–1625), S. 73, 79 S. 459 S. 217 Feuerbach, Ludwig, S. 302 Fludd, Robert, S. 119 – Translations, S. 459 Garth, Sir Samuel – Das Wesen des Christen- – Utriusque Cosmi Historia, Frost, Robert Lee (1661–1719), S. 178 f. tums, S. 302 S. 119 (1874–1963), S. 356 – The Dispensary, S. 178 f. Fichte, Johann Gottlieb, Ford, Ford Madox, eig. Ford Froude, James Anthony Gascoyne, David (Emery) S. 306 Hermann Hueffer (1818–94), S. 96, 278, 306 (1916–2001), S. 395 Ficino, Marsilio, S. 91, 105 (1873–1939), S. 361, 366, – The Nemesis of Faith, Gaskell, Mrs Elizabeth Fielding, Henry (1707–54), 372 S. 278 Cleghorn (1810–65), S. 130, 166 f., 170, 173, – The Good Soldier, S. 372 Fry, Christopher (Harris) S. 237 f., 269, 273, 276, 198–202, 204, 216, 229, Ford, John (1586-nach (1907–2005), S. 353, 422 278, 281, 287–290, 388 272, 290, 294, 377, 477 1639), S. 135, 140, 145 – The Lady’s Not for – Cranford, S. 273 – Amelia, S. 202 – ’Tis Pity She’s a Whore, Burning, S. 553 – Life of Charlotte Brontë, – Jonathan Wild, S. 173, S. 140, 151 – A Phoenix Too Frequent, S. 269 199 Forster, E (dward) M (organ) S. 353 – Mary Barton, S. 238, 276, – Joseph Andrews, S. 130, (1879–1970), S. 281, 344, Frye, Northrop (1912–91), 281, 287–290 198, 200–202, 216, 229 373, 377, 501, 518 S. 140, 532 – North and South, S. 287 f. – Shamela, S. 198 – »The Machine Stops«, Fugard, Athol (*1932), – Ruth, S. 278 – Tom Jones, S. 166, 200– S. 281, 344 S. 516, 550 f. Gawain-Dichter, S. 27, 202 – A Passage to India, S. 377 – The Blood Knot, S. 551 34–36, 42 – Tom Thumb, S. 199 – Howards End, S. 373 – Boesman and Lena, – Patience, S. 27 Fielding, Sarah (1710–68), Forsyth, Frederick (*1938), S. 551 – Pearl, S. 27 S. 171 S. 490 – Hello and Goodbye, S. 551 – Sir Gawain and the Green – The Governess; or, The Foucault, Michel – »Master Harold« … Knight, S. 27, 34 f. Little Female Academy, (1926–1984), S. 497 and the Boys, S. 551 Gay, John (1685–1732), S. 171 Fowles, John Robert – No-Good Friday, S. 551 S. 167 f., 180 – The Lives of Cleopatra (1926–2005), S. 392, – Sizwe Bansi Is Dead, – The Beggar’s Opera, and Octavia, S. 171 473 f., 482 S. 551 S. 227 f. Figes, Eva (*1932), S. 472 – The Ebony Tower, S. 473 – Statements after the – The Captives, S. 226 Findley, Timothy – »The Enigma«, S. 473 Arrest under the – The Shepherd’s Week, (1930–2002), S. 530 – The French Lieutenant’s Immorality Act, S. 551 S. 180 – Not Wanted on the Woman, S. 473 Fuseli, Henry (Johann Gee, Maggie, S. 493 f. Voyage, S. 530 – A Maggot, S. 482 Heinrich Füssli Gee, Maurice (*1931), S. 556 Finlay, Ian Hamilton – Mantissa, S. 474 (1741–1825), S. 152, 279 – Meg, S. 556 (1925–2006), S. 409 f. – »Notes on an Unfi nished – Plumb, S. 556 – »Little Sparta«, S. 409 Novel«, S. 473 f. G – Sole Survivor, S. 556 – »Acrobats«, S. 410 Foxe, John (1516–87), S. 97 Gems, Pam (Iris Pamela) Finnsburh-Lied, S. 7 f. – Actes and Monuments, Gaimar, Geoffrei (um 1140), (1925–2011), S. 432 f., 435 Fiore, Jaochim von, S. 82 S. 97 S. 33 – Dead Fish, S. 435 Fisher, Allen (*1944), Frame, Janet (1924–2004), – L’Estoire des Engleis, S. 33 – Queen Christina, S. 432 S. 417 f. S. 555 f. Galilei, Galileo, S. 80, 342 Genesis, S. 16, 564, 475 Fisher, Roy (*1930), S. 409, – The Edge of the Alphabet, Gallagher, Catherine Genesis B., S. 16 413 S. 555 f. (*1945), S. 498 Geoffrey of Monmouth Fitzgerald, Edward – Living in the Maniototo, Gallant, Mavis (*1922), (†1155), S. 33 (1809–83), S. 269, 324 S. 555 f. S. 533 – Historia Regum – Rubáiyát, S. 324 Fraser’s Magazine, S. 306 – Home Truths, S. 533 Britanniae, S. 33 Fitzgerald, Penelope Frayn, Michael (*1933), Galloway, Janice (*1955), Georgian Poetry, S. 355 (1916–2000), S. 481 S. 438, 440 S. 488 The Germ, S. 318 Flaubert, Gustave, S. 293, – Copenhagen, S. 440 Galsworthy, John Ghose, Zulfi kar (*1935), 330, 341, 361 f., 481 – Democracy, S. 440 (1867–1933), S. 351 f., S. 527 – Madame Bovary, S. 330 Frazer, James George 373, 387 – Figures of Enchantment, Flecker, James (Herrman) (1854–1941), S. 363 – Forsyte Saga, S. 373 S. 527 Elroy (1884–1915), S. 353 – The Golden Bough, – Justice, S. 352 Ghosh, Amitav (*1956), Fleming, Ian Lancaster S. 363 – The Man of Property, S. 506, 522, 548, 559 (1908–1964), S. 490 Freud, Sigmund, S. 329, S. 373 – Sea of Poppies, S. 522 Fletcher, John (1579–1625), 249, 368, 386, 438, 493 Garner, Helen (*1942), – The Circle of Reason, S. 123 – Die Traumdeutung, S. 329 S. 559 f. S. 548 Personen- und Werkregister 601
– The Shadow Lines, S. 559 – The Conservationist, – The Heart of the Matter, Gupta, Tanika (*1963), Gibbon, Edward S. 550 S. 378 S. 453 f. (1737–1794), S. 220 Gordon, Giles (Alexander – Journey Without Maps, – Gladiator Games, S. 454 – History of the Decline Esme) (1940–2003), S. 379 – Sanctuary, S. 454 and Fall of the Roman S. 472 – The Power and the Glory, – Skeleton, S. 454 Empire, S. 220 Gosse, Sir Edmund William S. 378 – Sugar Mummies, S. 454 Gilgamesch, S. 524 (1849–1928), S. 269 Greene, Robert (1558–92), – The Waiting Room, S. 454 Gilroy, Paul (*1956), S. 498 – Father and Son, S. 269 S. 87, 118, 127 Guthlac A, S. 15 – The Black Atlantic, S. 498 Gosson, Stephen – The Black Book’s Guy of Warwick, S. 327 Gissing, George Robert (1554–1624), S. 90 Messenger, S. 113 (1857–1903), S. 236, 273, – A School of Abuse, S. 90 – A Notable Discovery of H 277, 337 Gower, John (1330–1408), Cozenage, S. 118 – New Grub Street, S. 236 S. 42, 44, 47 Greenlaw, Lavinia (*1962), Hadfi eld, Jen (*1978), Glanvill, Joseph (1636–80), – Confessio Amantis, S. 42, S. 404, 416 S. 413 S. 171 44 Greer, Germaine (*1939), – »Song of Parts«, S. 413 – Essay Concerning Grace, Patricia (*1937), S. 559 Haggard, Sir H (enry) Rider Preaching, S. 171 S. 564 f. – The Female Eunuch, (1856–1925), S. 332 Godwin, William – Potoki, S. 564 S. 559 – King Solomon’s Mines, (1756–1836), S. 232 f., Graham, W. S. (1918–1986), Gregor I., Gregor der Große S. 332 252, 255, 261, 281 S. 409, 417 (540–604), S. 17 Hakluyt, Richard – Enquiry Concerning – »Listen. Put on – Cura Pastoralis, S. 17 (1552–1616), S. 95–97 Political Justice, S. 232 f. Morning«, S. 409 – Dialoge, S. 17 – Principal Navigations, – Things as they Are, or – »The Constructed Gregory, Lady (Isabella) S. 95 The Adventures of Caleb Space«, S. 409 Augusta, geb. Persse Hall, Edward († 1547), S. 68 Williams, S. 233 Grahame, Kenneth (1852–1932), S. 345, 347 – The Union of the Two Goethe, Johann Wolfgang (1859–1932), S. 382 Greig, David (*1969), Noble and Illustre von (1749–1832), S. 150, – The Wind in the Willows, S. 445 f. Families of Lancastre and 198, 207, 233, 283, 306, S. 382 – The Architect, S. 446 Yorke, S. 68 309, 313 f., 335, 477, 529 Gramsci, Antonio Grenville, Kate (*1950), Hall, Joseph (1574–1656), – Dichtung und Wahrheit, (1891–1937), S. 497 S. 559 f. S. 128 S. 207 Graves, Robert von Ranke – Bearded Ladies, S. 560 Hall, Rodney (*1935), S. 553 – Wilhelm Meister, S. 306 (1895–1985), S. 355, 379 – Dreamhouse, S. 560 – Yandili Trilogy, S. 553 Golding, Arthur – Goodbye to All That, Grierson, H.J.C., S. 102 Hall, Stuart (*1932) 499 f. (1536–1606), S. 72 f. S. 379 – »Metaphysical Lyrics and – Policing the Crisis, S. 499 Golding, William (1911–93), Gray, Alasdair (*1934), Poems«, S. 102 – The Hard Road to S. 466–470 S. 283, 486 f. Griffi ths, Gareth (*1943), Renewal, S. 499 – Darkness Visible, S. 468 – Lanark. A Life in Four S. 510 f. Hallam, Arthur Henry – Free Fall, S. 467 Books, S. 283, 486 – The Empire Writes Back (1911–33), S. 313 – The Inheritors, S. 467 – 1982 Janine, S. 487 (mit Ashcroft und Tiffi n), Hampton, Christopher – Lord of the Flies, – Old Men in Love, S. 487 S. 510 f. James (*1946), S. 434 f. S. 466–468 – Poor Things, S. 486 f. Griffi ths, Trevor (*1935), – Tales from Hollywood, – Pincher Martin, S. 467 Gray, Thomas (1716–71), S. 390, 424, 432 f., 435 S. 432, 435 Goldsmith, Oliver S. 183–186, 227 – Comedians, S. 432 Hannah, Sophie (*1971), (ca. 1730–74), S. 205– – Aggrippina, S. 227 – The Party, S. 435 S. 416 207, 219, 230, 287, 290, – »The Bard. The Progress Grocyn, William Hardy, Thomas 442 of Poesie«, S. 185 (1449–1519), S. 72 (1840–1928), S. 235, 238, – The Bee (Zt.), S. 219 – »Elegy Written in a Grotowski, Jerzy (1933–99), 251, 269, 272 f., 275, – The Citizen of the World, Country Church-Yard«, S. 551 f. 278 f., 295, 311, 322–324, S. 219 S. 185 Gunesekera, Romesh 331, 338 f., 342, 556, 362, – The Deserted Village, Green, Henry (1905–73), (*1954), S. 506, 567, 393 f., 416, 477 S. 277 S. 378 f. 569 f. – The Absence of War, – To the Ends of the Earth, – Living, S. 378 f. – Reef, S. 570 S. 397 S. 468 Greenblatt, Stephen – The Sandglass, S. 569 – The Dynasts, S. 323 – An Essay on Theatre, (*1943), S. 498 Gunn, Thom (son William) – »The House of S. 230 Greene, (Henry) Graham (1929–2004), S. 397, 411 f. Hospitalities«, S. 323 – She Stoops to Conquer, (1904–91), S. 377, 379, – »The Man with Night – »In Tenebris«, S. 323 S. 230, 442 384, 490, 518 Sweats«, S. 411 f. – Jude the Obscure, S. 323, – The Vicar of Wakefi eld, – Across the Bridge, – The Sense of Movement, 338 S. 205 f. S. 384 S. 397 – Poems of 1912–13, S. 323 Gordimer, Nadine (*1923), – Our Man in Havanna, Gupta, Sunetra (*1965), – The Return of the Native, S. 519, 549 f. S. 490 S. 569 S. 275, 338 – Burgher’s Daughter, – The End of the Affair, – The Glassblower’s Breath, – Tess of the D’Urbervilles, S. 550 S. 378 S. 569 S. 238, 278 f., 338 f. 602 Personen- und Werkregister
– Under the Greenwood – A Question of Power, – A Woman Killed with England, Scotland, and Tree, S. 338 S. 562 Kindness, S. 140 Ireland, S. 68 – Wessex Poems, S. 323 Heaney, Seamus (*1939), Higgins, Aidan (*1927), Homer, S. 54, 73, 117, 132, – The Woodlanders, S. 338 S. 7, 49, 392, 394, 401 f. S. 485 178 f., 186, 200, 202, 241, Hare, David (*1947), S. 424, – »Anahorish«, S. 401 – Langrishe, Go Down, 250, 259, 309, 368, 450, 433, 435, 440, 454 – »Broagh«, S. 401 S. 485 529, 538 – Murmuring Judges, S. 397 – Death of a Naturalist, Highway, Tomson (*1951), – Ilias, S. 119 f. – Racing Demon, S. 397 S. 402 S. 522, 563 – Odyssee, S. 450 – Stuff Happens, S. 454 – »Digging«, S. 402 – The Rez Sisters, S. 563 Hood, Thomas Harris, John, S. 325 – Field Work, S. 402 Hill, Geoffrey (*1932), (1799–1845), S. 267 Harris, Robert (*1957), – The Haw Lantern, S. 402 S. 402 f. – »Miss Kilmannsegg and S. 440 – North, S. 402 – For the Unfallen, S. 402 Her Precious Leg. A – Enigma, S. 440 – »Ocean’s Love to – »History as Poetry«, Golden Legend«, S. 267 Harris, (Theodore) Wilson Ireland«, S. 402 S. 403 – »The Song of the Shirt«, (*1921), S. 529, 531 f., – »The Tollund Man«, – King Log, S. 402 S. 267 568 S. 402 – Mercian Hymns, S. 402 f. Hooker, Richard – The Infi nite Rehearsal, – Wintering Out, S. 402 – Tenebrae, S. 402 (ca. 1554–1600), S. 76, 84 S. 529 Hebdige, Richard (*1951), Hill, Selima (*1945), S. 407 – Laws of Ecclesiastical – Palace of the Peacock, S. 498 – »Cow«, S. 407 Politie, S. 84 S. 531 f. – Subculture: The Meaning – »Don’t Let’s Talk About Hope, A (lec) D (erwent) Harrison, Tony (*1937), of Style, S. 498 Being In Love«, S. 407 (1907–2000), S. 527 S. 403 Hegley, John (*1953), S. 420 – »The Unsuccessful – »Man Friday«, S. 527 – »Me Tarzan«, S. 403 Heliodor, S. 125 Wedding Night«, S. 407 – Poems, S. 527 Harrison, William – Äthiopische Abenteuer, Hobbes, Thomas Hopkins, Gerard Manley (1535–93), S. 66 S. 125 (1588–1679), S. 98, 177 (1844–89), S. 311, 322 f., – Description of the Island Hemans, Felicia – Leviathan, S. 98, 177 524 of Britain, S. 66 (1793–1835), S. 240 Hobson, John Atkinson – »God’s Grandeur«, S. 323 Harrower, David (*1966), Hendry, J (ames) F (indlay) (1858–1940), S. 328 – »Pied Beauty«, S. 322 S. 445 f. (1912–86), S. 395 – The Crisis of Liberalism, - »terrible sonetts«, S. 311 – Blackbird, S. 446 – »The New Apocalypse«, S. 328 Horaz, S. 110, 128, 162, 178, – Dark Earth, S. 446 S. 395 Hoby, Sir Thomas 209, 217, 241 – Knives in Hens, S. 446 Henley, W (illiam) E (rnest) (1530–66), S. 73 – Saturae, S. 178 Harte, Bret (1836–1902), (1849–1903), S. 324, Hoccleve, Thomas Horovitz, Michael (*1935), S. 384 333 f. (1386–1426), S. 49 f. S. 413 Harwood, Lee (*1939); – »Waiting«, S. 324 – The Complaint, S. 49 Hospital, Janette Turner S. 413, 418 Henryson, Robert Hofmann, Michael (*1957), (*1942), S. 559 f. – Havelok the Dane, S. 31 f. (ca.1430–1500), S. 48 f. S. 405 – Charades, S. 560 Hawthorne, Libby, S. 382 – Fabeln, S. 48 f. – »My Father at Fifty«, Housman, A (lfred) – Way Home, S. 382 – The Testament of S. 405 E (dward) (1859–1936), Hawthorne, Nathaniel Cresseid, S. 48 Hofmannsthal, Hugo von S. 322, 324, 362, 440 (1804–64), S. 384 Henslowe, Philip († 1616), (1874–1929), S. 30 – A Shropshire Lad, S. 324 Hayes, Catherine, S. 438, S. 136 Hogarth, William Hughes, Ted (1930–98), 441 – Diary, S. 136 (1697–1764), S. 161 f., S. 394, 399 f., 408, 419 – Not Waving, S. 441 Henty, George Alfred 166, 204, 211, 216 f., 223, – »Apple Tragedy«, S. 400 – Skirmishes, S. 438, 441 (1832–1902), S. 382 227 – Birthday Letters, S. 400 Hazlitt, William – »Under Drake’s Flag«, Hogg, James (1770–1835), – Crow, S. 400 (1778–1830), S. 126, 239, S. 382 S. 283, 476 – »Epiphany«, S. 400 270 Herbert of Cherbury, – The Private Memoirs and – The Hawk in the Rain, – Characters of Edward, Lord Confessions of a Justifi ed S. 400 Shakespeare’s Plays, (1582–1648), S. 99 Sinner) S. 283, 476 – »Hawk Roosting«, S. 270 Herbert, George Hoggart, Richard (*1918), S. 400 – Lectures on the English (1593–1633), S. 86, S. 497–499 – Lupercal, S. 400 Comic Writers, S. 270 114–117 – The Uses of Literacy, – Moortown, S. 400 – Lectures on the English – »The Collar«, S. 115 S. 497 – »Pibroch«, S. 400 Poets, S. 270 – »The Pearl«, S. 116 – The Way We Live Now, – Poetry in the Making, – »On Familiar Style«, – The Temple, S. 116 S. 497 S. 400 S. 270 – »Vanity«, S. 116 Hollinghurst, Alan (*1954), – »Prometheus on His – »On Going a Journey«, Herk, Aritha Van (*1954), S. 481 Crag«, S. 400 S. 270 S. 559 f. – »The Line of Beauty«, – Tales from Ovid, S. 400 H. D., S. Doolittle, – No Fixed Address, S. 560 S. 481 – »Thistles«, S. 399 Hilda Heywood, Thomas (ca. Holinshed, Raphael – »The Thought-Fox«, Head, Bessie (1937–86), 1574–1641), S. 90, 140 (†1580), S. 68 S. 400 S. 549, 562 – Apology for Actors, S. 90 – The Chronicles of – »Thrushes«, S. 399 Personen- und Werkregister 603
Hughes, Thomas (1822–96), – A Woman of the Future, Johnson, Colin (Narogin, – Sejanus, S. 143 S. 273 S. 560 Mudrooroo) (*1938), – Timber, or Discoveries, – Tom Brown’s Schooldays, Isherwood, Christopher S. 564 S. 92 S. 273 William Bradshaw – Doctor Wooreddy’s – Volpone, S. 153–155 Hulme, Keri (*1947), S. 522, (1904–86), S. 353 Prescription for Enduring Josipovici, Gabriel (David) 564 – The Ascent of F 6 the Ending of the World, (*1940), S. 472 – The Bone People, S. 522, (mit Auden), S. 353 S. 564 Joyce, James (1882–1941), 564 – The Dog Beneath the Skin Johnson, Linton Kwesi S. 272, 330, 344, 359, Hulme, T (homas) E (rnest) (mit Auden), S. 353 (*1952), S. 404, 407, 526, 316, 365–370, 373 f., (1883–1917), S. 329, – On the Frontier 569 384 f., 424, 463, 474, 359–361 (mit Auden), S. 353 – »Di Great Insohrecks- 483–485 – »The Embankment«, Ishiguro, Kazuo (*1954), han«, S. 569 – »The Dead«, S. 384 S. 359 S. 475, 480, 494 – »Inglan Is a Bitch«, – Dubliners, S. 384 f. Hulse, Michael (*1955), – Artist of the Floating S. 404, 407 – Finnegans Wake, S. 366 f., S. 392, 404 f. World, S. 475 – Tings an’ Times, S. 569 369 – (Hg.) The New Poetry, – Never Let Me Go, S. 494 Johnson, Lionel Pigot – A Portrait of the Artist as S. 392, 404 – Remains of the Day, (1867–1902), S. 355 a Young Man, S. 367 Hume, David (1711–76), S. 480 Johnson, Samuel (1709–84), – Stephen Hero, S. 367 S. 163, 176 f., 187 – When We Were Orphans, S. 113 f., 164, 170 f., 173, – Ulysses, S. 75, 203, 311, – An Enquiry Concerning S. 481 198, 217, 219, 230, 241, 366–368, 370 Human Understanding, Iyayi, Festus (*1947), S. 542 270 – »Eveline«, S. 385 S. 176 – Heroes, S. 542 – English Dictionary, S. 171 – »The Sisters«, S. 385 Hunt, Leigh (1784–1859), – »Life of Abraham Jung, Carl Gustav, S. 535 S. 239, 258 J Cowley«, S. 113 Junius-Manuskript, S. 4, 16 Hunt, William Holman – »London«, S. 164, 217 Juvenal, S. 127 f., 164, 178, (1827–1910), S. 317 Jakob I. (Jakob Vl. von – »Preface to Shakespeare«, 217, 241 The Husband’s Message, Schottland) (1566–1625), S. 241 S. 11 S. 59 f. – The Vanity of Human K Hutcheson, Francis – The True Law of Free Wishes, S. 217 (1694–1746), S. 228 Monarchies, S. 59 f. Johnson, Terry (*1955), Kafka, Franz, S. 365, 428, Huxley, Aldous James, George Payne S. 438 551 (1894–1963), S. 251, 278, Rainsford (1799–1860), – Hysteria, S. 438 Kane, Sarah (1971–99), 344, 359, 377, 384, 428 S. 286 Johnston, Jennifer (*1930), S. 442–444, 448–430, 451 – Brave New World, S. 344, James, Henry (1843–1916), S. 485 – Blasted, S. 443 f., 450 428 S297, 331, 338–342, 366, – Fool’s Sanctuary, S. 485 – Cleansed, S. 451 – Do What You Will, S. 251 384, 481, 497 – How Many Miles to – Crave, S. 451 – »The Gioconda Smile«, – The Ambassadors, S. 341 f. Babylon?, S. 485 – 4.48 Psychosis, S. 449, 451 S. 384 – The Bostonians, S. 340 Jolley, Elizabeth – Phaedra’s Love, S. 451 – Point Counter Point, S. 377 – »The Figure in the (1923–2007), S. 553 Kant, Immanuel, S. 188 – »Wordsworth in the Carpet«, S. 341 – Milk and Honey, S. 553 Kavanagh, P.J. (*1931), Tropics«, S. 251 – Portrait of a Lady, S. 341 – Stories, S. 553 S. 394 Huxley, Thomas Henry – The Princess Jones, David Michael Keane, John B. (1825–95), S. 236, 343 Casamassima, S. 340 (1895–1974), S. 365 (1928–2002), S. 457 f. Huysmans, Joris-Karl, S. 335 – The Spoils of Poynton, – In Parenthesis, S. 365 – Sive, S. 458 – A Rebours, S. 335 S. 341 Jones, Henry Arthur Keatley, Charlotte (*1960), Hyde, Douglas (1860–1949), – The Turn of the Screw, (1851–1929), S. 349 S. 441 S. 345 S. 341 – Saints and Sinners, S. 349 – My Mother Said I Never – What Maisie Knew, S. 342 Jones, Marie (*1951), S. 460 Should, S. 441 I James, P (hyllis) D (orothy) – Stones in His Pockets, Keats, John (1795–1821), (*1920), S. 489 S. 460 S. 54, 73, 113, 176, 235, Ibsen, Henrik, S. 158, 298, Jeffreys, Stephen (*1950), Jonson, Ben (jamin) 237, 239 f., 245, 258–261, 330, 350 f., 353, 481 S. 444 (1572/3–1637), S. 53, 59, 264–267, 311, 313 f., – Nora, S. 351 – The Libertine, S. 444 89, 92 f., 114, 128, 135– 317–320, 335, 475 Ihimaera, Witi (*1944), Jhabvala, Ruth Prawer 137, 139, 143, 152–156, – »La Belle Dame sans S. 517, 564 f. (*1927), S. 481, 483, 558 221, 224 Merci«, S. 260 f. – Dear Miss Mansfi eld, – Heat and Dust, S. 483, – The Alchemist, S. 153, 155 – Endymion: A Poetic S. 517 558 – Bartholomew Fair, S. 139 Romance, S. 259 – The Matriarch, S. 564 Jones, David (1895–1974), – Catiline, S. 143 – »The Eve of St. Agnes«, Iqbal, Muhammad S. 364 f., 417 – Every Man in His S. 259–261 (1877–1938), S. 562 – In Parenthesis, S. 365 Humour, S. 154 – Hyperion, S. 261 Ireland, David (*1927), Johnson, B (ryan) S (tanley – Every Man Out of His – Lamia, Isabella, The Eve S. 553 William) (1933–73), Humour, S. 92, 137, 152, of St. Agnes, and other – City of Women, S. 560 S. 472 154 Poems, S. 259 604 Personen- und Werkregister
– »Ode on a Grecian Urn«, – Green Grass, Running – Let There Be Love, S. 453 Royal Station Hotel«, S. 259 f. Water, S. 563 Kyd oder Kid, Thomas S. 397 – »Ode on Melancholy«, – One Good Story, That (1558–94), S. 136, 139, – »Here«, S. 396 f. S. 259 One, S. 563 145 f., 149, 151 – High Windows, S. 367 f. – »Ode to a Nightingale«, King Alisaunder, S. 38 – Spanish Tragedy, – The Less Deceived, S. 397 S. 259 King Horn, S. 32 S. 148–150, 152 – »MCMXIV«, S. 398 – »Ode to Psyche«, S. 259, Kingsley, Charles (1819–75), – »Poetry of Departures«, 260 S. 289, 304 L S. 397 – »On First Looking Into – Alton Locke, Tailor and – »Toads Revisited«, S. 397 Chapman’s Homer«, Poet, S. 289 La Guma, (Justin) – The Whitsun Weddings, S. 54, 259 Kipling, Rudyard Alex (ander) (1925–85), S. 397 – »On the Sea«, S. 260 (1865–1936), S. 328, S. 507, 549 – »The Whitsun – »On the Sonnet«, S. 260 331–334, 355. 377, 382, – The Stone Country, Weddings«, S. 397 – »Sleep and Poetry«, 384, 418, 501, 517 S. 549 Laurence, Margaret S. 259 – »At the End of the Laing, Bernard Kojo (1926–87), S. 527, – »To Autumn«, S. 258–261 Passage«, S. 384 (*1946), S. 523 533–535, 559 Keble, John (1792–1866), – Barrack-Room Ballads, – Search Sweet Country, – A Bird in the House, S. 304, 311 S. 333 S. 523 S. 535 – »National Apostasy«, – »The Islanders«, S. 332 Lamb, Charles (1775–1834), – The Diviners, S. 527, 534 S. 304 – The Jungle Book, S. 332 S. 270 f. – »Manawaka-Zyklus«, Kelman, James (*1946), – Kim, S. 332, 517 – »China«, S. 270 S. 534 S. 487 – Life’s Handicap, S. 332 – Essays of Elia, S. 270 – The Stone Angel, S. 534 – The Disaffection, S. 487 – »McAndrew’s Hymn«, – »The Superannuated Lawrence, D (avid) – How Late It Was, How S. 333 Man«, S. 270 H (erbert) (1885–1930), Late, S. 487 – »The Miracle of Saint Lamming, George (Eric) S. 197, 279, 329–331, 342, Kemp, William, S. 155 Jubanus«, S. 334 (*1927), S. 507, 512, 528, 359, 365, 373–377, 384, – Kemps Nine Days – Plain Tales from the Hills, 536–539, 567, 568 386, 394, 477, 497 Wonder, S. 155 S. 332 – The Emigrants, S. 536 – »England, my England«, Keneally, Thomas (*1935), – Puck of Pook’s Hill, S. 332 – In the Castle of My Skin, S. 386 S. 441, 563 – »The Record of Badalia S. 536 – »Fannie and Annie«, – Bring Larks and Heroes, Herodsfoot«, S. 384 – Natives of My Person, S. 384, 386 S. 554 – »Tommy«, S. 333 S. 537 – »The Horse-Dealer’s – The Chant of Jimmy – »The Wish House«, S. 334 – Of Age and Innocence, Daughter«, S. 386 Blacksmith, S. 554 – »The White Man’s Bur- S. 537 – Lady Chatterley’s Lover, – The Playmaker, S. 554 den«, S. 332 – The Pleasures of Exile, S. 376 Kennedy, A (lison) L (ouise) – »With the Night Mail«, S. 528 – Morning in Mexico, (*1965), S. 488 S. 333 – Water with Berries, S. 376 – Everything You Need, Knox, John (ca. 1513–72), S. 528, 537 – »Odour of Chrysanthe- S. 488 S. 59 Lan, David (*1952), S. 434, mus«, S. 397, 399 – Looking for the Possible Knox, Robert (1641–1720), 437 – The Plumed Serpent, Dance, S. 488 S. 192 – A Mouthful of Birds S. 376 – So I’m Glad, S. 488 Kogawa, Joy (*1935), S. 565 (mit Caryl Churchill), – »The Prussian Offi cer«, Kennedy, David (*1959), – Obasan, S. 565 S. 434, 437 S. 386 S. 404 Kops, Bernard (*1926), Landon, Laetitia (1802–38), – The Rainbow, S. 375 f. Khan-Din, Ayub (*1961), S. 431 S. 240 – »Snake«, S. 365 S. 454 Kroetsch, Robert Landor, Walter Savage – Sons and Lovers, S. 375 f. Kháyyám, Omar, S. 324 (1927–2011), S. 517, 527, (1775–1864), S. 268 – »The Woman Who Rode – Rubáiyát, S. 324 533 f. – Gebir, S. 268 Away«, S. 376, 386 Killigrew, Thomas – Seed Catalogue, S. 527, – The Hellenics, S. 268 – Twilight in Italy, S. 376 (1612–83), S. 221 533 Langland, William – Women in Love, S. 376 Kilroy, Thomas (*1934), – The Studhorseman, S. 534 (ca. 1330–93), S. 42, 43, Lawson, Henry (Hertzberg) S. 457 f. Kureishi, Hanif (*1954), 128 (1867–1922), S. 517 f. – The Death and S. 475, 507, 509, 567, – Piers Plowman, S. 43, 128 – »The Drover’s Wife«, Resurrection of Mr. Roche, 571 f. Larkin, Philip Arthur S. 517 S. 458 – The Buddha of Suburbia, (1922–85), S. 251, 269, Layamon (um 1200), S. 33 f. – Tea and Sex and S. 572 356, 389, 392–398, 403, – Brut, S. 33 f. Shakespeare, S. 458 – My Beautiful Laundrette, 407, 416 Lazarillo de Tormes, S. 129 Kincaid, Jamaica (*1949), S. 572 – »At Grass«, S. 399 Lear, Edward (1812–88), S. 561 – »The Rainbow Sign«, – »Aubade«, S. 397 S. 382 – Annie John, S. 561 S. 572 – »The Building«, S. 397 – Book of Nonsense, S. 382 – Lucy, S. 561 Kwei-Armah, Kwame – »Church Going«, S. 397 Leavis, F (rank) R (aymond) King, Thomas (*1943), (*1967), S. 453 – »Coming«, S. 397 (1895–1978), S. 261, S. 563 – Elmina’s Kitchen, S. 453 – »Friday Night in the 296 f., 496 f. Personen- und Werkregister 605
– Mass Civilisation and ›Monk‹ (1775–1818), Lynch, Martin (*1950), – The Fable of the Bees; Minority Culture, S. 496 S. 274, 279 S. 460 or, Private Vices, Publick – The Great Tradition, – The Monk, S. 274, 279 Benefi ts, S. 95 S. 497 – Tales of Wonder, S. 265 M Mandeville, Sir John – Two Cultures? Lewis, (Percy) Wyndham († 1372), S. 183 The Signifi cance of C.P. (1882–1957), S. 355, 359, Macaulay, Thomas – Travels, S. 183 Snow, S. 496 363 f., 374 f. Babington (1800–59), Mankind, S. 30, 138 Le Carré, John (David John – Revenge for Love, S. 374 S. 224, 286, 304 f., 332 Mansfi eld, Katherine, Moore Cornwell) – Tarr, S. 374 – History of England from eig. Kathleen Mansfi eld (*1931), S. 490 Lillo, George (1693–1739), the Accession of James II, Beauchamp (1888–1923), – The Quest for Karla, S. 173, 229 S. 286, 305 S. 374, 386, 518 S. 490 – The London Merchant; – »History«, S. 286 – Bliss and Other Stories, Lecky, William Edward or, The History of George – Rezension von Southeys S. 386 Hartpole (1838–1903), Barnwell, S. 173, 229 Colloquies, S. 305 – »The Fly«, S. 386 S. 295 Littlewood, Joan (Maud), MacDonald, George – The Garden Party, S. 384, Lee, Harriet (1757–1851), (1914–2002), S. 422 (1824–1905), S. 277 386 S. 171 Linacre, Thomas – Lilith, S. 277 – »Sun and Moon«, S. 356 – The Errors of Innocence, (ca. 1460–1524), S. 72 – Phantastes, S. 277 – »The Voyage«, S. 370, 384 S. 171 Lochhead, Liz (*1947), Macherey, Pierre (*1938), Marber, Patrick (*1964), Lehmann, (Rudolph) John S. 394, 405 S. 498 S. 444, 451 (Frederick) (1907–1987), – »Bagpipe Muzak, Machiavelli, Niccolò, S. 40, – Closer, S. 451 S. 379 Glasgow 1990« S. 405 55, 64, 70 f., 76, 100, 129, Marguerite de Navarre, S. 73 – Evil was Abroad, S. 379 – »What the Pool Said On 147, 149–151 Mariner, Lorraine (*1974), Leland, John (ca. 1503–52), Midsummer Night’s – Il Principe, S. 40 S. 415 S. 65 Day«, S. 407 Mackenzie, Henry Marinetti, Filippo Tommaso, – (Leland’s) Itinerary, S. 65 Locke, John (1632–1704), (1745–1831), S. 187, 207 S. 331, 393 Lennon, John (1940–80), S. 173–176, 178 f., 203 – The Man of Feeling, S. 207 Marino, Giambattista, S. 117 S. 394 – Essay Concerning Human – The Man of the World, Markandaya, Kamala Lennox, Charlotte Understanding, S. 175 S. 207 (1924–2004), S. 358, 561 (1720–1804), S. 171 Lodge, David John (*1935), MacNeice, (Frederick) Louis – The Coffer Dams, S. 558 – The Female Quixote, S. 360, 391, 465 (1907–63), S. 380, 405 – Nectar in a Sieve, S. 561 S. 171 – Small World, S. 465 – »Bagpipe Music«, S. 380, – Pleasure City, S. 558 Leonard, Hugh Lodge, Thomas 405 Marlowe, Christopher (1926–2009), S. 457 f. (1558–1625), S. 87, 128 – »The Sunlight on the (1564–93), S. 40, 53, 76, – Time Was, S. 458 – Rosalynde, S. 119 Garden«, S. 380 80, 85, 87, 92 f., 129, Leonard, Tom (*1944), Longus, S. 123 Macpherson, James 134–138, 141, 145 f., 150, S. 405 – Daphnis und Chloe, (1736–96), S. 186 f. 157, 477 Lessing, Doris May (*1919), S. 123 – Fragments of Ancient – Doctor Faustus, S. 80, 85, S. 466, 468–470, 473, 493 Longville, Tim, S. 404 Poetry, S. 186 129, 135, 146, 150, 157 – Canopus in Argos: Lovelace, Earl (*1935), Madden, Deirdre (*1960), – Edward II, S. 69, 141 Archives, S. 469 f., 493 S. 545 S. 486 – The Jew of Malta, S. 137 – Children of Violence, – The Dragon Can’t Dance, Mahabharata, S. 521, 548 – Tamburlaine, S. 137, S. 469 S. 545 Mahon, Derek (*1941), 145 f. – The Four-Gated City, Lucan, S. 69 S. 411 Marowitz, Charles (*1934), S. 469 – Pharsalia, S. 69 – »A Disused Shed in Co. S. 431 – The Golden Notebook, Lucilius, S. 99 Wexford«, S. 411 Marryat, Captain Frederick S. 468 f., 473 Luther, Martin, S. 129 Mallock, William H. (1792–1848), S. 332 – Mara and Dann. Lydgate, John (1849–1923), S. 278 – Mr Midshipman Easy, An Adventure, S. 493 (ca. 1370–ca. 1450), – The New Republic, S. 278 S. 332 Lessing, Gotthold Ephraim, S. 40, 45, 50, 145, 302 Malory, Sir Thomas (ca. Marston, John S. 198, 204 – The Fall of Princes, 1416–1471), S. 34–38 (ca. 1575–1634), S. 151, Levy, Andrea (*1956), S. 145 – Le Morte Darthur, 197 S. 572 f. – The Siege of Thebes, S. 34–38 – Antonio’s Revenge, S. 151, – Small Island, S. 573 S. 46, 48 Malouf, David (*1934), 157 Lewis, Alun (1915–44), – The Siege of Troy, S. 144 S. 530, 553–555 Martin Marprelate S. 395 – Troy Book, S. 40, 51 – Antipodes, S. 553 (Autorenkollektiv), S. 59, Lewis, Cecil Day (1904–72), Lyly, John (ca. 1555–1606), – Harland’s Half Acre, 127 S. 380, 489 S. 92 f., 118–123 S. 530 – Pamphlete (1588–9), S. 54 Lewis, C (live) S (taples) – Euphues and his Eng- – Johnno, S. 554 Marvell, Andrew (1621–78), (1898–1963), S. 102, 122, land, S. 121 – Remembering Babylon, S. 60–63, 86, 113–115 382, 491 – Euphues. The Anatomy S. 555 – »Bermudas«, S. 60 Lewis, M (atthew) of Wit, S. 122 Mandeville, Bernard de – »The Defi nition of Love«, G (regory), genannt – Midas, S. 92 (1670–1733), S. 95 S. 114 606 Personen- und Werkregister
– »Horatian Ode upon McGrath, John (Peter) 261, 409, 468, 476, 491, Moore, Edward (1712–57), Cromwell’s Return from (1935–2002), S. 432, 434 495 S. 229, 277 Ireland«, S. 63 – Little Red Hen, S. 432 – Areopagitica, S. 380 – The Gamester, S. 229 – »To his Coy Mistress«, McGuckian, Medbh, S. 394 – Comus, S. 123 Moore, George Augustus S. 115 McGuinness, Frank (*1953), – The Doctrine and (1852–1933), S. 337 Marx, Karl, S. 194, 350, 497 S. 460 Discipline of Divorce, – Esther Waters, S. 337 Masefi eld, John Edward – Observe the Sons of S. 134 Moore, Marianne Craig (1878–1967), S. 353 Ulster, S. 460 – History of Britain, S. 130 (1887–1972), S. 398 Massinger, Philip McLuhan, Marshall, S. 533 – »Lycidas«, S. 123 Morris, William (1834–96), (1583–1640), S. 156 McPherson, Conor (*1971), – »Of Education«, S. 77 S. 39, 78, 308, 312, 318, Masson, David S. 461 – »On his Blindness«, S. 112 320, 344 (1822–1907), S. 276 McRobbie, Angela (*1951), – »On the Late Massacre in Moorhouse, Frank (*1938), – British Novelists and their S. 498 Piemont«, S. 112 S. 517, 553 Styles, S. 276 Mda, Zakes (*1948), S. 552 – Paradise Lost, S. 53, 82, – The Americans, Baby, Matura, Mustapha (*1939), – The Heart of Redness, 98, 118 f., 123, 131–134, S. 553 S. 569 S. 552 213, 250, 253, 491 – The Electrical Experience, – As Time Goes By, S. 569 Meanjin, S. 519 – Paradise Regained, S. 70, S. 553 Maturin, Charles Robert Melville, Herman (1819–91), 82, 118, 1320, 133, 450 More, Hannah (1745–1833), (1782–1824), S. 280 S. 556 – The Reason of Church S. 381 – Melmoth the Wanderer, – Moby Dick, S. 556 Government, S. 130, 133 More, Sir Thomas (Thomas S. 280 Melville, Pauline (*1941), A Mirror for Magistrates, Morus) (ca. 1477–1535), Maugham, W (illiam) S. 568 S. 103 S. VIII, 51, 72–158, 287, Somerset (1874–1965), – »Eat Labba and Drink Mistry, Rohinton (*1952), 343 S. 332, 352, 384, 422 Creek Water«, S. 568 S. 506, 549, 566 – Utopia, S. 74, 77–81, 343 – »The Force of – Shape-Shifter, S. 568 – A Fine Balance, S. 506 Morgan, Edwin Circumstance«, S. 332, Mercer, David (1928–80), – Tales from Firozsha Baag, (1920–2010); 413 384 S. 435 S. 566 Morley, David, S. 103, 404 – »Louise«, S. 384 Meredith, George Mitchell, Gary (*1965), Morris, William (1834–96), Maurice, John Frederick (1828–1909), S. 279, 293, S. 460 S. 39, 78, 308, 318, 320, Denison (1805–72), 296 f., 311, 320, 482 Mitford, Mary Russell 344 S. 304 – The Egoist, S. 279, 296 f. (1787–1855), S. 338 – The Defence of – Theological Essays, S. 304 – Modern Love, S. 311, 320 – Our Village, S. 338 Guenevere, S. 320 McAuley, James (1917–76), – On the Idea of Comedy Mo, Timothy (*1950), – The Earthly Paradise, S. 554 and of the Uses of the S. 425, 430, 476, 483, 569 S. 320 – Captain Quiros, S. 554 Comic Spirit, S. 296 – Sour Sweet, S. 569 – »The Haystack in the McCafferty, Owen (*1961), – The Ordeal of Richard Molloy, M[ichael] J[oseph] Floods«, S. 320 S. 460 Feverel, S. 297 (1917–1994), S. 457 – The Life and Death of McCrae, John (1872–1918), Metaphysical Lyrics and Moorcock, Michael (*1939), Jason, S. 320 S. 419 Poems, S. 102, 113–116 S. 492 – News from Nowhere, McDiairmid, Hugh, Michelet, Jules, S. 80 Montagu, Lady Mary S. 344 eig. Christopher Murray Middleton, Peter (*1950), Wortley (1689–1762), – Sigurd the Volsung, S. 320 Grieve (1892–1978), S. 414 S. 172 – The Well at the World’s S. 330, 380 Middleton, Thomas Montague, John (Patrick) End, S. 320 – A Drunk Man Looks at (1580–1627), S. 156 (*1929), S. 394 Morrison, Arthur the Thistle, S. 380 Mill, John Stuart (1806–73), Montaigne, Michel Eyquem (1863–1945), S. 337 – »Hymn to Lenin«, S. 380 S. 251, 298, 304–306 de, S. 79, 99–101, 247 – Tales of Mean Streets, McDonagh, Martin (*1970), – Autobiography, S. 306 – Essais, S. 99 S. 337 S. 461 f. – On Liberty, S. 304 – »Of the Caniballes« Le Morte Arthur, S. 34–38 – The Cripple of – Principles of Political (s.auch Florio), S. 79 Motion, Andrew (*1952), Inishmaan, S. 462 Economy, S. 308 Montemayor, Jorge de, S. 392, 394, 405, 408, – Leenane Trilogy, – The Subjection of S. 123, 125 413 S. 462 Women, S. 298 – Siete libros de la Diana, Motton, Gregory (*1961), – The Lieutenant of – A System of Logic, S. 123 S. 444 Inishmore, S. 462 S. 305 Montesquieu, Charles-Louis – Cat and Mouse (Sheep), McEwan, Ian (*1948), Miller, Arthur (1915–2005), de Secondat, S. 219 S. 444 S. 477 f., 489 S. 423 – Lettres Persanes, S. 219 Mottram, Eric (1924–1995), – Atonement, S. 478 Milne, Alan Alexander Montrose, Louis (*1946), S. 413 – Black Dogs, S. 478 (1882–1956), S. 382 S. 498 Mphahlele, Ezekiel (Es’kia) – The Innocent, S. 478 – Winnie-the-Pooh, S. 382 Monty Python and the Holy (1919–2008), S. 549 McGahern, John Milton, John (1608–74), Grail, S. 38 – Down Second Avenue, (1934–2006), S. 485 S. VIII, 51–88, 99–104, Moodie, Susanna S. 549 McGough, Roger (*1937), 111–158, 173, 179, 184, (1805–85), S. 517, 559, Mtshali, Oswald Mbuyiseni S. 414, 419 212 f., 219, 248–253, 259, 565 (*1940), S. 526 Personen- und Werkregister 607
– Sounds of a Cowhide – God‘s Little Warrior, 173–175, 215, 219, 237, – House of Splendid Drum, S. 526 S. 571 248 f., 253, 306, 342 Isolation, S. 485 Müller, Heiner, S. 150 – Saat Sakkam Trichalis, – Opticks, S. 173, 219 – Ireland Trilogy, S. 485 Munro, Alice (*1931), S. 522 – Philosophiae Naturalis – Wild Decembers, S. 485 S. 534 f., 559 Naipaul, Sir V (idiadhar) Principia Mathematica, O’Brien, Flann (1911–66), – »Chaddeleys and S (urajprasad) (*1932), S. 174 S. 369 Flemings«, S. 535 S. 507, 510, 537, 546 f., Ngema, Nbongeni (*1955), – At Swim-Two-Birds, S. 369 – Lives of Girls and 547, 557, 567 f., 573 S. 551 O’Casey, Sean (John Casey) Women, S. 535 – An Area of Darkness, – Woza Albert!, S. 551 (1880–1964), S. 348, 350, – The Moons of Jupiter, S. 546 Ngugi wa Thiong’o (James 421 f., 456f S. 535 – A Bend in the River, Ngugi) (*1938), S. 507, – Juno and the Paycock, Munro, Hector Hugh S. 546 519–521, 541, 544 S. 348 (1865–1935), S. 384 – The Enigma of Arrival, – Decolonizing the Mind, – The Plough and the Stars, – »Saki«, S. 384 S. 568 S. 520 S. 348 – »Sredni Vashtar«, S. 384 – A House for Mr. Biswas, – Detained, S. 519 O’Connor, Frank, – »Esmé«, S. 384 S. 546 – Devil on the Cross, S. 519 eig. Michael Francis Mtwa, Percy (*1956), S. 551 – The Middle Passage, – A Grain of Wheat, S. 541 O’Donovan (1903–66), – Woza Albert!, S. 551 S. 512, 527, 537–540, 546 – Petals of Blood, S. 521, S. 348, 384 Muir, Edwin (1887–1959), – Miguel Street, S. 546 544 – »Guests of the Nation«, S. 364 f., 394 – The Mimic Men, S. 546 Nichols, Grace (*1950), S. 384 – »Horses«, S. 365 – A Way in the World, S. 404, 407, 561 Ogden, Charles Kay Mukherjee, Bharati (*1940), S. 568 – The Fat Black Woman (1889–1957), S. 495f S. 506, 558 Narayan, R (asipuram) Poems, S. 561 – The Plough and the Stars, – Darkness, S. 486, 489, K (rishnaswamy) – i is a long-memoried S. 495 517, 546 (1906–2001), S. 518, 536, woman, S. 561 – The Meaning of Meaning Muldoon, Paul (*1951), 557 – »Thoughts drifting (mit Richards, I. A.), S. 394, 403 – The Guide, S. 557 through the fat black S. 495 – The Annals of Chile, – »Malgudi«-Romane, woman’s head while O’Faolain, Sean S. 394 S. 536, 557 having a full bubble (1900–1991), S. 333 – »The Big House«, S. 403 Nashe, Thomas bath«, S. 407 – Come Back to Erin, S. 373 – »Identities«, S. 403 (1567–1601), S. 76, 87, Nietzsche, Friedrich, S. 329, – »Sinners«, S. 384 – »Immram«, S. 403 93, 118, 127–130 350, 358, 366, 375, 387, O’Grady, Standish James – »Incantata«, S. 403 – Pierce Penniless, S. 128 393f (1846–1928), S. 345 Murdoch, Iris Jean – The Unfortunate Nkosi, Lewis (1936–2010), – History of Ireland, (1919–99), S. 463, 466, Traveller, S. 76, 118, S. 550 S. 345 470–473, 486 127–130 – Mating Birds, S. 550 Okara, Gabriel (*1921), – »Against Dryness«, Neilson, Anthony (*1967), Norfolk, Lawrence (*1963), S. 522 S. 470 S. 444 f. S. 482 – The Voice, S. 522 – The Black Prince, S. 471 – The Censor, S. 445 – Lemprière’s Dictionary, O’Kelly, Donal (*1958), – The Message to the – The Penetrator, S. 445 S. 482 S. 459 Planet, S. 470 The New Apocalypse, Norris, Christopher (*1947) Okigbo, Christopher – The Sea, the Sea, S. 471 S. 395 499 (1932–67), S. 524 – Under the Net, S. 470 Newgate Calendar, S. 172 North, Sir Thomas (ca. – Labyrinths, S. 524 Murphy, Tom (*1935), New Lines (1956), S. 392, 1535-ca. 1601), S. 79 Okri, Ben (*1959), S. 543, S. 457–459 396 Norton, Thomas (1532–84), 545, 567 – Bailegangaire, S. 459 New Lines II (1963), S. 392 S. 69, 126, 138 – The Famished Road, – Famine, S. 459 Newman, John Henry – Gorboduc (mit Thomas S. 543, 545 Murray, Les (lie Allan) (1801–90), S. 236, 304, Sackville), S. 69 – Infi nite Riches, S. 545 (*1938), S. 527, 555 315, 322 Norton-Taylor, Richard – Songs of Enchantment, – The Boy Who Stole the – Apologia pro Vita Sua, (*1944) 455 S. 545 Funeral, S. 555 S. 304 Nowra, Louis (*1950), Oldham, John (1653–83), – Ethnic Radio, S. 555 – The Idea of a University, S. 555 S. 172 – The Vernacular Republic, S. 304 – The Golden Age, S. 555 Ondaatje, Michael (*1943), S. 527 – Lectures on the Present Nye, Robert (*1939), S. 472. S. 566, 573 f. Position of Catholics in – Faust, S. 472 – The Cinnamon Peeler, N England, S. 304 S. 566 The New Poetry (1962), hg. O – The English Patient, Nabokov, Vladimir A. Alvarez, S. 365 S. 573 f. Vladimirovich The New Poetry (1993), hg. O’Brien, Edna (*1932), – Handwriting, S. 566 (1899–1977), S. 471 M. Hulse, S. 392, 404 S. 485 – In the Skin of a Lion, – Lolita, S. 471 New Signatures, S. 380 – Country Girls Trilogy, S. 566 Nagarkar, Kiran (*1942), Newton, Sir Isaac S. 485 – Running in the Family, S. 522 (1642–1727), S. 18, 165, – Down by the River, S. 485 S. 566 608 Personen- und Werkregister
O’Neill, Eugene – Tissue, S. 437 – »Song of Prisoner«, S. 542 Pirandello, Luigi, S. 137, (1888–1953), S. 423 Paine, Thomas – Two Songs, S. 542 457 O’Rowe, Mark (*1970), (1737–1809), S. 187, 233, Peacock, Thomas Love Plater, Alan (1935–2010), S. 461 439 (1785–1866), S. 246, 278 S. 47 – Howie the Rookie, S. 461 – The Rights of Man, S. 233 – Headlong Hall, S. 278 Plath, Silvia (1932–63), Orrmulum, S. 21 Paley, William (1743–1805), Pearl, S. Gawain-Dichter S. 399 f., 419 Ortega y Gasset, José, S. 329 S. 342 The Penguin Book of Platon, S. 72, 78 f., 91, 278 Orton, Joe (1933–67), – Natural Theology: or Contemporary British – Die Republik, S. 78 S. 433, 438 Evidences of the Existence Poetry, S. 392, 403, 408 Plautus, S. 139 f. Orwell, George, eig. Eric and Attributes of the The Penguin Book of Poetry – Menaechmi, S. 140 Arthur Blair (1903–50), Deity, S. 342 from Britain and Ireland Plutarch, S. 73, 143, 199 S. 379, 463, 465, 493 Palgrave, Francis Turner since 1945, S. 392 – Parallelbiographien, – Animal Farm, S. 379 (1824–97), S. 102 Penhall, Joe (*1967), S. 444, S. 143 – Burmese Days, S. 379 – The Golden Treasury, 451 f. Poe, Edgar Allan (1809–49), – Down and Out in Paris S. 102 – Blue/Orange, S. 451 f. S. 270, 281, 335 and London, S. 379 Palmer, Samuel Pepys, Samuel (1633–1703), – »The Murders in the Rue – Homage to Catalonia, (1805–1881), S. 268 S. 99, 172 Morgue«, S. 281 S. 379 – »Shoreham: Twilight – Diary, S. 99, 172 Poliakoff, Stephen (*1952), – »Ingsoc«, S. 379 Light«, S. 268 Percy, Thomas, eig. Piercy S. 435 – Nineteen Eighty-Four, Parker, Stewart (1729–1811), S. 186 – City Sugar, S. 435 S. 379, 463 (1941–1988), S. 459 – Reliques of Ancient – Coming in to Land, – »Shooting an Elephant«, Parks, Tim (*1954), S. 489 English Poetry, S. 186 S. 435 S. 379 Parker-Manuskript, S. 18 Peterborough Chronicle, The, Pope, Alexander – »Such, Such Were the Pasolini, Pier Paolo S. 22 (1688–1744), S. 163 f., Joys«, S. 379 (1922–75), S. 47 Petrarca, Francesco, S. 71, 164, 167–169, 173, Osborne, Dorothy Pastoral Care (s. Gregor I.), 73, 104–108 177–182, 186 f., 208–213, (1627–95), S. 99 S. 17 – »Una candida cerva«, 216 f., 227, 241, 265 f., Osborne, John James Pater, Walter (1839–94), S. 106 317, 358, 539 (1929–94), S. 354, 423 f., S. 237, 335 f.., 354 – Canzoniere, S. 104–108 – The Dunciad, S. 212 f., 427 f., 432 – »Essay on Style«, S. 335 – Trionfi , S. 73 266 – The Entertainer, S. 432 – Greek Studies, S. 336 – »Zefi ro torna«, S. 105 – »Epistle to Augustus«, – Look Back in Anger, – Marius the Epicurean, Phalaris, S. 177 S. 164 S. 423, 427, 463 S. 335 Philips, Ambrose – An Essay on Criticism, – Luther, S. 432 – Studies in the History of (1674–1749), S. 180 S. 177, 182, 241 Osofi san, Femi (*1946), the Renaissance, S. 335 – Pastorals, S. 180 – An Essay on Man, S. 182, S. 542 Paterson, Don (*1963), Phillips, Caryl (*1958), 358 – Morountodoun, S. 542 S. 416 S. 512, 537, 568 – Iliad, S. 178 Ossian, S. Macpherson Patience, S. Gawain-Dichter – Cambridge, S. 568 – Imitations of Horace, O’Sullivan, Maggie (*1951); Patmore, Coventry Kersey Pico della Mirandola, S. 191 S. 418 Dighton (1823–96), Giovanni, S. 74 – Pastorals, S. 180 Oswald, Alice (*1966), S. 238, 311, 318, 320 f. Pinero, Sir Arthur Wing – The Rape of the Lock, S. 416 – »A London Fete«, S. 320 (1855–1934), S. 349 S. 178–180 Otway, Thomas (1652–85), – The Angel in the House, – The Profl igate, S. 349 – Windsor Forest, S. 181 f., S. 222 S. 238, 320 Pinnock, Winsome (*1961), 184 – Venice Preserv’d; or, A – »Love’s Perversity«, S. 442, 569 Pound, Ezra Weston Loomis Plot Discovered, S. 222 S. 320 – Leave Taking, S. 569 (1885–1972), S. 130, Ovid, S. 42, 73 – »To the Body«, S. 320 Pinter, Harold (1930–2008), 329 f., 355, 358–361, 394, – Heroides, S. 42 – The Unknown Eros, S. IX, 423, 428–430, 403 Owen, Robert (1771–1858), S. 320 435 f., 439, 443, 445, 450 – Cantos, S. 361 S. 236 Pattison, Mark (1813–84), – Betrayal, S. 429 – »Envoi«, S. 361 –A New View of Society, S. 269 – The Birthday Party, – »A Few Don’ts«, S. 359 S. 236 – Memoirs, S. 269 S. 428 f. – Hugh Selwyn Mauberley, Owen, Wilfred (1893–1918), Paulus Orosius (385–420), – The Caretaker, S. 429 S. 361 S. 355, 357, 379, 418, 479 S. 17 – Celebration, S. 439 – »In a Station of the – »Anthem for Doomed – Historia adversum Paga- – The Homecoming, S. 429 Metro«, S. 358 Youth«, S. 357 nos, S. 17 – Landscape/Silence, S. 429 – »The Lake Isle«, S. 355 – The Owl and the Peake, Mervyn (1911–1968), – Mountain Language, – Poetry, S. 359 Nightingale, S. 40 f. S. 491 S. 429, 439 Powell, Anthony (Dymoke) – Gormenghast, S. 491 – The New World Order, (1905–2000), S. 463, 475 P p’Bitek, Okot (1931–82), S. 439 – A Dance to the Music of S. 522, 524, 525, 542 – No Man’s Land, S. 429 Time, S. 463 Page, Louise (*1955), – Song of Lawino, S. 522, – One for the Road, Powell, Michael (1904–90), S. 433, 437 524 S. 429 S. 47 Personen- und Werkregister 609
Pratchett, Terry (*1948), S. 70, 76, 97 f., 107, – Principles of Literary Rossetti, Christina Georgina S. 491 119–121, 402 Criticism, S. 495 (1830–94), S. 311, Pressburger, Emeric – The Discovery of the – Practical Criticism, S. 495 318–320, 476 (1902–88), S. 47 Large, Rich, and Richardson, Dorothy – Goblin Market and Other Preston, Thomas (1537–98), Beautifull Empire of (1873–1957), S. 372 Poems, S. 319 S. 139, 157 Guiana, S. 97 – Pilgrimage, S. 372 – »I look for the Lord«, – Cambyses, S. 139, 157 – The History of the World, Richardson, Samuel S. 319 Priestley, J (ohn) B (oynton) S. 70 (1689–1761), S. 127, 166, – »Monna Innominata«, (1894–1984), S. 352, 463 Ramanujam, A (ttipat) 189, 191, 195–201, 204 f., S. 319 – Time and the Conways, K (rishnaswami) 216, 241 f., 280, 298 Rossetti, Dante Gabriel S. 352 (1929–93), S. 521 – Sir Charles Grandison, (1828–82), S. 311 f., Prior, Matthew (1664–1721), Ramayana, S. 521 S. 198 316–320 S. 167, 212 The Rambler, S. 170, 219 – Clarissa; or: The History – »The Blessed Damozel«, – Alma: or, The Progress of Ramsay, Allan (1686–1758), of a Young Lady, S. 191, S. 318 the Mind, S. 212 S. 187 198, 298 – »The Burden of Pritchett, V (ictor) S (awdon) Ramus, Petrus, eig. Pierre – Pamela, or Virtue Nineveh«, S. 318 (1900–97), S. 384 de la Ramée, S. 93 Rewarded, S. 166, – »Eden Bower«, S. 318 – »Many are Disappoin- Rankin, Ian (*1960), S. 489 196–198, 242, 298 – »The House of Life«, ted«, S. 384 Rao, Raja (1908–2006), – »A Young Woman in S. 311, 318 f. Prynne, J (eremy) H (alward) S. 521, 557 Town to her Sister in the – »Sister Helen«, S. 318 (*1936), S. 404, 417 f. – Kanthapura, S. 521, 557 Country, recounting her – »A Trip to Paris and – »The Glacial Question, – The Serpent and the narrow Escape from the Belgium«, S. 319 Unsolved«, S. 404 Rope, S. 557 Snare the Day Before«, – »Willowwood«, S. 319 Purchas, Samuel Rastell, John S. 196 – »The Woodspurge«, (ca. 1577–1626), S. 95 f., (ca. 1475–1536), S. 118 Richler, Mordecai S. 319 256 – A Hundred Merry Tales, (1931–2001), S. 565 Rousseau, Jean-Jacques, – Hakluytus Posthumus, S. 118 – The Apprenticeship of S. 188, 194, 198, 207, or Purchas his Pilgrimes, Rattigan, Sir Terence Duddy Kravitz, S. 565 243–247, 281, 381 S. 95, 256 Mervyn (1911–77), – Solomon Gursky Was – Bekenntnisse, S. 243 Pullman, Philip (*1946), S. 422 Here, S. 565 – Émile, ou De l’éducation, S. 491 Ravenhill, Mark (*1966), Rickman, Alan (*1946), S. 381 Purdy, Al (fred Wellington) S. 444, 448–452 S. 455 – Träumereien eines (1918–2000), S. 530 f. – Faust is Dead, S. 449 – My Name is Rachel e insamen Spaziergängers, – Being Alive, S. 531 – Shopping and Fucking, Corrie, S. 455 S. 244 f. Puttenham, George (ca. S. 448 f. Ridley, Philip (*1960), Rowe, Nicholas 1529–91), S. 92 f., 103 f. Raworth, Tom (*1938), S. 444 (1674–1718), S. 22, 229 – The Arte of English S. 413, 418 – The Fastest Clock in the – Jane Shore, S. 229 P oesie, S. 92 Read, Herbert (1893–1968), Universe, S. 444 – Lady Grey, S. 229 S. 418 – Ghost from a Perfect Rowe, William (*1931), Q Reading, Peter (1946–2011), Place, S. 444 S. 418 S. 406 – Mercury Fur, S. 444 Rowling, Joanne K. Queneau, Raymond, S. 470 – »Ukulele Music«, S. 406 – The Pitchfork Disney, (*1965), S. 491 Reid, Christina (*1942), S. 444 Roy, Arundhati (*1961), R S. 460 Rive, Richard (1931–89), S. 506, 562 Reid, Christopher (*1949), S. 546 – The God of Small Things, Rabelais, François, S. 202 S. 400 f. – »Buckingham Palace«, S. 562 Racine, Jean, S. 177 – Arcadia, S. 401 District Six, S. 546 – The Ruin, S. 11 Radcliffe, Ann (1764–1823), – »Arcadia«, S. 373 Robbe-Grillet, Alain, S. 474 Rumens, Carol (*1944), S. 279 f. Reid, Graham (*1945), Robertson, T (homas) S. 407, 408 – The Mysteries of Udol- S. 459 W (illiam) (1929–71), – »A Marriage«, S. 408 pho, S. 279 The Review, S. 167, 192 S. 349 – »Stealing the Genre«, Raine, Craig (*1944), Rendell, Ruth (*1930), – Caste, S. 349 S. 407 S. 400–402 S. 167, 192 Robinson, Mary Rushdie, Salman (*1947), – History: The Home – Simisola, S. 489 (1758–1800), S. 240 S. 437, 475, 479, 501 f., Movie, S. 402 Rhys, Jean (Ella Gwendolen Roche, Billy (*1949), S. 459 506, 509 f., 522, 547–549, – »An Inquiry into Two Rees Williams) (ca. Rochester, John Wilmot, 2. 558, 567, 570–574 Inches of Ivory«, S. 401 1890–1979), S. 529, 561 Earl of (1647–80), S. 178 – »The Empire Writes – »A Martian Sends a – Wide Sargasso Sea, Rosen, Michael (*1946), Back«, S. 501, 510, 571 Postcard Home«, S. 401 S. 529, 561 S. 419 – East, West, S. 558 Raine, Kathleen (Jessie) Richards, Ivor Armstrong Rosenberg, Isaac – Midnight’s Children, (1908–2003), S. 393, 395 (1893–1979), S. 495 f. (1890–1918), S. 357, 418 S. 475, 479, 501, 547 Ralegh oder Raleigh, Sir – The Meaning of Meaning, – »Break of Day in the – The Satanic Verses, Walter (ca. 1554–1618), S. 495 Trenches«, S. 357 S. 570–573 610 Personen- und Werkregister
– Shalimar the Clown, – The Antiquary, S. 286 – The Comedy of Errors, – Burnt Shadows, S. 574 S. 574 f. – The Heart of Midlothian, S. 140 Shapcott, Jo (*1953), – Shame, S. 547 S. 286 – Coriolanus, S. 67, 75, 144 S. 415 f. Ruskin, John (1819–1900), – Ivanhoe, S. 286 – Cymbeline, S. 155 Shaw, (George) Bernard S. 303, 307–309, 335 – Kenilworth, S. 274 – Hamlet, S. 58, 85 f., 92, (1856–1950), S. 158, 331, – The Crown of Wild – Old Mortality, S. 286 135, 137, 145–151, 342–344, 348, 350 f., 394, Olives, S. 309 – Waverley, or ’Tis Sixty 155–157, 430 f., 471 421 f. – Fors Clavigera, S. 309 Years Since, S. 284 – Henry IV, S. 138–143 – Arms and the Man, S. 351 – Modern Painters, S. 308 – Waverley-Romane, S. 283, – Henry V, S. 92, 115, 117, – Back to Methuselah, – The Seven Lamps of 299 136, 138, 140–142, 145 S. 350 Architecture, S. 308 Schiller, Friedrich von, – Henry VI, S. 141, 145 – Man and Superman, – The Stones of Venice, S. 233, 306 – Henry VIII, S. 136, 141 S. 351 S. 308 The Seafarer, S. 10 f. – Julius Caesar, S. 144 – Mrs Warren’s Profession, – Time and Tide, S. 309 Schnitzler, Arthur, S. 440 – King John, S. 141 S. 351 – Unto this Last, S. 308 – Der Reigen, S. 440 – King Lear, S. 126, 138, – Saint Joan, S. 351 Russell, Bertrand Arthur Selvon, Samuel (1923–94), 157 Shelley, Mary Wollstone- William, 3. Earl Russell S. 507, 523, 537, 567 f. – »Love’s not Time’s Fool«, craft (geb. Godwin) (1872–1970), S. 366 – The Lonely Londoners, S. 110, 116 (1797–1851), S. 272, 280, Russell, George William S. 523, 568 – Macbeth, S. 147, 157 288, 301, 312, 316, 486, (Æ) (1867–1935), S. 347 – Moses Ascending, S. 568 – Measure for Measure, 492 Rymer, Thomas Seneca, S. 73, 93, 99 f., S. 59, 126, 158 – Frankenstein, or the (1641–1713), S. 222, 227 139 f. – The Merchant of Venice, Modern Prometheus, Senior, Olive (*1941), S. 561 S. 94, 153, 155 S. 272, 280 f., 288, 301, S – Arrival of the Snake- – The Merry Wives of 486 Woman and Other Sto- Windsor, S. 138, 153 Shelley, Percy Bysshe Sackville, Thomas, 1. Earl ries, S. 561 – A Midsummer Night’s (1792–1822), S. 113, 237, of Dorset and Baron – Discerner of Hearts and Dream, S. 92, 139, 239 f., 246–267 Buckhurst (1536–1608), Other Stories, S. 561 151–155, 353, 477 f. – Adonais, S. 264 S. 69, 126, 138 Seth, Vikram (*1952), – »My mistress’ eyes are – Alastor; or, The Spirit of – Gorboduc (mit Thomas S. 506, 549 nothing like the sun«, Solitude, S. 263 Norton), S. 126 – A Suitable Boy, S. 549 S. 111 – »The Cloud«, S. 264 Sade, Donatien Alphonse, Shadwell, Thomas – Much Ado About – Defence of Poetry, S. 246 Comte, bekannt als (ca. 1642–92), S. 212 Nothing, S. 138, 153 – Epipsychidion, S. 264 Marquis de, S. 334 Shaffer, Peter Levin – Othello, S. 138, 1490, – »Hymn to Intellectual Said, Edward W. (*1926), S. 424, 432, 435, 145, 458 Beauty«, S. 263 (1935–2003), S. 499, 437 – Pericles, S. 155 – The Mask of Anarchy, 508–510 – Amadeus, S. 432 – The Rape of Lucrece, S. 262 – Culture and Imperialism, – Equus, S. 435 S. 110 – The Necessity of Atheism, S. 499, 509 – Lettice and Lovage, S. 437 – Richard II, S. 65, 110, 138, S. 262 – Orientalism, S. 499, 509 – The Royal Hunt of the 141 f., 145 – »Ode to the West Wind«, Sannazaro, Jacopo, S. 119, Sun, S. 435 – Richard III, S. 141 f. S. 262, 264 123–125 Shaftesbury, Anthony – Romeo and Juliet, S. 145 – Prometheus Unbound. – Arcadia, S. 125 Ashley Cooper, 3. Earl of – »Shall I compare thee to A Lyrical Drama, Saro-Wiwa, Ken (1941–95), (1671–1713), S. 176, a summer’s day«, S. 110 S. 262–264 S. 518, 523, 542 183 f., 212, 228 f. – Sonnets, S. 109 f. – Queen Mab, S. 262 – A Month and a Day, – Characteristics of Men, – The Taming of the Shrew, – The Revolt of Islam. S. 542 Manners, Opinions, S. 137 A Poem in Twelve Cantos, – Sozaboy, S. 518, 523 Times, S. 176 – The Tempest, S. 126, 155, S. 263 Sartre, Jean-Paul, S. 424, Shakespeare William 471, 517, 527 – »To a Skylark«, S. 262, 470 (1564–1616), S. XII, XIII, – Titus Andronicus, S. 143 264 Sassoon, Siegfried Louvain 40, 52 f., 58 f., 65—69, – Troilus and Cressida, – The Triumph of Life, (1886–1967), S. 357, 379, 72 f., 75, 79, 87, 89, S. 75, 144, 158 S. 264 418, 479 92–95, 97, 104, 107–111, – Twelfth Night, Or What – The Witch of Atlas, S. 264 Sayers, Dorothy 115, 122 f., 125 f., 134– You Will, S. 95, 139, Sheridan, Richard Brinsley (1893–1957), S. 489 159, 163, 173, 221 f., 229, 153 f., 155 (1751–1816), S. 230 Scott, Paul Mark (1920–78), 241, 270 f., 344, 352–356, – The Two Gentlemen of – The Rivals, S. 230 S. 389, 483, 501 363, 381, 421, 430 f., 440, Verona, S. 122, 155 – A School for Scandal, Scott, Robert Falcon 458, 468, 471, 475, 477, – Venus and Adonis, S. 110 S. 230 (1868–1912), S. 9 498, 517, 527 f. – The Winter’s Tale, S. 87, Sidney, Sir Philip (1551–86), Scott, Sir Walter – Antony and Cleopatra, 123, 155 S. 53, 73, 88, 90–93, (1771–1832), S. 205, 235, S. 144, 222 Shakespeare in Love, S. 440 103 f., 107–111, 114, 238, 240, 265 f., 274 f., – As You Like It, S. 123, Shamsie, Kamila (*1973), 118–120, 123–128, 139, 278, 283–286, 302 125, 137, 139, 153, 155 S. 574 156, 504 Personen- und Werkregister 611
– Arcadia, S. 123–127 – White Teeth, S. 572 Spender, Sir Stephen Harold – The Memory of Water, – Astrophel and Stella, Smollett, Tobias George (1909–95), S. 379 f. S. 441 S. 104, 108 (1721–71), S. 205 f. – »The Express«, S. 380 Sterne, Laurence (1713–68), – Defence of Poesie, S. 90 f., – The Adventures of – »In No Man’s Land«, S. 170, 189 f., 202–206, 103, 108, 246 Peregrine Pickle, S. 206 S. 380 270, 278 – »Loving in truth«, S. 108 – The Adventures of – »I think continually of – Sentimental Journey, Sidney Herbert, Mary, Roderick Random, S. 206 those who were truly S. 204 Countess of Pembroke – Humphrey Clinker, great«, S. 379 – Tristram Shandy, S. 190, (1561–1621), S. 73, 111 S. 205 f. – »The Landscape near an 202–206 Sidhwa, Bapsi (*1938), Snow, C (harles) P (ercy), Aerodrome«, S. 380 Stevens, Wallace S. 507, 562 Baron Snow of Leicester Spenser, Edmund (1878–1955), S. 398 – Ice-Candy Man, S. 562 (1905–80), S. 463, 475, (1552–99), S. 53, 57, 69, Stevenson, Anne (*1932), Sillitoe, Alan (1928–2010), 496 103, 107, 109 f., 114, 116, S. 398 S. 464 – Strangers and Brothers, 118–125, 128, 131, 259, – »A Daughter’s – The Loneliness of the S. 463 266, 322 Diffi culties«, S. 408 Long Distance Runner, – The Two Cultures and the – Amoretti, S. 107, 109 Stevenson, Robert Louis S. 464 Scientifi c Revolution, – Colin Clouts come home (urspr. Lewis) Balfour – Saturday Night and S. 496 again, S. 57 (1850–94), S. 278, 282 f., Sunday Morning, S. 464 Soans, Robin (*1947), – Faerie Queene, S. 53, 57, 352, 382, 384, 408, 477, Simon, Barney (1932–95), S. 455 69, 118–124 483 S. 551 Southey, Robert – »Like as a huntsman – A Child’s Garden of – Woza Albert!, S. 551 (1774–1843), S. 266 f., after weary chase«, S. 107 Verses, S. 382 Sinfi eld, Alan (*1941), S. 59, 305 – Mutability Cantos, S. 110 – »Markheim«, S. 384 91, 498 – »Inscriptions for the – Shepheardes Calender, – The Strange Case of – Political Shakespeare, Caledonian Canal«, S. 267 S. 57, 103, 119, 123–125 Dr Jekyll and Mr Hyde, S. 498 – »The Pig«, S. 267 Spivak, Gayatri Chakravorty S. 282, 477 Sir Gawain and the Green – A Vision of Judgement, (*1942), S. 508–510 – Treasure Island, S. 278, Knight, s. Gawain- S. 266 – »Can the Subaltern 483 Dichter Soyinka, Wole (*1934), Speak?«, S. 509 Stewart, J (ohn) I (nnes) Sisson, C (harles) H (ubert) S. 516 f., 522, 524 f., – In Other Worlds, S. 509 M (ackintosh) (pseud. (1914–2003), S. 403 542–544 – Outside in the Teaching Michael Innes) – Collected Poems, S. 403 – A Dance in the Forest, Machine, S. 509 (1906–1994), S. 489 Sista Rootz, S. 406 S. 525 Stead, C (hristian) K (arlson) Stoker, Bram (1847–1912), – »Dictionary Black – Death and the King’s (*1932), S. 517 S. 492 (Trap)«, S. 406 Horseman, S. 525 – Mansfi eld, S. 517 Stoppard, Tom (*1937), Sitwell, Dame Edith Louisa – Kongi’s Harvest, S. 522, Steele, Sir Richard S. 392, 430–432, 440 (1887–1964), S. 364 f. 542 f. (1672–1729), S. 163, – Arcadia, S. 440 – »Sir Beelzebub«, S. 364 f. – The Lion and the Jewel, 167 f., 218, 226, 228–230 – The Coast of Utopia, Skelton, John S. 525 – »The Case of the S. 440 (ca. 1460–1529), S. 127 – Madmen and Specialists, Petticoat«, S. 218 – Hapgood, S. 440 Skipsey, Joseph S. 542 f. – The Conscious Lovers, – The Invention of Love, (1832–1903), S. 325 Spark, Dame Muriel S. 228 f. S. 440 Slovo, Gillian (*1952), (1918–2006), S. 283, 466, – Tatler-Essays, S. 218 – Rosencrantz and S. 454 471 f., 482 Stein, Gertrude Guildenstern Are Dead, Smart, Christopher – The Abbess of Crewe, (1874–1946), S. 369, 374 S. 430 (1722–71), S. 168 S. 472 Steinbeck, John (1902–68), – Travesties, S. 432 Smiles, Samuel – Aiding and Abetting, S. 38 Stow, John (1525–1605), (1812–1904), S. 194 S. 472 – The Acts of King Arthur S. 65 – Self-Help, S. 194 – The Comforters, S. 472 and His Noble Knight, – Survey of London, S. 65 Smith, Adam (1723–90), – The Driver’s Seat, S. 472 S. 38 Stow, Randolph S. 183 – The Girls of Slender Stephen, Sir Leslie (*1935–2010), S. 527, 531, – An Enquiry into the Means, S. 472 (1832–1904), S. 370 554 f. Nature and Causes of the – Loitering with Intent, Stephens, James – To the Islands, S. 531 Wealth of Nations, S. 183 S. 472 (1882–1950), S. 347, – Visitants, S. 527, 555 Smith, Charlotte – Not to Disturb, S. 472 367 Strauß, David Friedrich, (1749–1806), S. 240 – The Only Problem, Stephens, Simon (*1971), S. 302 Smith, Michael (1954–83), S. 472 S. 452 – Das Leben Jesu, S. 302 S. 526 – The Prime of Miss Jean – Herons, S. 452 Stubbes oder Stubbs, Philip Smith, Stevie (1902–71), Brodie, S. 283, 472, 489 – Motortown, S. 452 (ca. 1583–91), S. 145 S. 407 – The Spectator, S. 168, – Pornography, S. 452 – Anatomie of Abuses, – »Piggy to Joey«, S. 407 218 f., 287 – Punk Rock, S. 452 S. 145 Smith, Zadie (*1975), Spencer, Herbert Stephenson, Shelagh Stubbs, William S. 572, 567, 475 (1820–1903), S. 343 (*1967), S. 441 (1825–1901), S. 305 612 Personen- und Werkregister
Sueton, S. 199 – »The Triumph of Time«, – The Princess, S. 311 – »To the Memory of Suleri, Sara, S. 558 S. 310, 321 – »Ulysses«, S. 311, 314 Newton«, S. 173 – Meatless Days, S. 558 Symons, Arthur William Terenz, S. 139 Thomson, James (1834–82), Surrey, Henry Howard, Earl (1865–1945), S. 337 Thackeray, William S. 322, 324 of (ca. 1517–47), – »Autumn Twilight: Grey Makepeace (1811–63), – »The City of Dreadful S. 103–107, 113, 129 and Gold«, S. 337 S. XII, 200, 216, 237, 272, Night«, S. 324 – »The soote season«, Synge, (Edmund) John 275–279, 286 f., 293–297, Thorpe, Adam (*1956), S. 105 Millington (1871–1909), 331 S. 479 Swedenborg, Emanuel, S. 328, 344–348, 350, – The History of Henry – The Rules of Perspective, S. 248 354, 421 Esmond, Esquire, S. 286f S. 479 Sweeney, Matthew (*1952), – The Playboy of the Wes- – The Irish Sketch Book, Tiffi n, Helen, S. 510 S. 394 tern World, S. 345, 347 S. 294 – The Empire Writes Back Swift, Graham (*1949), – Riders to the Sea, S. 347 – Novels by Eminent (mit Ashcroft und S. 480, 489 Hands, S. 294 Griffi ths), S. 510 – Ever After, S. 480 T – The Paris Sketch Book, Tillotson, John (1630–94), – The Light of Day, S. 489 S. 294 S. 171 – Waterland, S. 480 Tagore, Rabindranath – The Snobs of England, Tóibín, Colm (*1965), Swift, Jonathan (1861–1941), S. 516 späterer Titel The Book of S. 481, 486 (1667–1745), S. 165, The Tale of Beryn, S. 46 Snobs, S. 294 Tolkien, J (ohn) R (onald) 167–173, 177, 191, 202, Tasso, Torquato, S. 117, 131 – Vanity Fair, S. 279, 293 f. R (euel) (1892–1973), 208–216, 227, 382 – La Gerusalemme – The Yellowplush Papers, S. 119, 491 – The Battle of the Books, Liberata, S. 117, 131 S. 294 Tomlinson, (Alfred) Charles S. 177 The Tatler, S. 218 Tharoor, Shashi (*1956), (*1927), S. 394, 398 f. – Bickerstaff Papers, S. 209, Taylor, Tom (1817–80), S. 522, 548, 559 – »Arizona Desert«, S. 399 214 S. 269, 349, 351 – The Great Indian Novel, – »The Gossamers«, S. 399 – »Cassinus and Peter«, – The Ticket-of-Leave Man, S. 522, 548 – »Sea Change«, S. 399 S. 210 S. 349, 351 – Riot, S. 559 – Seeing is Believing, S. 398 – The Drapier’s Letters, Temple, Sir William Thatcher, Margaret (*1925), – »Swimming Chenango S. 167, 209 (1628–99), S. 177, 215 S. 390, 435–439, 473, Lake«, S. 399 – The Four Last Years of the Tennant, Emma (*1937), 490, 499, 570, 572 – »Winter Encounters«, Queen, S. 167 S. 416, 477, 502 Theokrit, S. 123, 252, 260, S. 399 – Gulliver’s Travels, S. 171, Tennyson, Alfred, 1. Baron 268 Tottel, Richard 191, 209–211, 215 f., 238, (1809–92), S. 8,9, 38, Thirty-Nine Articles, S. 56, (ca. 1530–94), S. 103, 107 305, 382 237, 260, 268, 310–322, 74 – Tottel’s Miscellany, S. 107 – »The Lady’s Dressing 365, 418, 481 Thomas, Dylan Marlais Tourneur, Cyril Room«, S. 210 – »The Brook«, S. 313 (1914–53), S. 394 f., 518 (ca. 1575–1626) S. 151 – The Legion Club, S. 167 – »The Charge of the Light – »In my Craft or Sullen – The Atheist’s Tragedy, – A Mechanical Operation Brigade«, S. 314, 365 Art«, S. 395 S. 151 of the Spirit, S. 2190, 307 – »Come down, o maid…«, – »Do not go gentle into – The Revenger’s Tragedy, – A Modest Proposal, S. 311 that good night«, S. 395 S. 151 S. 161, 163 – »English Idyls«, S. 311, – »Fern Hill«, S. 395 Towneley-Zyklus, S. 29 – Proposal for Correcting 313 – »Poem in October«, S. 395 Treece, Henry (1911–66), the English Tongue, S. 167 – »The Gardener’s Thomas, (Philip) Edward S. 395 – »Strephon and Chloe«, Daughter«, S. 313 (1878–1917), S. 354–359, Trevor, William (*1928), S. 210 – »The Holy Grail«, S. 38, 394 S. 485 – Tale of a Tub, S. 210, 314 – »February Afternoon«, – Fools of Fortune, S. 485 213 f. – Idylls of the King, S. 38, S. 357 – The Silence in the Swinburne, Algernon 300, 303 – George Borrow, S. 279, 354 Garden, S. 485 Charles (1837–1909), – In Memoriam, S. 310, 313, – »Lob«, S. 356 Trollope, Anthony S. 310 f., 318, 320–322, 365 – »Manor Farm«, S. 356 (1815–82), S. 275 f., 293, 335 – »The Lady of Shalott«, – »The Owl«, S. 356 295 f., 366 – »Anactoria«, S. 321 S. 314, 318 – Walter Pater, S. 335, 354 – Barchester Novels, S. 296 – »Atalanta in Calydon«, – »Locksley Hall«, S. 314 Thomas, R. S. (1913–2000), – Can You Forgive Her?, S. 321 – »The Lotus-Eaters«, S. 394 S. 296 – »A Forsaken Garden«, S. 313 – »The Country Clergy«, – The Last Chronicle of S. 321 – »Mariana«, S. 312 S. 394 Barset, S. 296 – »Hertha«, S. 321 – »Northern Farmer – New – »On the Farm«, S. 394 – Palliser Novels, S. 296 – »Hymn to Proserpine«, Style«, S. 313 – »A Peasant«, S. 394 – Phineas Redux, S. 296 S. 321 – »The Palace of Art«, Thomson, James (1700–48), – The Warden, S. 296 – Poems and Ballads, S. 321 S. 311, 314 S. 173, 183f, 226, 237, – The Way We Live Now, – »Poeta Loquitur«, S. 321 – Poems, S. 314 242 S. 296, 497 – Songs before Sunrise, – Poems, Chiefl y Lyrical, – The Seasons, S. 184, 242, Tschechow, Anton, S. 384, S. 321 S. 312 237 386, 457 Personen- und Werkregister 613
tucker green, debbie Viner, Katherine (*1971), Warner, Alan (*1964), – From Ritual to Romance, (*unbekannt), S. 453 f. S. 455 S. 488 S. 363 – Born Bad, S. 453 – My Name is Rachel Watkins, Vernon Phillips Wezel, Johann Carl, – Dirty Butterfl y, S. 453 Corrie, S. 455 (1906–67), S. 395 S. 194 – Random, S. 453 Virgil, Polydore Waugh, Evelyn Arthur Wheels, S. 364 – Trade, S. 453 (ca. 1470-ca. 1555), S. 68 St John (1903–66), White, Patrick (Victor Mar- Tutuola, Amos (1920–97), Voices from Twentieth- S. 330, 377, 393 tindale) (1912–90), S. 511, S. 518, 524 f. C entury Africa, S. 524 – Brideshead Revisited, 518, 531, 555 – The Palm-Wine Drinkard, Voltaire, eig. François-Marie S. 377 – A Fringe of Leaves, S. 531, S. 525 Arouet, S. 202 – Decline and Fall, S. 377 555 Tuwhare, Hone – The Loved One, S. 377 – Voss, S. 531 (1922–2008), S. 535, 564 W – Sword of Honour, S. 377 White, Terence Hanbury – Deep River Talk, S. 564 Webster, John (ca. 1578-ca. (1906–64), S. 38 Twain, Mark, eig. Samuel Wace (ca. 1100-ca. 1171), 1632), S. 115, 140, 151, – The Once and Future Langhorne Clemens S. 33 157 King, S. 38 (1835–1910), S. 384, 516 – Roman de Brut, S. 33 – The Duchess of Malfi , Widsith, S. 3 Tyndale, William († 1536), Waddington, Miriam S. 151, 157 Wiebe, Rudy (*1934), S. 54 (1917–2004), S. 565, 533 – The White Devil, S. 151, S. 534, 563 – Driving Home, S. 533 157 – The Temptations of Big U Wain, John Barrington Wedde, Ian (*1946), S. 556 Bear, S. 534 (1925–94), S. 463–465 – Driving into the Storm, – The Scorched-Wood Udall oder Uvedale, – Hurry on Down, S. 463 S. 556 People, S. 534 Nicholas (1504–56), Wakefi eld-Meister (um – Symmes Hole, S. 556 The Wife’s Lament, S. 11 S. 140 1440), S. 29 Weller, Archie (*1957), Wilde, Oscar (1854–1900), – Ralph Roister Doister, Walcott, Derek (*1930), S. 564 S. 266, 331, 335–337, S. 140 S. 507, 510, 516 f., 526, – Going Home, S. 564 421 f., 457 f., 481 Unsworth, Barry 529, 532, 537–539 Wells, H (erbert) G (eorge) – De Profundis, S. 270 f., (1930–2012), S. 483, 489 – The Castaway, S. 186, (1866–1946), S. 78, 278, 336 529 281, 331, 343 f., 366, 373, – »The English Renaissance V – Dream on Monkey 384, 468, 481, 492 of Art«, S. 336 Mountain, S. 517, 526 – »The Country of the – The Importance of Being Vakil, Ardashir (*1962), – Omeros, S. 529, 538 Blind«, S. 343 Earnest, S. 336 S. 506 – Pantomime, S. 529 – The History of Mr Polly, – Lady Windermere’s Fan, Vanbrugh, Sir John – »The Schooner Flight«, S. 344 S. 336 (1664–1726), S. 224–226 S. 507, 538 – Kipps, S. 344 – The Picture of Dorian – The Provok’d Wife, S. 225 – Star-Apple Kingdom, – A Modern Utopia, S. 344 Gray, S. 336 – The Relapse, S. 224–226 S. 538 – The Outline of History, – Salome, S. 336 f. A Various Art, S. 404 Walker, Kath (leen) S. 468 Williams, Charles Walter Vassanji, M (oyez) G. (Noonuccal, Oodgeroo) – The Time Machine, Stansby (1886–1945), (*1950) S. 506, 522, 541, (1920–93), S. 535, 564 S. 281, 343 S. 353, 361, 370, 398 566 – We Are Going, S. 564 – Tono Bungay, S. 373 Williams, Nigel (*1948), – The Book of Secrets, – My People, S. 564 Welsh, Irvine (*1958), S. 438 S. 541 Waller, Edmund (1606–87), S. 487 f. – My Brother’s Keeper?, – The Gunny Sack, S. 522, S. 181 – Trainspotting, S. 487 S. 438 541 – On St. James’s Park, as Wendt, Albert (*1939), Williams, Joe Tyerman, – No New Land, S. 566 lately improved by his S. 565 S. 383 Vaughan, Henry (1621–95), Majesty, S. 181 – Leaves of the Banyan Williams, Raymond Henry S. 115, 117 Walpole, Horace, 4. Earl of Tree, S. 565 (1921–88), S. 390, 497, – »The Retreat«, S. 117 Orford (1717–97), S. 126, Wertenbaker, Timberlake 498 – Silex Scintillans, S. 117 166, 169, 172, 177 f., 183, (*1951), S. 441 – Culture and Society – »The World«, S. 115 199, 213, 227, 229, 279, – The Love of the 1780–1950, S. 390, 497 Vera, Yvonne (*1964), 304 Nightingale, S. 441 – The Long Revolution, S. 562 – Briefe, S. 172 – Our Country is Good, S. 497 – Nehanda, S. 562 – The Castle of Otranto, S. 441 – Marxism and Literature, Vercelli-Buch, S. 4 S. 279 Wesker, Arnold (*1932), S. 497 Vergil, S. 4, 42, 57, 117, 119, Walsh, Enda (*1967), S. 461 S. 423, 435, 437 – The Politics of 123 f., 130–132, 180 f., – Disco Pigs, S. 461 – Roots, S. 423 Modernism, S. 497 184, 213, 219, 241, 309 – The Walworth Farce, – Whatever Happened to Williams, Roy (*1968), – Aeneis, S. 4, 42, 119, S. 461 Betty Lemon?, S. 437 S. 453 130–132, 200, 213, 409, Walton, Izaak (1593–1683), Wesley, John (1703–91), – Sing Yer Heart Out for the 468 S. 115 S. 304 Lads, S. 453 – Eklogen, S. 123 f., 180 – Life of John Donne, S. 115 Weston, Jessie L (aidlay) Williams, Tennesse – Georgica, S. 181, 184, 409 The Wanderer, S. 10 f. (1850–1928), S. 363 (Thomas Lanier 614 Personen- und Werkregister
Williams) (1911–83), Woolf, Leonard Sidney – Poems in two Volumes, – »Among School S. 423 (1880–1969), S. 370 S. 252 Children«, S. 346 Williams, William Carlos Woolf, (Adeline) Virginia – The Prelude; or, Growth – »Coole Park and (1883–1963), S. 353, 361 (1882–1941), S. 171, 194, of a Poet’s Mind, S. 243, Ballylee«, S. 346 Wilson, Sir Angus Frank 330, 359, 365, 366, 369 f., 251–255 – The Countess Cathleen, Johnstone (1913–1991), 374, 384–387, 463 – The Recluse, or, Views on S. 345, 347 S. 466, 475 – Between the Acts, S. 370 Man, Nature, and – Deirdre, S. 347, 486 – Late Call, S. 466 – Jacob’s Room, S. 370 Society, S. 259 – »The Fascination of – No Laughing Matter, – »The Mark on the Wall«, – »Resolution and What’s Diffi cult«, S. 346 S. 466 S. 370, 384 Independence«, S. 243, – »The Lake Isle of – Such Darling Dodos, – »Modern Fiction«, S. 370 254 Innisfree«, S. 346, 355 S. 466 – »Mr Bennet and Mrs – »The Ruined Cottage«, – Responsibilities, S. 346 – The Wrong Set, S. 466 Brown«, S. 370 S. 254 – The Rose, S. 346 Winner and Waster, S. 41 – Mrs Dalloway, S. 370 f., – »Tintern Abbey«, – »Sailing to Byzantium«, Winstanley, Gerrard 384, 387 S. 252–255 S. 347 (ca. 1609–76), S. 64, 82 f. – Night and Day, S. 370 Wotton, William – »The Second Coming«, – The Law of Freedom in a – A Room of One’s Own, (1666–1727), S. 177 S. 347 Platform, S. 82 S. 369 Wright, Judith (1915–2000), – »The Stolen Child«, S. 346 Winterson, Jeanette – »A Sketch of the Past«, S. 555, 559 – A Vision, an Explanation (*1959), S. 482 f., 494 S. 370 – The Moving Image, S. 555 of Life Founded upon the – Lighthousekeeping, – Three Guineas, S. 369 Wroth, Lady Mary Writings of Giraldus…, S. 482 f. – To the Lighthouse, S. 370 f. (1587–ca. 1651), S. 111 S. 346 – The Passion, S. 482 – The Voyage Out, S. 370 – The Countess of – The Wanderings of Oisin, – Sexing the Cherry, S. 482 – The Waves, S. 366, Pembroke’s Urania, S. 111 S. 346 Wittgenstein, Ludwig Josef 370–372 Wulfstan († 1023), S. 18 f. – »The White Birds«, S. 331 Johann, S. 366, 470 – »Women and Fiction«, – Sermo Lupi ad Anglos, – The Wild Swans at Coole, – Tractatus Logico- S. 370 S. 18 S. 346 Philosophicus, S. 470 Wordsworth, Dorothy Wyatt, Sir Thomas – The Wind among the Wolfreys, Julian (*1958), (1771–1855), S. 269 (1503–42), S. 103–107, Reeds, S. 346 S. 499 – Journals, S. 269 113, 128 Yonge, Charlotte Wood, Ellen, geb. Price, Wordsworth, William – »Whoso list to hunt«, (1823–1901), S. 278 bekannt als Mrs. Henry (1770–1850), S. 108, 113, S. 106 – The Heir of Redclyffe, Wood (1814–87), S. 273 183, 186, 237–240, 243, Wycherley, William S. 278 Woolf, Virginia, S. 171, 194, 245–262, 266–271, 311, (1641–1715), S. 168, 218, York-Zyklus, S. 27 330, 359, 365 f., 369–374, 313, 317, 356, 397, 404 224 f. Young, Andrew John 384–387, 463 – Descriptive Sketches, – The Country Wife, S. 218, (1885–1971), S. 340 – »Kew Gardens«, S. 384, S. 252 224 f. Young, Edward 387 – An Evening Walk, S. 252 – The Plain Dealer, (1683–1765), S. 184, – »The Mark on the Wall«, – The Excursion, S. 252, S. 224 241–242 S. 370, 384 254 Wyclif oder Wycliffe, John – The Complaint, or Night – »Mrs Dalloway in Bond – »Guilt and Sorrow«, S. 252 (1326–84), S. 30 f. Thoughts on Life, Death Street«, S. 370 f., 384, 387 – »The Idiot Boy«, S. 251 Wyndham, John and Immortality, S. 184, Wollstonecraft, Mary – »I wandered lonely as a (1903–1969), S. 492 241 f. (1759–97), S. 171, 233 cloud«, S. 245 – The Rights of Woman, – »Lucy«-Gedichte, S. 254 Y Z S. 233 – Lyrical Ballads – A Vindication of the (mit Coleridge), S. 183, Yeats, William Butler Zephaniah, Benjamin Rights of Woman, S. 233 238, 252–254 (1865–1939), S. 328 f., (*1958), S. 404, 419 – The Wrongs of Woman; – »Michael. A Pastoral 331, 344–347, 353, 355, Zola, Émile (1840–1902), or Maria, S. 171 Poem«, S. 254 359 f., 381, 392, 517 S. 341 615
Sach register
Abbey Theatre 347, 457 Autobiographisch 49, 107 f., 111 f., 128, 186, 203, 245, 257, Absolutismus/absolutistisch 52, 55, 60, 64, 75, 162–164, 270, 286 f., 289, 292, 304, 323, 332, 367, 375, 397, 407, 210, 241, 305 415, 423, 428, 471, 474, 486, 515, 534, 542, 546, 557 f., Absurdes Theater 422, 424–426, 428–430, 439, 445, 462, 563, 565 f., 568, 569, 572 543, 551 Autorschaft 18, 23, 42, 48 f. Act of Supremacy 56 Avantgarde 328, 330 f., 344, 354 f., 374, 412 f., 416–418, Allegorie 6, 11 f., 29, 41, 44, 48, 58, 69, 89, 92, 98, 106–108, 422, 423, 480, 492, 553 114, 118–121, 128, 131, 138, 146, 156, 190, 193 f., 205, 207, 212, 214, 241, 262, 277, 283, 313, 313 f., 316, 319, Ballade 57, 87, 172, 183, 186, 219, 229, 238, 242, 252–254, 334, 338, 341, 346, 348, 400, 407, 468, 486 258, 261, 274, 290, 318, 321, 324, 333, 380, 383, 402, Alliteration 4 f., 17–20, 22, 27, 31, 33 f., 41 f., 122, 256, 322 423, 524, 526 Altenglisch 1–20, 22, 33, 402 Beat Generation 413 Ambiguität 295, 360, 380, 409, 416, 444, 495, 570 Bibel 16, 18, 25, 28, 31, 43 f., 54, 61, 72, 87, 90, 118, 130, Amerikanisierung 496, 514 149, 186, 190, 248, 302, 315, 394, 408, 468, 475, 491 Anarchismus 232, 236, 262, 310, 344, 433, 464, 487, 496 – Bibelinterpretation 18, 28, 31, 42 f. Ancients and Moderns 177 f. – Bibelübersetzung 28, 31 Angelsachsen 1, 3, 5–14, 16–18, 21 f., 33 f., 322 Bibeldichtung 16, 118, 130 Anglonormannisch 18, 22, 33 Bildung, Bildungsreform 17 f., 27, 55, 62, 72–76, 79 f., Angry Young Men 354, 422 f., 442, 463, 464, 466 82 f., 87, 92, 122, 124, 126, 130, 136, 139, 142, 231, Anthropozentrisch 235, 427, 530 273 f., 288, 301 f., 304, 307, 309 f., 313, 329, 361, 363, 381, Antipoden 552–556, 573 394, 412, 420, 463, 463 f., 496, 502, 560 Apartheid 505, 507, 512, 519, 526, 528, 546, 549–552 Bildungsroman 126, 142, 367, 468 f., 479, 488, 491, 535, Apostel 12 f., 30 554, 569, s. a. Entwicklungsroman Ära Walpole 161, 164, 166, 169, 177 f., 199, 213, 227, 229 Biographie 43, 94, 143, 172, 188, 199, 206, 229, 269, 300, Aristotelisch 58, 74, 91, 120, 158, 241 307, 361, 476, 479, 479, 481 Arts Council 413, 416, 439 Black British studies 499 Artusliteratur, Artusepik 22, 33–38, 117, 119, 121, 186 Blankvers 69, 132, 136, 139, 147, 184, 186, 221, 254, 261, Ästhetik 90 f., 162 f., 166, 169 f., 173–176, 178, 183, 185, 263, 268 188 f., 204, 219, 226, 235–237, 240 f., 247 f., 257–259, 261, Bloomsbury Group 369 f., 465, 497 277, 292, 308, 312, 320 f., 331, 354, 359, 373, 384, 393, Boethius-Rezeption 18, 38 f., 44, 47, 50, 73 405 f., 412, 416, 420, 422, 430, 436 f., 440, 442, 450, 453, Booker Prize 391, 476, 483–485, 487 461, 462, 465, 470, 474, 483, 510, s.a. Wirkungsästhetik Briefl yrik 312, 408 Ästhetizismus 235, 311, 329, 333, 335–337, 345, 354, 374, Briefroman 171, 195–198, 205, 241 f. 396 British Council 416, 497 Atheismus 76, 84, 124, 126, 151, 177, 262, 487 British Empire 328, 332, 334, 389, 404, 418, 426, 483, 487, Aufklärung 83, 161 f., 173, 198, 232 f. 242, 248, 269, 276, 501, 504, 510, 513, 520, 538, 571, s. a. Commonwealth 299, 328, 372 Buchdruck 23, 37, 54, 65 Augenblickserfahrung 318, 330 Buchmarkt 86–89, 169 f., 227, 236, 274 f., 279, 381, 384, Augustan Age siehe Klassizismus 515 f., 519 Auktorial 166, 196, 202, 272, 295, 363, 371, 373, 386, 472, Bürgerkrieg/civil war 52–54, 61 f., 64, 69, 82, 90, 102, 148, 482, 491 151, 162, 177, 379, 447 f., 456, 514, 523, 542 f., 547 Außenseiter 88, 118, 129, 184, 207, 209, 237, 265, 279, Burleske 130, 180, 198, 200, 211, 213, 226, 230, 348 351 f., 368, 400, 428, 441, 464, 470, 487, 510, 528 f., 530, 534, 546, 553 f., 557 Cambridge School 417 Auswanderung/Emigration 289, 332 f., 457–459, 462, 486, Chain of being 75, 84, 146, 175, 197 507, 528, 536 f., 546, 553, 561, 571 Chiffre 101, 120, 446, 452 Autobiographie 94, 188–191, 235, 253, 269, 271, 273, 279, Chronik 8, 18, 22, 58, 68 f., 140 f., 190, 373, 488, 491, 492, 292, 375, 481, 542, 549, 568 515, 534, 541, 547, 561 616 Sachregister
Church of England 56 Epic 96, 179, 213, s. a. comic epic in prose Circulating libraries 169 f., 274 Epiphanie 367, 385, 400, 415 Civil war siehe Bürgerkrieg Episches Theater 137, 422–424, 430, 433, 446, 460 Close reading 495 Epos 57, 95, 98, 117–121, 130–134, 166, 177–180, 186, Comedy of menace 428 200, 213, 250, 253, 261, 263, 267, 268, 323 Comic epic poem in prose 130, 199–202, 267 – antikes Epos 7, 12, 16, 53, 53, 69, 130–132, 200, 250, Comic relief 157 265, 368 Common Law 61, 70 Erzählprosa 189, 356, 375, 522, 548, 557–560 Common sense 162, 193, 415 Erhabene, das/the sublime 183, 200, 212 f., 239, 241, 247, Commonwealth 52, 59–64, 79, 83, 95, 113, 345, 389, 501– 249, 257, 247, 249, 261, 266, 272, 279 f., 282, 292, 308, 503, 513, 567, s. a. Empire 339, 398 Conceit 114–116, 120 Essay 94, 99–102, 102, 148, 166–168, 171, 175–177, 182, Cromwell 62–64, 82, 162 207, 218 f., 230, 251, 270 f., 286, 288, 294, 304, 307–309, Cultural materialism 497 f. 335 f., 354, 369 f., 393, 412, 465, 470, 473, 509, 520, 528, Cultural studies 495, 497–499 542, 550, 572 – periodical essay s. Moralische Wochenschriften Dekonstruktion 418, 431, 445, 447, 453, 459 f., 476, 483 Ethnizität 454, 498 Dekonstruktivismus 495, 499, 509 – ethnische Minoritäten s. Minoritäten/Minderheiten Defence of Poesie 90 f., 103, 108 – multiethnisch 475, 483, 493, 499, 565 Dehumanisierung 374, 428, 436, 439, 444, 448, 450 Euphuism 101, 122, 126 Dekadenz 150, 335–337, 443, 465, 509, 554 Evolutionstheorie 232, 235, 342–344, 467 Demokratie/demokratisch 59 f., 82, 187, 232 f., 252, 258, Exil 10, 13, 254, 265, 363, 367, 457 f., 506 f., 512, 521, 528, 273, 309, 329 f., 335, 359, 392, 443, 450, 463, 520, 541 f., 543, 549 f., 552, 554, 571 552 Existentialismus 380, 397, 424, 426, 470, 472 f., 551 Detektivroman 233, 279, 281, 384, 471, 475 f., 479, 482, Experimenteller Roman 365–372, 472–479 489 Expressionismus 375 Dialogisch 46, 54, 108, 115, 278, 314, 318 Dichtung Fabel 48 f., 128, 154, 177, 183, 379 – religiöse 113, 115 f. Fantasy 119, 277, 382, 475, 489, 491 – visionäre 255 f. Farce 140, 156, 199, 226, 230, 336, 348, 425, 431, 434, Didaktische Funktion, didaktische Intention 12, 28 f., 91, 437 f., 440, 458, 461 f., 543, 547, 554 101, 124, 126, 146, 171, 181 f., 184, 189, 194, 196–198, Feminismus/feministisch 369, 408, 433, 437, 442, 445, 455, 208, 217, 228, 262, 300, 369, 376, 381, 383, 469 476, 509, 559 f., 562 f., s. a. Frauen bewegung; new Documentary drama 454 w oman Drama 134–159, 220–230, 348–354, 421–463, 516 f. Fiktion/fi ction 78, 90 f., 93, 107 f., 118, 121, 124, 128, 130, Dramatischer Monolog 187, 311 f., 315–317, 333, 360–362, 135, 137 f., 153, 171, 188, 191–194, 209, 241, 266, 270, 407, 408 f., 524 277, 287, 351, 354, 367, 369f- , 374, 382, 414, 451, 462, 471, 478, 480, 482, 484, 548, 556, 561, 563, 566, 573, s. a. Eduard II./III./VI. 25, 41, 55–57, 68 Fiktionalität Edwardianischer Roman 373 f. Fiktionalität 70, 76 f., 137, 155, 296, 369, 416, 472–475, Einwanderung/Immigration 392, 419, 454, 502, 503, 506– 477 f., 484, 533, 556 508., 512, 523, 528, 537 f., 554, 556, 558, 563–571 Fin de siècle 235, 311, 318, 330, 333, 335, 337, 354 f., 369 Elegie 10 f., 27, 38, 84, 98, 123, 264, 311, 313, 380 f., 403 Fortschrittsglaube 232, 278, 303–310, 316, 343 Elisabeth I./II. 52, 55–60, 65, 69 f., 97, 103, 120 f., 125, 408 Fortuna 18, 40, 47 f., 141, 144 f. Elisabethanisch 51–159, 189, 221, 259, 281 Fragmentarische, das 257, 329, 370, 438, 448–450, 453, Elite 72, 92, 306, 310, 329, 344, 379, 509 469, 516, 541, 548, 561, 576 Emanzipation 219, 225, 233, 298, 300, 329, 352, 369 f., Französische Revolution 187, 205, 232 f., 240, 251, 255, 433 f., 436, 443, 468, 485, 514, 560, 562, 568 258, 270, 284, 286 f., 307 Emblem/emblematisch 101, 117, 119 f., 141 f., 148, 155 f., Frau (und Roman) 297–303, 559–563 181, 201, 245, 247, 250, 473, 481 Frauenbewegung 296, 297–303, 304, 340, 532, 559, s. a. Emigration siehe Auswanderung Feminismus; new woman Empfi ndsamkeit 183 f., 198, 204, 207, 223 Fringe 413, 433 f., 439 Empirismus 175, 305 f., 372, 392, 397, 400, 499 Frömmigkeit 25–31 Endreim 22, 27, 31, 34, 40 f. Energeia 103, 108 Gattungsmischung 92, 156 Englishness 22, 322, 409, 416, 445, 453, 481, 572 Gender 442, 453 f., 460, 498, s. a. Geschlechter beziehungen Entdecker, Entdeckung 65, 77, 80–82, 96, 98 f., 156, 174, Genozid 454, 554 204, 530–533 Gentleman 63, 66 f., 87, 119, 163, 278, 282, 297, 299, 304 Entfremdung 237, 244, 254, 289, 303, 308 f., 356, 376, Gentry 31, 55, 59, 62, 66 f., 76, 87, 156, 163, 165 424–426, 429, 431, 446, 449, 451–453, 455, 458, 535, 540, Georgian Poetry 355 564–566 Geschichtsdrama 69, 138, 140, 432, 433, 458 Entwicklungsroman 306, 486, 515, 532, s. a. Bildungsroman Geschichtsschreibung 8, 17 f., 67–71, 72, 218–220, 286, Entzauberung 246, 277 370, 480, 566 Sachregister 617
Geschlechterbeziehungen, -rollen 111, 125, 153, 171, Industrielle Revolution 175, 231–234, 284 179 f., 197, 198, 226, 369, 376, 406, 433, 441, 442, 451, Innerlichkeit 135, 146, 334 453 f., 458, 460 f., 498, 509 f., 535, 537, 544, 550, 559 f., Intellektualisierung 277, 350, 561, 570 Intertextualität 104, 202, 257, 393, 441 f., 445, 458, 472, Gesellschaftskritik 9, 28 f., 34, 42 f., 92, 308, 373, 385, 463, 475 f., 484, 486, 491, 527, 556, 564 516, 541 In-Yer-Face-Theatre 442–445, 448–453, 461 Globalisierung 404 f., 419, 421, 446, 452 f., 455, 460–462, Irisches Drama 455–463 515, 573 Irische Literatur 331, 344–348, 350, 369, 373, 385 f., 394, Globe 58, 136–140 401, 404, 410, 421 f., 483–486, 516 f., Glorious Revolution 162–165, 187, 305 s. a. Keltische Renaissance; irisches Drama Gothic romance 265, 280–283, 482, 491 Ironie 9, 206, 209, 215, 220, 230, 295, 329, 362, 406, 495, Gotisch, Gotik 261, 282–284, 308 548, 554, 572 Groteske/grotesk 47, 139, 156–158, 187, 203, 211, 213, 324, 364, 444, 461, 462, 543, 547, 570 Kalter Krieg 463, 489, 490, 497, 514, 573 Kanon 75, 76, 80, 103, 178, 202, 212, 226, 240, 418 f., 517, Handschriften 3–5, 8, 16, 22–24, 46, 87 527–530 Heiligenleben 11–16 Keltische Renaissance 344–348 Heinrich VIII. 52–56, 68, 74, 77, 88, 104–107, 127 f. Kinderliteratur 324, 381–383 Heldendichtung/Heldenepos 3, 5, 8–14, 16, 178 f., 186, 199 Kirchengeschichte 1, 17 Hermetik/hermetisch 113, 117, 346 f., 470 Klassizismus 52 f., 73, 91 f., 114, 126 f., 130, 139 f., Heroic couplet 212, 217, 221, 241 f., 265 f. 156, 158, 162–164, 166, 169, 170, 173, 178, 180, 182, Heroisch/das Heroische 33, 44, 121, 127, 130–134, 178 f., 183–186, 200–202, 208, 226 f., 237, 241, 265, 359 f., 188, 190, 199, 212, 220–223, 268, 286, 307, 312, 316, 403, 422 339, 347, s. a. Heldendichtung Kleriker 4, 28, 31, 40, 44, 53, 59, 134 f. 226, 316 Historischer Roman 205, 278, 283–287 Kolonialismus, Kolonialzeit 65, 94 f., 97 f., 331–333, 340, Homosexualität 336, 379, 434, 444 f., 458, 572 345, 379, 389 f., 402, 406 f., 418, 423, 426, 434, 454, Humanismus 51, 54, 71–85, 147, 156, 415, 472 459, 468, 483, 501–511, 511–515, 517–576, Humanistisch 52–57, 61, 86, 91–94, 100, 103 f., 122, 124, s. a. Commonwealth 135, 139, 143 f., 159, 177, 189, 212, 344, Kolonialliteratur 332–334, 373 f., 377, 515 s. a. Humanismus Komödie 46, 50, 79, 92, 122 f., 125 f., 133, 137, 139 f., Hybridität 416, 420 f., 446, 475, 476, 479, 482, 488, 510 f., 151–159, 199–201, 218, 221, 223–226, 226–230, 290, 572 296 f., 336, 350, 352 f., 430, 440 f., 444, 471, 525, 569, Hyperrealismus 428 f., 442 f. s. a. comedy of menace Konkrete Dichtung 410 Idealismus 39, 74, 197, 228, 237, 255, 263, 276, 286, 302, Konservativ, Konservatismus 37 f., 61, 92, 130, 164, 182, 314, 377, 395, 449, 497 214, 233, 236, 237, 249, 255, 266, 271, 295, 296, 305 f., – Deutscher 255, 306 352, 359, 377, 378, 393, 412, 435, 465, 496 Ideenroman 278, 377 Konsum 240, 315, 318, 324, 344, 389–391, 414, 420 f., 428, Identitätssuche 485, 488, 532, s. a. nationale Identität 449 f., 452, 454, 542 f. Ideologie 53, 59, 67, 81, 92, 118, 137, 177, 252, 257, 259, Kriegsdichtung 355–357 272, 275, 288, 291, 294, 300, 303, 311, 316, 333, 339, 350, Kriminalroman 279–283, 312, 481, 489 f. 352, 354, 358, 374, 399, 406, 412, 418 f., 434, 436, 439, Kulturkritik 303–310, 359–364, 494, 498 463, 468, 498, 503, 510, 550 Künstlerdrama 432 Idylle, Idyllik 38, 123, 125 f., 185, 252, 258, 268, 299, 302, Kurzgeschichte 332–334, 341, 343, 348, 370, 375, 383–388, 311, 313 f., 315, 321, 323, 338, 344, 356 516 f., 533, 535, 546, 550, 553, 557 f., 560 f., 563 f., 566, Illusionskritik 267, 339, 350, 385, 397 s. a. short story Imagination 140, 163, 193, 216, 219, 237, 240, 243–250, Kurzprosa 386, 553, 556 254–260, 285, 289, 401, 405, 441–444, 448, 471, 476, 539 Immigration siehe Einwanderung Liberalismus 47, 235 f., 304 f., 327–330, 360, 390, 499 Imperialismus 328 f., 332–334, 509 f., 520, 539, Liebesdichtung, -lyrik 98, 103, 112 f., 116, 320, 362 s. a. Kolonialismus Liebeskonzeption, petrarkistische 105–108 Impressionismus, impres sionistisch 319, 331, 335, 337, 340, Limerick 324, 382 372, 387 Literarische Öffentlichkeit 127, 165, 166–173 Indianer 96 f., 344, 376, 386, 527, 531 f., 534 f., 539, 563 f., Literaturkritik/literary criticism 127, 219, 236, 255, 257, 568 270 f., 309, 370, 374, 397, 466, 472, 495 f., 518 Indische Literatur 521 f., 536, 546–549, 556–559, 560, 561 f., Literaturtheorie 475, 494–499, 503, 508–511, 347, 348, 425, 569–573 431, 433 Individualismus 64, 93, 178, 189, 211, 236, 240, 243–251, London School 417 265, 269 f., 278 f., 322, 359, 392, 414, 455, 464 f., Low life 187, 189, 202 s. a. poetischer Individualismus; Individuum Lyrik 52 f., 102–117, 123–126, 177–188, 211–213, 237, 239 f., Individuum 104, 143, 145, 176, 189, 193–195, 231, 240, 242, 243–269, 309, 310–325, 337, 355–359, 359–365, 275, 306 f., 315, 352, 446, 451, 535, 547, 550, 380 f., 392–421, 516, 521–523, 526 f., 529, 533, 537, 555, s. a. Individualismus 559, 564, 569 618 Sachregister
Mainstream 404, 412–418, 421, 439, 489, 493 Naturdichtung 183, 242, 245, 251, 258, 306, 318, 323, 365 Manierismus 369 Naturwissenschaft 80–83, 100–102, 114, 116, 171, 173–177, Manifest Destiny 65 236, 239, 342, 404, 494, 496 Marxismus 346, 351, 378–380, 497–499, 509 New Historicism 498 Massendemokratie 329, 335, 359, 443 New woman 298, 331, 351, 370, 475 Materialismus 37, 76, 173, 232, 236 f., 293, 303, 306, 312, Neue Welt 79 f., 94–99, 512, 556 318, 334, 336, 345, 363, 373, 458, 491, 493, 497 f., 531, Normannische Eroberung 18, 20–22, 33 f., 70 537, 546, 566 Nostalgie 6, 37–39, 58, 121, 271, 323, 355, 398, 312, 458 Mäzenatentum 88, 168 f. 221, 236 novel 118, 127, 171, 188, 195, 202, 205, 237, 274–276, 288, Mechanisierung 254, 307 294, 296, 469 f., 473, 482, 484, 485, 536, 545 f., 560 Medium/Medialität 86–94, 111 f., 124, 128, 330, 361, 366, Novelle 73, 119, 122, 127, 129, 147, 188, 384 416, 419, 421, 435, 441, 443, 447 f., 474 Nurture 98, 122, 124 Melancholie 7, 10, 11, 61, 115, 122, 148, 150, 157, 183, 184 f., 207, 220, 242, 259 f., 264, 294 f., 309, 311–317, 319, Ode 63 f., 96, 113, 184 f., 255, 257, 259 f., 262, 264, 320 324, 334, 356, 362 Ökologie 320, 381, 390, 446, 452, 477, 492, 532 Melodrama 207, 229, 235, 290 f., 293, 348–350, 458 Ökonomie 80–82, 183, 194, 234, 240, 290, 373, 390, 436, Metadrama 422, 457 f., 460 439, 456 Metapher 4, 101, 112, 137, 186, 250, 270, 297, 320, 342, Orature 524–527 375, 379, 401, 403, 405, 412 Orientalismus 265, 509 Metaphorik 63, 71, 75, 81, 112, 114, 122, 142, 215, 246, Orthodoxie, orthodox 70, 76, 89, 133, 146, 177, 208, 246, 262, 303, 321, 323, 356, 358, 365, 372, 376, 399, 446, 255, 320 524, 531 Oxymoron 106, 112 Metaphysical Poetry 53, 65, 101, 102, 113–117 Metaphysik/metaphysisch 101, 113 f., 245 f., 255, 278, 283, Palinodie 107, 109 295, 312, 317 f., 365, 425, 431 Parodie 29, 93, 107, 111, 127, 129 f., 138, 155, 171, 177– Mimikry 169, 179, 510, 525, 572 180, 199 f., 202, 204, 211, 213, 225, 227, 230, 248, 251, Minoritäten/Minderheiten 352, 390, 434, 456, 496, 502 f., 266, 282, 291, 294 f., 297 f., 321, 329 f., 330, 339 f., 355, 506–508, 512–515, 534, 549, 555, 563, 565 f., 567–576 359, 361, 368 f., 383, 396, 400, 425, 428, 436, 465, 472, Missionierung 1, 3, 10, 12, 15, 17 f., 65 516, 517, 533, 548, 554, 558, 560, 564, 568 Mittelenglisch 21–50 Pastoraldichtung 119, 123, 180–183, 259 f., 269, 355, 380 Mock-heroic epic/poem 130, 179, 199, 212 f. Patriotisch/Patriotismus 40, 58, 65, 69–71, 73, 76, 91, 103, Modernisierung XI, XIII, 51 f., 54 f., 59, 71, 84, 101, 119, 121, 141, 181, 184, 187, 222, 240, 251, 322, 332, 351, 394, 132–135, 145, 159, 177, 231–238, 240, 243, 246, 251–271, 416, 485, 544, 554 272, 277, 279, 284 f., 287, 292, 302, 303, 305, 316, 322, Performance poetry 419–421 327–330, 334, 338, 344 f., 359, 367, 391 f., 394, 404, 426, Performativität 416, 420, 447 f., 458, 461 428, 445, 452, 455–460, 513, 515, 546 Perspektivismus 331, 338–342 Modernismus 354–378, 385, 398, 416, 424, 465 f., 496, 524 Petrarkismus 57, 73, 88, 98, 104–113, 116, 127, 129, 154, 320 Monarchie, Monarch/in 54–59, 59–64, 74 f., 79, 91, 96, 110, Platonismus 39, 48, 57, 74–76, 91, 91, 105, 107–112, 116, 119–121, 143, 162–165, 172, 221, 223, 235, 261 f. 133, 259 f., 263 f., 386, 395 Monolog siehe dramatischer Monolog Plot 109, 122, 151 f., 154, 203, 205 f., 223 f., 226, 289, 385, Montage 330, 340, 350 f., 355, 358, 359 f., 363, 397, 406, 387, 454, 471, 476, 478, 484 416, 435, 451, 482 Pluralisierung 59, 76, 330, 368, 404, 443 Moralische Wochenschriften 218–220 Poeta laureatus/poet laureate 237, 266, 397, 400, 408, 413, Movement, das 395–398, 409, 416 419 Mündlichkeit 1–5, 11, 24, 31, 252, 416, 513, 524, 526 Poetical justice, poetische Gerechtigkeit 222, 226 f., 295 – M. und Schriftlichkeit 524, s. a. Orature Poetik 89–94, 103 f., 163, 182 f., 227, 241, 243, 355, 396, Multikulturalismus/multikulturell 442, 454, 462, 502 f., 510, 575 506, 508, 531, 563–566 Poetischer Individualismus 243, 245, 248 Mystik 246, 248, 260 Poetologisch 177, 182, 200, 212, 260, 264, 311, 400, 402, Mystizismus 101, 112, 318, 320, 345 f., 358, 370–372, 377 412, 416, 419, 455, 510, 520 Mythologie 97, 105, 132, 139, 259, 262, 312, 346, 376, 394, Poetry slam 420 f. 402, 441, 476, 482, s. a. Privatmythologie Poetry war 412, 418 Mythos 34, 40, 54–59, 68, 70, 117–134, 141, 144, 150, 253, Politisierung 298, 433, 563 257, 259, 262 f., 280 f., 290, 332, 351, 352, 363, 365, 394, Postdramatisches Theater 447 f., 450 f. 401 f., 424, 441, 458 f., 460, 461, 462, 468, 544, 548 Postkolonialismus 406 f., 454, 499, 501–511, 517–576 Postmoderne 127, 392, 401, 405 f., 416–418, 433, 437, Nationale Identität 54–58, 65, 69–71, 119–121, 131, 141, 440 f., 443, 447, 449, 461 f., 472–479, 481, 484, 498 f., 150, 322, 389–392, 419, 445 f., 454, 458, 487, 506, 514, 517, 527, 548, 550, 553, 559 f., 564, 566, 569, 576 515 f., 533, 544, 553 f., s. a. Englishness; Scottishness Poststrukturalismus 437, 472 Nationalliteratur 73, 103, 501, 503, 507, 515 f. Präraphaeliten 306, 312, 317–321, 335, 306–310 Naturalismus, naturalistisch 246, 269, 277, 317–319, 321, Predigt 1, 16–20, 30, 45 f., 61, 66, 69, 87, 94, 127, 167, 171, 330, 334–337, 345, 347, 351, 353, 367, 373, 385, 422 f., 190, 290, 304, 306, 383, 479 428, 453, 458, 564 Private theatre 53, 92, 137, 138, 146, 150, 156–158 Sachregister 619
Privatmythologie 248–250 Schottische Literatur 1, 48, 186, 187 f., 283–285, 352, 380, Problem play 144, 158 f., 350, 352 f. 394, 404 f., 423, 445 f., 455, 486–489 Psychoanalyse 197, 249, 283, 329, 380, 423, 493 Schottische Renaissance 380, 486 Public theatre 53, 69, 92, 136 Schreibstuben 1, 3–5, 17 f., 21, 24 Puritaner/Puritanismus 52, 54, 59–64, 70, 82–84, 90 f., 94, Schriftkultur 1 f., 4 f., 17 f., 22–24, 40, 43, 45 f., 64 f. 97, 109, 113, 127–131, 133 f., 136, 139, 145, 154 f., 172, Schriftlichkeit 252, 366, 416, 524, s. a. Mündlichkeit 184, 188 f., 191–193, 197–199, 201, 211, 214 f., 218, 218– Science Fiction 280 f., 343, 470, 482, 488, 489, 492 220, 226, 302, 304, 373, 424, 482, 515, 534, 559 Scop 2, 3, 5 Puritanische Revolution 64, 82, 211 Scottishness 445 f., 489 Selbstbestimmung 145, 329, 437, 446, 455 Rachetragödie 129, 137, 148–151 Selbstreferenz 399, 416, 447, 462, Rasse/race 332 f., 342 f., 442, 454, 498 f., 509 f., 529, 536 f., Selbstrefl exion 65, 97, 132, 245, 370, 374 547, 549 f., 552, 567, 569 f. Selbstrefl exivität 330, 369, 401, 416, 548 Rassismus 406, 444, 452–454, 477, 481, 489, 491, 499, 505, Sentimentale Komödie 223, 226–230 530, 536, 550–552, 554, 561, 566, 568, 571 f. Sentimentaler Roman 187, 202–204, 207, 226–230, 241, 274 Realismus 182 f., 191, 225, 237, 269, 273, 275–277, 286, Sentimentalismus 163, 204 f., 207, 239, 247, 276, 351 290, 293–297, 298, 300–303, 312, 333, 346, 349, 353, Sexualität 116, 179, 197, 225, 238, 261, 275, 282, 317, 329, 360, 366, 372 f., 376, 377 f., 382, 384–386, 405, 409, 416, 337, 350, 364, 376, 386, 424, 485, 557, 560 423, 445, 452, 454, 460, 464 f., 472, 485, 516, 529, 535, Short story 466, s. a. Kurzgeschichte 543, 545, 547 f., 550, 550, 553 Siedlerländer 512, 515–520, 527, 530, 536, 555 f., 559, 563, Reformation 24, 28–30, 42 f., 54–71, 82, 86, 97, 117, 119, 565 135, 165, 208 Skeptizismus 267, 302 f., 306, 340, 415 Reform Bill 233, 258, 302, 305 Sklaverei 95, 165, 171, 233, 240, 304, 453, 483, 498, 512, Regionalismus 322, 394, 404, 533–536 527–529, 532, 537, 538, 541, 568, 569 Religiosität 25, 28, 30, 43, 45, 304 Slave narrative 568 Renaissance 52, 54, 71–86, 91, 102–104, 107, 117 f., 122, Slave of passion 146 122–124, 132 f., 135, 137, 139, 147, 156, 308, 316 f., 322, Sonett 53, 54, 73, 88, 93, 104–113, 122, 127, 129, 154, 252, 335 f., 259 f., 264, 269, 311, 318–320, 357, 380, 408, 475 Restauration 64, 80, 90, 92, 130, 138, 161–230, 336 Sozialismus 235 f., 273, 289, 304, 320, 328–330, 344, 348, Restaurationskomödie 218, 223–226, 229 f., 336, 441, 359, 369, 377, 378 f., 390, 436, 446, 450, 456, 463, 468, 520 444 Sozialkritik 29, 81, 205, 267, 271, 291 f., 294, 352, 423, 489, Revolution 54–71, 82, 162, 249, 264, 312, 314, 329, 340, 505, 517, 545, 548, 572 351, 354, 359, 477, 496 f., 546, s. a. Französische Revolu- Sozialroman 273, 280, 287–290, 466 tion, Glorious Revolution, industrielle, puritanische Spielästhetik 430, 437, 440 Revolution Spionageroman 490 Rhetorik 81, 92 f., 102, 107 f., 111, 122, 133, 139, 146, 257, Sprachkrise 330 269, 321 f., 330, 331, 334, 357, 495 Stimmungskunst 244, 257, 312, 337 Ritter 31–38, 46 f., 57, 81, 108, 118, 118–121, 127, 171, Stream of consciousness 368 f. 181261, 285, 286, 351 Strukturalismus 393, 472, 474 – ritterliche Tugend 31, 33–38, 46 Stuart 52, 54, 59–64, 70, 82, 88, 102, 119, 130, 151, 153, Robinsonade 192–194, 352, 382, 467 f., 529 162 f., 181, 221, 284 Roman siehe Bildungs-, Brief-, Entwicklungs-, Historischer, Sublime, the siehe Erhabene, das Schauer-, Sentimentaler, Sozialroman; siehe Novel; siehe Subjektivismus 265, 316 f., 369, 372 Novelle; siehe Romance Subjektivität 62, 96, 99, 107, 167, 184, 189, 245, 253, 261, Romance, Romanze 24, 27, 31–36, 38 f., 46, 53, 57, 83, 303, 314, 360, 387, 458, 541 118 f., 121, 123, 125, 127, 130–132, 152, 156, 170 f., 186, Subkultur 333, 487, 498, 499, 549 188 f., 195, 200 f., 205, 207, 210, 211, 237, 239, 259, 265, Surrealismus 331, 366, 382, 395, 426, 441, 445, 458 273, 275–285, 288 f., 294 f., 297, 320, 338 f., 352 Symbolismus 317–320, 330, 337, 426, 465 Romantik 113, 133, 236–271, 292, 311, 348, 404, 481 Sympathielenkung 49, 142, 146 f., 271, 573 Royal Court Theatre 423, 427, 431, 439, 450 Syntax 101, 242, 323, 357, 360 f., 397, 425, 524
Säkularisierung 58, 71, 74, 83, 107, 135, 138, 207, 232, Tagebuch 99, 172, 188–191, 193, 200, 269, 271, 414, 465, 246 f., 278294, 302, 367, 415 469, 479 f., 487, 519, 541, 559 Satire 86, 88, 127 f., 144, 154, 157 f., 164, 166 f. 178, 182, Terrorismus 345, 415, 446 f., 455 f., 460, 462, 468, 472, 478, 184, 187 f., 199, 202–217, 262, 266 f., 268, 287, 306, 344, 490, 498, 543, 549, 551, 574 f. 357, 372, 377, 436, 449, 524, 547 f. Theater siehe absurdes Theater, episches Theater, privat – menippeische 79, 128 theatre, public theatre Schauerroman 205, 241, 272, 274, 277, 279–283, 332, 341, Theatre of cruelty 430 f. 476 Thriller 436, 446, 472, 484, 488–490, 575 Schauerromantik 261, 280, 300 Tragikomödie 158, 221, 350 Schock 209 f., 254, 273, 285, 313, 320, 332, 338, 339, 350, Tragödie 38, 69, 126, 131, 133, 137, 139–148, 151, 154, 386, 391, 407, 409, 414, 423, 426, 430, 440, 442–445, 156–158, 199, 205 f., 221–223, 226–230, 268, 347, 431, 450–452, 461, 477 461, s. a. Rachetragödie 620 Sachregister
Transatlantisch 65, 555, 569, 573 Wahlrecht 165, 233, 243, 304, 306, 329, 468 Transkulturell 506–511, 573–576 Well-made play 349, 352, 421–424 Traumvision/Traum 13 f., 27, 41–43, 120, 123, 128, 190, Weltkrieg, Erster 328, 331, 334, 352, 359, 363, 365, 370, 242, 244 f.262 f., 270, 280, 282, 311, 313, 318 f., 329, 351, 376 f., 379, 388, 398, 410, 418 f., 460, 491, 466, 469, 479, 366, 441, 536, 538 481, 483, 495, 541, 553, Troja 33, 38–40, 58, 60, 65, 68, 132, 144, 158, 213 Weltkrieg, Zweiter 329, 352, 389, 410 f., 421, 472, 479, 481, Tudordynastie 52 f., 54–59, 61, 65–71, 74–76, 87, 103, 118 f., 489, 496, 501, 509, 513, 566, 572–574 124, 126–128, 138, 141–144, 153 Wikinger 1, 8, 17, 19 f., 186 Wirkungsästhetik 163, 185, 204, 219, 226 Utopie 77–83, 238, 264, 282, 339, 342–344, 379, 467, 469, Wit 87 f., 107, 114, 117, 121 f., 127, 136, 162, 205, 219, 560 223 f., 230 Women playwrights 433, 440 f., 460 Verbatim drama 454 f. Wyrd (Schicksal) 6, 10, 18 Verfremdung 79, 407, 418, 458, 492, 520 Verfremdungseffekt 423 f., 433 Zensur 68, 70, 82, 87–90, 143, 168, 199, 218, 351, 433, 445, Vertextung 94–99 456, 485, 505, 519, 549 Viktorianismus 236–238, 272, 275–279, 303–321 Villanelle 337, 380, 396 621
Bildquellen
Ammann Verlag, Zürich The Croessman Collection Tristram Kenton/Lebrecht Oxford 170, 196, 197, 522u., 532 of James Joyce, Southern Music & Arts 448 202, 357o. Ashmolean Museum, Illinois University at Kearney, Seamus 476 Peitsch, Peter, Hamburg Oxford 17, 63 Carbondale 367 Keystone Pressedienst, 509, 568 Barrett, Sara 289 Deutsch, Andre Ltd., Hamburg 525 Penguin Books Limited, BBC Hulton Picture Library London 432 Knight, Gary, London 420 Harmondsworth 3, 464, 234, 567 Deutsche Presse Agentur, Kohler, Wolf Dieter, 529 BBC Publications, London Stuttgart 535u., 540o., Hattersheim 549 Peter Hammer Verlag 541 9 546, 547, 557 Kunsthaus Zürich 152 Picture-alliance/dpa 456, Berlin-Verlag 574 Dulwich College Picture Kupferstichkabinett der 459 Bernardi, Gregoire 447 Gallery, London 230 öffentl. Kunstsammlung, Picture alliance/empics 408 Bildarchiv Foto Marburg 3 Elton Collection, Ironbridge Basel 78 Picture-Alliance/Photoshot Bildarchiv Preußischer George Museum Trust, Leclaire, Paul, Köln 433 416 Kulturbesitz, Berlin 58, Telford 327 Lewinski, Jorge/Writer’s Piermont Morgan Library, 60, 99, 108, 130, 136, Fitzwilliam Museum, Britain, London 301, London 131 299, 336, 303, 338, 342, Cambridge 106 371, 396 Punch, London 298, 333, 370, 375, 380 Freies Deutsches Hochstift/ Lewis, Wyndham 355, 335 Bodleian Library, University Goethe Museum, 364r., 374 Radio Times Hulton Picture of Oxford 50 Frankfurt/M., Fotografi n: Library of Congress, Prints Library, London 364 Boughton House, Ursula Edelmann 279 & Photographs Division, Routledge and Kegan, Northamptonshire – General Collection, Carl Van Vechten London 30 Duke of Buccleuch and Beinecke Rare Book and Collection 385 Rowohlt Archiv, Reinbek Queensberry 110 Manuscript Library, Longman House, Harlow 461 Bourke, Brian/The Gallery Yale University 387 397 Royal Commission on Press 458o. Gerson, Mark, London 449 Magdalene College, Ancient and Historical Bridgeman Art Library, Guildhall Library and Art Cambridge 171 Monuments, Scotland 14 London 237 Gallery, London 139, 291 Mangoldt von, Renate, Royal Court Theatre, British Library, London 4, Granger Collection 60, 304, Berlin 562 London 434 33, 45, 53, 65, 68, 70, 312, 316, 322 Mansell Collection 172u., Rylands French MS 1 by 103, 124, 129, 142, 155, Haffmans Verlag, Zürich, 236, 289, 345 courtesy of the Director 178, 193 Illustration von Volker McCabe, Eamonn 460 and University Librarian, British Museum, London 7, Kriegel 481 McCredie, Alan 462 The John Rylands Uni- 15, 23, 35, 73, 95, 163, Harenberg Kommunikation, Methuen Ltd., London 181, versity Library of Man- 179, 188, 209, 210, 217, Dortmund 368 211, 430 chester 36 223, 227, 247, 273, 274, Harvard University, Art National Gallery, London Schwichow, Ekko von, 277, 292, 548 Museum, Cambridge 185, 335u. Berlin 538 Cambridge University Press, 363 National Library of Scottish National Portrait Cambridge 125, 400 Hughes, Crispin 415 Australia, Canberra 504 Gallery, Edinburgh 306 City Art Gallery, Manchester Hunterian Museum, National Portrait Gallery, Jessie Sheeler, Little Sparta: 287, 318 Glasgow (mit Erlaubnis London 42, 115, 192, The Garden of Hamilton Collection Museu de Arte des Wellcome Trustees) 195, 205, 259, 261, 265, Finlay. London: Frances de Sao Paulo, Brazil, 84 272, 281, 290, 308, 350, Lincoln, 2003, S. 86, 411 Photo: Luiz Hossaka 105 Huntington Library, 332, 352 Shirey, Jim 552 Cooper, Donald, Photostage San Marino 46, 112 National Portrait Gallery of Studio David Hockney, 441 Hussey, Maurice, Ireland, Dublin 214 Los Angeles 58, 140 Cordon Art, Baarn 474 Cambridge 53, 157 Ohlbaum, Isolde, München Tate Gallery, London 181, Corpus Christi College, Imperial War Museum, 543, 566 244, 378, 391 Cambridge 18, 25, 134 London 357u. Oxford University Press, The Paris Review 458u. 622 Bildquellen
The New York Review of University of Queens- Weidenfeld und Nicolson Withworth Art Gallery, Books 477, 486, 489 land Press, St. Lucia Ltd., London 2, 77, 123, University of Manchester The New Yorker 506 518 143, 147 248 Theatre Museum – Universitätsbibliothek Wilhelm-Busch-Museum/ Woburn Abbey Collection, Viktoria and Albert Utrecht 136 Deutsches Museum für Bedfordshire (by kind Museum, Photograph Verlagsarchiv J.B. Metzler, Karikatur und kritische permission of the by Houston Rogers, Stuttgart 82 Grafi k, Hannover 239, Marquess of Tavistock London 427 Verlag Philipp Reclam jun., 262, 303 and the Trustees of the Times Newspaper Ltd., Ditzingen 203, 215 Winnie-the-Pooh: Bedford Estates) 56 London 426 Victoria und Albert The Complete Collection Universität Bamberg 502 Museum, London 88, of Stories and Poems. University of Bristol, 133, 162, 284 With Illustrations by Theatre Collection, Walker Art Gallery, E.H. Shepard. London: Bristol 226, 227 Liverpool 253 Egmont, 2001, S. 55 382