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3&(*45&3&% $0.1"/: /0   $)"3*5: 3&(*453"5*0/ /0   $07&3 %&4*(/ #: &-'&/$06,  $07&3 1)050(3"1): #: %"/ 8*-50/ “THEY’VE BEEN KILLING THE INSIDE OF ME EVER SINCE I CAN REMEMBER. IS IT WORSE TO MURDER A BODY OR A SOUL?”

Buried secrets and hidden passions erupt during one life-changing night. Written by the original angry young man of British theatre, this long lost play is a call to arms for all young men out of step with their world. Huw is a butcher’s assistant and budding poet, too full of passion and wild visions for pious society. When the village turns on him one dark night, is the devil in the hunter or the hunted? John Osborne is best known for his trail-blazing work, Look Back in Anger. This earlier play was produced twice in the 1950s and then buried in the archives of the British Library until it was rediscovered in 2009. National Theatre Wales presents the world premiere of the uncut version of this lost classic of British theatre.

THE DEVIL INSIDE HIM Elen Bowman BY JOHN OSBORNE / DIRECTED BY ELEN BOWMAN / DESIGNED BY ALEX EALES LIGHTING DESIGN BY MALCOLM RIPPETH / COMPOSER SIMON ALLEN Director CAST JAMIE BALLARD / JOHN CORDING / STEVEN ELLIOTT / HELEN GRIFFIN From my first reading of The Devil Inside Him, I was propelled DEREK HUTCHINSON / RACHEL LUMBERG / IWAN RHEON / CATRIN STEWART back to my childhood in Swansea as a young chapel-goer. The chapel and its congregation certainly did not have the THURSDAY 6 – SATURDAY 8 MAY PREVIEWS ...... 7.30PM extremist fervour of Osborne’s fire and brimstone, but his question about religion and the inner spirit reflected my own SUNDAY 9 MAY PREVIEW ...... 4.00PM TUESDAY 11 – SATURDAY 15 MAY ...... 7.30PM questions about the true meaning of why we gathered sometimes three times on a Sunday. As a child I knew that THURSDAY 13 & SATURDAY 15 MAY ...... 2.30PM what Jesus said made great sense, but as Huw Prosser THURSDAY 13 MAY CAPTIONED PERFORMANCE ...... 2.30PM experiences, the traditions and ritual of the day could fade the SATURDAY 15 MAY TOUCH TOUR ...... 1.00PM core meaning of what it was to truly ‘love one another’. I was SATURDAY 15 MAY AUDIO DESCRIBED PERFORMANCE ...... 2.30PM gripped by Burn’s battle cry for a religion that could be found on the hillside and not in a ‘small cold chapel’, and realised that somehow I still cared about that possibility – a religion that could embrace the ancient messages of the Bible THEATRE IAITH SAESNEG O SAFON, A’I GWREIDDIAU YNG NGHYMRU, WEDI’I GWNEUD I BAWB unhindered by religious dogma. The cast spent time experiencing their characters’ belief systems as inspired by the Old Testament. They spent time absorbing the era of the play, National Theatre Wales is the new English-language theatre company producing world-class work across Wales. This creating the pictures in the imagination of Osborne’s post-war project is part of the launch year programme – 12 shows over 12 months, one a month, plus one spectacular finale – in Britain, and also getting to know the man himself. One of amazing places and unique spaces across Wales. Here is your rare opportunity to see an incredible John Osborne play Osborne’s other titles for the play was Cry for Love, something produced in its original setting, by a pioneering new company, with a stellar Welsh cast. that seemed tragically clear in his autobiography and in this heart-rending play. A murder mystery of the 1950s rep theatre tradition turns into a deeply challenging story, written before its time. Over 60 years later, Osborne’s play provokes us to consider the soul that is damaged by fear and repression, and VENUE CORE FUNDERS PARTNER SPONSOR YEAR ONE SPONSORS perhaps highlights how society still creates ‘devils’ who are Iwan Rheon as ultimately seeking ways and means to express their injustice. Huw Prosser

REGISTERED COMPANY NO. 6693227 / CHARITY REGISTRATION NO. 1127952 / COVER DESIGN BY ELFEN.CO.UK / COVER PHOTOGRAPHY BY DAN WILTON “THEY’VE BEEN KILLING THE INSIDE OF ME EVER SINCE I CAN REMEMBER. IS IT WORSE TO MURDER A BODY OR A SOUL?”

Buried secrets and hidden passions erupt during one life-changing night. Written by the original angry young man of British theatre, this long lost play is a call to arms for all young men out of step with their world. Huw is a butcher’s assistant and budding poet, too full of passion and wild visions for pious society. When the village turns on him one dark night, is the devil in the hunter or the hunted? John Osborne is best known for his trail-blazing work, Look Back in Anger. This earlier play was produced twice in the 1950s and then buried in the archives of the British Library until it was rediscovered in 2009. National Theatre Wales presents the world premiere of the uncut version of this lost classic of British theatre.

THE DEVIL INSIDE HIM Elen Bowman BY JOHN OSBORNE / DIRECTED BY ELEN BOWMAN / DESIGNED BY ALEX EALES LIGHTING DESIGN BY MALCOLM RIPPETH / COMPOSER SIMON ALLEN Director CAST JAMIE BALLARD / JOHN CORDING / STEVEN ELLIOTT / HELEN GRIFFIN From my first reading of The Devil Inside Him, I was propelled DEREK HUTCHINSON / RACHEL LUMBERG / IWAN RHEON / CATRIN STEWART back to my childhood in Swansea as a young chapel-goer. The chapel and its congregation certainly did not have the THURSDAY 6 – SATURDAY 8 MAY PREVIEWS ...... 7.30PM extremist fervour of Osborne’s fire and brimstone, but his question about religion and the inner spirit reflected my own SUNDAY 9 MAY PREVIEW ...... 4.00PM TUESDAY 11 – SATURDAY 15 MAY ...... 7.30PM questions about the true meaning of why we gathered sometimes three times on a Sunday. As a child I knew that THURSDAY 13 & SATURDAY 15 MAY ...... 2.30PM what Jesus said made great sense, but as Huw Prosser THURSDAY 13 MAY CAPTIONED PERFORMANCE ...... 2.30PM experiences, the traditions and ritual of the day could fade the SATURDAY 15 MAY TOUCH TOUR ...... 1.00PM core meaning of what it was to truly ‘love one another’. I was SATURDAY 15 MAY AUDIO DESCRIBED PERFORMANCE ...... 2.30PM gripped by Burn’s battle cry for a religion that could be found on the hillside and not in a ‘small cold chapel’, and realised that somehow I still cared about that possibility – a religion that could embrace the ancient messages of the Bible THEATRE IAITH SAESNEG O SAFON, A’I GWREIDDIAU YNG NGHYMRU, WEDI’I GWNEUD I BAWB unhindered by religious dogma. The cast spent time experiencing their characters’ belief systems as inspired by the Old Testament. They spent time absorbing the era of the play, National Theatre Wales is the new English-language theatre company producing world-class work across Wales. This creating the pictures in the imagination of Osborne’s post-war project is part of the launch year programme – 12 shows over 12 months, one a month, plus one spectacular finale – in Britain, and also getting to know the man himself. One of amazing places and unique spaces across Wales. Here is your rare opportunity to see an incredible John Osborne play Osborne’s other titles for the play was Cry for Love, something produced in its original setting, by a pioneering new company, with a stellar Welsh cast. that seemed tragically clear in his autobiography and in this heart-rending play. A murder mystery of the 1950s rep theatre tradition turns into a deeply challenging story, written before its time. Over 60 years later, Osborne’s play provokes us to consider the soul that is damaged by fear and repression, and VENUE CORE FUNDERS PARTNER SPONSOR YEAR ONE SPONSORS perhaps highlights how society still creates ‘devils’ who are Iwan Rheon as ultimately seeking ways and means to express their injustice. Huw Prosser

REGISTERED COMPANY NO. 6693227 / CHARITY REGISTRATION NO. 1127952 / COVER DESIGN BY ELFEN.CO.UK / COVER PHOTOGRAPHY BY DAN WILTON a lso rath er girlis spinst hly fast erish in idious. I alt my dista was, an NE hough I ste for d am st R a n ill, O m ois a SB capa e an lmost O ble d HN of in person O hy – itia al J ograp ti dis om the autobi The ng both. order, Extracts fr followin er Apologise w g mornin er Explain, Nev hether g I woke king Back, Nev to feign up won Loo ondon, WC1N 3AU nervo one of dering ber and Faber, L us atta my fa hed in 1999, by Fa th cks. I d inting fi 5 First publis 4 is would ecided ts or be a s relucta 1 The ir trategic ntly tha on-head mistak t eve ed slug e. I was n glance never a right. in l d in my pproach ter to me d ieutena directi ed me to me until I la elibera nts occ on again or s almost unknown t I was tely in t asionally . His The Bible wa hool in Ewell. Wha at Ewel he corr smirke ch of England sc hu l Boy’s S idors, b d and b ended the Chur were caned miliation chool I ut for t umped att that more boys had b was ne he rest d this place was conduc een so c ver cha of the distinguishe than others. t. What omplete llenged time Scripture lessons repe the slu it was again. M ore often during us parts of tition, e g had a guar y m ng at the salacio ven if done wit antee o s it was for giggli , nor ene anyone h such f safe Sometime e result of divine mies af cared t ease n nt, but often th be m ter tha o bothe eeded n he Old Testame master, Mr ore da t first r. I ma o t ment, the head h ngerous day. Oth de neit whim of its instru with ad bee , when m er play her frie random lips would glisten n teste y statu grounds nds Welshman, whose perse d, found s was n later w Jones, a fierce sroom – all eyes 2 cution. totally ot so im ere to around the clas im Perhap wantin mediat ent as he swept rath. It mobilize s the pa g and u ely fixe excitem ictim of unjust w d me h ralysis nfit eve d. I g for the next v se dumb ad disgu of shoc n for o lowered – lookin us indeed becau courage ised my k and p ccasion s was very religio . fear a ain tha al id that Mr Jone only other nd eve t had was sa at that. As the ping and n been , and very Welsh ith her feet-tap Existen interpre he was Welsh y grandmother w he tialism w ted as on I knew was m ing in God were t ‘into as the ssively Welsh pers Welsh and believ ’ the im macro exce med that being t South penetr biotic fo ymn singing, I assu with a firmamen course, able bro od of t meticulous h y to imagine God Sartre. wn rice he day ligion. It was eas if not from flou Uncom of Heid and M kest heart of re me from Surrey; ndered prehend egger, ickey W dar s might easily co al parts of to act ed conc Kierkeg all and nt, whereas Jesu e better-still rur in the f epts of aard, J I were Wales acce rger houses in th ace of freedo aspers a om one of the la ny satanic mills. concre m, will a nd, of oneleigh then fr ell away from a Stonele te possi nd choi St and certainly w igh with bilities li ce he nice fresh air My Renee ke two- Ewell, in t likely untutor and Mr up-and- the world was un 6 ed und s. Shippa down in that my place in that I w erstand rd. e it clear to me fen or her as stan ing told ther always mad son why Mrs Buf exist ding at me My mo here was no rea e the ential c a cruc from her own. T offer people lik si rossroa ially to differ ever . I had nothing to mple: ho ds. The e to speak to me y existence? w to ge problem hter should car o acknowledge m causin t rid of was daug ld they bother t hip as a g her t Renee refore why shou ection or friends mu oo muc without Buffens, the her view of aff in ch guilt h pain a s consistent with aggrandizement , and h nd me It wa , calculation and and m ow to le too wards, blackmail ing ever y mothe ave ho system of re t or worse. Noth sup r and me nly come off bes port my manage ch people would o s the truly cold self. I su to whi r and disbelief a resista spected with such despai . I wish it nce Nel that strikes me ceases to do so wou lie Beat any tterly and never ld be co rice pu art. It disarms u ess has some unter-w t up he sborne’s barrenn pleasure eighed rwise. Grandma O the in my by her were othe n’t poison it with broken At least she did engagem unyielding dignity. ent. entality. unction of sentim were ut the playtimes been purgatory b srooms may have inutes longing The Clas e whole twenty m always spent th tive Picture credits undoubted hell. I to the compara 7 rescue me back 1 At Hampton Court, 1946: John Osborne with Grandma Grove, Uncle Jack and Nellie Beatrice. bell, which would dity I was for the rom physical timi 2 John Osborne, 1950. 3 John Osborne, Woodfall Street, 1957. assroom. Apart f safety of the cl 4 John Osborne, Lower Belgrave Street, 1959. 3 5 John Osborne the day after the opening of A Patriot For Me, 1965 6 Laurence Olivier as Archie Rice in The Entertainer. 7 John Osborne and Mary Ure arriving at London Airport after the New York success of Look Back in Anger. a lso rath er girlis spinst hly fast erish in idious. I alt my dista was, an NE hough I ste for d am st R a n ill, O m ois a SB capa e an lmost O ble d HN of in person O hy – itia al J ograp ti dis om the autobi The ng both. order, Extracts fr followin er Apologise w g mornin er Explain, Nev hether g I woke king Back, Nev to feign up won Loo ondon, WC1N 3AU nervo one of dering ber and Faber, L us atta my fa hed in 1999, by Fa th cks. I d inting fi 5 First publis 4 is would ecided ts or be a s relucta 1 The ir trategic ntly tha on-head mistak t eve ed slug e. I was n glance never a right. in l d in my pproach ter to me d ieutena directi ed me to me until I la elibera nts occ on again or s almost unknown t I was tely in t asionally . His The Bible wa hool in Ewell. Wha at Ewel he corr smirke ch of England sc hu l Boy’s S idors, b d and b ended the Chur were caned miliation chool I ut for t umped att that more boys had b was ne he rest d this place was conduc een so c ver cha of the distinguishe than others. t. What omplete llenged time Scripture lessons repe the slu it was again. M ore often during us parts of tition, e g had a guar y m ng at the salacio ven if done wit antee o s it was for giggli , nor ene anyone h such f safe Sometime e result of divine mies af cared t ease n nt, but often th be m ter tha o bothe eeded n he Old Testame master, Mr ore da t first r. I ma o t ment, the head h ngerous day. Oth de neit whim of its instru with ad bee , when m er play her frie random lips would glisten n teste y statu grounds nds Welshman, whose perse d, found s was n later w Jones, a fierce sroom – all eyes 2 cution. totally ot so im ere to around the clas im Perhap wantin mediat ent as he swept rath. It mobilize s the pa g and u ely fixe excitem ictim of unjust w d me h ralysis nfit eve d. I g for the next v se dumb ad disgu of shoc n for o lowered – lookin us indeed becau courage ised my k and p ccasion s was very religio . fear a ain tha al id that Mr Jone only other nd eve t had was sa at that. As the ping and n been , and very Welsh ith her feet-tap Existen interpre he was Welsh y grandmother w he tialism w ted as on I knew was m ing in God were t ‘into as the ssively Welsh pers Welsh and believ ’ the im macro exce med that being t South penetr biotic fo ymn singing, I assu with a firmamen course, able bro od of t meticulous h y to imagine God Sartre. wn rice he day ligion. It was eas if not from flou Uncom of Heid and M kest heart of re me from Surrey; ndered prehend egger, ickey W dar s might easily co al parts of to act ed conc Kierkeg all and nt, whereas Jesu e better-still rur in the f epts of aard, J I were Wales acce rger houses in th ace of freedo aspers a om one of the la ny satanic mills. concre m, will a nd, of oneleigh then fr ell away from a Stonele te possi nd choi St and certainly w igh with bilities li ce he nice fresh air My Renee ke two- Ewell, in t likely untutor and Mr up-and- the world was un 6 ed und s. Shippa down in that my place in that I w erstand rd. e it clear to me fen or her as stan ing told ther always mad son why Mrs Buf exist ding at me My mo here was no rea e the ential c a cruc from her own. T offer people lik si rossroa ially to differ ever . I had nothing to mple: ho ds. The e to speak to me y existence? w to ge problem hter should car o acknowledge m causin t rid of was daug ld they bother t hip as a g her t Renee refore why shou ection or friends mu oo muc without Buffens, the her view of aff in ch guilt h pain a s consistent with aggrandizement , and h nd me It wa , calculation and and m ow to le too wards, blackmail ing ever y mothe ave ho system of re t or worse. Noth sup r and me nly come off bes port my manage ch people would o s the truly cold self. I su to whi r and disbelief a resista spected with such despai . I wish it nce Nel that strikes me ceases to do so wou lie Beat any tterly and never ld be co rice pu art. It disarms u ess has some unter-w t up he sborne’s barrenn pleasure eighed rwise. Grandma O the in my by her were othe n’t poison it with broken At least she did engagem unyielding dignity. ent. entality. unction of sentim were ut the playtimes been purgatory b srooms may have inutes longing The Clas e whole twenty m always spent th tive Picture credits undoubted hell. I to the compara 7 rescue me back 1 At Hampton Court, 1946: John Osborne with Grandma Grove, Uncle Jack and Nellie Beatrice. bell, which would dity I was for the rom physical timi 2 John Osborne, 1950. 3 John Osborne, Woodfall Street, 1957. assroom. Apart f safety of the cl 4 John Osborne, Lower Belgrave Street, 1959. 3 5 John Osborne the day after the opening of A Patriot For Me, 1965 6 Laurence Olivier as Archie Rice in The Entertainer. 7 John Osborne and Mary Ure arriving at London Airport after the New York success of Look Back in Anger. DISCOVERING THE PLAY Jamie Andrews

Over 50 years since John Osborne made theatrical history Household, whose arbitrary, unaccountable far removed from the assured idiom of his early when Look Back in Anger opened at the Royal Court pronouncements dictated what could be seen on the successes, it is nonetheless employed as an appeal to theatre on 8 May 1956, what more is there to say about stage until the abolition of censorship in 1968. the isolated strength of the individual, as it would be the life and career of the original Angry Young Man? in Look Back in Anger. So how does the re-discovered play stand up in this, its Despite the many thousands of critical studies and second production in sixty years? The central character, Yet for all the affinities with Osborne’s first great biographies that have appeared over the years, there are Huw, a sensitive individual alienated from his parents and success, the influences of Stella and Patrick Desmond still surprises to be found when looking back at Osborne’s society through an excess of feeling that eventually erupts are not hard to identify, and repertory conventions are turbulent career in the theatre. If many writers and critics in violence, is a recognisable Osborne figure, struggling to exploited from the beginning, when a mysterious lodger have gone along with the legend of ‘1956 and all that’ and find an authentic place in an indifferent world. This Jimmy creeps down the stairs of the provincial boarding assumed Look Back to be Osborne’s dramatic debut, he Porter of the Valleys is a link to Osborne’s often overlooked house, soon to be joined by a comically garrulous daily had in fact been active within the English repertory Welsh heritage: Osborne’s beloved father, very different woman, and a precociously seductive servant girl theatre since the late 1940s, and had written seven plays from The Devil’s icy Mr Prosser, was born in Newport, and (played, rather implausibly, by 30-year old Stella). before his ‘overnight’ breakthrough in May 1956. Osborne later wrote how ‘gentle’ the Welsh Osbornes were in comparison with the more boisterous Cockney relatives Positioned intriguingly between two theatrical eras, The The first of these plays, The Devil Inside Him, was written on his mother’s side. Devil Inside Him was a key moment in John Osborne’s in 1948 in collaboration with his lover, Stella, who sentimental education in the repertory system, the first happened to be the wife of the impresario, Patrick The Welsh setting, in contrast to the ‘large Midland night of which even the sclerotic older playwright Desmond, in whose rep company both were touring. The town’ of Look Back in Anger, also allows Osborne to would later recall with wistful affection. Newly play was staged by Desmond at the Theatre Royal, play off the integrity of the natural world against the uncovered, the play offers a fascinating insight into Huddersfield, in May 1950, and — when Osborne returned sterility of the Prosser household, establishing Huw as John Osborne’s early influences and ambitions, and its to itinerant acting jobs — was quickly forgotten, the text an elemental, almost animalistic, foil to the hypocrisy first performance in 60 years is a bold reclaiming of assumed by its author to have vanished. of so-called civilised village society, and to the the importance of his eight-year apprenticeship in the socialised routines of his parents. theatre before Look Back’s success catapulted him to However, as part of research for an exhibition in 2008, the a supposed ‘overnight’ fame and notoriety. sole extant copy of the play — slightly dog-eared, and This brings us to one of the most noteworthy features idiosyncratically filed by the Censors under John Caborne of Osborne’s debut: the luxuriant extravagance, and an Jamie Andrews is Head of Modern — emerged at the British Library in the archives of the occasional primal violence, of his language, and the Literary Manuscripts at the British Library, Lord Chamberlain, the senior official of the Royal descriptions of the natural world. If this voice appears and a Trustee of Sheffield Theatres. DISCOVERING THE PLAY Jamie Andrews

Over 50 years since John Osborne made theatrical history Household, whose arbitrary, unaccountable far removed from the assured idiom of his early when Look Back in Anger opened at the Royal Court pronouncements dictated what could be seen on the successes, it is nonetheless employed as an appeal to theatre on 8 May 1956, what more is there to say about stage until the abolition of censorship in 1968. the isolated strength of the individual, as it would be the life and career of the original Angry Young Man? in Look Back in Anger. So how does the re-discovered play stand up in this, its Despite the many thousands of critical studies and second production in sixty years? The central character, Yet for all the affinities with Osborne’s first great biographies that have appeared over the years, there are Huw, a sensitive individual alienated from his parents and success, the influences of Stella and Patrick Desmond still surprises to be found when looking back at Osborne’s society through an excess of feeling that eventually erupts are not hard to identify, and repertory conventions are turbulent career in the theatre. If many writers and critics in violence, is a recognisable Osborne figure, struggling to exploited from the beginning, when a mysterious lodger have gone along with the legend of ‘1956 and all that’ and find an authentic place in an indifferent world. This Jimmy creeps down the stairs of the provincial boarding assumed Look Back to be Osborne’s dramatic debut, he Porter of the Valleys is a link to Osborne’s often overlooked house, soon to be joined by a comically garrulous daily had in fact been active within the English repertory Welsh heritage: Osborne’s beloved father, very different woman, and a precociously seductive servant girl theatre since the late 1940s, and had written seven plays from The Devil’s icy Mr Prosser, was born in Newport, and (played, rather implausibly, by 30-year old Stella). before his ‘overnight’ breakthrough in May 1956. Osborne later wrote how ‘gentle’ the Welsh Osbornes were in comparison with the more boisterous Cockney relatives Positioned intriguingly between two theatrical eras, The The first of these plays, The Devil Inside Him, was written on his mother’s side. Devil Inside Him was a key moment in John Osborne’s in 1948 in collaboration with his lover, Stella, who sentimental education in the repertory system, the first happened to be the wife of the impresario, Patrick The Welsh setting, in contrast to the ‘large Midland night of which even the sclerotic older playwright Desmond, in whose rep company both were touring. The town’ of Look Back in Anger, also allows Osborne to would later recall with wistful affection. Newly play was staged by Desmond at the Theatre Royal, play off the integrity of the natural world against the uncovered, the play offers a fascinating insight into Huddersfield, in May 1950, and — when Osborne returned sterility of the Prosser household, establishing Huw as John Osborne’s early influences and ambitions, and its to itinerant acting jobs — was quickly forgotten, the text an elemental, almost animalistic, foil to the hypocrisy first performance in 60 years is a bold reclaiming of assumed by its author to have vanished. of so-called civilised village society, and to the the importance of his eight-year apprenticeship in the socialised routines of his parents. theatre before Look Back’s success catapulted him to However, as part of research for an exhibition in 2008, the a supposed ‘overnight’ fame and notoriety. sole extant copy of the play — slightly dog-eared, and This brings us to one of the most noteworthy features idiosyncratically filed by the Censors under John Caborne of Osborne’s debut: the luxuriant extravagance, and an Jamie Andrews is Head of Modern — emerged at the British Library in the archives of the occasional primal violence, of his language, and the Literary Manuscripts at the British Library, Lord Chamberlain, the senior official of the Royal descriptions of the natural world. If this voice appears and a Trustee of Sheffield Theatres. Rehearsal Photography: Kirsten McTernan Rehearsal Photography: Kirsten McTernan THE DEVIL INSIDE HIM ALISM EXISTENTI BY JOHN OSBORNE w Edgar Dr Andre plied Ethics losophy/Centre for Ap Cardiff University, Phi CAST in order of appearance: enetrable brown rice he was “into” the imp ns that as a teenager s. , John Osborne explai ding the existentialist Mrs. Evans, the Prossers’ daily woman ...... Rachel Lumberg In his autobiography tre’. Osborne was rea rs and, of course, Sar er, Kierkegaard, Jaspe Mr. Stevens, a commercial traveller ...... Steven Elliott of Heidegg lly, in the slogan is, somewhat cryptica l. Sartre expresses th Mrs. Prosser ...... Helen Griffin ns our freedom of wil e is no essence that Existentialism concer ee human beings, ther t is to say that, as fr ackground or our Dilys, the Prossers’ servant girl ...... Catrin Stewart recedes essence’. Tha r genes, our social b ‘existence p re not restricted by ou we Huw Prosser ...... Iwan Rheon or who we are. We a ake and the actions termines what we do ough the choices we m de -form who we are thr Mr. Prosser ...... Derek Hutchinson e actively form and re upbringing. W Burn, a medical student ...... Jamie Ballard form. ea per it may well be this id hold us back. Indeed, Mr. Gruffuydd, Minister of the Village Chapel . . . . .John Cording Nothing can or should isis’ to the an exciting prospect. n early ‘existential cr This seems lism. He links his ow ne Osborne to existentia sm opens up to Osbor at attracted the young rofoundly, existentiali th Stella Linden. More p bic ve his then mistress, g, and his claustropho decision to lea is suburban upbringin s off the shackles of h ; a woman who ‘alway possibility of throwing nd indifferent’ mother the bsorbed, calculating a CREATIVE TEAM THANK YOU is ‘hypocritical, self-a ver from her own’. relationship to h as unlikely to differ e y place in the world w Director ...... Elen Bowman Royal Welsh College of Music and Drama, e it clear to me that m mad e core ideas of began to articulate th Designer ...... Alex Eales Sherman Cymru, Welsh National Opera, Evan Morgan, th century Copenhagen, ety. He ard, living in mid-19 ess of bourgeois soci Søren Kierkega y and narrow-mindedn Lighting ...... Malcolm Rippeth Jamie Andrews, Dr Andrew Edgar, Gordon Dickerson, g against the hypocris gina Olsen. In his tentialism by protestin his engagement to Re Composer ...... Simon Allen Phil McKenzie, Jason Camilleri, Michael Regan, exis ood reason, broke off sthetic, d seemingly without g y). The first is the ae scandalously, an ee stages on life’s wa Production Manager ...... Sarah Cole Craig Spierling, Gerallt Nash, Lloyd Trott, ways of living (or thr sure, refusing s, he presented three es for immediate plea writing like seducer. One liv the Stage Manager ...... Linda Kyle Cardiff Theatrical Services, Matt Smith, ife of a Don Giovanni- game. In contrast, exemplified in the l e. Everything is just a ical distance from lif sponsible and Deputy Stage Manager ...... Lisa Briddon Sue Lewis and everybody at the New Theatre. t, and retaining a cyn is the world of the re commitmen bourgeois society. It don he moral precepts of ople deliberately aban Assistant Stage Manager ...... Deborah Cohen thical stage accepts t ut meaning, where pe e y. It is a world witho existentialists Emerging Director ...... Sita Calvert-Ennals ures of the communit . They live what later upstanding fig tions of respectability f cording to the conven e exciting prospect o Design Assistant ...... Alex Robertson STAFF TEAM r freedom, and live ac eny their freedom. Th thei have good reason to d confronting uthentic life. People responsibility involves Costume Supervisor ...... Jo Nicholls Lucy Davies ...... Producer would call an ina For Kierkegaard, this ly highly burdensome. pre-existing rules to Fight Director ...... Alison de Burgh lete freedom is actual e absurd, one has no Rhiannon Davis ...... Finance Manager comp way. In the face of th ham, to ence living in a third Yahweh puts to Abra Dialect Coach ...... Rhian Morgan the absurd, and h h as the demand that Devinda De Silva ...... TEAM Co-ordinator e absurd choices, suc es to tidy rational e in one’s actions. Th do not yield themselv Costume Maker ...... Kate Bohin Rhian Jones ...... Administrator guide on lemmas of tragedies, ressing ac, or the profound di ur own resources, exp sacrifice his son Isa aw ultimately upon yo Hair and Make-up ...... Cathy Davies Sarangi Lal ...... Finance Assistant you must therefore dr s. In making a choice resolution lieve yourself to be. Sound Associate ...... Lewis Jones Matthew Lawton ...... Communications Director d in the person you be a faith in yourself, an ebel (as Production Electrician ...... Jamie Spirito he philosophy of the r Mathilde Lopéz ...... Creative Associate m. Existentialism is t a form of existentialis e 16-year-old John E McGrath ...... Artistic Director Osborne exemplifies highly conducive to th The young hy that was no doubt ntions lear). It is a philosop een through the conve Catherine Paskell ...... Creative Associate Albert Camus made c headmaster. He has s College for hitting his etermine or xpelled from Belmont is not one that can d BOARD OF TRUSTEES Catrin Rogers ...... Media Officer Osborne, e mother and childhood life. The world of his Steve Blandford Michael Salmon ...... Company Assistant of everyday suburban the world has to be. im. It is not the way culty. Phil George (Chair) Carys Shannon ...... Associate Producer constrain h e for Applied Ethics fa rsity, Philosophy/Centr cturer at Cardiff Unive Jon Gower r Andrew Edgar is a le D Richard Hogger Sam Jones C.D.G ...... Casting Director Deborah Martell Powell PR ...... The Corner Shop Gemma McAvoy Communications Consultant ...... Lesa Dryburgh Judi Richards Fundraising Consultant ...... Rachele Phillips Chris Ryde (Vice Chair) Peter Stead THE DEVIL INSIDE HIM ALISM EXISTENTI BY JOHN OSBORNE w Edgar Dr Andre plied Ethics losophy/Centre for Ap Cardiff University, Phi CAST in order of appearance: enetrable brown rice he was “into” the imp ns that as a teenager s. , John Osborne explai ding the existentialist Mrs. Evans, the Prossers’ daily woman ...... Rachel Lumberg In his autobiography tre’. Osborne was rea rs and, of course, Sar er, Kierkegaard, Jaspe Mr. Stevens, a commercial traveller ...... Steven Elliott of Heidegg lly, in the slogan is, somewhat cryptica l. Sartre expresses th Mrs. Prosser ...... Helen Griffin ns our freedom of wil e is no essence that Existentialism concer ee human beings, ther t is to say that, as fr ackground or our Dilys, the Prossers’ servant girl ...... Catrin Stewart recedes essence’. Tha r genes, our social b ‘existence p re not restricted by ou we Huw Prosser ...... Iwan Rheon or who we are. We a ake and the actions termines what we do ough the choices we m de -form who we are thr Mr. Prosser ...... Derek Hutchinson e actively form and re upbringing. W Burn, a medical student ...... Jamie Ballard form. ea per it may well be this id hold us back. Indeed, Mr. Gruffuydd, Minister of the Village Chapel . . . . .John Cording Nothing can or should isis’ to the an exciting prospect. n early ‘existential cr This seems lism. He links his ow ne Osborne to existentia sm opens up to Osbor at attracted the young rofoundly, existentiali th Stella Linden. More p bic ve his then mistress, g, and his claustropho decision to lea is suburban upbringin s off the shackles of h ; a woman who ‘alway possibility of throwing nd indifferent’ mother the bsorbed, calculating a CREATIVE TEAM THANK YOU is ‘hypocritical, self-a ver from her own’. relationship to h as unlikely to differ e y place in the world w Director ...... Elen Bowman Royal Welsh College of Music and Drama, e it clear to me that m mad e core ideas of began to articulate th Designer ...... Alex Eales Sherman Cymru, Welsh National Opera, Evan Morgan, th century Copenhagen, ety. He ard, living in mid-19 ess of bourgeois soci Søren Kierkega y and narrow-mindedn Lighting ...... Malcolm Rippeth Jamie Andrews, Dr Andrew Edgar, Gordon Dickerson, g against the hypocris gina Olsen. In his tentialism by protestin his engagement to Re Composer ...... Simon Allen Phil McKenzie, Jason Camilleri, Michael Regan, exis ood reason, broke off sthetic, d seemingly without g y). The first is the ae scandalously, an ee stages on life’s wa Production Manager ...... Sarah Cole Craig Spierling, Gerallt Nash, Lloyd Trott, ways of living (or thr sure, refusing s, he presented three es for immediate plea writing like seducer. One liv the Stage Manager ...... Linda Kyle Cardiff Theatrical Services, Matt Smith, ife of a Don Giovanni- game. In contrast, exemplified in the l e. Everything is just a ical distance from lif sponsible and Deputy Stage Manager ...... Lisa Briddon Sue Lewis and everybody at the New Theatre. t, and retaining a cyn is the world of the re commitmen bourgeois society. It don he moral precepts of ople deliberately aban Assistant Stage Manager ...... Deborah Cohen thical stage accepts t ut meaning, where pe e y. It is a world witho existentialists Emerging Director ...... Sita Calvert-Ennals ures of the communit . They live what later upstanding fig tions of respectability f cording to the conven e exciting prospect o Design Assistant ...... Alex Robertson STAFF TEAM r freedom, and live ac eny their freedom. Th thei have good reason to d confronting uthentic life. People responsibility involves Costume Supervisor ...... Jo Nicholls Lucy Davies ...... Producer would call an ina For Kierkegaard, this ly highly burdensome. pre-existing rules to Fight Director ...... Alison de Burgh lete freedom is actual e absurd, one has no Rhiannon Davis ...... Finance Manager comp way. In the face of th ham, to ence living in a third Yahweh puts to Abra Dialect Coach ...... Rhian Morgan the absurd, and h h as the demand that Devinda De Silva ...... TEAM Co-ordinator e absurd choices, suc es to tidy rational e in one’s actions. Th do not yield themselv Costume Maker ...... Kate Bohin Rhian Jones ...... Administrator guide on lemmas of tragedies, ressing ac, or the profound di ur own resources, exp sacrifice his son Isa aw ultimately upon yo Hair and Make-up ...... Cathy Davies Sarangi Lal ...... Finance Assistant you must therefore dr s. In making a choice resolution lieve yourself to be. Sound Associate ...... Lewis Jones Matthew Lawton ...... Communications Director d in the person you be a faith in yourself, an ebel (as Production Electrician ...... Jamie Spirito he philosophy of the r Mathilde Lopéz ...... Creative Associate m. Existentialism is t a form of existentialis e 16-year-old John E McGrath ...... Artistic Director Osborne exemplifies highly conducive to th The young hy that was no doubt ntions lear). It is a philosop een through the conve Catherine Paskell ...... Creative Associate Albert Camus made c headmaster. He has s College for hitting his etermine or xpelled from Belmont is not one that can d BOARD OF TRUSTEES Catrin Rogers ...... Media Officer Osborne, e mother and childhood life. The world of his Steve Blandford Michael Salmon ...... Company Assistant of everyday suburban the world has to be. im. It is not the way culty. Phil George (Chair) Carys Shannon ...... Associate Producer constrain h e for Applied Ethics fa rsity, Philosophy/Centr cturer at Cardiff Unive Jon Gower r Andrew Edgar is a le D Richard Hogger Sam Jones C.D.G ...... Casting Director Deborah Martell Powell PR ...... The Corner Shop Gemma McAvoy Communications Consultant ...... Lesa Dryburgh Judi Richards Fundraising Consultant ...... Rachele Phillips Chris Ryde (Vice Chair) Peter Stead CAST

JAMIE BALLARD STEVEN ELLIOT RACHEL LUMBERG BURN MR. STEPHENS MRS. EVANS

Jamie trained at the Bristol Old Vic Theatre Steven trained at the Royal Welsh College of Rachel trained at the Guildhall School of Music School. Music and Drama after being made redundant and Drama. THEATRE CREDITS INCLUDE from East Moors Steelworks in Cardiff. THEATRE CREDITS INCLUDE The English Samurai (Horipro/Thelma Holt He graduated with distinction and won the The Rise and Fall of Little Voice (Vaudeville Productions/RSC); Troilus and Cressida (The HTV acting prize. Theatre); Cariad, Measure for Measure (Theatr Globe); Thyestes (Darbourne-Luff); Some Trace THEATRE CREDITS INCLUDE Clwyd); MOG (Soho Theatre); The Girlfriend of Her (NT, Cottesloe Theatre); Hamlet, As You The Bite of the Night, Pentecost, Principia (Royal Court Theatre); Le Nozzie Di Like It, Troilus and Cressida (Tobacco Scriptoria, Titus Andronicus, Henry V, Twelfth Figaro/Revival (The Royal Opera House); Factory); War Horse, Saint Joan (NT, Olivier Night, Julius Caesar, Measure for Measure, DEREK HUTCHINSON Woyzeck (St Ann’s Warehouse); See How They Theatre); Much Ado About Nothing, A The Merry Wives of Windsor, The Jew of Run (Salisbury Playhouse); Between Mouthfuls Midsummer Night’s Dream, As You Like It Malta, The Revenger’s Tragedy, Words, Words, MR. PROSSER (Colchester Mercury Theatre); Talent (RSC/West End); Romeo and Juliet, King John, Words, Lone Star, Redskin! (RSC); The Winter’s (Colchester Mercury Theatre); Katherine Sweet Charity (RSC); The Changeling, Macbeth Tale, Oedipus and Prizefighter (NT Studio); The Derek trained at the Webber Douglas Howard (Colchester Festival Theatre); Peace In (Barbican/Tobacco Factory); The Ark and the Welshman (Abbey Theatre); Noises Off, The Academy of Dramatic Art. Our Time (Michael Reddington); Chatsky (The Covenant (BAC); The Duchess of Malfi Suicide, Measure For Measure, A Midsummer THEATRE CREDITS INCLUDE Almeida Theatre). (Salisbury Playhouse). Night’s Dream, Two Princes, Arcadia, A Chorus Deep Cut (Sherman Cymru); The Oresteia TELEVISION CREDITS INCLUDE TELEVISION CREDITS INCLUDE of Disapproval, Troilus and Cressida, Macbeth, (Summerscape at Bard, N.Y.); Ashes to Doctors (BBC); A Dance to the Music of Time Doctors (BBC); Amnesia (Ecosse Film/ITV). Dumb Show (New Vic); Amadeus (Thorndike); Ashes (GBS Theatre); The Herbal Bed (Channel 4 Films); A Lump in My Throat (BBC); FILM CREDITS INCLUDE Arcadia (Bristol Old Vic); Hamlet, A Tale of (Salisbury Playhouse); Martha, Josie and A Touch of Frost (Yorkshire Television); You’re in There LTD (SAO Pictures); Electra, Two Cities, Double Cut, And Then There Were the Chinese Elvis, Elizabeth Rex Accused (BBC); Casualty (BBC); Get Me to the The Proposal (Academy Media); Byterfly None, Emma, Babes in the Wood, Dick (Birmingham Rep); Dead Funny (West Crematorium on Time (BBC); Hetty Wainthropp (Mysterious Cat Productions); Unbroken (South Whittington (Salisbury Playhouse); The Yorkshire Playhouse); Henry VIII Investigates (BBC); Holby City (BBC); Sunburn of the River Films). Wonderful West End, Tutti Frutti (UK Tour); (AandBC/RSC); Blithe Spirit (West End, (BBC); Tears Before Bedtime (BBC); Undercover Jamie will shortly begin filming Black Death Double-O-Rodge (Edinburgh Fringe); The Peter Hall Company); Oliver Twist (Lyric Heart (BBC). (Ecosse Films), Winter’s Tale (Sherman). Hammersmith); Medea (Broadway and US FILM CREDITS INCLUDE RADIO CREDITS INCLUDE Steven is also an associate artist at Clwyd Tour); Prince of Homberg (RSC/Lyric); The Summertime (Tornado Films); South Kensington Martha’s Metamorphosis, Lubljana, The Theatre Cymru. Critic (Royal Exchange Manchester); Much (Medusa Films); Emma (Matchmaker Films). Archers, Where the Skylarks Nest, Heartbreak FILM CREDITS INCLUDE Ado About Nothing (Cheek by Jowl); RADIO CREDITS INCLUDE (BBC Radio 4). Cold Earth (Bridgeway); The Rise of the Rebecca, Jekyll and Hyde (Edinburgh Henry the IV Part 1 (The Flying Dutchman). Appliances (Big Rich Films); Green Monkey Lyceum); Way Upstream, Villette (Sheffield (Sow Films). Crucible); Coriolanus, King Lear (Kick Theatre Company); Titus Andronicus, Julius JOHN CORDING Caesar, The Taming of the Shrew, Measure IWAN RHEON MR. GRUFFUYD for Measure, Electra, The Family Reunion, HUW PROSSER HELEN GRIFFIN The Churchill Play (RSC); Richard III, King John Cording trained at the Central School of MRS. PROSSER Lear, Napoli Milionaria, Arcadia, Under Milk Iwan trained at the London Academy of Music Speech and Drama. Wood (Royal National Theatre); Pericles, Ion and Dramatic Art. THEATRE CREDITS INCLUDE THEATRE CREDITS INCLUDE (N.T. Studio). THEATRE CREDITS INCLUDE Arden of Faversham, Noises Off, The Suicide, Small Change (Sherman Cymru); Shadow of A TELEVISION CREDITS INCLUDE Spring Awakening (Olivier Award Winner), Measure for Measure, The Crucible, The Rabbit, Boy, Waves in the Chatroom, Caitlin, 101 Marple (ITV); Doctors (BBC); Spooks (Kudos); (Lyric Hammersmith/Novello Theatre); Eight The Cherry Orchard, Of Mice and Men, The Dalmatians, A Taste of Honey (Sherman Forgiven (Betty TV); Midsomer Murders Miles High (Royal Court Liverpool). Grapes of Wrath, Night Must Fall, Brassed Off, Theatre Company); Ballard of Megan Morgan (ITV); The Bill (Thames); London’s Burning TELEVISION CREDITS INCLUDE Waiting for Godot, One Flew Over the Cuckoo’s (Clwyd Theatr Cymru); Cymbeline (Michael (ITV); Chef (Monkey Games Ltd); Crimewatch Grandma’s House (Tiger Aspect); I Don’t Care Nest (Clwyd Theatr Cymru); Roots, The Happiest Bogdanov). File (BBC); The Bill (Thames); Waiting (Channel 4); Misfits (E4); Pobol y Cwm (BBC Days of Your Life (Royal Exchange Theatre); The TELEVISION CREDITS INCLIDE (Mentron Films); Trainer (BBC). Wales). Seagull, Othello, The Marriage of Figaro Criminal Justice Two, Casualty, Getting On, FILM CREDITS INCLUDE (Manchester Royal Exchange). Vivian Vyle Show, Dr Who, Holby City, The PU-239 (HBO Films); V for Vendetta TELEVISION CREDITS INCLUDE Bench, Care, Drover’s Gold (BBC); Con (Wachowski Bros.); Being Julia (Serendipity Caerdydd (Fiction Factory); Torchwood, Citizens, Passionate (S4C); Belonging, A Light on the Films); Stage Beauty (Qwerty Films); Iris CATRIN STEWART Oedipus (BBC Wales); Midsomer Murders Hill (BBC Wales); Cowbois ac Injians (S4C); (Robert Fox); The Cormorant (Holmes DILYS (Bentley Productions); Heartbeat (Yorkshire Nice Day for a Welsh Wedding (BBC Wales); Productions). Television); Coronation Street, King Lear Pobol Y Cwm (BBC/S4C); Prime Suspect VII RADIO CREDITS INCLUDE Catrin will shortly graduate from the Royal (Granada); The Visual Bible (International TV); (Granada); The Bill (ITV); A Mind to Kill (HTV). Deep Cut (Sherman Cymru); Arcadia, Napoli Welsh College of Music and Drama. The Wedding Party, Ennals Point (BBC); A Mind FILM CREDITS INCLUDE Milionaria, Lifespan. THEATRE CREDITS INCLUDE to Kill (Lluniau lliw Cyf); The Life and Death of Little White Lies (Red and Black Films); Playhouse Creatures, Realism, Top Girls, A Philip Knight (Waller Film/ITV); London’s Burning Human Traffic (Fruit Salad Productions); Doll’s House (Royal Welsh College of Music (London Weekend TV); Poirot’s Casebook (ITV). Solomon and Gaenor (S4C); Twin Town and Drama); Soledad (Elan Wales); Café FILM CREDITS INCLUDE (Polygram). Cariad, An Informer’s Duty (National Youth One Day in the Life of Ivan Denisovich, Helen has recently finished playing Howard Theatre of Wales). Superman 1, Random, Great Expectations, The Winstone’s mother in the forthcoming feature TELEVISION CREDITS PRIOR TO TRAINING Man in the Iron Mask, Intimate Contact, Risen (Burn Hand Films). INCLUDE Sakharov. RADIO CREDITS INCLUDE Casualty, Hearts of Gold (BBC). RADIO CREDITS INCLUDING Devil’s Music (BBC Radio Wales); Duches of RADIO CREDITS INCLUDE I Am Wales, the Aftermath (BBC Wales); A Man Malfi, The Harbour (BBC Radio 4). Night Horse, Writing the Century – True to My Called Father (BBC Radio 4). Land (BBC Radio 4). CAST

JAMIE BALLARD STEVEN ELLIOT RACHEL LUMBERG BURN MR. STEPHENS MRS. EVANS

Jamie trained at the Bristol Old Vic Theatre Steven trained at the Royal Welsh College of Rachel trained at the Guildhall School of Music School. Music and Drama after being made redundant and Drama. THEATRE CREDITS INCLUDE from East Moors Steelworks in Cardiff. THEATRE CREDITS INCLUDE The English Samurai (Horipro/Thelma Holt He graduated with distinction and won the The Rise and Fall of Little Voice (Vaudeville Productions/RSC); Troilus and Cressida (The HTV acting prize. Theatre); Cariad, Measure for Measure (Theatr Globe); Thyestes (Darbourne-Luff); Some Trace THEATRE CREDITS INCLUDE Clwyd); MOG (Soho Theatre); The Girlfriend of Her (NT, Cottesloe Theatre); Hamlet, As You The Bite of the Night, Pentecost, Principia (Royal Court Theatre); Le Nozzie Di Like It, Troilus and Cressida (Tobacco Scriptoria, Titus Andronicus, Henry V, Twelfth Figaro/Revival (The Royal Opera House); Factory); War Horse, Saint Joan (NT, Olivier Night, Julius Caesar, Measure for Measure, DEREK HUTCHINSON Woyzeck (St Ann’s Warehouse); See How They Theatre); Much Ado About Nothing, A The Merry Wives of Windsor, The Jew of Run (Salisbury Playhouse); Between Mouthfuls Midsummer Night’s Dream, As You Like It Malta, The Revenger’s Tragedy, Words, Words, MR. PROSSER (Colchester Mercury Theatre); Talent (RSC/West End); Romeo and Juliet, King John, Words, Lone Star, Redskin! (RSC); The Winter’s (Colchester Mercury Theatre); Katherine Sweet Charity (RSC); The Changeling, Macbeth Tale, Oedipus and Prizefighter (NT Studio); The Derek trained at the Webber Douglas Howard (Colchester Festival Theatre); Peace In (Barbican/Tobacco Factory); The Ark and the Welshman (Abbey Theatre); Noises Off, The Academy of Dramatic Art. Our Time (Michael Reddington); Chatsky (The Covenant (BAC); The Duchess of Malfi Suicide, Measure For Measure, A Midsummer THEATRE CREDITS INCLUDE Almeida Theatre). (Salisbury Playhouse). Night’s Dream, Two Princes, Arcadia, A Chorus Deep Cut (Sherman Cymru); The Oresteia TELEVISION CREDITS INCLUDE TELEVISION CREDITS INCLUDE of Disapproval, Troilus and Cressida, Macbeth, (Summerscape at Bard, N.Y.); Ashes to Doctors (BBC); A Dance to the Music of Time Doctors (BBC); Amnesia (Ecosse Film/ITV). Dumb Show (New Vic); Amadeus (Thorndike); Ashes (GBS Theatre); The Herbal Bed (Channel 4 Films); A Lump in My Throat (BBC); FILM CREDITS INCLUDE Arcadia (Bristol Old Vic); Hamlet, A Tale of (Salisbury Playhouse); Martha, Josie and A Touch of Frost (Yorkshire Television); You’re in There LTD (SAO Pictures); Electra, Two Cities, Double Cut, And Then There Were the Chinese Elvis, Elizabeth Rex Accused (BBC); Casualty (BBC); Get Me to the The Proposal (Academy Media); Byterfly None, Emma, Babes in the Wood, Dick (Birmingham Rep); Dead Funny (West Crematorium on Time (BBC); Hetty Wainthropp (Mysterious Cat Productions); Unbroken (South Whittington (Salisbury Playhouse); The Yorkshire Playhouse); Henry VIII Investigates (BBC); Holby City (BBC); Sunburn of the River Films). Wonderful West End, Tutti Frutti (UK Tour); (AandBC/RSC); Blithe Spirit (West End, (BBC); Tears Before Bedtime (BBC); Undercover Jamie will shortly begin filming Black Death Double-O-Rodge (Edinburgh Fringe); The Peter Hall Company); Oliver Twist (Lyric Heart (BBC). (Ecosse Films), Winter’s Tale (Sherman). Hammersmith); Medea (Broadway and US FILM CREDITS INCLUDE RADIO CREDITS INCLUDE Steven is also an associate artist at Clwyd Tour); Prince of Homberg (RSC/Lyric); The Summertime (Tornado Films); South Kensington Martha’s Metamorphosis, Lubljana, The Theatre Cymru. Critic (Royal Exchange Manchester); Much (Medusa Films); Emma (Matchmaker Films). Archers, Where the Skylarks Nest, Heartbreak FILM CREDITS INCLUDE Ado About Nothing (Cheek by Jowl); RADIO CREDITS INCLUDE (BBC Radio 4). Cold Earth (Bridgeway); The Rise of the Rebecca, Jekyll and Hyde (Edinburgh Henry the IV Part 1 (The Flying Dutchman). Appliances (Big Rich Films); Green Monkey Lyceum); Way Upstream, Villette (Sheffield (Sow Films). Crucible); Coriolanus, King Lear (Kick Theatre Company); Titus Andronicus, Julius JOHN CORDING Caesar, The Taming of the Shrew, Measure IWAN RHEON MR. GRUFFUYD for Measure, Electra, The Family Reunion, HUW PROSSER HELEN GRIFFIN The Churchill Play (RSC); Richard III, King John Cording trained at the Central School of MRS. PROSSER Lear, Napoli Milionaria, Arcadia, Under Milk Iwan trained at the London Academy of Music Speech and Drama. Wood (Royal National Theatre); Pericles, Ion and Dramatic Art. THEATRE CREDITS INCLUDE THEATRE CREDITS INCLUDE (N.T. Studio). THEATRE CREDITS INCLUDE Arden of Faversham, Noises Off, The Suicide, Small Change (Sherman Cymru); Shadow of A TELEVISION CREDITS INCLUDE Spring Awakening (Olivier Award Winner), Measure for Measure, The Crucible, The Rabbit, Boy, Waves in the Chatroom, Caitlin, 101 Marple (ITV); Doctors (BBC); Spooks (Kudos); (Lyric Hammersmith/Novello Theatre); Eight The Cherry Orchard, Of Mice and Men, The Dalmatians, A Taste of Honey (Sherman Forgiven (Betty TV); Midsomer Murders Miles High (Royal Court Liverpool). Grapes of Wrath, Night Must Fall, Brassed Off, Theatre Company); Ballard of Megan Morgan (ITV); The Bill (Thames); London’s Burning TELEVISION CREDITS INCLUDE Waiting for Godot, One Flew Over the Cuckoo’s (Clwyd Theatr Cymru); Cymbeline (Michael (ITV); Chef (Monkey Games Ltd); Crimewatch Grandma’s House (Tiger Aspect); I Don’t Care Nest (Clwyd Theatr Cymru); Roots, The Happiest Bogdanov). File (BBC); The Bill (Thames); Waiting (Channel 4); Misfits (E4); Pobol y Cwm (BBC Days of Your Life (Royal Exchange Theatre); The TELEVISION CREDITS INCLIDE (Mentron Films); Trainer (BBC). Wales). Seagull, Othello, The Marriage of Figaro Criminal Justice Two, Casualty, Getting On, FILM CREDITS INCLUDE (Manchester Royal Exchange). Vivian Vyle Show, Dr Who, Holby City, The PU-239 (HBO Films); V for Vendetta TELEVISION CREDITS INCLUDE Bench, Care, Drover’s Gold (BBC); Con (Wachowski Bros.); Being Julia (Serendipity Caerdydd (Fiction Factory); Torchwood, Citizens, Passionate (S4C); Belonging, A Light on the Films); Stage Beauty (Qwerty Films); Iris CATRIN STEWART Oedipus (BBC Wales); Midsomer Murders Hill (BBC Wales); Cowbois ac Injians (S4C); (Robert Fox); The Cormorant (Holmes DILYS (Bentley Productions); Heartbeat (Yorkshire Nice Day for a Welsh Wedding (BBC Wales); Productions). Television); Coronation Street, King Lear Pobol Y Cwm (BBC/S4C); Prime Suspect VII RADIO CREDITS INCLUDE Catrin will shortly graduate from the Royal (Granada); The Visual Bible (International TV); (Granada); The Bill (ITV); A Mind to Kill (HTV). Deep Cut (Sherman Cymru); Arcadia, Napoli Welsh College of Music and Drama. The Wedding Party, Ennals Point (BBC); A Mind FILM CREDITS INCLUDE Milionaria, Lifespan. THEATRE CREDITS INCLUDE to Kill (Lluniau lliw Cyf); The Life and Death of Little White Lies (Red and Black Films); Playhouse Creatures, Realism, Top Girls, A Philip Knight (Waller Film/ITV); London’s Burning Human Traffic (Fruit Salad Productions); Doll’s House (Royal Welsh College of Music (London Weekend TV); Poirot’s Casebook (ITV). Solomon and Gaenor (S4C); Twin Town and Drama); Soledad (Elan Wales); Café FILM CREDITS INCLUDE (Polygram). Cariad, An Informer’s Duty (National Youth One Day in the Life of Ivan Denisovich, Helen has recently finished playing Howard Theatre of Wales). Superman 1, Random, Great Expectations, The Winstone’s mother in the forthcoming feature TELEVISION CREDITS PRIOR TO TRAINING Man in the Iron Mask, Intimate Contact, Risen (Burn Hand Films). INCLUDE Sakharov. RADIO CREDITS INCLUDE Casualty, Hearts of Gold (BBC). RADIO CREDITS INCLUDING Devil’s Music (BBC Radio Wales); Duches of RADIO CREDITS INCLUDE I Am Wales, the Aftermath (BBC Wales); A Man Malfi, The Harbour (BBC Radio 4). Night Horse, Writing the Century – True to My Called Father (BBC Radio 4). Land (BBC Radio 4). CREATIVE TEAM SUMMER 2010 For Mountain, Sand & Sea | In Barmouth | June 25 - July 10 ELEN BOWMAN (Sherman); Free From Sorrow, The Memory of Water (Living Pictures This summer, treat yourself to the most extraordinary seaside Director Productions); Educating Rita (Watermill); The Blue Room (Ustinov). trip ever. Meet glamorous usherettes, blind harpists, swarthy Film scores: Stalk, Tree and multi award winning Sea Change (Jerwood Elen trained as a director with Sam Kogan and Mike Alfreds. She is an Moving Image Prize 2008) all Slinky Pictures. sea captains and resurrected elephants. National Theatre artistic associate at Sherman Cymru. Recent stage work includes; Wales led by renowned artist Marc Rees, takes you on a trip Amgen:Broken by Gary Owen, The Penelopiad by Margaret Atwood. Elen SITA CALVERT-ENNALS around Barmouth in For Mountain, Sand & Sea. is joint artistic director of Living Pictures Productions which is a theatre company dedicated to director development in Cardiff and London. Her Emerging Director The Beach | In North Wales | July 26 - August 01 work is featured in Katie Mitchell’s recent book on directing – The Sita Calvert–Ennals trained at L.I.P.A from 2001 until 2003. She has Director’s Craft. While associate director at Sgript Cymru, she received a worked as freelance director for several companies including Trestle From fairgrounds to carnival, from situationism to cheese- Theatre in Wales Best Stage Play award for her production of Amdani. Theatre Company, Bath Theatre Royal, Ustinov Theatre Bath, Bristol Old rolling, playing games in public has long been a part of She also received two BAFTA nominations for her projects in television Vic and Sherman Cymru. In September 2009 she finished a year-long popular culture. In July, National Theatre Wales takes a trip to and film. She lives with her family in Llandybie, Carmarthenshire. director-training programme at Sherman Cymru in association with the beach in a multimedia theatrical event not to be missed. Living Pictures productions. ALEX EALES Designer SARAH COLE The Persians | In Brecon | August 11 - 21 Production Manager In August, a community hold its breath, awaiting news of a Alex trained at Wimbledon School of Art, London, graduating in 1997. distant conflict. In a vivid retelling of one of the earliest Most recently he designed Tarantula in Petrol Blue (Aldeburgh Music) Sarah is a freelance production and site manager, trading as SC recorded dramas, National Theatre Wales ventures deep into and Ghosts (Arcola) both directed by Bijan Sheibani. Productions Ltd. and working in theatre and outdoor events. She has the military ranges of the Brecon Beacons with a new In 2008 he designed Wunschkonzert (Schauspielhaus, Cologne), which spent much of her theatre career working in Wales, whilst her event was an official selection for Theatertreffen 09, in Berlin, and work is on a national basis. adaptation of Aeschylus’s, The Persians. Jungfruleken (Kungsliga Dramatiska Teatern, Stockholm) both directed Recent projects include Cappuccino Girls, (Grand Slam Theatre by Katie Mitchell. He is currently designing Miss Julie for the Company); August; Osage County and Blue Orange (Royal Welsh College For more information on any of these shows, or any of the Schaubühne, Berlin and Idomeneo for English National Opera. of Music and Drama); Women of Rock (Royal Albert Hall); Thorn Birds – Previous designs include The Suicide (Teatro della Contradizione, Milan); The Musical; Blink (Off Broadway Festival, NYC); Servant of Two Masters, other shows in our first year launch programme, please visit Cocoa (Theatre 503); THE Resistible Rise of Arturo UI (Watford Palace The Contender, Amazing Grace – the Musical, A Christmas Carol and A nationaltheatrewales.org. and Tour); The Crocodile (Arcola Theatre); Moll Flanders (KAOS Theatre, Child’s Christmas in Wales (The Wales Theatre Company); The Abolition National Tour); At Break of Day, Widows, R.U.R and Still Life (Drum of the Slave Trade (Coach House Productions). Theatre, Plymouth); The Country (Belgrade Theatre at Warwick Arts Sarah also lectures at the Royal Welsh College of Music and Drama, and Centre); Serious Money (Cambridge Arts Theatre); Blood (Pleasance is a site manager at various events and festivals including Wakestock Edinburgh); Girls Night (National Tour); Girls Behind (National Tour); and Sonisphere. Romeo and Juliet, As You Like It, Our Country’s Good, West Side Story, TEAM The Wizard of Oz, My Fair Lady, Grimm Tales and The Caucasian Chalk HELP SHAPE THE FUTURE OF NATIONAL THEATRE WALES Circle (National Tour) and The Walsingham Organ, both of which went to LINDA J KYLE the Pride of Place Festival in Salisbury 2002. He was Costume Designer Stage Manager We are looking for 20 TEAM Members from across Wales, to for Iron (Traverse) at the Edinburgh Festival 2002, which transferred to help run events, share ideas and spread the word. the Royal Court Theatre Downstairs in February 2003 and Linda trained in Newcastle-Upon-Tyne. Schauspielhaus Leipzig, Germany in March 2003. She has worked in stage management for several years with companies In exchange, we offer you the chance to get behind the curtain, For further information please visit www.alexeales.co.uk varying in size from two members to 200. Starting with Opera North in Leeds then the Royal Opera House in London, she then moved into take part in building the shows from start to finish and we’ll MALCOLM RIPPETH repertory theatre working with companies in the UK, Germany and New even throw in a ticket. Zealand, the most diverse being a youth production for Wild Thyme Lighting Designer Productions, London, involving two hundred children under the age of For more information please contact our TEAM Co-ordinator, eleven at Sadlers Wells Theatre. Theatre includes Brief Encounter (Kneehigh, West End, UK & US tours), Devinda De Silva, on [email protected], by phone Six Characters in Search of an Author, Calendar Girls (West End, UK & Australian tours), Don John, Cymbeline, Nights at the Circus (Kneehigh), LISA BRIDDON on 029 2035 3070 or via the online community at Dark Side of Buffoon (Coventry Belgrade), His Dark Materials Deputy Stage Manager nationaltheatrewales.org/community. (Birmingham Rep & tour), Edward Gant’s Amazing Feats of Loneliness, Faustus (Headlong), The Grouch, Homage to Catalonia (West Yorkshire Lisa trained at the Royal Welsh College of Music and Drama. Playhouse), Hamlet, Mother Courage (ETT), The Bloody Chamber (Northern Her theatre credits include Sleeping Beauty (UK Productions); Ceisio’i Stage), Confessions of a Justified Sinner, Copenhagen (Edinburgh Royal Bywyd Hi, Small Change, Yr Argae (Sherman Cymru); Llyfr Mawr y Plant Lyceum), Monkey! (Dundee Rep), Tutti Frutti (National Theatre of (Theatr Bara Caws); Ty Bernarda Alba, Siwan, Y Pair, Cariad Mr Bustl, ASSEMBLY Scotland), Dumb Show, The Winslow Boy (Rose Kingston) and the Diweddgan, Wrth Aros Godot, Esther, Dominos, Hen Rebel, Plas Drycin forthcoming Spur of the Moment (Royal Court). (Theatr Genedlaethol Cymru); Grimm Tales, Hazey Jane (Theatr Iolo); How do intergenerational conflicts exist in Cardiff Dance and Opera includes The Philosopher’s Stone (Garsington Opera), Arcadia (Bristol Old Vic/Birmingham Rep); A Word’s a Word, Lleuad Yn today? Cardiff is known as a young city: the youngest capital in Seven Deadly Sins (WNO/Diversions Dance), Blood, Sweat and Tears Olau, O Fore Gwyn Tan Nos, Letus, Y Sied, Winter Pictures (Arad Goch (balletLORENT) and Carmen Jones (Royal Festival Hall). Theatre Company); Watsia! (Cwmni’r Fran Wen); The Lantern Marriage, Europe. Apparently 42% of the population are under 30 years Malcolm won the 2009 Theatregoers’ Choice Award for Best Lighting Sweet Charity, Dramaturiaid (Royal Welsh College of Music and Drama). old. So where do the older people fit in? Do young people feel Designer for Brief Encounter and Six Characters in Search of an Author. that it is a city that belongs to them? DEBORAH COHEN SIMON ALLEN Assistant Stage Manager Working with a team of local musicians, hairdressers, Composer Deborah furthered her training at the Royal Welsh College of Music and performers, bakers, artists, shop assistants, filmmakers, bus Theatre includes Amgen:Broken (Sherman Cymru); The Nest, Andromache Drama, on the Postgraduate Stage Management course. During her studies drivers, dog owners, tea drinkers etc., we’ll create an evening (Living Pictures Productions); Buzz, Diwrnod Dwynwen (Sgript Cymru); she worked as assistant stage manager on Welsh National Opera’s of performance and discussion about what matters in this Wunschkonzert (Schauspiel Cologne and Berlin Theatre Festival 2009); production of ‘Madame Butterfly’ and toured with WNO MAX on a new place at this time. Pains Of Youth, Women Of Troy, Waves, Seagull and A Dream Play all opera for schools. She directed ‘The Magic Flute’ with Opera Ddraig, and directed by Katie Mitchell for the National Theatre. The Tempest (NT); following that she was assistant director on Southbank Sinfonia’s ‘Dido Measure For Measure, The Taming Of The Shrew (Plymouth/Thelma Holt); and Aeneas’. Her future projects include directing ‘The Nightingale and For more information please contact Not The End Of The World, The Seagull (Bristol Old Vic); Maes Terfyn the Rose’ and assistant director for British Youth Opera’s ‘La Boheme’. [email protected] CREATIVE TEAM SUMMER 2010 For Mountain, Sand & Sea | In Barmouth | June 25 - July 10 ELEN BOWMAN (Sherman); Free From Sorrow, The Memory of Water (Living Pictures This summer, treat yourself to the most extraordinary seaside Director Productions); Educating Rita (Watermill); The Blue Room (Ustinov). trip ever. Meet glamorous usherettes, blind harpists, swarthy Film scores: Stalk, Tree and multi award winning Sea Change (Jerwood Elen trained as a director with Sam Kogan and Mike Alfreds. She is an Moving Image Prize 2008) all Slinky Pictures. sea captains and resurrected elephants. National Theatre artistic associate at Sherman Cymru. Recent stage work includes; Wales led by renowned artist Marc Rees, takes you on a trip Amgen:Broken by Gary Owen, The Penelopiad by Margaret Atwood. Elen SITA CALVERT-ENNALS around Barmouth in For Mountain, Sand & Sea. is joint artistic director of Living Pictures Productions which is a theatre company dedicated to director development in Cardiff and London. Her Emerging Director The Beach | In North Wales | July 26 - August 01 work is featured in Katie Mitchell’s recent book on directing – The Sita Calvert–Ennals trained at L.I.P.A from 2001 until 2003. She has Director’s Craft. While associate director at Sgript Cymru, she received a worked as freelance director for several companies including Trestle From fairgrounds to carnival, from situationism to cheese- Theatre in Wales Best Stage Play award for her production of Amdani. Theatre Company, Bath Theatre Royal, Ustinov Theatre Bath, Bristol Old rolling, playing games in public has long been a part of She also received two BAFTA nominations for her projects in television Vic and Sherman Cymru. In September 2009 she finished a year-long popular culture. In July, National Theatre Wales takes a trip to and film. She lives with her family in Llandybie, Carmarthenshire. director-training programme at Sherman Cymru in association with the beach in a multimedia theatrical event not to be missed. Living Pictures productions. ALEX EALES Designer SARAH COLE The Persians | In Brecon | August 11 - 21 Production Manager In August, a community hold its breath, awaiting news of a Alex trained at Wimbledon School of Art, London, graduating in 1997. distant conflict. In a vivid retelling of one of the earliest Most recently he designed Tarantula in Petrol Blue (Aldeburgh Music) Sarah is a freelance production and site manager, trading as SC recorded dramas, National Theatre Wales ventures deep into and Ghosts (Arcola) both directed by Bijan Sheibani. Productions Ltd. and working in theatre and outdoor events. She has the military ranges of the Brecon Beacons with a new In 2008 he designed Wunschkonzert (Schauspielhaus, Cologne), which spent much of her theatre career working in Wales, whilst her event was an official selection for Theatertreffen 09, in Berlin, and work is on a national basis. adaptation of Aeschylus’s, The Persians. Jungfruleken (Kungsliga Dramatiska Teatern, Stockholm) both directed Recent projects include Cappuccino Girls, (Grand Slam Theatre by Katie Mitchell. He is currently designing Miss Julie for the Company); August; Osage County and Blue Orange (Royal Welsh College For more information on any of these shows, or any of the Schaubühne, Berlin and Idomeneo for English National Opera. of Music and Drama); Women of Rock (Royal Albert Hall); Thorn Birds – Previous designs include The Suicide (Teatro della Contradizione, Milan); The Musical; Blink (Off Broadway Festival, NYC); Servant of Two Masters, other shows in our first year launch programme, please visit Cocoa (Theatre 503); THE Resistible Rise of Arturo UI (Watford Palace The Contender, Amazing Grace – the Musical, A Christmas Carol and A nationaltheatrewales.org. and Tour); The Crocodile (Arcola Theatre); Moll Flanders (KAOS Theatre, Child’s Christmas in Wales (The Wales Theatre Company); The Abolition National Tour); At Break of Day, Widows, R.U.R and Still Life (Drum of the Slave Trade (Coach House Productions). Theatre, Plymouth); The Country (Belgrade Theatre at Warwick Arts Sarah also lectures at the Royal Welsh College of Music and Drama, and Centre); Serious Money (Cambridge Arts Theatre); Blood (Pleasance is a site manager at various events and festivals including Wakestock Edinburgh); Girls Night (National Tour); Girls Behind (National Tour); and Sonisphere. Romeo and Juliet, As You Like It, Our Country’s Good, West Side Story, TEAM The Wizard of Oz, My Fair Lady, Grimm Tales and The Caucasian Chalk HELP SHAPE THE FUTURE OF NATIONAL THEATRE WALES Circle (National Tour) and The Walsingham Organ, both of which went to LINDA J KYLE the Pride of Place Festival in Salisbury 2002. He was Costume Designer Stage Manager We are looking for 20 TEAM Members from across Wales, to for Iron (Traverse) at the Edinburgh Festival 2002, which transferred to help run events, share ideas and spread the word. the Royal Court Theatre Downstairs in February 2003 and Linda trained in Newcastle-Upon-Tyne. Schauspielhaus Leipzig, Germany in March 2003. She has worked in stage management for several years with companies In exchange, we offer you the chance to get behind the curtain, For further information please visit www.alexeales.co.uk varying in size from two members to 200. Starting with Opera North in Leeds then the Royal Opera House in London, she then moved into take part in building the shows from start to finish and we’ll MALCOLM RIPPETH repertory theatre working with companies in the UK, Germany and New even throw in a ticket. Zealand, the most diverse being a youth production for Wild Thyme Lighting Designer Productions, London, involving two hundred children under the age of For more information please contact our TEAM Co-ordinator, eleven at Sadlers Wells Theatre. Theatre includes Brief Encounter (Kneehigh, West End, UK & US tours), Devinda De Silva, on [email protected], by phone Six Characters in Search of an Author, Calendar Girls (West End, UK & Australian tours), Don John, Cymbeline, Nights at the Circus (Kneehigh), LISA BRIDDON on 029 2035 3070 or via the online community at Dark Side of Buffoon (Coventry Belgrade), His Dark Materials Deputy Stage Manager nationaltheatrewales.org/community. (Birmingham Rep & tour), Edward Gant’s Amazing Feats of Loneliness, Faustus (Headlong), The Grouch, Homage to Catalonia (West Yorkshire Lisa trained at the Royal Welsh College of Music and Drama. Playhouse), Hamlet, Mother Courage (ETT), The Bloody Chamber (Northern Her theatre credits include Sleeping Beauty (UK Productions); Ceisio’i Stage), Confessions of a Justified Sinner, Copenhagen (Edinburgh Royal Bywyd Hi, Small Change, Yr Argae (Sherman Cymru); Llyfr Mawr y Plant Lyceum), Monkey! (Dundee Rep), Tutti Frutti (National Theatre of (Theatr Bara Caws); Ty Bernarda Alba, Siwan, Y Pair, Cariad Mr Bustl, ASSEMBLY Scotland), Dumb Show, The Winslow Boy (Rose Kingston) and the Diweddgan, Wrth Aros Godot, Esther, Dominos, Hen Rebel, Plas Drycin forthcoming Spur of the Moment (Royal Court). (Theatr Genedlaethol Cymru); Grimm Tales, Hazey Jane (Theatr Iolo); How do intergenerational conflicts exist in Cardiff Dance and Opera includes The Philosopher’s Stone (Garsington Opera), Arcadia (Bristol Old Vic/Birmingham Rep); A Word’s a Word, Lleuad Yn today? Cardiff is known as a young city: the youngest capital in Seven Deadly Sins (WNO/Diversions Dance), Blood, Sweat and Tears Olau, O Fore Gwyn Tan Nos, Letus, Y Sied, Winter Pictures (Arad Goch (balletLORENT) and Carmen Jones (Royal Festival Hall). Theatre Company); Watsia! (Cwmni’r Fran Wen); The Lantern Marriage, Europe. Apparently 42% of the population are under 30 years Malcolm won the 2009 Theatregoers’ Choice Award for Best Lighting Sweet Charity, Dramaturiaid (Royal Welsh College of Music and Drama). old. So where do the older people fit in? Do young people feel Designer for Brief Encounter and Six Characters in Search of an Author. that it is a city that belongs to them? DEBORAH COHEN SIMON ALLEN Assistant Stage Manager Working with a team of local musicians, hairdressers, Composer Deborah furthered her training at the Royal Welsh College of Music and performers, bakers, artists, shop assistants, filmmakers, bus Theatre includes Amgen:Broken (Sherman Cymru); The Nest, Andromache Drama, on the Postgraduate Stage Management course. During her studies drivers, dog owners, tea drinkers etc., we’ll create an evening (Living Pictures Productions); Buzz, Diwrnod Dwynwen (Sgript Cymru); she worked as assistant stage manager on Welsh National Opera’s of performance and discussion about what matters in this Wunschkonzert (Schauspiel Cologne and Berlin Theatre Festival 2009); production of ‘Madame Butterfly’ and toured with WNO MAX on a new place at this time. Pains Of Youth, Women Of Troy, Waves, Seagull and A Dream Play all opera for schools. She directed ‘The Magic Flute’ with Opera Ddraig, and directed by Katie Mitchell for the National Theatre. The Tempest (NT); following that she was assistant director on Southbank Sinfonia’s ‘Dido Measure For Measure, The Taming Of The Shrew (Plymouth/Thelma Holt); and Aeneas’. Her future projects include directing ‘The Nightingale and For more information please contact Not The End Of The World, The Seagull (Bristol Old Vic); Maes Terfyn the Rose’ and assistant director for British Youth Opera’s ‘La Boheme’. [email protected] =0C8>=0; C740CA4 F0;4B C74 34E8; 8=B834 78< 1H 9>7= >B1>A=4

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