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Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
Immigrants of a Different Religion: Jewish Argentines
IMMIGRANTS OF A DIFFERENT RELIGION: JEWISH ARGENTINES AND THE BOUNDARIES OF ARGENTINIDAD, 1919-2009 By JOHN DIZGUN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Samuel L. Baily and approved by New Brunswick, New Jersey October, 2010 ABSTRACT OF THE DISSERTATION Immigrants of a Different Religion: Jewish Argentines and the Boundaries of Argentinidad, 1919-2009 By JOHN DIZGUN Dissertation Director: Samuel L. Baily This study explores Jewish and non-Jewish Argentine reactions and responses to four pivotal events that unfolded in the twentieth century: the 1919 Semana Trágica, the Catholic education decrees of the 1940s, the 1962 Sirota Affair, and the 1976-1983 Dirty War. The methodological decision to focus on four physically and/or culturally violent acts is intentional: while the passionate and emotive reactions and responses to those events may not reflect everyday political, cultural, and social norms in twentieth-century Argentine society, they provide a compelling opportunity to test the ever-changing meaning, boundaries, and limitations of argentinidad over the past century. The four episodes help to reveal the challenges Argentines have faced in assimilating a religious minority and what those efforts suggest about how various groups have sought to define and control what it has meant to be “Argentine” over time. Scholars such as Samuel Baily, Fernando DeVoto, José Moya and others have done an excellent job highlighting how Italian and Spanish immigrants have negotiated and navigated the ii competing demands of ‘ethnic’ preservation and ‘national’ integration in Argentina. -
Title Director V1886-04 7 Hoppe, W
Item Title Director V1886-04 7 Hoppe, W. Joe D1955-00 8.5 Fellini, Federico L1027-00 8.5 Fellini, Federico D6199-00 8 1/2 Fellini, Federico V1924-01 9.11 Independent Media Center D2432-03 422 Li, Jennifer D6045-00 2046 Wai Wong, Kar D5069-00 [Rec] Balaguero, Jaume and Paco Plaza D2266-07 100% American Rosson, Arthur D2255-00 101 Reykjavik Kormakur, Baltasar D2295-00 12 Monkeys Gilliam, Terry D4041-00 12 Monkeys Gilliam, Terry B1174-00 12 Years a Slave McQueen, Steve D2539-00 13 Most Beautiful … Songs for Andy Warhol's ScreenWarhol, Tests Andy D2976-00 1-800-India: Importing a White-collar EconomyUberoi, Safina D2607-00 1939 World's Fair: New York Var. D4032-00 2 or 3 Things I Know About Her Godard, Jean-Luc D1981-00 20 Centimeters (20 Centímetros) Salazar, Ramon V1629-00 200 Motels Zappa, Frank D1953-00 2001: A Space Odyssey Kubrick, Stanley L1026-00 2001: A Space Odyssey Kubrick, Stanley V1000-00 2001: A Space Odyssey Kubrick, Stanley D6187-00 2001: A Space Odyssey Kubrick, Stanley ST1054-00 2005 Media Arts Student Show (Tape 1 of 3) Various ST1055-00 2005 Media Arts Student Show (Tape 2 of 3) Various ST1056-00 2005 Media Arts Student Show (Tape 3 of 3) Various D2037-00 21 Grams Inarritu, Alejandro Gonzalez D6022-00 24 Hour Party People Winterbottom, Michael D1840-00 25 Watts Rebella, Juan Pablo; Stoll, Pablo V1879-00 26 Bathrooms Greenway, Peter B1207-00 28 Days Later Boyle, Danny B1118-00 28 Weeks Later Fresnadillo, Juan Carlos D2530-13 3 Out of $ Slappe, Steven D2096-00 300 Spartans, The Mate, Rudolph D1160-00 39 Steps, The Hitchcock, -
LARC Resources on Film
LARC Resources on Film The LARC Lending Library has an extensive collection of educational materials for teacher and classroom use such as videos, slides, units, books, games, curriculum units, and maps. They are available for free short term loan to any instructor in the United States. These materials can be found on the online searchable catalog: http://stonecenter.tulane.edu/pages/detail/48/Lending-Library The resources examined here are not a comprehensive list of all LARC resources about film. Additional resources may be found on the LARC website. The films listed here are separated by general themes. ENVIRONMENT Bananas!* Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it? In the suspenseful documentary BANANAS!*, filmmaker Fredrik Gertten sheds new light on the global politics of food. 2009. English with Spanish subtitles. 87 minutes. GE NIC 01 Justicia Now! (Justice Now!) Over the past 43 years, Chevron Texaco has intentionally spilled over ten times the amount of oil in and around Lago Agrio, Ecuador, than was lost in the Exxon Valdez disaster and yet not one drop has been cleaned up. An area of pristine rain-forest the size of Rhode Island has been devastated, and one tribe of indigenous Indians has been wiped out. For those remaining natives, water supplies are completely contaminated and serious health issues such as cancer, Leukemia, birth defects and skin disease run rampant, affecting every family. -
The Faces of Inclusion: Historical Fiction in Post-Dictatorship Argentina
University of Alberta The Faces of Inclusion: Historical Fiction in Post-Dictatorship Argentina by Wojciech Tokarz A thesis submitted to the Faculty of Graduate Studies and Research in part fulfillment of the requirement for the degree of Doctor of Philosophy in Comparative Literature - Spanish and Latin American Studies Department of Comparative Literature, Religion, and Film/Media Studies Edmonton, Alberta Spring 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45617-0 Our file Notre reference ISBN: 978-0-494-45617-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Cinema-Theater Relations in Argentine Post-Dictatorship Clics Modernos: Las // Relaciones Cine-Teatro Durante La Postdictadura Argentina
DOI 10.11606/issn.2013-7114.sig.2020.164510 Modern clicks: cinema-theater relations in Argentine post-dictatorship Clics modernos: las // relaciones cine-teatro durante la postdictadura argentina //////////////// Jorge Sala1 1 Doctoral researcher in History and Theory of Arts. Email: [email protected] Significação, São Paulo, v. 47, n. 54, p. 43-61, jul-dez. 2020 | 43 //////////////////////////////////////////////////////////////////////////////////////////////// Modern clicks: cinema-theater relations in Argentine post-dictatorship | Jorge Sala Abstract: the article formulates a cartographic route around the different relationship modes that the Argentine cinema premiered between 1984 and 1994 sustained with the theater of the same time. We establishes five interactions areas between both disciplines: 1) the hegemony of testimonial realism; 2) The recovery of popular scenic forms (mainly linked to sainete, grotesque and the tango); 3) the formulation of allegoric films based on theatrical strategies; 4) Films that use theater as a meta-reflective operation; and 5) the appearance of cinematographic proposals contrary to realism whose dialogue was initiated with the emerging theater of the post-dictatorship. Keywords: post-dictactorship; Argentina; interarts studies; staging; cartography Resumen: el escrito formula un recorrido cartográfico alrededor de los diferentes tipos de relación que el cine argentino estrenado entre 1984 y 1994 sostuvo con el teatro del período. Para ello se establecen cinco zonas de interacción entre ambas disciplinas: 1) la hegemonía del realismo testimonial; 2) La recuperación de formas escénicas populares (fundamentalmente ligadas al sainete el grotesco y el tango); 3) la elaboración de alegorías fílmicas basadas en estrategias teatrales; 4) Los films que utilizan el teatro como operación metarreflexiva; y 5) la aparición de propuestas cinematográficas contrarias al realismo cuyo diálogo se entabló con los espectáculos emergentes de la postdictadura. -
New Orleans Review VOLUME 12 NUMBER 41$7.00 Cover: "Stately Steed" by Peter P
New Orleans Review VOLUME 12 NUMBER 41$7.00 Cover: "Stately Steed" By Peter P. Briant Watercolor, 22" x 28" Collection of Susan A. Thomas New Orleans Review Winter 1985 Editors John Biguenet, Art and Literature Bruce Henricksen, Theory and Criticism John Mosier, Film, General Editor Managing Editor Sarah Elizabeth Spain Design Vilma Pesciallo Contributing Editor Raymond McGowan Founding Editor Miller Williams Advisory Editors Richard Berg Doris Betts Joseph Fichter, S.J. Alexis Gonzales, F.S.C. John Irwin Murray Krieger Frank Lentricchia Wesley Morris Walker Percy Herman Rapaport Robert Scholes Marcus Smith Miller Williams The New Orleans Review is published by Loyola University, New Orleans, Louisiana 70118, United States. Copyright © 1985 by Loyola University. Critical essays relating to film or literature of up to ten thousand words should be prepared to conform with the new MLA guidelines and sent to the appropriate editor, together with a stamped, self-addressed envelope. The address is New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Fiction, poetry, photography or related artwork should be sent to the Art and Literature Editor. A stamped, self-addressed envelope should be enclosed. Reasonable care is taken in the handling of material, but no responsibility is assumed for the loss of unsolicited material. Accepted manuscripts are the property of the NOR. The New Orleans Review is published in February, May, August and November. Annual Subscription Rate: Institutions $30.00, Individuals $25.00, Foreign Subscribers $35.00. Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. US ISSN 0028-6400 CONTENTS THEORY AND CRITICISM 18 Murray Krieger as Pre- and Post-Deconstructionist Terri Brint Joseph Ekphrasis and the Temporal/Spatial Metaphor in Murray Krieger's 34 Critical Theory Gwen Raaberg 61 The Cunning of Dialectic: Plato's Mastery Robert A. -
Weeded Bender.Pdf
AB C D EFG HIJ 1 2 Weeded Bender 3 4 CALL NUMBERLIBRARY AUTHOR TITLE PUB YR FMT SERIES CP LANG NOTE 5 AE2 .H83 1991 GREEN HUGH OF SAINT-VICTODIDASCALICON OF HUGH OF ST VICTOR 1991 MARC Records of Western civnyu eng 6 AE25 .A6 D37 GREEN DARNTON ROBERT BUSINESS OF ENLIGHTENMENT A PUBL 1979 MARC mau eng 7 AE302.6 .F8 H8GREEN HUANG NIAN-SHENG 0BENJAMIN FRANKLIN IN AMERICAN THO 1994 MARC Memoirs of the Americ pau eng 8 AM11 .C64 199GREEN CONN STEVEN MUSEUMS AND AMERICAN INTELLECTU 1998 MARC ilu eng 9 AM43 .L6 B53 2GREEN BLACK BARBARA J 001ON EXHIBIT VICTORIANS AND THEIR MU 2000 MARC Victorian literature and vau eng 10 AZ101 .F6813 1GREEN FOUCAULT MICHEL ARCHAEOLOGY OF KNOWLEDGE AND T 1982 MARC nyu eng 11 B1198 .C265 19GREEN CAMBRIDGE COMPANION TO BACON 1996 MARC enk eng 12 B1246 .M38 19 GREEN MARTINICH ALOYSIUS HOBBES A BIOGRAPHY 1999 MARC enk eng 13 B1247 .C26 199GREEN CAMBRIDGE COMPANION TO HOBBES 1996 MARC nyu eng 14 B1255 .Y64 GREEN LOCKE JOHN 001632-0LOCKE READER SELECTIONS FROM THE 1977 MARC enk eng 15 B126 .F4 1952 GREEN FENG YOULAN 001895 HISTORY OF CHINESE PHILOSOPHY 1952 MARC nju eng 16 B126 .F4 1952 GREEN FENG YOULAN 001895 HISTORY OF CHINESE PHILOSOPHY 1952 MARC nju eng 17 B1290 1993 GREEN LOCKE JOHN 001632-0ESSAY CONCERNING HUMAN UNDERST 1993 MARC Everyman's library enk eng 18 B1297 .C29 199GREEN CAMBRIDGE COMPANION TO LOCKE 1994 MARC enk eng 19 B1493 .D52 199GREEN HUME DAVID 001711-0 DIALOGUES CONCERNING NATURAL RE 1990 MARC Penguin classics enk eng 20 B1493 .D52 199GREEN HUME DAVID 001711-0 PRINCIPAL WRITINGS ON RELIGION INC -
Literature, Film, and Justice in Neoliberal Argentina, Brazil and Chile
UNIVERSITY OF CALIFORNIA, SAN DIEGO Solidarity at the Margins: Literature, Film, and Justice in Neoliberal Argentina, Brazil and Chile A Dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Literature by Jennie Irene Daniels Committee in charge: Professor Milos Kokotovic, Co-Chair Professor Luis Martín Cabrera, Co-Chair Professor Jody Blanco Professor Jaime Concha Professor Michael Monteon 2012 Copyright Jennie Irene Daniels, 2012 All rights reserved. The Dissertation of Jennie Irene Daniels is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 iii Dedication For my family, whose love, patience and constancy guided me along this journey. And for my other “families” and our many adventures. iv Epigraph Por que a cegueira em relação ao próprio sofrimento e ao sofrimento do outro? Por que consentimos na violência se podemos ser solidários? [Why such blindness in the face of one’s own suffering and the suffering of others? Why do we consent to violence when we could be like-minded?] - Jurandir Freire Costa v Table of Contents Signature Page................................................................................................ iii Dedication....................................................................................................... iv Epigraph.......................................................................................................... v Table of Contents........................................................................................... -
Da Det Marginaliserte Ble Hverdagslig Argentinsk Spillefilm Og Den Økonomiske Krisen
Da det marginaliserte ble hverdagslig Argentinsk spillefilm og den økonomiske krisen Masteroppgave i medievitenskap Birgitte Hanssen Mandelid Institutt for medier og kommunikasjon Universitetet i Oslo Høsten 2009 Sammendrag Da den argentinske økonomien kollapset i 2001, opplevde landets filmindustri en kreativ og kommersiell oppsving. Gjennom siste halvdel av 1990-tallet hadde en ny generasjon filmskapere kommet til, for det meste utdannet ved landets mange nyetablerte filmskoler, og rundt årtusenskiftet slo talentet de inntil da hadde vist i kortfilmer og manuskonkurranser ut i full blomst. De unge regissørene sto utenfor systemet, og tok – i motsetning til de mer underholdningsvennlige og eskapistiske produktene av den etablerte industrien – for seg små historier fra samtiden, der endringer i samfunnet ble brukt som bakteppe for enkeltmenneskers situasjon og skjebne. Filmene hadde en rekke forskjeller, men også så mange likheter at man begynte å snakke om en bølge. Denne avhandlingen tar for seg den nye argentinske filmens fellestrekk, samt forholdet mellom filmen og samfunnet den ble til i. Gjennom tekstanalyse av fire definerende filmer; Mundo grúa (1999), Nueve reinas (2000), La ciénaga (2001) og Un oso rojo (2002), forsøker oppgaven å kartlegge hvordan filmen er påvirket stilistisk og tematisk av sin sosioøkonomiske samtid, og hvordan spesielle aspekter ved landets situasjon, som fattigdom og arbeidsledighet, er representert i fiksjonen. Abstract When the Argentine economy collapsed in 2001, the movies were thriving. During the last half of the 1990s a lot of new directors, for the most part educated at one of the many new film schools, challenged the status quo with innovative short films and well developed scripts. -
![Downloaded by [New York University] at 04:46 12 April 2017 Football and Literature in South America](https://docslib.b-cdn.net/cover/1485/downloaded-by-new-york-university-at-04-46-12-april-2017-football-and-literature-in-south-america-8831485.webp)
Downloaded by [New York University] at 04:46 12 April 2017 Football and Literature in South America
Downloaded by [New York University] at 04:46 12 April 2017 Football and Literature in South America South America is a region that enjoys an unusually high profile as the origin of some of the world’s greatest writers and most celebrated football- ers. This is the first book to undertake a systematic study of the relation- ship between football and literature across South America. Beginning with the first football poem, published in 1899, it surveys a range of texts that address key issues in the region’s social and political history. Drawing on a substantial corpus of short stories, novels and poems, each chapter considers the shifting relationship between football and liter- ature in South America across more than a century of writing. The way in which authors combine football and literature to challenge – or conform to – the dominant narratives of their time suggests that this sport can be seen as a recurring theme through which matters of identity, nationhood, race, gender, violence, politics and aesthetics are played out. This book is fascinating reading for any student, scholar or serious fan of football, as well as for all those interested in the relationship between sports history, literature and society. David Wood is Professor of Latin American Studies at the University of Sheffield, UK, where his teaching and research centre on various aspects of literary and non- literary culture across Latin America. He has published widely in Europe and Latin America, and has previously written on the cultural history of football in Peru and on sport in Mexican and Cuban cinema.