Swearwords Reinterpreted New Variants and Uses by Young Chinese Netizens on Social Media Platforms
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Sinitic Language and Script in East Asia: Past and Present
SINO-PLATONIC PAPERS Number 264 December, 2016 Sinitic Language and Script in East Asia: Past and Present edited by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Freedom on the Net 2016
FREEDOM ON THE NET 2016 China 2015 2016 Population: 1.371 billion Not Not Internet Freedom Status Internet Penetration 2015 (ITU): 50 percent Free Free Social Media/ICT Apps Blocked: Yes Obstacles to Access (0-25) 18 18 Political/Social Content Blocked: Yes Limits on Content (0-35) 30 30 Bloggers/ICT Users Arrested: Yes Violations of User Rights (0-40) 40 40 TOTAL* (0-100) 88 88 Press Freedom 2016 Status: Not Free * 0=most free, 100=least free Key Developments: June 2015 – May 2016 • A draft cybersecurity law could step up requirements for internet companies to store data in China, censor information, and shut down services for security reasons, under the aus- pices of the Cyberspace Administration of China (see Legal Environment). • An antiterrorism law passed in December 2015 requires technology companies to cooperate with authorities to decrypt data, and introduced content restrictions that could suppress legitimate speech (see Content Removal and Surveillance, Privacy, and Anonymity). • A criminal law amendment effective since November 2015 introduced penalties of up to seven years in prison for posting misinformation on social media (see Legal Environment). • Real-name registration requirements were tightened for internet users, with unregistered mobile phone accounts closed in September 2015, and app providers instructed to regis- ter and store user data in 2016 (see Surveillance, Privacy, and Anonymity). • Websites operated by the South China Morning Post, The Economist and Time magazine were among those newly blocked for reporting perceived as critical of President Xi Jin- ping (see Blocking and Filtering). www.freedomonthenet.org FREEDOM CHINA ON THE NET 2016 Introduction China was the world’s worst abuser of internet freedom in the 2016 Freedom on the Net survey for the second consecutive year. -
A Dictionary of Chinese Characters: Accessed by Phonetics
A dictionary of Chinese characters ‘The whole thrust of the work is that it is more helpful to learners of Chinese characters to see them in terms of sound, than in visual terms. It is a radical, provocative and constructive idea.’ Dr Valerie Pellatt, University of Newcastle. By arranging frequently used characters under the phonetic element they have in common, rather than only under their radical, the Dictionary encourages the student to link characters according to their phonetic. The system of cross refer- encing then allows the student to find easily all the characters in the Dictionary which have the same phonetic element, thus helping to fix in the memory the link between a character and its sound and meaning. More controversially, the book aims to alleviate the confusion that similar looking characters can cause by printing them alongside each other. All characters are given in both their traditional and simplified forms. Appendix A clarifies the choice of characters listed while Appendix B provides a list of the radicals with detailed comments on usage. The Dictionary has a full pinyin and radical index. This innovative resource will be an excellent study-aid for students with a basic grasp of Chinese, whether they are studying with a teacher or learning on their own. Dr Stewart Paton was Head of the Department of Languages at Heriot-Watt University, Edinburgh, from 1976 to 1981. A dictionary of Chinese characters Accessed by phonetics Stewart Paton First published 2008 by Routledge 2 Park Square, Milton Park, Abingdon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2008. -
Areal Script Form Patterns with Chinese Characteristics James Myers
Areal script form patterns with Chinese characteristics James Myers National Chung Cheng University http://personal.ccu.edu.tw/~lngmyers/ To appear in Written Language & Literacy This study was made possible through a grant from Taiwan’s Ministry of Science and Technology (103-2410-H-194-119-MY3). Iwano Mariko helped with katakana and Minju Kim with hangul, while Tsung-Ying Chen, Daniel Harbour, Sven Osterkamp, two anonymous reviewers and the special issue editors provided all sorts of useful suggestions as well. Abstract It has often been claimed that writing systems have formal grammars structurally analogous to those of spoken and signed phonology. This paper demonstrates one consequence of this analogy for Chinese script and the writing systems that it has influenced: as with phonology, areal script patterns include the borrowing of formal regularities, not just of formal elements or interpretive functions. Whether particular formal Chinese script regularities were borrowed, modified, or ignored also turns out not to depend on functional typology (in morphemic/syllabic Tangut script, moraic Japanese katakana, and featural/phonemic/syllabic Korean hangul) but on the benefits of making the borrowing system visually distinct from Chinese, the relative productivity of the regularities within Chinese character grammar, and the level at which the borrowing takes place. Keywords: Chinese characters, Tangut script, Japanese katakana, Korean hangul, writing system grammar, script outer form, areal patterns 1. Areal phonological patterns and areal script patterns Sinoform writing systems look Chinese, even when they are functionally quite different. The visual traits of non-logographic Japanese katakana and Korean hangul are nontrivially like those of logographic Chinese script, as are those of the logographic but structurally unique script of Tangut, an extinct Tibeto-Burman language of what is now north-central China. -
Section 18.1, Han
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
ACAH 2011 Official Conference Proceedings
The 2nd Asian Conference on Arts and Humanities Osaka, Japan, 2011 The Asian Conference on Arts & Humanities Conference Proceedings 2011 For the International Academic Forum & The IAFOR International Advisory Board Professor Don Brash, Former Governor of the the New Professor Michiko Nakano, Waseda University, Tokyo, Zealand Reserve Bank & Former Leader of the National Japan Party, New Zealand Ms Karen Newby, Director, Par les mots solidaires, Lord Charles Bruce of Elgin and Kincardine, Lord Paris, France Lieutenant of Fife, Chairman of the Patrons of the National Galleries of Scotland & Trustee of the Historic Professor Michael Pronko, Meiji Gakuin University, Scotland Foundation, UK Tokyo, Japan Professor Tien-Hui Chiang, National University of Mr Michael Sakemoto, UCLA, USA Tainan, Chinese Taipei Mr Mohamed Salaheen, Country Director, UN World Mr Marcus Chidgey, CEO, Captive Minds Food Programme, Japan & Korea Communications Group, London, UK Mr Lowell Sheppard, Asia Pacific Director, HOPE Professor Steve Cornwell, Osaka Jogakuin University, International Osaka, Japan Professor Ken Kawan Soetanto, Waseda University, Professor Georges Depeyrot, Centre National de la Japan Recherche Scientifique/Ecole Normale Superieure, France His Excellency Dr Drago Stambuk, Croatian Professor Sue Jackson, Pro-Vice Master of Teaching Ambassador to Brazil and Learning, Birkbeck, University of London, UK Professor Mary Stuart, Vice-Chancellor of the Professor Michael Herriman, Nagoya University of University of Lincoln, UK Commerce and Business, Japan -
CHSA HP2010.Pdf
The Hawai‘i Chinese: Their Experience and Identity Over Two Centuries 2 0 1 0 CHINESE AMERICA History&Perspectives thej O u r n a l O f T HE C H I n E s E H I s T O r I C a l s OCIET y O f a m E r I C a Chinese America History and PersPectives the Journal of the chinese Historical society of america 2010 Special issUe The hawai‘i Chinese Chinese Historical society of america with UCLA asian american studies center Chinese America: History & Perspectives – The Journal of the Chinese Historical Society of America The Hawai‘i Chinese chinese Historical society of america museum & learning center 965 clay street san francisco, california 94108 chsa.org copyright © 2010 chinese Historical society of america. all rights reserved. copyright of individual articles remains with the author(s). design by side By side studios, san francisco. Permission is granted for reproducing up to fifty copies of any one article for educa- tional Use as defined by thed igital millennium copyright act. to order additional copies or inquire about large-order discounts, see order form at back or email [email protected]. articles appearing in this journal are indexed in Historical Abstracts and America: History and Life. about the cover image: Hawai‘i chinese student alliance. courtesy of douglas d. l. chong. Contents Preface v Franklin Ng introdUction 1 the Hawai‘i chinese: their experience and identity over two centuries David Y. H. Wu and Harry J. Lamley Hawai‘i’s nam long 13 their Background and identity as a Zhongshan subgroup Douglas D. -
How Web-Based Parody Encourages Chinese Civil Participation
International ResearchScape Journal Volume 3 Article 1 2015 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/irj Part of the Chinese Studies Commons, Civic and Community Engagement Commons, Communication Technology and New Media Commons, International and Area Studies Commons, International and Intercultural Communication Commons, Mass Communication Commons, Other Communication Commons, Other Film and Media Studies Commons, Other Political Science Commons, Other Sociology Commons, Social Influence and oliticalP Communication Commons, and the Social Media Commons Recommended Citation Boczar, Amber (2015) "The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation," International ResearchScape Journal: Vol. 3 , Article 1. DOI: https://doi.org/10.25035/irj.03.01.01 Available at: https://scholarworks.bgsu.edu/irj/vol3/iss1/1 This Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in International ResearchScape Journal by an authorized editor of ScholarWorks@BGSU. Boczar: Web-Based Parody and Chinese Civil Participation Boczar 1 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar [email protected] Published by ScholarWorks@BGSU, 2015 International ResearchScape Journal, Vol. 3 [2015], Art. 1 Boczar 2 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Abstract This article investigates that relationship between e’gao (parody using web-based media) and Chinese civil participation. E’gao (恶搞 EUH-gow) uses videos, images, and text based campaigns that use humor to remove fear of political commentary and action. -
Chinese Slang Robert L
Rollins College Rollins Scholarship Online Faculty Publications 2-2016 Chinese Slang Robert L. Moore Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/as_facpub Part of the Anthropological Linguistics and Sociolinguistics Commons, Comparative and Historical Linguistics Commons, Semantics and Pragmatics Commons, and the Typological Linguistics and Linguistic Diversity Commons Published In Routledge Encyclopedia of the Chinese Language, Chan Sin-wai, editor This Article is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. CHINESE SLANG Robert L. Moore Rollins College Winter Park, Florida INTRODUCTION Slang is a linguistic category that has long defied those who have sought to define it (Dumas and Lighter 1978; Adams 2009). The qualities that make it so difficult to define apply to both its English and Chinese versions.i Part of the difficulty in identifying specific defining criteria stems from slang’s status as a folk category. Slang is, in a sense, what the speakers of a given language believe it to be, and different speakers have different understandings about what it is. The qualities most commonly attributed to it by those who define it are as follows: 1. Informality 2. Playful or imaginative use of standard vocabulary items 3. Humor 4. Ephemerality 5. Appropriateness in egalitarian relationships 6. Association with contexts wherein the dignity entailed in high status positions is not deferred to 7. Rebelliousness 8. Association with marginal and/or relatively powerless populations (such as youth, military personnel or criminal gangs) 9. -
Musical Taiwan Under Japanese Colonial Rule: a Historical and Ethnomusicological Interpretation
MUSICAL TAIWAN UNDER JAPANESE COLONIAL RULE: A HISTORICAL AND ETHNOMUSICOLOGICAL INTERPRETATION by Hui‐Hsuan Chao A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2009 Doctoral Committee: Professor Joseph S. C. Lam, Chair Professor Judith O. Becker Professor Jennifer E. Robertson Associate Professor Amy K. Stillman © Hui‐Hsuan Chao 2009 All Rights Reserved ACKNOWLEDGEMENTS Throughout my years as a graduate student at the University of Michigan, I have been grateful to have the support of professors, colleagues, friends, and family. My committee chair and mentor, Professor Joseph S. C. Lam, generously offered his time, advice, encouragement, insightful comments and constructive criticism to shepherd me through each phase of this project. I am indebted to my dissertation committee, Professors Judith Becker, Jennifer Robertson, and Amy Ku’uleialoha Stillman, who have provided me invaluable encouragement and continual inspiration through their scholarly integrity and intellectual curiosity. I must acknowledge special gratitude to Professor Emeritus Richard Crawford, whose vast knowledge in American music and unparallel scholarship in American music historiography opened my ears and inspired me to explore similar issues in my area of interest. The inquiry led to the beginning of this dissertation project. Special thanks go to friends at AABS and LBA, who have tirelessly provided precious opportunities that helped me to learn how to maintain balance and wellness in life. ii Many individuals and institutions came to my aid during the years of this project. I am fortunate to have the friendship and mentorship from Professor Nancy Guy of University of California, San Diego. -
Grass Mud Horse Style: Popular Resistance, the Politics and Poetics
Grass Mud Horse Style: Popular Resistance, the Politics and Poetics of Internet in Post-socialist Crisis Ying Xiao Introduction: Grass Mud Horse as Revolting Style and Signifying Practice? With the rapid growth of the Internet and the advent of social media boom in contemporary China, the recent years has seen a bourgeoning interest in the relation between the internet and social change. A number of studies have explored the technological and socio-economic mechanisms of the internet in the postsocialist globalized condition, whereas more attention has been given to the socio-political functions of such online platforms and dialogues in facilitating political discussion and deliberation and their potentials in advancing political transformation of China in the 21 st century 1. While it is conducive to recognize and bring to light the rise and explosion of internet in the last two decades as an important political discourse and a central player in social change and identity construction in contemporary China, one of the frequently overlooked and insufficiently addressed aspects is that the internet shall be conceptualized not merely as an instrument to reflect and bring forward social and political change, but also as a multifarious and fluid discourse that lives up to entertainment, consumption, everyday practice, vernacular expression, artistic 1 The rise of internet and new media has stirred up heated discussions not only in the business domain but also in diverse fields of political and social practices. Given its fast development and large-scale influence in contemporary China, there is a growing body of work dissecting the attribute, function, and trajectory of Chinese cyberculture. -
Cultural Flows in the Digital and Beyond: the Potency of a Symbol in Mainland China
Cultural Flows in the Digital and Beyond: The Potency of a Symbol in Mainland China Justine Poplin A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) College of Arts and Education Creative Arts Victoria University Melbourne Australia Supervisor: Dr Sue Dodd Associate Supervisor: Associate Professor Dr Tom Clark 2017 Abstract In the twenty-first century, access to a fragmented global culture through online portals has created what Bauman (2011) calls a ‘liquid culture’. As screen-mediated ways of being grow and propagate through our art galleries, museums and online social media feeds, how are we to read this emergent visual grammar so that we can motivate, move or elevate our ways of knowing? This thesis explores the symbolism created in mainland China in 2009 through an emergent and retained set of subversive symbols: the Grass Mud Horse lexicon in Chinese visual culture and beyond. To date, theorists have focused predominantly on internet memes, independent of other multimodal forms generated and transitioned from symbolic online internet memes to offline symbolic use in art and design. I investigate ways of deciphering and articulating these visual gestures through accessing cultural keys. I claim that the new symbolism generated as a result of internet censorship in mainland China demonstrates a generational and ideological shift; it does so through the creation and propagation of new visual grammar in twenty-first century China. To scaffold my claims, I explore an overview of historical changes in the visual articulation of Chinese culture. The use of Mao Zedong as a symbol in art and design clearly illustrates a shift from veneration to subversion.