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Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Lna 2006 Profiles J.Qxp
1 | Advertising Age | June 26, 2006 SpecialSpecial ReportReport:100 Profiles LEADING NATIONAL ADVERTISERSSupplement SUPPLEMENT June 26, 2006 100 LEADING NATIONAL ADVERTISERS Profiles of the top 100 U.S. marketers in this 51st annual ranking INSIDE TOP 100 RANKING COMPANY PROFILES SPONSORED BY The nation’s leading marketers Lead marketing personnel, ranked by U.S. advertising brands, agencies, agency expenditures for 2005. contacts, as well as advertising Includes data from TNS Media spending by media and brand, Intelligence and Ad Age’s sales, earnings and more for proprietary estimates of the country’s 100 largest unmeasured spending. PAGE 8 advertisers PAGE 10 This document, and information contained therein, is the copyrighted property of Crain Communications Inc. and The Ad Age Group (© Copyright 2006) and is for your personal, non-commercial use only. You may not reproduce, display on a website, distribute, sell or republish this document, or information contained therein, without prior written consent of The Ad Age Group. Are proud to connect you with the leading CMOs See all the interviews at adage.com/point LAUNCHING JUNE 28 © 2006 Crain Communications Inc. www.adage.com 3 | Advertising Age | June 26, 2006 Special Report 100 LEADING NATIONAL ADVERTISERS SUPPLEMENT ABOUT THIS PROFILE EDITION THE 51ST ANNUAL 100 Leading National the Top 100 ($40.13 billion) and for all measured spending in 18 national media, Advertisers Report crowned acquisition- advertisers ($122.79 billion) in the U.S. Yellow Pages Association contributed ladened Procter & Gamble Co. as the top U.S. ad spending by ad category: This spending in Yellow Pages and TNS Marx leader, passing previous kingpen General chart (Page 6) breaks out 18 measured Promotion Intelligence provided free- Motors Corp. -
Traps in This Booklet Are Designed for Game Purposes Only
v ~~ I 4 Y Flying Buffalo Inc, PO Box 1467, Scottsdale, AZ 85252 The traps in this booklet are designed for game purposes only. Actual construction of these traps might prove harmful, and such construction is strongly discouraged. Copyright © 1982 Flying Buffalo Inc. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or computerization, or by any information storage and retrieval system, without permission in writing from the publisher: BLADE, a division of Flying Buffalo Inc., P.O. Box 1467, Scottsdale, AZ 85252. Table of Contents Dead-ication.......................................................................... page iii Chute The Loop ....................................................................... 35 A Word from Grimtooth ....................................................... page v Amazing Ginsu Chute............................................................... 35 Dead End.................................................................................. 36 Chapter 1. Room Traps ......................................... page 1 Beware of Low Ceiling.................................................................... 2 Emergency Exit ........................................................................ 36 The Teeter-Totter Room .................................................................. 3 A Chuting Gallery .................................................................. 36 One Way or Another ..................................................................... -
U.S. Joins Fight in Philippines Battle
THE CHRONICLE FRIDAY, DECEMBER 1, 1989 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 85, NO. 68 Licensing of publications questioned U.S. joins fight in By JONATHAN WRY and MATT SCLAFANI The recent creation of the student-run publications Duke Philippines battle Blue and The Duke Review has created a crisis between ASDU, the Undergraduate Pub MANILA, Philippines (AP) to confirm whether they were lications Board and the adminis — President Corazon Aquino American. tration over who should approve said Friday U.S. warplanes In Washington, an official and administer student publica joined the battle to save her confirmed that U.S. planes tions. embattled government after began flying over two Philip The confusion was sparked mutineers bombed the presi pine air bases shortly after when Duke Blue and The Duke dential palace and military the presidential authorization Review used unusual methods to and media facilities in the came at 12:32 a.m. EST. obtain University recognition. strongest bid yet to oust her. "The goal in this authoriza Until recently, students want She made the statement af tion has been to discourage ing money and recognition for a ter President Bush authorized any hostile attempt on the publication could go to either the BOB KAPLAN/THE CHRONICLE LARS LUC|ER/THE CHANTICLEER U.S. military assistance to part of the rebels in the Phil Pub Board or the Graduate and Jon Rosenzweig Mona Amer back her government. ippines. President Aquino's Professional School Council. The "Even now, U.S. fighters are request was very specific and only exception is The Chronicle, recognition. -
SERIALS - Available in DVD Format
SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic -
Kementerian Pendidikan Dan Kebuda Y
KEMENTERIANPENDIDIKAN DAN KEBUDAY AAN UNIVERSITAS SAM RA TULANGI Kampus UNSRAT Manado 95115 Telepon (0431) 863886 Fax. (0431) 822568 Laman: https://www.unsrat.ac.id KEPUTUSAN REKTOR UNIVERSITAS SAM RATULANGI NOMOR: 874 /UN12/PD/2020 TENTANG PENETAPAN PESERTA LULUS SELEKSI JALUR SBMPTN TAHUN 2020 PADA UNIVERSITAS SAM RATULANGI DENGAN RAHMAT TUHAN YANG MAHA ESA REKTOR UNIVERSITAS SAM RATULANGI Menimbang a. bahwa Seleksi Bersama Masuk Perguruan Tinggi Negeri (SBMPTN) dilakukan berdasarkan hasil Ujian Tulis Berbasis Komputer (UTBK) yang dilaksanakan Lembaga Tes Masuk Perguruan Tinggi (LTMPT) dan dapat ditambah dengan kriterialain sesuai ketentuan peraturan perundang-undangan yang selanjutnya perlu ditetapkan hasil seleksinya oleh Rektor. b. bahwa berdasarkan rapat para Rektor PTN mengenai Penetapan Hasil Seleksi Jalur SBMPTN yang diselenggarakan pada tanggal, 10 - 12 Agustus 2020, telah dihasilkan peserta yang dinyatakan lulus seleksi jalur SBMPTN Tahun 2020; c. bahwa berdasarkan pertimbangan sebagaimana dimaksud pada huruf a dan huruf b, perlu menetapkan Keputusan Rektor Universitas Sam Ratulangi tentang Penetapan Peserta Lulus Seleksi Jalur SBMPTN Tahun 2020 pada Universitas Sam Ratulangi; Mengingat 1. Undang-Undang Nomor 20 Tahun 2003 tentang Sistem Pendidikan Nasional (Lembaran Negara Republik Indonesia Tahun 2003 Nomor 78, Tambahan Lembaran Negara Republik Indonesia Nomor 4301); 2. Undang-Undang Nomor 14 Tahun 2005 tentang Guru dan Dosen (Lembaran Negara Republik Indonesia Tahun 2005 Nomor 157, Tambahan Lembaran Negara Republik Indonesia Nomor 4586); 3. Undang-Undang Nomor 12 Tahun 2012 tentang Pendidikan Tinggi (Lembaran Negara Republik Indonesia Tahun 2012 Nomor 158, Tambahan Lembaran Negara Republik Indonesia Nomor 5336); 4. Peraturan Pemerintah Nomor 4 Tahun 2014 tentang Penyelenggaraan Pendidikan Tinggi dan Pengelolaan Perguruan Tinggi (Lembaran Negara Republik Indonesia Tahun 2014 Nomor 16, Tambahan Lembaran Negara Republik Indonesia Nomor 5500); 5. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
WESTERN FILMS Page 1 of 20
WESTERN FILMS Page 1 of 20 WESTERN FILMS Western Films or Westerns are the major defining genre of the American film industry, a nostaligic eulogy to the early days of the expansive, untamed American frontier (the borderline between civilization and the wilderness). They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins. [The popularity of westerns has waxed and waned over the years. Their most prolific era was in the 1930s to the 1960s, and most recently in the 90s, there was a resurgence of the genre. This indigenous American art form focuses on the frontier West that existed in North America. Westerns are often set on the American frontier during the last part of the 19th century (1865-1900) following the Civil War, in a geographically western (trans-Mississippi) setting with romantic, sweeping frontier landscapes or rugged rural terrain. However, Westerns may extend back to the time of America's colonial period or forward to the mid-20th century, or as far geographically as Mexico. A number of westerns use the Civil War, the Battle of the Alamo (1836) or the Mexican Revolution (1910) as a backdrop. The western film genre often portrays the conquest of the wilderness and the subordination of nature, in the name of civilization, or the confiscation of the territorial rights of the original inhabitants of the frontier. Specific settings include lonely isolated forts, ranch houses, the isolated homestead, the saloon, the jail, the livery stable, the small-town main street, or small frontier towns that are forming at the edges of civilization. -
To Open Auction)
09/27/21 01:46:01 Feb 2020 Estates Fishing, TOOLS and Sports Auction (CLICK HERE TO OPEN AUCTION) Auction Opens: Mon, Jan 27 5:00am PT Auction Closes: Thu, Feb 6 9:00am PT Lot Title Lot Title 0100 Plano Tackle Box plus Contents 0123 96in long Garcia Fishing Pole and Shakespeare 0101 Shimano72 1/2in long Fishing Pole and Reel Reel 0102 90 3/4in long Fishing Pole and Garcia Mitchell 0124 103 1/2in long Sound Bend Fishing Pole and 300 Reel Penn Reel 0103 89 1/2in long RetrOflex Fishing Pole and 0125 84in long Daiwa Fishing Pole and Shakespeare Daiwa Reel Reel 0104 78 1/2in long Ugly Stik Fishing Pole 0126 Bait Bucket 0105 90in long RetrOflex Fishing Pole and Shimano 0127 NIB Fly Reel by Seaway Reel 0128 Box of Collectible Comic Books 0106 85 1/2in long Daiwa Fishing Pole with Ryobi 0129 Empty Plano Tackle Box Reel 0130 106 1/2in long Hunter Roddy Fishing Pole 0107 75 1/2in long Daiwa Graphic Pole and D.A.M. 0131 65in long Master Fishing Pole and Penn Reel Quick 330 Reel 0132 71 1/2in long Ocean Fishing Rod 0108 75in long Raven Fishing Pole and Shimano Reel 0133 91in long Fishing Pole and Reel 0109 87in long Fishing Pole and Shimano Reel 0134 84 1/2in long Garcia Fishing Pole and Reel 0110 84in long Ugly Stik Fishing Pole and Penn Reel 0135 132in long Master Power Stick f 0111 83 1/2in long Gold Cup Fishing Pole and Garcia Reel 0136 87in long Penn Long Beach Ocean Fishing Rod and Daiwa Reel 0112 85in long True Temper Fishing Pole and Penn Reel 350 0137 79 1/2in long Fishing Pole 0113 Plano Tackle Box plus Contents 0138 Fish Net 0114 15 Collectible -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Cooking When No One Is Looking : Cuisine at the Cutting Edge Pdf, Epub, Ebook
COOKING WHEN NO ONE IS LOOKING : CUISINE AT THE CUTTING EDGE PDF, EPUB, EBOOK Ruth Mellinkoff | 403 pages | 01 Jun 2000 | University of California Los Angeles, Fowler Museum of Cultural History | 9780930741846 | English | United States Cooking When No One Is Looking : Cuisine at the Cutting Edge PDF Book So there is no need to buy an extra knife sharpener. Much safer when cutting through tough or slippery things like a chicken or cartilage. The stamped construction makes it a cheaper alternative than most of the other offerings and it maintains a decent edge. But it would very slippery especially for wet or oily hand. Contact us via email: cookingcity outlook. The Mercer Gensis offer a superb price to benefit ratio making it a reasonable choice in the economy price range. Information Seller MagicSeven Co. This website uses cookies to improve your experience. Most kitchen knives are across two premium materials these are carbon steel, and high carbon stainless steel. Not without spending the gems to get more customers This knife is similar to a bread knife only smaller. They look so fancy. Even if you interested to learn new cooking then it would a perfect set of cooking knife for you. However, this is a Piece Forged knife set by Ginsu. When she's not writing you'll find her listening to Paleo Diet podcasts and educating people on how to live and eat primally. Not all forged blades have a bolster but generally a forged blade can be recognized by the presents of a bolster. Japanese knives use a wooden wa handle, which emphasize the blade-forward balance.