Jpaizz Nett, Bill Evans, Earl Hines and Oth- a 20-Year Association with Atlantic Learned I Can
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57 Jazz In `Hibernation' No Longer: 4th Year Of Free Atlanta Francisco Bay Area Group Fest Offers Major Talents San ATLANTA -An array of major Brown & Williamson Tobacco By JACK McDONOUGH jazz acts making their first concert Corp., one of the sources of funding SAN FRANCISCO -The San lite transmission to Japan. In con- didn't have much contact with jazz appearances in the region will again for the series. The Kool Pro Balloon Francisco Bay Area Jazz Founda- junction with the festival the foun- musicians and didn't know people be a focal point for the 1981 edition Tour races, held during last year's tion, which had been "in hiberna- dation will offer a "Jazz on Wheels" who present jazz." The first fruit of of the Atlanta Free Jazz Festival, the festival, will again take place in tion" for a period after its founding mobile program to bring festival art- this alliance is a 15 -date tour of state oldest such promotion sponsored by Piedmont Park at this year's festival in late 1978, is now fully reactivated, ists to schools, parks and recreation schools, community centers and a municipal government and pro- program. according to treasurer Al Evers, and areas. non -profit radio and music festivals duced without charge to the public. Brown & Williamson has also r_ is involved with a myriad of jazz -re- 5. A handbook for area jazz musi- by Andy Narell. Shirley Clarke Franklin, Dept. of contributed $10,000 to the festival to lated performance and educational cians spelling out how to find gigs, Despite all this activity, Evers em- Cultural Affairs commissioner for assist in producing the shows slated programs. studio specs and so forth. Evers says phasizes that "we have no intention the city, has slated the festival from for Piedmont Park on Sept. 5, 6 and Among the Foundation's current a regular newsletter will also be pro- of monopolizing what's going on in the week of Aug. 31 through Sept. 7, 7. and slated activities are performance this area. We have new board elec- marking the fourth consecutive year duced. Other activities planned include grants to local jazz organizations 6. Consultation for the California tions in July and we're encouraging that Atlanta has sponsored the two evenings of jazz on film hosted such as Loft Jazz and Music By the Arts Council touring program. "The members of other organizations to event. by film historian and archivist Da- Bay, a regular program for bringing Council has not had a well- organ- run for our board. Our entire goal is Already contracted for the festival vid Chertok, and a lecture by A.B. jazz into Bay Area schools and recre- ized program for jazz," notes Evers. as much community input as pos- are Max Roach, Betty Carter, the Spellman, director of the Expansion ational areas, consulting work with "They're better at fine arts. They sible." Toshiko Akiyoshi /Lew Tabackin Arts program at the National En- the California Arts Council, "Jazz in Quartet and the World Saxophone dowment for the Arts, another of the the Park," a July 25 -26 event free to Quartet, which will appear on the NEW MANN ACT festival's backers. the public; and the first San Fran- Labor Day Weekend. cisco International Jazz Festival, This year's festival also marks an In addition to Piedmont Park, slated for fall, for which the Foun- expansion of the association be- Central City Park will serve as venue dation will lend assistance to princi- 2 LPs On 2 Labels tween the City of Atlanta and the for the series' musical performances. pal sponsor KJAZ -FM. Evers notes that the Foundation was started in 1978 to raise funds to May Revive Herbie a to the KJAZ li- Survey For Week Ending 1, 11, 81 fight challenge By DOUGLAS E. HALL cense. A fundraising event then at the Great American Music Hall fea- NEW YORK -It was only 18 "but I didn't think I could survive turing Sarah Vaughan, Tony Ben- months ago that Herbie Mann, after without a major label contract. I've Billboard R jpaizz nett, Bill Evans, Earl Hines and oth- a 20-year association with Atlantic learned I can. I shopped around for 3est Selling ozzLPs,IN ers raised money beyond what was Records, was let go because of de- deals. I didn't want to go with a needed for the KJAZ fight, and sub- clining record sales. small label. That would have too A A sequently, says Evers, a total of Now Mann not only has his own much deja vu of the Savoy and Pres- record label, but has at least one tige days." 5 $7,000 in grants was allotted to vari- S ous groups such as Japantown Art more album coming out on Atlantic, While Mann is excited about his 3 mu 3 ; TIRE Artist, Z Number Artist, Label & Number Center, East Oakland Youth Devel- which shows possible hit potential. new label, he is almost more excited Label 19 a n ; (Dist. Label) a n ; (Dist. Label) opment, the San Francisco Blues For his own label, Herbie Mann about his latest Atlantic release. 1 t Music, he's produced a direct -to- came about because "I realized there 3 9 THE CLARKE /DUKE PROJECT 26 27 5 RACE FOR THE OASIS Festival and Music By the Bay. The Stanley Clarke /George Duke. Epic Kittyhawk. EMI /America ST-17053 money also went to sponsor live per- disk album of two languid lengthy was enough material at Atlantic for FE 36918 27 30 10 WINTER MOON outings -Miles Davis' "All Blues" another album." 2 2 13 VOYEUR formances at Keystone Korner and Art Pepper. Galaxy GXY 5140 and his own "Forest Rain" -that he David Sanborn, the Music Hall by such locals as After some negotiations, Mann Warner Bros. BSK 3546 calls "Debussy- Satre -r &b -funk 28 28 3 TIN CM ALLEY Bennett Friedman Big Band, and, went back into Atlantic studios and 3 1 34 V NgEIJGHT lack De Johnette, ECM ECM 1189 David Hardiman All Stars, Julian jazz." using material mainly left over from Grover Washington Jr., (Warner Bros.) Elektra 6E-305 f=' Priester, Noel Jewkes, James Leary Mann did not set out to record an the "Sunbelt" album, pulled to- 29 32 9 LOVE LIGHT audiophile record so much as he was 4 4 10 RIT Yutaka, Alta W 1004 and Benny Barth Big Band. gether "Mellow." Lee Ritenour, Elektra 6E-331 attempting to work his way back to 30 31 4 STRAPHANGIN' It was after this, says Evers, that One track that Mann particularly 5 5 6 HUSH The Brecker Brothers. Arista Al basics. Disenchanted with multiple John klemmen, Elektra 5E-527 the Foundation became quiescent worked -on is "Bend Down Low," 9550 tracks and overdubbing, Mann de- 6 6 9 THE DUDE for a time, only to be resurrected 31 21 21 THE NOT SHOT which may launch a singing career Quincy Jones, ABM SP-3121 cided for this debut of his own label Dan Siegel, Inner City IC 1111 with a December, 1980 open house for him. I 9 6 FRIDAY NIGHT IN to seek "purity. put myself in a po- 32 34 3 SOCIAL STUDIES at the Music Hall which drew FRANCISCO The track is one of two reggae Carla Bley, ECM/W1I (Warner sition where I could not overdub, John McLaughlin, Al DiMeola, Paco enough people for a renewed com- Bros) songs in the album -the other is "Ce- De Lucia, Columbia FC 37152 mitment to community goals. Mem- edit or splice. I wanted to do every- thing that record companies weren't celia." Mann on rehearing it decided 8 8 18 MOUNTAIN DANCE 33 35 8 EYES OF THE MINO bership, says Evers, now stands at Casiopea, Alfa W -10002 to overdub a vocal, and his efforts Dave Grusin "just about 200." Producer Orrin doing anymore." Arista /GRP 5010 Working for three days at the turned out well enough that Atlantic tr 1=0 APPLE JUICE Keepnews is president; Dewan Mu- 9 7 14 'HARD Tom Scott, Columbia FC 37419 Great American Music Hall in San in London decided to release it as a Bernard Wright, hammad is executive director. Arista 35 37 2 WHAT single. /GRP GRP 5011 CHA' GONNA Francisco, Mann recorded 18 15 -min- DO FOR ME Evers says the chief goal of the re- ° 15 4 AS FALLS WICHITA SO FALLS Chaka Khan. Warner Bros. HS 3526 newed Foundation "is to change our ute selections, but he has only "three What will Mann do if "Bend WICHITA FALLS I really like." There were also some Down Low" becomes a hit? Would Pat Metheny 8 Lyle Mays. ECM 36 38 10 PATRAO articles of incorporation so that in- 1-1190 (Warner Bros.) problems with the direct -to-disk he go back to Atlantic? "Let's see Ron Carter. Milestone M9099 stead of just being a board of direc- 11 12 13 GABAXUIN 37 36 9 GIVE ME THE NIGHT tors geared to raising money, we'll recordings on some of the other m a- what happens," he says, but he does Jeff Lorber Fusion, Arista AL 9545 so a George Benson, be a general membership group terial, followup album may be indicate he would want a better deal 12 14 4 THREE PIECE SUITE Warner Bros HS 3453 taken from the two -track backup Ramsey Lewis, Columbia FC 37153 aimed at providing arts services. We than the contract he last had with the 38 39 30 NIGHT PASSAGE intend to learn to be businesslike in tape Mann also used to tape the ses- label.