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Ron Carter with Eric Dolphy, Mal Waldron
Ron Carter Where? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Where? Country: Japan Released: 1978 Style: Hard Bop, Post Bop, Bop MP3 version RAR size: 1463 mb FLAC version RAR size: 1389 mb WMA version RAR size: 1350 mb Rating: 4.1 Votes: 320 Other Formats: WMA ADX AUD MOD MP1 DMF AIFF Tracklist Hide Credits Rally A1 5:40 Composed By – R. Carter* Bass Duet A2 5:41 Composed By – R. Carter* Softly, As In A Morning Sunrise A3 7:37 Composed By – O. Hammerstein*, S. Romberg* Where? B1 5:58 Composed By – R. Weston* Yes, Indeed B2 5:48 Composed By – S. Oliver* Saucer Eyes B3 5:06 Composed By – R. Weston* Companies, etc. Manufactured By – Victor Musical Industries, Inc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – George Duvivier Bass Clarinet, Alto Saxophone, Flute – Eric Dolphy Bass, Cello – Ron Carter Drums – Charlie Persip Liner Notes – Joe Goldberg Piano – Mal Waldron Recorded By – Rudy Van Gelder Supervised By [Supervision] – Esmond Edwards Notes Recorded at the Van Gelder Studio, Englewood Cliffs, NJ; June 20, 1961. New Jazz Records Master recording owned by Prestige Records, Inc., U.S.A. Manufactured by Victor Musical Industries Inc., Tokyo, Japan ¥2,200 Include Japanese liner notes. Barcode and Other Identifiers Other: PG-6075 Other versions Category Artist Title (Format) Label Category Country Year Ron Carter Ron Carter With NJ 8265, NJLP With Eric Eric Dolphy, Mal New Jazz, NJ 8265, NJLP US 1961 8265 Dolphy, Mal Waldron - Where? New Jazz 8265 Waldron (LP, Album, Mono) Ron Carter Ron -
PDF of August 17 Results
HUGGINS AND SCOTT'S August 3, 2017 AUCTION PRICES REALIZED LOT# TITLE BIDS 1 Landmark 1888 New York Giants Joseph Hall IMPERIAL Cabinet Photo - The Absolute Finest of Three Known Examples6 $ [reserve - not met] 2 Newly Discovered 1887 N693 Kalamazoo Bats Pittsburg B.B.C. Team Card PSA VG-EX 4 - Highest PSA Graded &20 One$ 26,400.00of Only Four Known Examples! 3 Extremely Rare Babe Ruth 1939-1943 Signed Sepia Hall of Fame Plaque Postcard - 1 of Only 4 Known! [reserve met]7 $ 60,000.00 4 1951 Bowman Baseball #253 Mickey Mantle Rookie Signed Card – PSA/DNA Authentic Auto 9 57 $ 22,200.00 5 1952 Topps Baseball #311 Mickey Mantle - PSA PR 1 40 $ 12,300.00 6 1952 Star-Cal Decals Type I Mickey Mantle #70-G - PSA Authentic 33 $ 11,640.00 7 1952 Tip Top Bread Mickey Mantle - PSA 1 28 $ 8,400.00 8 1953-54 Briggs Meats Mickey Mantle - PSA Authentic 24 $ 12,300.00 9 1953 Stahl-Meyer Franks Mickey Mantle - PSA PR 1 (MK) 29 $ 3,480.00 10 1954 Stahl-Meyer Franks Mickey Mantle - PSA PR 1 58 $ 9,120.00 11 1955 Stahl-Meyer Franks Mickey Mantle - PSA PR 1 20 $ 3,600.00 12 1952 Bowman Baseball #101 Mickey Mantle - PSA FR 1.5 6 $ 480.00 13 1954 Dan Dee Mickey Mantle - PSA FR 1.5 15 $ 690.00 14 1954 NY Journal-American Mickey Mantle - PSA EX-MT+ 6.5 19 $ 930.00 15 1958 Yoo-Hoo Mickey Mantle Matchbook - PSA 4 18 $ 840.00 16 1956 Topps Baseball #135 Mickey Mantle (White Back) PSA VG 3 11 $ 360.00 17 1957 Topps #95 Mickey Mantle - PSA 5 6 $ 420.00 18 1958 Topps Baseball #150 Mickey Mantle PSA NM 7 19 $ 1,140.00 19 1968 Topps Baseball #280 Mickey Mantle PSA EX-MT -
International Students & Scholars
Spring 2021 International Students & Scholars J1 Exchange Visitors Students & Scholars Pre-Arrival Guide New York City Campus 1 Congratulations on your acceptance to Pace University! This pre-arrival orientation is designed to help you prepare for your journey and your future as a student of Pace University. It will answer questions about what to do before you leave your home country for the U.S., and what you can expect when you arrive. We hope that you and your families stay safe and healthy during these challenging times. We will be in touch with orientation information soon. PACE UNIVERSITY PRE-ARRIVAL GUIDE FOR J-1 INTERNATIONAL STUDENTS Page Contents 2 Planning Your Arrival & NYC Campus Map 3 Entry into the United States 3 Student Visa 4 Pre-Departure Checklist 4 Upon Arrival 5 Getting to Your Destination 5 J-1 Student Exchange Orientation 6 Mandatory Check-in 7 International Buddy Program 7 Connect with us on Social Media 7 About Pace 8 Money Matters 9 Support Services 10 New York, NY 11 Weather 2 PLANNING YOUR ARRIVAL We look forward to welcoming you to New York and Pace University. If you have any questions or require further information, please contact: International Students & Scholars Office International Students & Scholars Office New York City Campus Westchester Campuses 163 William Street 861 Bedford Road 16th Floor Kessel Student Center, Room 212 New York, NY 10038 Pleasantville, NY 10570 Email: [email protected] Email: [email protected] Telephone: 1-212-346-1368 Telephone: 1-212-346-1368 3 ENTRY INTO THE UNITED STATES Preparing for Travel Prior to departure to the United States, international students should be sure that they obtain the proper nonimmigrant visa at a United States Embassy or Consulate. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
An Evening with Ron Carter & Richard Galliano Live at The
AN EVENING WITH RON CARTER & RICHARD GALLIANO LIVE AT THE THEATERSTÜBCHEN, KASSEL IOR CD 77132-2 VÖ: 24.02.2017 1. Einbahnstrasse 6. Tango For Claude Ron Carter – bass 2. Tea For Toots 7. Blues For D.P. Richard Galliano - accordeon 3. Billie 8. Aria / Libertango 4. Waltz For Nicky 9. Ah Rio 5. You Are My Sunshine 10. First Trip AN EVENING WITH RON CARTER & RICHARD GALLIANO LIVE AT THE THEATERSTÜBCHEN, KASSEL (IN + OUT Records) They could make it a lot easier for themselves, especially Flack and Antonio Carlos Jobim. Two who have already at their age and with their reputation. Play something so gained hero status in their own worlds and can actually that people identify with them: easy-listening, swinging only lose when they transgress into each other’s terrain. mainstream, or flowing music in the sound of musette. „Believe me, there is nothing more real than to go on Hello Mr. Carter, nice to meet you! Bonjour Monsieur stage with a gambler,” Carter raved about the refreshed Galliano, comment allez-vous? Each on his own, liaison with his Gallic buddy. The two rediscovered the searching for cheers and acclaim; the one in jazz clubs once lost central thread in March 2016 at Jazz Week downtown, and the other in concert halls near the Seine. in Burghausen as a short intermezzo during a joint However, whoever knows the two „partners in crime“ or appearance with the WDR Big Band. The provisional „partenaires dans le crime“ knows only too well that they climax was then the recording made in Theaterstübchen have searched for risks during their lives like adrenaline in Kassel on October 29. -
December 2003 / January 2004 a Publication of the New York City
December 2003 / January 2004 visit the NYC Chapter site to see City organs and get the latest recital Double and concert information http://www.nycago.org/ p en click here! How do I? Where do I? Who does it? Why don’t we? Masthead, Chapter Officers, Board Members and Contact Information for Very Informed Persons OA Publication of ......................................2 & 3 The First Word the New York City Chapter of and Nominating Committee report ........................................... 4 the American Guild of Organists From the Editor ........................................... 5 Chapter Board Resolution An Organist (Almost) Retires ........................................... 6 Scenes from a Masterclass with John Grew ........................................... 7 News & Notes of Chapter Members and Friends ........................................... 8 Executive Board News ........................................... 9 Newsletter Advertising Information & Guidelines and Where In the World? ..........................................10 Pipe Organ Encounter Testimonials from Participants .................................. 11 & 12 In Memoriam...................13 Double Open is a Publication The New York City Chapter of from the New York City Chapter of the American Guild of Organists the American Guild of Organists, was established 9 October 1950 for the benefit of members of the when it was made independent of Chapter. All content except as the former Headquarters Chapter, noted is Copyright ©2003, tracing its history to the founding New York City Chapter of the of the AGO in 1896. With more American Guild of Organists. All than 550 members, it is one of rights reserved. Reproducing or the largest Chapters in the Guild. distributing this work without the permission of the publisher is Stephen Jon Hamilton, DMA strictly prohibited. Dean [email protected] Volume 54, Number 4 212 289 0615 (home) Stephen Jon Hamilton Publisher 212 289 4100 (church) Kenneth L. -
Jpaizz Nett, Bill Evans, Earl Hines and Oth- a 20-Year Association with Atlantic Learned I Can
57 Jazz In `Hibernation' No Longer: 4th Year Of Free Atlanta Francisco Bay Area Group Fest Offers Major Talents San ATLANTA -An array of major Brown & Williamson Tobacco By JACK McDONOUGH jazz acts making their first concert Corp., one of the sources of funding SAN FRANCISCO -The San lite transmission to Japan. In con- didn't have much contact with jazz appearances in the region will again for the series. The Kool Pro Balloon Francisco Bay Area Jazz Founda- junction with the festival the foun- musicians and didn't know people be a focal point for the 1981 edition Tour races, held during last year's tion, which had been "in hiberna- dation will offer a "Jazz on Wheels" who present jazz." The first fruit of of the Atlanta Free Jazz Festival, the festival, will again take place in tion" for a period after its founding mobile program to bring festival art- this alliance is a 15 -date tour of state oldest such promotion sponsored by Piedmont Park at this year's festival in late 1978, is now fully reactivated, ists to schools, parks and recreation schools, community centers and a municipal government and pro- program. according to treasurer Al Evers, and areas. non -profit radio and music festivals duced without charge to the public. Brown & Williamson has also r_ is involved with a myriad of jazz -re- 5. A handbook for area jazz musi- by Andy Narell. Shirley Clarke Franklin, Dept. of contributed $10,000 to the festival to lated performance and educational cians spelling out how to find gigs, Despite all this activity, Evers em- Cultural Affairs commissioner for assist in producing the shows slated programs. -
Mantova Jazz 2017
1917•2017 RELAZIONI Festeggiando 100 anni di jazz italiano mantovajazz.it RELAZIONI Festeggiando 100 anni di jazz italiano Può sembrare una provocazione, ma non lo è. Quando il primo disco di jazz, Livery Stable Blues della Original Dixieland “Jass” Band, fu pubblicato nel febbraio 1917, pochi pensavano che quella fragorosa evoluzione del ragtime potesse cambiare così radicalmente musica, arte e costume dell’ancor giovane XX secolo. Di quella band, nei due ruoli chiave di cornettista e batterista, facevano parte Nick La Rocca e Tony Sbarbaro, figli di immigrati siciliani. Il jazz nasce così (anche) italiano. Il Festival Mantova Jazz, che pure in passato non si è frequentemente occupato di jazz italiano, non poteva esimersi dal festeggiare questo tondissimo anniversario. Lo fa inserendo nella propria programmazione, quest’anno incentrata sull’idea di “relazione”, ampi spazi di riflessione sullo stato di salute del nostro jazz. Dopo tutto è dalla sorprendente capacità di relazione tra culture così diverse che il jazz ha tratto idee ed energia per imporsi come spina dorsale espressiva dei suoni del Novecento. 1917•2017 Relazioni tra Italia e vicenda del performance non amplificata di solo jazz sono quelle che, colte nella piano che, siamo certi, resterà nella dimensione del racconto storico, storia del Chiozzini. possono essere viste nell’evento Relazioni tra Europa e Stati Uniti sono speciale “Cento Anni di Jazz Italiano”, quelle implicate nella conversazione che vedrà incontrarsi, in una corsa a tra Ron Carter e Richard Galliano, ritroso nel tempo, il futuro del giovane due maestri in possesso di una voce Marcello Abate, il magnifico presente poetica pari alla maestria strumentale. -
1 RON CARTER NEA Jazz Master (1998) Interviewee: Ron Carter
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. RON CARTER NEA Jazz Master (1998) Interviewee: Ron Carter (May 4, 1936 - ) Interviewer: Devra Hall Levy with recording engineer Ken Kimery Date: May 16, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 47 pp. Levy: It's May 16th, we're sitting in the home of Ron Carter, Jazz Master, to get the oral history for the Smithsonian Jazz Oral History Project. Ron, this is your story so please feel free to take it in any direction that you want as I go. Carter: I'll follow the questions. Levy: Okay. Well, we might as well start at the beginning. I know that you were born on May 4th of 1937 near Detroit. Tell us … you came from a large family … Carter: I'm from a family of six girls and two boys. I'm in the middle, I guess. Several of them have passed away in the intervening years. I have a sister who plays piano and flute. I have a sister who played viola, one who played violin, who passed away. I'm the only one who decided to try to make a living at this foolishness. Family of ten. Levy: That's a big family. Was it a struggle in those times financially? Was it comfortable? Carter: I think when you're that age – ten, twelve – you don't know those issues. I can assure you that my father, who had to work around the clock in those jobs given the racial tenor of the times, managed always to make sure we had plenty to eat, healthy foods. -
The Organ Came from Daniel for Hosting Our Chapter Both in the Strand Theatre in Pottstown, Penn January and Last Year , Too
Chapter ~otes John Muri Walt Winn J~~ Fox Theatre's Jay Mitchell on the Grant Park Alders ATLANTA gate United Methodist Church 's 317 Kimball Theatre 404/ 428-4809 or 404/948-0267 organ. We started the year with two perfor cently. It was a very enjoyable occasion . mances on the 3/7 Kimball theatre organ We thank Grant Park Aldersgate United The Alabama goes to the dogs?? John Muri seren in Atlanta's Grant Park Aldersgate United Methodist Church and the Rev. Sally V. ades a "friend. " Gary w.Jones photo Methodist Church. The organ came from Daniel for hosting our chapter both in the Strand Theatre in Pottstown, Penn January and last year , too. sylvania, in 1945, where it had been in John Muri entertained us again on ALABAMA stalled in 1925. Reasonably enough, the February 19, on the 2/9 (mostly) Morton Birmingham church replaced the organ 's Kinura with organ at Charles Walker 's Theatrical 205/942-561 I or 205/644-3606 a Diapason, but otherwise it remained a Paraphernalia. His program consisted of The new year brought a lot of changes theatre organ. 25 (count 'em, 25!) Richard Whiting for the Alabama Theatre and Alabama Jay Mitchell, organist at Atlanta 's numbers, including "Japanese Sand Chapter. The theatre got a new name - fabulous Fox Theatre (4/43 Moller), was man," "Ain't We Got Fun?," "Louise, " The Alabama Theatre for the Performing heard first on the church's Kimball on "On the Good Ship Lollipop," and "Be Arts, the firm of Goettler and Associates January 22. -
The Master Trio Featuring Tommy Flanagan, Ron Carter
The Master Trio The Master Trio mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Master Trio Country: Japan Released: 1983 MP3 version RAR size: 1731 mb FLAC version RAR size: 1611 mb WMA version RAR size: 1263 mb Rating: 4.7 Votes: 975 Other Formats: XM DMF AUD VQF MP3 AIFF AAC Tracklist Hide Credits It Don't Mean A Thing A1 6:28 Composed By – Duke Ellington St. Thomas A2 5:32 Composed By – Sonny Rollins Angel Eyes A3 5:39 Composed By – Matt Dennis New Song # 3 B1 4:05 Composed By – Ron Carter Minor Mishap B2 4:38 Composed By – Tommy Flanagan Misterioso B3 4:14 Composed By – Thelonious Monk Milestones B4 4:38 Composed By – Miles Davis Companies, etc. Made By – Teichiku Records Co., Ltd. Manufactured By – Teichiku Records Co., Ltd. Distributed By – Teichiku Records Co., Ltd. Recorded At – A&R Studios Credits Bass – Ron Carter Co-producer – Kiyoshi Koyama Drums – Tony Williams* Engineer [Assistant] – Ollie Cotton, Jr.* Engineer [Recording] – Tony May Piano – Tommy Flanagan Technician [Digital Equipment Operator] – Frank Dickinson Notes Produced by Retrac Pruductions, Inc. Recorded on June 16th & 17th, 1983 at A & R Studio, New York Digital Decording Back cover: Manufactured & distributed by Teichiku Records Co. Ltd. Japan ¥2,500 Disc label: Baybridge Records Made by Teichiku Records Co., Ltd. Japan ℗ 1983 Includes Japanese liner notes. Barcode and Other Identifiers Matrix / Runout (Runout Side A): K 183 A Ⓓ X1 Matrix / Runout (Runout Side B): K 183 B Ⓓ X1 Matrix / Runout (Label Side A): K-183-A Ⓓ Matrix / Runout (Label Side -
JTM1711 Insidecombo 170920.Indd
On May 31, drummer Louis Hayes celebrated his 80th birthday and a new album at Dizzy’s Club Coca-Cola in New York, surrounded by friends, collaborators and acolytes, including drummers Michael Carvin, Nasheet Waits and Eric McPherson, and trumpeters Jimmy Owens and Jeremy Pelt, the latter of whom sat in. Another presence loomed large: pianist-composer Horace Silver, the subject of Hayes’ recent Blue Note debut, Serenade for Horace, a heartfelt tribute to the man who gave Hayes his start in 1956 with “Señor Blues.” It was the beginning of a three-year col- laboration that helped codify both hard bop and the Rudy Van Gelder sound over five albums. Hayes left Silver in 1959 to join the Cannonball Adderley Quintet, but the two re- mained close until the hard-bop progenitor’s passing in 2014. Stints followed with Oscar Peterson, the Louis Hayes-Woody Shaw Quintet, Stan Getz, McCoy Tyner and the Can- nonball Legacy Band, which Hayes leads. Throughout his career he’s solidified a place as one of jazz’s most soulfully swinging drummers, and become a cornerstone of the legacy of Detroit-born percussionists that includes Elvin Jones, Roy Brooks, Frank Gant and Oliver Jackson, and extends forward to Gerald Cleaver. At Dizzy’s, Hayes used his hyper-responsive left hand to goose the soloists in his sextet while keeping the fugitive spirit alive with his right on the ride cymbal. His approach seemed to declare the ensemble’s m.o., which balanced rhythmic ferocity and harmonic adventurousness with a reverence for the Silver sprezzatura.