History News Autumn 2013
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The Guayabera: Heritage, Customs, Family Terms of Endearment: CHENHALL’S Nomenclature THE LEGACY OF Dime Museums Reflections on Experience AUTUMN 2013 VOLUME 68, #4 7 THE MAGAZINE OF THE AMERICAN ASSOCIATION FOR STATE AND LOCAL HISTORY 24 Features 7 A Town and Gown Partnership: Collaborative Learning in Indiana, Pennsylvania By Jeanine Mazak-Kahne, and Coleen Chambers 13 The Legacy of Dime Museums and the Freakshow: How the Past Impacts the Present 19 By Katie Stringer 19 Reflections on Experience: Listening to Visitors By David Thelen, Ellen M. Rosenthal, and Barbara Franco 24 Terms of Endearment: Nomenclature—How did it Begin; Where is it Going? By Ron Kley 13 Departments 3 On Doing Local History By Carol Kammen 5 History Bytes By Tim Grove 28 Award Winner Spotlight By Rikki Davenport 30 Book Reviews By Linda Eikmeier Endersby and Anne McCudden History News exists to foster publication, scholarly research, and an ON THE COVER open forum for discussion of best practices, applicable theories, and professional experiences pertinent to the field of state and local history. Guayabera, 2012. For information on article submissions and review, see www.aaslh.org/ Since the first-four historynews. Articles typically run 2,500 words in length. History News (ISSN 0363-7492) is published quarterly by the American Association 1717 Church Street pocket peasant for State and Local History, a nonprofit educational membership Nashville, Tennessee 37203-2991 shirt, place, time, organization providing leadership, service, and support for its mem- 615-320-3203, Fax 615-327-9013 bers who preserve and interpret state and local history in order to function, and [email protected], www.aaslh.org make the past more meaningful in American society. Articles appear- meaning have ing in this journal are abstracted and indexed in Historical Abstracts transformed the and America: History and Life. Annual membership dues for AASLH History News is a quarterly membership publication includes $13 applicable to subscription in History News. Single copy is of the American Association for State and Local guyabera. One $10. Postmaster, please send form 3579 to History News, AASLH, 1717 History (AASLH). It provides articles on current popular notion Church Street, Nashville, TN 37203-2991. Periodical postage paid trends, timely issues, and best practices for professional development and the overall concerning its design is that the shirt’s back at Nashville, Tennessee. Entire contents copyrighted ©2013 by the American Association for State and Local History. Opinions expressed improvement of the field of state and local history. may have been influenced by the design of the by contributors are not necessarily those of the American Association EDITOR Bob Beatty Cuban flag.Photo courtesy HistoryMiami for State and Local History. For advertising information contact Rebecca Price 615-320-3203. For membership information contact MANAGING EDITOR Bethany L. Hawkins Gina Sawyer, 1717 Church Street, Nashville TN 37203-2991; DESIGN Go Design, LLC 615-320-3203; fax 615-327-9013; e-mail: [email protected]. Award Winner Spotlight > By Rikki Davenport HistoryMiami The Guayabera, A Shirt’s Story he Guayabera, A Shirt’s Story. “Hmm,” I thought when I began the review of this HistoryMiami Leadership in History Award T nomination, “this must be some shirt.” Then I saw the shirt and it was some shirt. It was the shirt of my childhood! All of a sudden I remembered walking down Olvera Street in Los Angeles eating taquitos with my sister, family gatherings with guitars strumming, and generations of relatives chattering in Spanish—even my own wedding. All of those memories had people wearing the shirt, the guayab- era. Prior to this moment, I never knew the shirt had a name, never knew it had a history, but now the story of the guayab- era was personal and I had yet to read the pictures’ captions. HistoryMiami’s Folklorist Michael Knoll was drawn to the guayabera’s dis- tinctive style when he moved to Miami from Wisconsin. Knoll saw that the shirt was more than a passing fashion trend of south Florida. “I learned that the shirt is of particular meaning to our Cuban community, but is also popular with lo- cal residents from other parts of Latin America and the Caribbean,” he said. “I also learned that Miami is a major hub for President Luis Echeverría (clapping) with Queen Elizabeth II and Prince today’s guayabera industry. In fact, local Philip of England, 1975. designers and businesses are responsible In an effort to humanize the presidency, Mexican president Luis Echevarría often wore the guayabera. His use of the shirt for government purposes both locally and internationally for much of the current innovation in the helped popularize the garment. tradition.”1 With the support from the National Endowment for the Arts and shirt. This was no easy task considering his belongings. The result was the origi- CUBAVERA, a wholly-owned subsidiary the general lack of academic research nal four-pocket guayabera. of Perry Ellis International, HistoryMiami on the topic. What the research team Since the first four-pocket peasant and its South Florida Folklife Center set did discover was that there are as many shirt, place, time, function, and mean- out to create an exhibit on the guayabera. stories for the origins of shirt as there ing have transformed the guayabera. By It was a perfect blend of history, culture, are names. The guayabera is also known the nineteenth century, the Spanish and and modern relevancy that was reflective as the Mexican wedding shirt, the cha- Cuban military adapted the shirt for mili- of their local community. cabana, and the shirt-jac, among others. tary use, and by the twentieth century it The work began with an international Research can trace its origins to Cuba, had only two pockets and was worn by research effort on the history of the Mexico, Trinidad, and numerous other the Mexican president. In the twenty-first countries. However, the name guayabera century men from every ethnicity sport is thought to derive from the Spanish guayaberas intricately embroidered and …the name guayabera is thought word for guava. The most prolific story made of fabrics such as silk and linen. To of origin for the guayabera is attributed many people who wear the shirt, it holds to derive from the Spanish to an eighteenth-century farmer in Cuba a meaning of heritage, customs, and fam- word for guava. who asked his wife to make him a shirt ily. It says where they come from and who with many pockets so that he could carry they are. 28 AUTUMN 2013 EVOLUTION OF THE Guayabera Spanish Military El Encanto Cuban Flag Dress HistoryMiami Circa 1895-1898. Spanish By the late 1940s, the guayabera 2012. A handful of fashion records indicate that Spanish with two breast pockets and two designers in Cuba are attempting soldiers in Cuba wore a field hem pockets was in common to revitalize the shirt’s popularity. uniform called a “guayabera.” use in Havana. During the mid- One popular notion concerning This guayabera was made of twentieth century, clothing stores the design of a typical guayabera GRAMMY© Award winning a linen or cotton fabric called carried the shirt year-round. is that the shirt’s back, which recording artist Celia Cruz wore “rayadillo,” the material used for features a decorative shoulder this custom-made dress at a most of the Spanish military’s yoke and multiple stripes 1993 Chanel fashion show in tropical uniforms of the period. of pleating, may have been South Beach. influenced by the design of the Cuban flag. “Given our predominantly Hispanic programs to engage a wider audience. relevant and personal. I imagine there are population, the guayabera is of notable Education programs for school groups people walking down the streets of Miami cultural significance in South Florida,” and community members, including a and Los Angeles and everywhere in be- said HistoryMiami Chief Curator Joanne workshop on how to make a guayabera, tween, telling the story of the guayabera Hyppolite. “With this exhibition, we downtown tours of a guayabera work- and their own part in it. hoped to engage this population and ex- shop, and curator-led tours and talks were The Guayabera, A Shirt’s Story was on pose others to this popular tradition.” just some of the offerings. display June 28, 2012 through January 13, For the exhibit, HistoryMiami built a The guayabera, once a shirt worn by 2013 and hosted more than 25,000 visi- collection of guayabera, both vintage and peasants, is now sold by top fashion de- tors. It received the 2013 Award of Merit modern. With examples from nineteenth- signers and mass produced for retailers and the History in Progress (HIP) Award century military uniforms and different such as Old Navy. Upon returning home from AASLH. The exhibit is now trav- fashion changes through the decades, the to Charleston from the awards committee eling and can be booked by contacting collection is perhaps the world’s most meeting, I attended a cookout at a friend’s Robert Harkins at rharkins@historymi- varied and complete assemblage in one home. Sitting poolside, I noticed that my ami.org. The online exhibit is available at location. Charleston friend from Ohio was wear- www.historymiami.org. t The museum invited community ing a guayabera! When I told him that members to submit photos of themselves his shirt was a guayabera, he said “No, Rikki Davenport is the Curator of Education wearing a guayabera along with a story it’s a Tommy Bahama.” And so I told the at Drayton Hall, a National Trust for Historic to accompany each photo. This proved a story of the guayabera, along with my Preservation historic site in Charleston, South popular way to engage the community to own memories of the shirt, to an audience Carolina.