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Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer -
SAY NO to the LIBERAL MEDIA: CONSERVATIVES and CRITICISM of the NEWS MEDIA in the 1970S William Gillis Submitted to the Faculty
SAY NO TO THE LIBERAL MEDIA: CONSERVATIVES AND CRITICISM OF THE NEWS MEDIA IN THE 1970S William Gillis Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Journalism, Indiana University June 2013 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee David Paul Nord, Ph.D. Mike Conway, Ph.D. Tony Fargo, Ph.D. Khalil Muhammad, Ph.D. May 10, 2013 iii Copyright © 2013 William Gillis iv Acknowledgments I would like to thank the helpful staff members at the Brigham Young University Harold B. Lee Library, the Detroit Public Library, Indiana University Libraries, the University of Kansas Kenneth Spencer Research Library, the University of Louisville Archives and Records Center, the University of Michigan Bentley Historical Library, the Wayne State University Walter P. Reuther Library, and the West Virginia State Archives and History Library. Since 2010 I have been employed as an editorial assistant at the Journal of American History, and I want to thank everyone at the Journal and the Organization of American Historians. I thank the following friends and colleagues: Jacob Groshek, Andrew J. Huebner, Michael Kapellas, Gerry Lanosga, J. Michael Lyons, Beth Marsh, Kevin Marsh, Eric Petenbrink, Sarah Rowley, and Cynthia Yaudes. I also thank the members of my dissertation committee: Mike Conway, Tony Fargo, and Khalil Muhammad. Simply put, my adviser and dissertation chair David Paul Nord has been great. Thanks, Dave. I would also like to thank my family, especially my parents, who have provided me with so much support in so many ways over the years. -
5- Les Primitifs Modernes (Wilhem Uhde) U.I.A. Histoire De L'art
5- Les Primitifs modernes (Wilhem Uhde) U.I.A. Histoire de l’Art, Martine Baransky Année 2017-2018 Henri ROUSSEAU (1844-1910) 01 Henri Rousseau dans son atelier. 02 Henri Rousseau Moi-même, 1890, huile sur toile, 146 x 113, Prague, Galerie nationale. 03 Henri Rousseau, Autoportrait de l'artiste à la lampe, 1902-03, huile sur toile, Paris, Musée Picasso. 04 Henri Rousseau, Portrait de la seconde femme de l'artiste, 1903, huile sur toile, 23 x 19, Paris, Musée Picasso. 05 Henri Rousseau, L'enfant à la poupée, vers 1892, huile sur toile, 100 x 81, Paris, Musée de l'Orangerie. 06 Henri Rousseau, Pour fêter bébé, 1903, huile sur toile, 406 x 32,7, Wintherthur, Kunstmuseum. 07 Henri Rousseau, Le Chat tigre, huile sur toile, Coll. Privée. 08 Laval, La Porte Beucheresse. 09 à 014 Laval, Notre-Dame d'Avesnière et ses chapiteaux. 015 Henri Rousseau, Enfant à la poupée et Pablo Picasso, Maya à la poupée. 016 Pablo Picasso devant un tableau d’Henri Rousseau, Portrait d'une femme, 1895, huile sur toile, 160,5 x 105,5, Paris, Musée Picasso. 017 Henri Rousseau, Portrait d'une femme, 1895, huile sur toile, 160,5 x 105,5, Paris, Musée Picasso. 018 Henri Rousseau, Portrait de Madame M., 1895-97, huile sur toile 198 x 115, Paris, Musée d'Orsay. 019 Henri Rousseau, La Noce, vers 1905, huile sur toile, 133 x 114, Paris, Musée de l'Orangerie. 020 Henri Rousseau, La Carriole du père Junier, 1908, huile sur toile, 97 x 129, Paris, Musée de l'Orangerie. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
The Press and the Tet Offensive
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 1999 The Press and the Tet Offensive Keith Gunter Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Military History Commons Recommended Citation Gunter, Keith, "The Press and the Tet Offensive" (1999). Student Theses, Papers and Projects (History). 288. https://digitalcommons.wou.edu/his/288 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. a .t The Press and the Tet Offensive Keith Gunter History 407 1 st Reader: Dr. Sil 2nd Reader: Dr. Rector :I 1 The Tet Offensive was a military setback for the National Liberation I'rontr Yet it was a consi-derable psychologi-cal and potitical victory for Lhem. One of the major aspects of this victory is the fact that Tet turned the United States media against its own government. It widened the credibility gap and emboldened critics of the war. In the long run of the Viet Cong's victory is how Tet managed to change United States policy toward the Vietnam War. The asserti-ons I have made thus far are shown in Newsweek's coverage before and after Tet. The purpose of my Paper is to describe Newswee k's and U.S. -
Succession Stéphane Petit Surréalisme Art Contemporain
SUCCESSION STÉPHANE PETIT SURRÉALISME DESSINS, TABLEAUX, SCULPTURES ART CONTEMPORAIN MARDI 15 DÉCEMBRE 2020 À 14H DROUOT RICHELIEU, SALLE 1 9, RUE DROUOT ‑ 75009 PARIS CONTACTS ÉTUDE Marie-Hélène Corre + 33 (0) 1 40 06 06 08 [email protected] EXPOSITIONS PUBLIQUES À DROUOT Samedi 12 décembre de 11h à 18h Lundi 14 décembre de 11h à 18h CATALOGUE ET VENTE SUR INTERNET www.AuctionArtParis.com 9, rue de Duras ‑ 75008 Paris Tél. : +33 (0)1 40 06 06 08 | Fax. : +33 (0)1 42 66 14 92 SVV agrément N 2008‑650 www.AuctionArtParis.com ‑ [email protected] Rémy Le Fur, Théo Lavignon & Grégoire Veyres, commissaires‑priseurs habilités Crédit photo : Bénédicte Petit Bon sang ne saurait mentir. Stéphane Petit était collectionneur. Dans son appartement moderne à Neuilly, celui-ci vivait entouré, pour ne pas dire, envahi, de sculptures, d’œuvres sur papier, de peintures accrochées jusqu’au plafond. L’inventaire, qui suivit son décès prématuré, a révélé quelques trésors hérités de son père, André-François Petit, lequel fut l’un des plus éminents marchands de l’art surréaliste. Dès 1961, sur les cimaises de sa galerie, 122, boulevard Haussmann à Paris, le marchand exposait des dessins de Bellmer et de Dali, des toiles de Brauner, Delvaux, Magritte, Tanguy. Quelle clairvoyance ! En 1976, André-François Petit s’établit Rive gauche, reprenant la galerie d’Alexandre Iolas, 196, boulevard Saint-Germain. Entre temps, il était devenu une sommité. Pas une exposition sur le surréalisme ne se montait dans un musée à Londres, New York ou Tokyo sans qu’on ne sollicitât ses prêts. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
Histoire Des Arts Cycle 3
Histoire des arts Cycle 3 Sélection des médiathèques : Châlons – Reims et du Service littérature jeunesse Novembre 2008 SSOOMMMMAAIIRREE Présentation p. 01 Généralités p. 03 De la Préhistoire à l’Antiquité gallo-romaine : p. 15 Le Moyen-Age p. 22 Les Temps Modernes p. 31 Le XIXe siècle p. 44 Le XXe siècle p. 59 Littérature jeunesse : p. 80 Les « arts de l’espace » p. 80 Les « arts du langage » p. 81 Les « arts du quotidien » p. 87 Les « arts du son » p. 88 Les « arts du spectacle » p. 89 Les « arts du visuel » p. 91 Sélection du libraire p. 99 Chaque référence est suivie de sa localisation. Pour emprunter le(s) document(s) qui vous intéresse(nt), adressez-vous au centre détenteur. Le service de navettes entre médiathèques, antenne et points relais du CDDP, vous permettra de faire acheminer les documents sur le lieu de votre demande. D’autres références en consultant les fonds en ligne : http://www.crdp-reims.fr/cddp51/ Rubriques : Ressources documentaires, Médiathèques Réservez en ligne sur notre site, le(s) document(s) qui vous intéresse(nt) CDDP Marne, Novembre 2008 Présentation Cette bibliographie a été réalisée à partir des ressources présentées dans la « Liste d’exemples d’œuvres » accompagnant le programme « Histoire des arts » à l’école primaire. Sont référencés des documents tous supports ainsi que des ouvrages de littérature jeunesse en prêt dans les médiathèques. Cette sélection est complétée par des ouvrages en vente dans les librairies du CDDP de la Marne. Les fonds des médiathèques étant régulièrement alimentés, ce catalogue sera mis à jour sur le site du CDDP. -
Media Coverage of the War
Media Coverage of the War No Censorship The ability of the news media to be present throughout Vietnam and cover the war without censorship was unique - - such reporting freedom did not exist before that conflict and hasn’t since. The absence of censorship appears to have been a development that was not given a great deal of thought - - somewhat like the war itself. Under the Kennedy Administration, with relatively few boots on the ground and scarcely any US reporters on the scene, press coverage of events in Vietnam was sparse until the Buddhist protests against Diem’s policies. And in the Administration belated and bungled reaction to that crisis, press censorship was apparently not considered. President Johnson’s efforts to downplay the seriousness of the conflict and paint a rosy picture of Vietnam was a major factor in his administration’s decision not to impose some form of censorship - - since censorship might alert Congress and the public that the US effort was not going as well as the White House said it was. In addition, until 1967 press coverage of America’s conduct of the war was generally very positive. Even reporters who were critical of the military’s conduct of the war, such as Neil Sheehan or David Halberstam in their accounts of the battle of An Bac in 1963, didn’t question the underlying purpose of the war until much later. In Armies of the Night, published in early 1968, Norman Mailer portrayed the mainstream press as highly critical of the anti- war movement and almost a cheerleader for the Johnson Administration. -
Paper Soldiers: the American Press in Vietnam by Clarence R. Wyatt
Conflict Quarterly Paper Soldiers: The American Press in Vietnam by Clarence R. Wyatt From the earliest days of the Vietnam War to the present, one of the most controversial aspects of America's involvement has been the role of the American press. In the early 1960s, United States military and government figures—with a number of editors and publishers in agreement—criticized many American reporters as being inexperienced, ill-informed, and antagonistic.1 As American military involvement grew, so did the press corps covering it. Also increased was the importance military and civilian officials in Saigon and Washington attached to the public relations aspect of the war, as evidenced by the development of a fairly sophisticated information administration in Vietnam.2 Controver sy and confrontation between reporters and officials, with charges of distortion, bias, and lack of credibility hurled back and forth, continued throughout the war. As Americans have, over the last decade, sorted through the after math of the war searching for explanations of the results, the role of the press has been a major issue. Vietnam has been called the first "televi sion war," the "best reported but least understood"3 war in American history. Indeed, for many people, the press, seemingly so pervasive and so controversial, came to be seen as a decisive player in the war's out come, with two images dominating discussion. The first of these images, especially prominent in the later years of the war and immediately after ward, casts the press as a challenger of the lies of government of ficials—a hero that, at least in part, helped to bring the war to an end. -
Neil Sheehan Papers
Neil Sheehan Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2009 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms009054 LC Online Catalog record: http://lccn.loc.gov/mm93080429 Prepared by Nan Thompson Ernst with the assistance of John R. Monagle and Thelma M. Queen Collection Summary Title: Neil Sheehan Papers Span Dates: 1920-1993 Bulk Dates: (bulk 1960-1993) ID No.: MSS80429 Creator: Sheehan, Neil Extent: 110,000 items ; 239 containers plus 8 classified and 1 oversize ; 129 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author and journalist.Correspondence, drafts of writings, notes, research material, interview transcripts, and other papers relating to Sheehan's writings concerning the Vietnam War, especially his books, A Bright Shining Lie: John Paul Vann and America in Vietnam (1988) and After the War Was Over: Hanoi and Saigon (1992), and to publication of the Pentagon Papers. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Alsop, Joseph, 1910-1989--Correspondence. Alsop, Joseph, 1910-1989. Joseph Alsop interview. Braestrup, Peter. Peter Braestrup interview. Bunker, Ellsworth, 1894-1984. Ellsworth Bunker interview. Christian, George, 1927- George Christian interview. Colby, William Egan, 1920- William Egan Colby interview. -
Imagining Saigon: American Interpretations of Saigon in the Twentieth Century
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 Imagining Saigon: American Interpretations of Saigon in the Twentieth Century Evan Cordulack College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Asian Studies Commons, and the Journalism Studies Commons Recommended Citation Cordulack, Evan, "Imagining Saigon: American Interpretations of Saigon in the Twentieth Century" (2013). Dissertations, Theses, and Masters Projects. Paper 1539623361. https://dx.doi.org/doi:10.21220/s2-r50m-wm81 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Imagining Saigon: American Interpretations of Saigon in the Twentieth Century Evan Cordulack Decatur, Illinois Master of Arts, College of William & Mary, 2005 Bachelor of Arts, College of William & Mary, 2003 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary January 2013 © Copyright by Evan Cordulack 2012 APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Evan Cordulack Approved by the Committee, November, 2012 Committee Co-Chair, Associate Professor Lei^M eyer C ollege of William & Mary Committee Co-Chair Associate Professor Hiroshi Kitamura C ollege of William & Mary yAsspciaty professor Charles McCSdvern sge/of William & Mary A ssociate Professor Kristin H oganson University of Illinois ABSTRACT Saigon has occupied an important place in the American imagination.