The News Media Coverage of the Tet Offensive (1968): Historical Evaluation As and Educational Tool
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The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
A Tale of Prosecutorial Indiscretion: Ramsey Clark and the Selective Non-Prosecution of Stokley Carmichael
South Carolina Law Review Volume 62 Issue 1 Article 2 Fall 2010 A Tale of Prosecutorial Indiscretion: Ramsey Clark and the Selective Non-Prosecution of Stokley Carmichael Lonnie T. Brown Jr. University of Georgia School of Law Follow this and additional works at: https://scholarcommons.sc.edu/sclr Part of the Law Commons Recommended Citation Lonnie T. Brown, Jr., A Tale of Prosecutorial Indiscretion: Ramsey Clark and the Selective Non-Prosecution of Stokley Carmichael, 62 S. C. L. Rev. 1 (2010). This Article is brought to you by the Law Reviews and Journals at Scholar Commons. It has been accepted for inclusion in South Carolina Law Review by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Brown: A Tale of Prosecutorial Indiscretion: Ramsey Clark and the Select A TALE OF PROSECUTORIAL INDISCRETION: RAMSEY CLARK AND THE SELECTIVE NON-PROSECUTION OF STOKELY CARMICHAEL LONNIE T. BROWN, JR.* I. INTRODUCTION ............................................................................................... 1 II. THE PROTAGONISTS .................................................................................... 8 A. Ramsey Clark and His Civil Rights Pedigree ...................................... 8 B. Stokely Carmichael: "Hell no, we won't go!.................................. 11 III. RAMSEY CLARK'S REFUSAL TO PROSECUTE STOKELY CARMICHAEL ......... 18 A. Impetus Behind Callsfor Prosecution............................................... 18 B. Conspiracy to Incite a Riot.............................................................. -
What We Give, However, Mgkes a Lve. -Arthur Ashe 2 THETUFTS DAILY Commencement 1999
THEWhere You Read It First TUFTS Commencement 1999 DAILY Volume XXXVIII, Number 63 , From what we get, we can make a living; what we give, however, mGkes a lve. -Arthur Ashe 2 THETUFTS DAILY Commencement 1999 News pages 345 A historical perspective of the Tufts endowment Is cheating running rampant at Tufts? New alumni will be able to keep in touch with e-mail Tufts students appear on The Lafe Show wifh David Lefferman A retrospective of the last four years Ben Zaretskyfears graduation in his final column Sports Vivek Ramgopal profiles retiring Athletic Director Rocky Carzo Baseball just misses out in the post-season 8 \( 11 b .7\ c/ Viewpoints - c Dan Pashman encourages Tuftonians to appreciate the school Commencement speakerAlex Shalom's Wendell Phillips speech David Mamet's new movie The Winslow Boy and an interview with the director A review of the new Beelzebubs CD, Infinity A review of The Castle and Trippin' Photo by Kate Cohen f Cover Photo by Seth Kaufman + < THETUFTS DAILYCommencement 1999 3 NEWS Halberstam, Ackerman speak 1929 1978 1999 Tufts $9.7 million $30 million $500 million DartmoLth $9.7 million $1 57 million $1.4 billion Brown $9.4 million $96 million $1.1 billion at Tufts’ Commencement ‘99 Alex Shalom to give coveted Wendell Phillips speech byILENEsllEIN Best and the Brightest, about the ment address. Senior Staff Writer Vietnam War, and most recently The ceremonies for the indi- Percent increase Percent increase Nearly 1,700 undergraduates Playingfor Keeps, a biography of vidual schools will take place be- between ’29 and between ’78 and and graduates will gather on the Michael Jordan. -
EXPOSITION PHOTOGRAPHIQUE Gilles Caron Scrapbook L’Histoire D’Une Vie Et D’Un Livre
COMMUNIQUÉ DE PRESSE Rubrique culturelle, art et société Genève, le 22 février 2013 EXPOSITION PHOTOGRAPHIQUE Gilles Caron Scrapbook L’histoire d’une vie et d’un livre Moshe Dayan au mur des Lamentations ; derrière lui, à gauche, Ariel Sharon. Tirage de presse, juin 1967. Moshe Dayan at the Wailing Wall; behind him on the left, Ariel Sharon. Press print, June 1967. L’arrivée des soldats israéliens au mur des Lamentations à Jérusalem, juin 1967. Planche-contact no 2 783. Israeli soldiers reach the Wailing Wall in Jerusalem, June 1967. Contact sheet no. 2,783. Dans les bureaux de Paris Match, les photos étaient étalées sur une table. Une fois choisies, elles étaient retournées pour révéler le nom de leur auteur : pour Israël, la plupart étaient signées Gilles Caron. At Paris Match the photos were spread out on a table. Once they had been chosen they were turned over to show the photo- grapher’s name: for Israel, most were by Gilles Caron. 122 123 Le regard d’un des plus grands photographes Plusieurs expositions en Suisse du 20ème siècle aux prises avec son temps et 2013 est une année faste pour ce photographe l’histoire d’un homme. Photographies, planches mondialement connu et disparu il y a maintenant contacts, documents d’archives, extraits de presse, plus de 40 ans au Cambodge. Plusieurs expositions correspondances et images personnelles... font le en Suisse sont d’actualité : “Gilles Caron, le conflit scrapbook Gilles Caron. Une exposition organisée intérieur”, au Musée de l’Elysée à Lausanne (du par Imaginaid et la Fondation Gilles Caron, sous la 31 janvier au 12 mai prochain) présentant la 1ère direction artistique de Christine Cibert. -
La Réalisatrice Mariana Otero Dans Les Pas De Gilles Caron
PAYS :France RUBRIQUE : Culture PAGE(S) :19 DIFFUSION :94673 SURFACE :32 % JOURNALISTE :-HDQ-CODuGH RDVS… PERIODICITE :Quotidien 29 janvier 2020 - N°41619 Portrait intime G’uQ photoreporter disparu t Dans ce magnifique et bouleversant documentaire, Mariana Otero V’LPPHUJH dans les images de Gilles Caron, mort au Cambodge en 1970 et jamais retrouvé. jeune, se trouve dans O’pvLGHQFH et Histoire G’uQ regard mêle celui, la clarté de ses images. Elle V’LP- perdu, de Gilles Caron et celui, si Histoire G’uQ regard, merge dans ses 100 000 clichés intense, de Mariana Otero, au long à la recherche numérisés. Devant les scènes de G’uQ monologue de murmure ému. eee de Gilles Caron Mai 68, Mariana Otero cherche Jean-ClaudeJ Cl d RaspiengeasR i de Mariana Otero le visage manquant de sa mère Film français, 1h 33 qui aurait Gû se trouver dans la foule. Scrutant pendant des mois Comment naît la rencontre G’uQ les planches-contacts de tous ses sujet avec son auteur ? Comment reportages, rétablissant la chrono- V’LPSRVH O’LPSpULHuVH nécessité de logie précise de ses déplacements, tourner un film, de consacrer des repérant O’HQGURLt exact et le ca- mois de sa vie à poursuivre une drage de ses clichés, elle épouse obsession, à chercher le regard son cheminement intérieur, men- G’uQ absent dans la vibration de tal et physique. Cinéaste, elle ses images ? cherche à comprendre comment Un jour, la cinéaste Mariana il parvenait, au milieu du chaos, Otero reçoit G’uQ ami un gros livre à rendre si présents, si singuliers, qui rassemble les reportages G’uQ les individus que son objectif iso- photographe mort à 30 ans, en lait. -
The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
Introduction
Introduction This collection of essays and reviews follows right on from Anglo- English Attitudes. The last piece in that book was written in 1999; the earliest one here is from the same year. To be honest, nothing much has changed in the interim. I write about whatever happens to interest me, sometimes accepting commissions from editors, sometimes writing pieces and sending them in on spec. A decade from now, by which time I’ll be in my sixties, I hope to have enough new mate- rial to bring out a third volume. You see, I’ve got tenure on this pecu- liarly vacant chair – or chairs, rather. It’s a job for life; more accurately, it is a life, and hardly a day goes by without my marvelling that it is somehow feasible to lead it. As in the earlier collection, there’s no area of specialised concern or expertise; on the contrary, the pleasure, hopefully, lies in the pick ’n’ mix variety, the way one thing leads to another (often Quite different) thing. Actually, one thing has changed: in the last ten years I’ve been asked to contribute introductions to Quite a few books, either re - issued literary classics or photographic monographs and catalogues. I love doing this and am especially grateful to the editors who somehow got wind of the idea that I was interested in Rebecca West or Richard Avedon or whoever and gave me the chance to get between the covers of a shared volume with them. This seems to me the greatest privilege that can be afforded any reader (even if it slightly under- mines the idea of being – as I claim in a piece to be found later in this volume – a gatecrasher). -
Extensions of Remarks
32874 EXTENSIONS OF REMARKS November 20, 1985 EXTENSIONS OF REMARKS BACON CRUSTY BUT BIG <anti-aircraft) was shipped off to Camp Every time Bacon ran, parties unknown HEARTED Stewart, near Hinesville. got out rap sheets against him, usually Bacon amassed a fine war record, being charging B.acon changed jobs a lot, wasn't decorated and getting a battlefield commis an articulate speaker or proper dresser. HON.GEORGE(BUDDY)DARDEN sion in Battle of the Bulge while serving Those digs didn't bother Arthur. OF GEORGIA with the 78th Infantry Division. Bacon was The one that did was the cut that while taken prisoner one day, then helped impris American Legion manager, he wasn't good IN THE HOUSE OF REPRESENTATIVES on his captors the next. at tending bar. "Hell, how does that fellow Wednesday, November 20, 1985 Directing fire from an observation post on know?" snorted Arthur. "I've never poured a column of German tanks, Bacon's outfit him a drink." Mr. DARDEN. Mr. Speaker, Georgia's suddenly was surrounded by enemy troops, "There isn't anything I've every done that Seventh District lost a distinguished citizen disarmed and imprisoned in a big pillbox. I'm ashamed of," he replied. "There isn't recently with the death of Arthur T. Bacon, When the battle tide switched the next anything I've done that most folks in mayor of the city of Smyrna. morning, Bacon and his captain, Alvin Smyrna don't already know about." I had the honor of serving Mayor Bacon Murphy, who spoke German, persuaded the That kind of simple honesty marked the first as district attorney of Cobb County, Nazis that all would be killed in the pillbox man. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion. -
Making Democracy Work by Hedrick Smith
This Guide was made possible by a grant from THE CHARLES STEWART M OTT FOUNDATION Printing and distribution of instructors’ and citizen’s guides were also supported by THE ROBERT WOOD JOHNSON FOUNDATION Funding for the public television series was provided by THE CORPORATION FOR PUBLIC BROADCASTING PBS THE JOHN D. AND CATHERINE T. MACARTHUR FOUNDATION THE CARNEGIE CORPORATION OF NEW YORK THE CHARLES STEWART MOTT FOUNDATION THE DILLON FUND THE CHARLES H. REVSON FOUNDATION THE NORTH STAR FOUNDATION THE JEROME KOHLBERG FUND The People and the Power Game This guide was produced was produced by in cooperation with HEDRICK SMITH PRODUCTIONS HEDRICK SMITH PRODUCTIONS by the in association with OUTREACH DEPARTMENT SOUTH CAROLINA ETV AT SC ETV HEDRICK SMITH, Correspondent and PATRICIA P. DRESSLER, Director Senior Executive Producer MICHELE M. REAP, Editor PATRICK M. RODDY, Executive Producer and Program Producer MARGARET B. WALDEN, Writer BARAK GOODMAN, Program Producer FOSTER WILEY, Principal Camera Design by PAUL GALLAGHER, STEVE JOHNSON and BLJ PUBLISHING RESOURCES, INC. MARK SHAFFER, Field Producers HEDRICK SMITH, PATRICK M. RODDY, Photos by WALTER CALAHAN, CAMERON DAVIDSON BARAK GOODMAN and MARK SHAFFER, Writers and HEDRICK SMITH PRODUCTIONS SANDRA L.UDY, Coordinating Producer and Production Manager Teachers and public television stations JENNIFER CHRISTIANO, RACHEL ENGLEHART, have the right to download and copy Production Associates this guide for educational use JANINA RONCEVIC, Executive Assistant from The People and the Power Game AMY MALL, Researcher World Wide Web site. http://www.pbs.org/powergame Making Democracy Work By Hedrick Smith The history and institutions of American democracy The Constitution provides a system of separated are a source of national pride to Americans. -
Two of the Missing: Remembering Sean Flynn and Dana Stone by Perry Deane Young Ebook
Two of the Missing: Remembering Sean Flynn and Dana Stone by Perry Deane Young ebook Ebook Two of the Missing: Remembering Sean Flynn and Dana Stone currently available for review only, if you need complete ebook Two of the Missing: Remembering Sean Flynn and Dana Stone please fill out registration form to access in our databases Download here >> Paperback:::: 296 pages+++Publisher:::: Press 53 Carolina Classics Editions; Revised ed. edition (May 19, 2009)+++Language:::: English+++ISBN-10:::: 0981628095+++ISBN-13:::: 978-0981628097+++Product Dimensions::::6 x 0.7 x 9 inches++++++ ISBN10 0981628095 ISBN13 978-0981628 Download here >> Description: On April 6, 1970, Vietnam War photojournalists Sean Flynn (son of Errol Flynn) and Dana Stone set off on two rented motorcycles to cover one last story and were captured by Communist forces, never to be seen or heard from again. Their friend and fellow journalist, Perry Deane Young, tells their story here in a remarkable memoir first published in 1975. This new Press 53 Classics edition features photos by Flynn, Stone, their friends Tim Page, Nik Wheeler, and others, including a new chapter with updates on the lives of those involved and the ongoing search for two of the missing. This book was written in the mid-1970s and mainly concerns the lives of photojournalists Sean Flynn and Dana Stone. They were captured in Cambodia in April 1970 while taking what was clearly a foolish risk of approaching a Viet Cong roadblock. They are assumed to have died in captivity.I first read an account of Sean, Dana, and Tim Page (who also figures in the narrative) in Michael Herrs Dispatches and searched for this book for many years.