Increasing Contribution of News Photo Agencies Into Journalism by Evolving Technology
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20091109 Encuentrohe Agarcia
Research in Linguistic Engineering: Resources and Tools♦ Ana García-Serrano, José M. Goñi-Menoyo (1) NLP&IR Group, ETSI Informática, Universidad Nacional de Educación a Distancia (UNED) C/ Juan del Rosal 16, 28040 Madrid [email protected] (1) ETSI Telecomunicación, Universidad Politécnica de Madrid (UPM) Avda. Complutense, Nº 30, 28040 Madrid [email protected] Abstract In this paper we are revisiting some of the resources and tools developed by the members of the Intelligent Systems Research Group (GSI) at UPM as well as from the Information Retrieval and Natural Language Processing Research Group (IR&NLP) at UNED. Details about developed resources (corpus, software) and current interests and projects are given for the two groups. It is also included a brief summary and links into open source resources and tools developed by other groups of the MAVIR consortium (www.mavir.net). 1. GSI - UPM Research interests One of our main goals is to explore the usefulness of these systems in real exploitation scenarios, as the web pages of One of the GSI main research interest is the analysis of the a Local government (Mesia project, TIC-07T/0017/1998 current available methods and techniques in the field of Computational Model for Selective Information Multilingual Information Retrieval and their application, Extraction from Short Texts) Technical Support Services especially to the case in which one of the involved (Rimmel, TIN2004-07588-C03-01 Multilingual & languages is Spanish. In addition to that, contributing to Multimedia Information Retrieval and its Evaluation), the application of new techniques, the improvement of Recommended Systems (Advice, IST-1999-11305 existing ones, and the hybridation or combination of all Virtual Sales Assistant for the Complete Customer Service them are also our objectives. -
Each Wild Idea: Writing, Photography, History
e “Unruly, energetic, unmastered. Also erudite, engaged and rigorous. Batchen’s essays have arrived at exactly the e a c h w i l d i d e a right moment, when we need their skepticism and imagination to clarify the blurry visual thinking of our con- a writing photography history temporary cultures.” geoffrey batchen c —Ross Gibson, Creative Director, Australian Centre for the Moving Image h In Each Wild Idea, Geoffrey Batchen explores widely ranging “In this remarkable book, Geoffrey Batchen picks up some of the threads of modernity entangled and ruptured aspects of photography, from the timing of photography’s by the impact of digitization and weaves a compelling new tapestry. Blending conceptual originality, critical invention to the various implications of cyberculture. Along w insight and historical rigor, these essays demand the attention of all those concerned with photography in par- the way, he reflects on contemporary art photography, the role ticular and visual culture in general.” i of the vernacular in photography’s history, and the —Nicholas Mirzoeff, Art History and Comparative Studies, SUNY Stony Brook l Australianness of Australian photography. “Geoffrey Batchen is one of the few photography critics equally adept at historical investigation and philosophi- d The essays all focus on a consideration of specific pho- cal analysis. His wide-ranging essays are always insightful and rewarding.” tographs—from a humble combination of baby photos and —Mary Warner Marien, Department of Fine Arts, Syracuse University i bronzed booties to a masterwork by Alfred Stieglitz. Although d Batchen views each photograph within the context of broader “This book includes the most important essays by Geoffrey Batchen and therefore is a must-have for every schol- social and political forces, he also engages its own distinctive ar in the fields of photographic history and theory. -
Apocalypse Now the Lost Photo Archive
Leseprobe Chas Gerretsen Apocalypse Now The Lost Photo Archive Bestellen Sie mit einem Klick für 45,00 € Seiten: 256 Erscheinungstermin: 27. September 2021 Mehr Informationen zum Buch gibt es auf www.penguinrandomhouse.de Inhalte Buch lesen Mehr zum Autor Zum Buch "Chas's stunning photos bring back the experience." —Francis Ford Coppola</w:p><w:p><w:pPr><w:pStyle w:val="ds12f" /></w:pPr>Hired in 1976 by Francis Ford Coppola as the still photographer for his masterpiece Apocalypse Now, Chas Gerretsen’s private archive of hundreds of photographs propels readers immediately into the chaos and drama surrounding one of the most important movies ever made. Gerretsen was a renowned freelance photographer who had previously worked in Chile and Vietnam when he got the call from Coppola, who was looking for a combat photographer for a war movie. Given unprecedented access to the film’s stars, extras, crew, and legendary behind-the-scenes drama he spent six months in the Philippines, shooting thousands of images. Culled from that archive, these full-color photographs offer an intimate glimpse of the turmoil and excitement of a Hollywood spectacle rising out of the unpredictable climate of the Philippine rainforest. Capturing the star power of Marlon Brando, Martin Sheen, and Dennis Hopper, as well as the sprawling sets, he takes us into the beauty of the Southeast Asian jungle and shows us how its inhabitants were incorporated into the filming. Throughout the book, Gerretsen’s astute reflections of his experience on set are as fascinating as his photography. While Apocalypse Now remains one of the most critically acclaimed movies of all time, the making of the film is equally legendary. -
Instituciones Participantes Y Entidades Colaboradoras
Instituciones participantes y entidades colaboradoras PREMIO AL MEJOR LIBRO EDITORIAL # Ayuntamiento de Segovia Casa de Velázquez E Estate Julio Zadik DE FOTOGRAFÍA DEL AÑO CATEGORÍA NACIONAL CATEGORÍA INTERNACIONAL DESTACADA DEL AÑO AUTOEDITADO 20 minutos Ayuntamiento de Zaragoza Catalonia Moratín Edict Europa FM 1998 «Outland» Roger Ballen 50_easy Centro Andaluz de la Fotografía EFTI 1999 «Inferno» James Nachtwey B CentroCentro Ei System F A Facultad de Periodismo CEU 2000 «Vanitas»Cristobal Hara Banco de la República de Bogotá Centro Checo Eizo ABC Banco Espirito Santo Centro Cultural Anabel Segura Ejército de Tierra Feltrero 2001 «Alberto García-Alix (1976-1998)» AC/E. Acción Cultural Española Bank of America Merrill Lynch Centro Cultural Checo El Corte Inglés Filmoteca Española - Cine Doré 2002 Actar por «Very,Very Bad News» de Jordi Bernardó Phaidon Press London por«Martin Parr» / Actes Sud, por «Berlin» de Gabriel Basilico Acciona Baume & Mercier Centro Cultural Conde Duque El Cultural Flamenca ADENA BBVA Centro Cultural de España en Panamá El País FLASH 2003 Steidl por «Home» de Lars TunjOrk Peliti Asociati por «Quelli di Bagueria» de Ferdinando Scianna Adobe Stock Biblioteca Nacional de España Centro de Arte Alcobendas El Periódico del Arte FNAC 2004 TF Editores por «Mujeres, amor y mentiras» Twim Palm Publishers, por «A Story Book Life» AEC Biocombustibles de Cuenca Centro de Arte Caja de Burgos El Profesor Multimedia Fondation Cartier pour l’art contemporain de Carmela García de Philip-Lorca diCorcia AECID. Agencia Española de Cooperación Blank Paper Centro de Arte Dos de Mayo Elle Fondation HSBC pour la Photographie 2005 Editorial Gran Sol – Comunidad de Madrid, por «Manila» Artimo NL, por «Why, Mr. -
Ellies 2018 Finalists Announced
Ellies 2018 Finalists Announced New York, The New Yorker top list of National Magazine Award nominees; CNN’s Don Lemon to host annual awards lunch on March 13 NEW YORK, NY (February 1, 2018)—The American Society of Magazine Editors today published the list of finalists for the 2018 National Magazine Awards for Print and Digital Media. For the fifth year, the finalists were first announced in a 90-minute Twittercast. ASME will celebrate the 53rd presentation of the Ellies when each of the 104 finalists is honored at the annual awards lunch. The 2018 winners will be announced during a lunchtime presentation on Tuesday, March 13, at Cipriani Wall Street in New York. The lunch will be hosted by Don Lemon, the anchor of “CNN Tonight With Don Lemon,” airing weeknights at 10. More than 500 magazine editors and publishers are expected to attend. The winners receive “Ellies,” the elephant-shaped statuettes that give the awards their name. The awards lunch will include the presentation of the Magazine Editors’ Hall of Fame Award to the founding editor of Metropolitan Home and Saveur, Dorothy Kalins. Danny Meyer, the chief executive officer of the Union Square Hospitality Group and founder of Shake Shack, will present the Hall of Fame Award to Kalins on behalf of ASME. The 2018 ASME Award for Fiction will also be presented to Michael Ray, the editor of Zoetrope: All-Story. The winners of the 2018 ASME Next Awards for Journalists Under 30 will be honored as well. This year 57 media organizations were nominated in 20 categories, including two new categories, Social Media and Digital Innovation. -
Touching Photographs { Margaret Olin } Touching Photographs
Touching Photographs { margaret olin } Touching photographs the university of chicago press chicago and london margaret olin is a senior research scholar in the Divinity School, with joint appointments in the Departments of History of Art and Religious Studies and in the Program in Judaic Studies The University of Chicago Press, Chicago 60637 at Yale University. The University of Chicago Press, Ltd., London © 2012 by The University of Chicago All rights reserved. Published 2012. Printed in China 21 20 19 18 17 16 15 14 13 12 1 2 3 4 5 ISBN-13: 978-0-226-62646-8 (paper) ISBN-10: 0-226-62646-6 (paper) Library of Congress Cataloging-in-Publication Data Olin, Margaret Rose, 1948– Touching photographs / Margaret Olin. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-62646-8 (pbk : alk. paper) ISBN-10: 0-226-62646-6 (pbk : alk. paper) 1. Photographs—Psy- chological aspects. 2. Photography—Social aspects. 3. Photography in literature. 4. Barthes, Roland. Chambre claire. 5. Evans, Walker, 1903–1975. 6. Van Der Zee, James, 1886–1983. 7. September 11 Terrorist Attacks, 2001. I. Title. TR183.045 2012 770.01'9—dc22 2011016695 This book has been printed on acid-free paper. For Bob and George, our colleagues and students, and their legacy contents Acknowledgments ix 1 Introduction: Tactile Looking 21 1ts “ I I Not Going to Be Easy to Look into Their Eyes” Privilegef o Perception in Let Us Now Praise Famous Men 51 2 Roland Barthes’s “Mistaken” Identification 71 3 “ From One Dark Shore to the Other” The Epiphany of the Image in Hugo von Hofmannsthal and W. -
EXPOSITION PHOTOGRAPHIQUE Gilles Caron Scrapbook L’Histoire D’Une Vie Et D’Un Livre
COMMUNIQUÉ DE PRESSE Rubrique culturelle, art et société Genève, le 22 février 2013 EXPOSITION PHOTOGRAPHIQUE Gilles Caron Scrapbook L’histoire d’une vie et d’un livre Moshe Dayan au mur des Lamentations ; derrière lui, à gauche, Ariel Sharon. Tirage de presse, juin 1967. Moshe Dayan at the Wailing Wall; behind him on the left, Ariel Sharon. Press print, June 1967. L’arrivée des soldats israéliens au mur des Lamentations à Jérusalem, juin 1967. Planche-contact no 2 783. Israeli soldiers reach the Wailing Wall in Jerusalem, June 1967. Contact sheet no. 2,783. Dans les bureaux de Paris Match, les photos étaient étalées sur une table. Une fois choisies, elles étaient retournées pour révéler le nom de leur auteur : pour Israël, la plupart étaient signées Gilles Caron. At Paris Match the photos were spread out on a table. Once they had been chosen they were turned over to show the photo- grapher’s name: for Israel, most were by Gilles Caron. 122 123 Le regard d’un des plus grands photographes Plusieurs expositions en Suisse du 20ème siècle aux prises avec son temps et 2013 est une année faste pour ce photographe l’histoire d’un homme. Photographies, planches mondialement connu et disparu il y a maintenant contacts, documents d’archives, extraits de presse, plus de 40 ans au Cambodge. Plusieurs expositions correspondances et images personnelles... font le en Suisse sont d’actualité : “Gilles Caron, le conflit scrapbook Gilles Caron. Une exposition organisée intérieur”, au Musée de l’Elysée à Lausanne (du par Imaginaid et la Fondation Gilles Caron, sous la 31 janvier au 12 mai prochain) présentant la 1ère direction artistique de Christine Cibert. -
La Réalisatrice Mariana Otero Dans Les Pas De Gilles Caron
PAYS :France RUBRIQUE : Culture PAGE(S) :19 DIFFUSION :94673 SURFACE :32 % JOURNALISTE :-HDQ-CODuGH RDVS… PERIODICITE :Quotidien 29 janvier 2020 - N°41619 Portrait intime G’uQ photoreporter disparu t Dans ce magnifique et bouleversant documentaire, Mariana Otero V’LPPHUJH dans les images de Gilles Caron, mort au Cambodge en 1970 et jamais retrouvé. jeune, se trouve dans O’pvLGHQFH et Histoire G’uQ regard mêle celui, la clarté de ses images. Elle V’LP- perdu, de Gilles Caron et celui, si Histoire G’uQ regard, merge dans ses 100 000 clichés intense, de Mariana Otero, au long à la recherche numérisés. Devant les scènes de G’uQ monologue de murmure ému. eee de Gilles Caron Mai 68, Mariana Otero cherche Jean-ClaudeJ Cl d RaspiengeasR i de Mariana Otero le visage manquant de sa mère Film français, 1h 33 qui aurait Gû se trouver dans la foule. Scrutant pendant des mois Comment naît la rencontre G’uQ les planches-contacts de tous ses sujet avec son auteur ? Comment reportages, rétablissant la chrono- V’LPSRVH O’LPSpULHuVH nécessité de logie précise de ses déplacements, tourner un film, de consacrer des repérant O’HQGURLt exact et le ca- mois de sa vie à poursuivre une drage de ses clichés, elle épouse obsession, à chercher le regard son cheminement intérieur, men- G’uQ absent dans la vibration de tal et physique. Cinéaste, elle ses images ? cherche à comprendre comment Un jour, la cinéaste Mariana il parvenait, au milieu du chaos, Otero reçoit G’uQ ami un gros livre à rendre si présents, si singuliers, qui rassemble les reportages G’uQ les individus que son objectif iso- photographe mort à 30 ans, en lait. -
Torrey Peters Has Written the Trans Novel Your Book Club Needs to Read Now P.14
Featuring 329 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 1 | 1 JANUARY 2021 REVIEWS Torrey Peters has written the trans novel your book club needs to read now p.14 Also in the issue: Lindsay & Lexie Kite, Jeff Mack, Ilyasah Shabazz & Tiffany D. Jackson from the editor’s desk: New Year’s Reading Resolutions Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas As a new year begins, many people commit to strict diets or exercise regimes # Chief Executive Officer or vow to save more money. Book nerd that I am, I like to formulate a series MEG LABORDE KUEHN of “reading resolutions”—goals to help me refocus and improve my reading [email protected] Editor-in-Chief experience in the months to come. TOM BEER Sometimes I don’t accomplish all that I hoped—I really ought to have [email protected] Vice President of Marketing read more literature in translation last year, though I’m glad to have encoun- SARAH KALINA [email protected] tered Elena Ferrante’s The Lying Life of Adults (translated by Ann Goldstein) Managing/Nonfiction Editor and Juan Pablo Villalobos’ I Don’t Expect Anyone To Believe Me (translated by ERIC LIEBETRAU Daniel Hahn)—but that isn’t exactly the point. [email protected] Fiction Editor Sometimes, too, new resolutions form over the course of the year. Like LAURIE MUCHNICK many Americans, I sought out more work by Black writers in 2020; as a result, [email protected] Tom Beer Young Readers’ Editor books by Claudia Rankine, Les and Tamara Payne, Raven Leilani, Deesha VICKY SMITH [email protected] Philyaw, and Randall Kenan were among my favorites of the year. -
Westminster Research
Westminster Research http://www.westminster.ac.uk/research/westminsterresearch Picturing the World's news: news photography, cultural production, Thomson Reuters and the international process of news making Jonathan Ilan School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] Picturing the World’s News: News Photography, Cultural Production, Thomson Reuters and the International Process of News Making Jonathan Ilan A thesis in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 Abstract In this research the production process of news pictures at Thomson Reuters international multimedia news agency is examined along its ‘local’ and ‘international’ key moments and sites, and the career of Reuters photographs- from the moment they are conceived as ideas to their purchase- is followed and explored at the ways that at every stage they are used, chosen, sold and processed as 'Reuters' products. -
Mediendossier Trigon-Film
présente GILLES CARON HISTOIRE D'UN REGARD Un film de Mariana Otero France, 2020 Dossier de presse DISTRIBUTION trigon-film CONTACT MÉDIAS Kathrin Kocher | [email protected] | 056 430 12 35 MATERIÉL PHOTO www.trigon-film.org Sortie Suisse romande: 4 novembre 2020 FICHE TECHNIQUE Titre original Gilles Caron – Histoire d'un regard Scénario Mariana Otero, Jérôme Tonnerre Montage Agnès Bruckert Image Karine Aulnette, Hélène Louvart Musique Dominique Massa Son Martin Sadoux Equipment Mila Preli Production Archipel 33 Pays France Année 2020 Durée 93 minutes Langue Français, Irlandais/a + f FICHE ARTISTIQUE – Film documentaire Marjolaine Caron Ursula Duddy Fiona Gallagher John Hutton Vincent Lemire Dolores O'Grady Robert Pledge Diamantino Quintas SYNOPSIS Gilles Caron, alors qu’il est au sommet d’une carrière de photojournaliste fulgurante, dispa- raît au CamBodge en 1970. En l’espace de six ans, il a été l’un des témoins majeurs de son époque, couvrant pour les plus grands magazines la guerre des Six Jours, mai 68, le conflit nord-irlandais ou encore la guerre du Vietnam. Un voyage à travers les temps. RESUME DU FILM Gilles Caron, photojournaliste fulgurant, disparaît au CamBodge en 1970. Il a tout juste 30 ans. Figure incontournaBle de la photo-graphie, Caron est devenu un des grands témoins de son temps. Il commence son métier à l’agence Apis (Agence parisienne d’information sociale), puis dès 1967 il entre dans la toute nouvelle agence française Gamma, fondé par Raymond Depardon, HuBert Henrotte, Hugues Vassal and Léonard de Raemy. Homme d’action et esprit littéraire, Gilles Caron couvre des moments marquants: les guerres des Six Jours, du Biafra, du Vietnam, les émeutes en Irlande du Nord, ainsi que Mai 68 et les manifestations répri-mées une année après le Printemps de Prague; autant d’événements qu’il traite au moyen de son oBjectif. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion.