9 - 15 Januari 2020

Total Page:16

File Type:pdf, Size:1020Kb

9 - 15 Januari 2020 9 - 15 januari 2020 REPRISES APOCALYPSE NOW: FINAL CUT Regie: Francis Ford Coppola | VS | 1979 | 183 min. Digitale restauratie van het fameuze epos over de waanzin van de Vietnamoorlog met legendarische rollen van Martin Sheen, Robert Duvall als napalm kolonel, Dennis Hopper als geflipte oorlogsfotograaf. En natuurlijk Marlon Brando met zijn onvergetelijke mompeldialoog als een losgeslagen Kurtz. De absolute succesfilm van Filmhuis O42! ‘Dit is geen film over Vietnam. Deze film is Vietnam‘ aldus F.F.Coppola. (‘Hoe meer Apocalypse Now, hoe beter.’ ★★★★★ VPRO Cinema) KNIVES OUT Regie: Rian Johnson | VS | 2019 | 130 min. Een wervelende klassieke whodunit in een nieuw jasje, waarbij EEN FILM VAN LJUBO STEFANOV EN TAMARA KOTEVSKA iedereen een verdachte kan zijn. Daniel Craig schittert als detective in de beste traditie van Hercule Poirot. In de voetsporen van Agatha Christie, deze hit van de kerstvakantie! (‘Schmierende cast maakt van detective Knives Out een traktatie.’ ★★★★ de Volkskrant) A LAND IMAGINED Regie: Yeo Siew Hua | Singapore, Nederland | 2018 | 95 min. Oververmoeide rechercheur onderzoekt in Singapore de verdwijning van een Chinese bouwvakker en stuit zo op de duistere keerzijde van de hedendaagse bouwwoede in de metropool. Winnaar Gouden Luipaard filmfestival Locarno. (‘Een droomachtige trip naar het zwarte hart van het globale markt-kapitalisme.’ de Filmkrant) HONEYLAND PREMIÈRE Regie: Tamara Kotevska | Noord-Macedonië MARRIAGE STORY 2019 | 87 min. Regie: Noah Baumbach | VS | 2019| 136 min. Drie jaar lang volgden de makers de laatste Meesterlijk echtscheidingsdrama vol hartverscheurende momenten vrouwelijke honingjager. Hafidze speurt de tussen Adam Driver en Scarlett Johansson. Maar tegelijk ook een steile bergflanken af op zoek naar bijenkolo- instant klassieker, veertig jaar na Kramer versus Kramer, met veel nies. Poëtische en meermaals bekroonde humor, tederheid en zelfs romantiek. (‘Een film die niet treurt om documentaire over bedreigde tradities in wat verloren is gegaan, maar gedenkt wat ooit was.’ ★★★★★ VPRO het adembenemende gebergte van Noord- Cinema) Macedonië. (‘Zo kleinschalig als de opzet, zo groots is de zegetocht die de film nu maakt.’ THE FAREWELL de Filmkrant) Regie: Lulu Wang | VS | 2019 | 100 min. Opmerkelijk, op een leugen gebaseerd, familieportret waarin IL TESTIMONE INVISIBILE PREMIÈRE regisseuse Wang een afscheidslied doordrenkt met warmte en liefde. Regie: Stefano Mordini | Italië | 2019 | 102 min. (‘Goedgehumeurd en fijngevoelig drama met een milde melancholie.’ Psychologische thriller waarin een succes- ★★★★ de Volkskrant) volle zakenman moet bewijzen dat hij niets te maken heeft met de dood van zijn minnares. PORTRAIT DE LA JEUNE FILLE EN FEU Voor de kijker een plezier om het radarwerk Regie: Céline Sciamma | Frankrijk | 2019 | 120 min. te ontcijferen. (‘Opzichtig geconstrueerde Hartverscheurend en toch ingetogen portret van een ontluikende whodunnit vol knipogen naar Hitchcock.’ lesbische liefde in de 18e eeuw. Prachtig intense en intieme film over de Filmkrant) blikken. Een van de mooiste films van 2019! (‘Overrompelende ode aan een grote liefde die slechts van korte duur mag zijn.’ ★★★★★ WEI PREMIÈRE de Volkskrant) Regie: Ruud Lenssen | Nederland | 2019 | 102 min. Intiem portret waarin de regisseur het voort- INTIEME BELICHTING (INTIMNÍ OSVěTLENí) schrijdende proces van dementie van zijn Regie: Ivan Passer | Tsjecho-Slowakije | 1965 | 73 min. vader volgt. Een liefdevol verhaal over de Ode aan het alledaagse aan de hand van een toevallige ontmoeting vergankelijkheid van het leven. (‘Een kleine van twee oud klasgenoten. Tragikomedie en meesterlijke poëzie. indringende documentaire over een groot Een van de hoogtepunten uit de Tsjechische New Wave. verlies.’ de Filmkrant) DE SPIEGEL Regie: Andrej Tarkovski | Sovjet-Unie | 1975 | 107 min. Voor de allerlaatste keer de mooiste film aller tijden vol weemoed en FilmhuisO42 melancholie! Meesterlijke, poëtische en persoonlijke bespiegelingen van de Russische filmpoëet. Oranjesingel 42 - 6511 NW Nijmegen 024-303 11 11 - [email protected] www.filmhuiso42.nl FILM & MELANCHOLIE alle dagen open van 11.45 - 22.30 uur Wegens succes geprolongeerd! Het besef van verlies en vergankelijk- heid, weemoed. Met inleiding van filmwetenschapper René Scheeren. FilmhuisO42 woensdag 15 januari LADRI DI BICICLETTE regie: Vittorio de Sica | 1948 donderdag 9 januari Apocalypse Now: Final Cut 12:00 Wei PREMIÈRE 12:00 Il testimone invisibile PREMIÈRE 13:45 Dutch Angle: Chas Gerretsen & Apocalypse Now 15:15 Marriage Story 16:00 Knives Out 16:15 Portrait de la jeune fille en feu 18:30 Honeyland PREMIÈRE 19:00 Knives Out 20:45 A Land Imagined 21:00 vrijdag 10 januari Intieme belichting 12:00 Honeyland 12:00 A Land Imagined 13:30 Marriage Story 13:45 Knives Out 15:30 Portrait de la jeune fille en feu 16:30 Wei 18:00 Honeyland 19:00 Apocalypse Now: Final Cut 19:30 OZU: Knives Out 20:45 DE NORIKO-TRILOGIE zaterdag 11 januari Drie films, ‘vol weemoed Wei 12:00 en weldadig kalm’, een personage. Honeyland 12:00 Marriage Story 13:45 LATE SPRING (BANSHUN) Apocalypse Now: Final Cut 14:00 Regie: Yasujiro Ozu | Japan | 1949 | 108 min. Portrait de la jeune fille en feu 16:30 Onsentimentele tragikomedie over afscheid, Dutch Angle: Chas Gerretsen & opoffering en weemoed. (‘De meest perfecte Apocalypse Now 17:15 karakterstudie ooit in Japanse cinema A Land Imagined 18:45 gemaakt’. Donald Richie) Il testimone invisibile 19:00 Knives Out 20:45 EARLY SUMMER (BAKUSHU) Honeyland 21:15 Regie: Yasujiro Ozu | Japan | 1951 | 124 min. zondag 12 januari Melancholische film die in een ingetogen stijl Honeyland 12:00 laat zien hoe noodzakelijk het soms is om je Early Summer OZU 12:00 van je familie los te maken. Apocalypse Now: Final Cut 14:00 Knives Out 14:30 TOKYO STORY (TOKYO MONOGATARI) Tokyo Story OZU 17:00 Regie: Yasujiro Ozu | Japan | 1953 | 136 min. Wei 17:30 Indringende observatie van de vervreemding Late Spring OZU 19:30 tussen grootouders die op het platteland Honeyland 19:45 wonen en de stadse kinderen en kleinkinde- maandag 13 januari ren. Een van de grootste meesterwerken uit Il testimone invisibile 12:00 de filmgeschiedenis! The Farewell 12:00 A Land Imagined 14:00 Portrait de la jeune fille en feu 14:00 Late Spring OZU 16:00 Knives Out 16:15 Wei 18:00 Honeyland ENGLISH SUBS 18:45 Apocalypse Now: Final Cut 19:30 Marriage Story 20:30 dinsdag 14 januari Late Spring OZU 12:00 Portrait de la jeune fille en feu 12:00 Early Summer OZU 14:15 A Land Imagined 14:30 Knives Out 16:30 Honeyland 16:45 Knives Out 18:45 Apocalypse Now: Final Cut 19:30 Honeyland 21:15 woensdag 15 januari Apocalypse Now: Final Cut 12:00 Wei 12:00 Marriage Story 13:45 Dutch Angle: Chas Gerretsen & Apocalypse Now 15:15 De Spiegel TARKOVSKI 16:30 The Farewell 16:30 Il testimone invisibile 18:30 Honeyland 18:45 Knives Out 20:30 Ladri di biciclette FILM & MELANCHOLIE 20:45 FilmhuisO42 Tegendraads filmhuis, dat de juweeltjes van de internationale filmkunst koestert; beeldende en pure cinema die inspireert en beroert..
Recommended publications
  • Apocalypse Now the Lost Photo Archive
    Leseprobe Chas Gerretsen Apocalypse Now The Lost Photo Archive Bestellen Sie mit einem Klick für 45,00 € Seiten: 256 Erscheinungstermin: 27. September 2021 Mehr Informationen zum Buch gibt es auf www.penguinrandomhouse.de Inhalte Buch lesen Mehr zum Autor Zum Buch "Chas's stunning photos bring back the experience." —Francis Ford Coppola</w:p><w:p><w:pPr><w:pStyle w:val="ds12f" /></w:pPr>Hired in 1976 by Francis Ford Coppola as the still photographer for his masterpiece Apocalypse Now, Chas Gerretsen’s private archive of hundreds of photographs propels readers immediately into the chaos and drama surrounding one of the most important movies ever made. Gerretsen was a renowned freelance photographer who had previously worked in Chile and Vietnam when he got the call from Coppola, who was looking for a combat photographer for a war movie. Given unprecedented access to the film’s stars, extras, crew, and legendary behind-the-scenes drama he spent six months in the Philippines, shooting thousands of images. Culled from that archive, these full-color photographs offer an intimate glimpse of the turmoil and excitement of a Hollywood spectacle rising out of the unpredictable climate of the Philippine rainforest. Capturing the star power of Marlon Brando, Martin Sheen, and Dennis Hopper, as well as the sprawling sets, he takes us into the beauty of the Southeast Asian jungle and shows us how its inhabitants were incorporated into the filming. Throughout the book, Gerretsen’s astute reflections of his experience on set are as fascinating as his photography. While Apocalypse Now remains one of the most critically acclaimed movies of all time, the making of the film is equally legendary.
    [Show full text]
  • Increasing Contribution of News Photo Agencies Into Journalism by Evolving Technology
    The Online Journal of Communication and Media – April 2015 Volume 1, Issue 2 INCREASING CONTRIBUTION OF NEWS PHOTO AGENCIES INTO JOURNALISM BY EVOLVING TECHNOLOGY Assist.Prof. Dr. Kerim KARAGÖZ1, Prof.Dr. Özer KANBUROĞLU2 1,2Kocaeli University, Turkey [email protected],[email protected] Abstract:The publication of news photos in the journals directly begun in the beginning of 20th Century although news photos had emerged as a profession in the last quarter of 19th century. At the same time, the photos taken immediately distributed among and used in different media organs. In the beginning, the news were distributed by using a specific technique in the emerging agencies, before the photos. The economic reasons were determining factors at establishment of the news agencies in different European countries and in Northern America. Before that, hand-written commercial news letters were disseminated by copying them again by hand-writing. The qualified news coming on time in commercial and capitalist system became important as much as production. Thus, the new circles and groups emerged which were ready to pay for reaching quickly to news. When those increased in numbers, it was realized that the dissemination of news to large areas could be a profitable job. Consequently, the ‘news agencies’ as institutions emerged as a response to a rising need. Today, the news agencies with specific responsibilities in the global communication network just transmit the news and visual material. But some agencies only work on the photos. These agencies transmit photos to all news centers in a short time by connecting with a contracted photographer in that region, or in a region close to the event.
    [Show full text]
  • Book XVIII Prizes and Organizations Editor: Ramon F
    8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................
    [Show full text]
  • Film Facts & Figures
    FILM FACTS & FIGURES OF THE NETHERLANDS JUNE 2020 ISSUE GHF 2015 2016 2017 2018 2019 THEY CALL ME BABU 27+29+31+34+39TOTAL REVENUES DUTCH MARKET (M) € CONTENT 31+25+27+35+29DUTCH FEATURES PRODUCED NL Key Trends 2015-2019 2 28+22+22+28+40TOTAL DUTCH FILM PRODUCTION ACTIVITY (M) € Review of 2019 4 Chapter 1 Production and Financing 7 37+40+43+48+49FEATURE LENGTH FILMS RELEASED Chapter 2 Releases 19 Chapter 3 International Performance and Festivals 23 Chapter 4 Distribution 31 28+26+27+33+27DUTCH FEATURES RELEASED (MAJ) Chapter 5 Exhibition 37 Chapter 6 DVD/Blu-ray/VOD 43 43+54+49+45+57INT. FILM FESTIVALS W. DUTCH FILM SELECTION Chapter 7 Television/MEDIA 47 Key figures of the Netherlands 2019 64 33+34+36+36+38ADMISSIONS TOTAL (M) 31+21+21+20+23ADMISSIONS DUTCH FILMS (M) 28+29+30+31+35BOX OFFICE TOTAL (M) € NL KEY TRENDS 2015-2019 19+12+12+11+12LOCAL MARKET SHARE DUTCH FILMS (ADM) 2015 2016 2017 2018 2019 Total revenues Dutch market (M) € 532 579 628 688 781 Dutch features produced (min & maj) 62 49 54 57 58 29+24+21+22+24MARKET SHARE EU FILMS (ADM) Total Dutch film production activity (M) € 136.9 105.9 108.3 140.9 201.1 Feature length films released 371 407 432 480 492 Dutch features released (maj & min) 55 51 54 66 55 29+24+21+22+24MARKET SHARE US FILMS (ADM) Int. film festivals w. Dutch film selection 432 540 491 452 569 Admissions total (M) 33 34.2 36.0 35.7 38.0 Admissions Dutch films (M) 6.2 4.2 4.3 3.9 4.5 Box office total (M) € 275.8 287.7 301.9 312.3 347.6 Local market share Dutch films (adm) 18.8% 12.3% 12.0% 11.2% 11.8% 27+28+21+22+24NUMBER
    [Show full text]
  • Men of Progress, 1898
    Menf o Progress Biographical S ketches and Portraits OF Leaders i n Business and Professional Life INND A OF THE COMPILED U NDER THE SUPERVISION OF RICHARD H ERNDON EDITEDY B RICHARD B URTON BOSTON NEW E NGLAND MAGAZINE 1898 M5"3 Copvright, 1 897 uv RICHARD H ERNDON 7TKTrcq H lSTORICAC-1 • C. ALFRED M UDOE * SON, PRINTERS, BOSTON. MENF O PROGRESS. ALLEN, I saac Almarin, Jr., Architect, Hartford, a d escendant of Captain Ephraim Pease, who was born in Enfield street, Enfield, Connecticut, entertained General Washington at his house in May 22, 1859, son of Isaac Almarin and Harriet Enfield. His father's mother Mary (Pease) Allen Jane (Carrier) Allen. He is an only son; of his was also a descendant of Captain Ephraim Pease. four sisters, but one is now living — Elizabeth A letter from General Washington referring to the Ingraham (Allen) Burns, wife of Louis Burns of hospitality of Captain Pease, is still preserved by Pittsfield, Massachusetts. The other three sisters died while young. His father is a well-to-do farmer of Enfield, and his grandfather, Chauncey Allen, was an extensive farmer and dealer in leaf tobacco, who died at the age of eighty-nine, leaving a large property. Isaac Allen, brother of Chaun cey, moved from Enfield to Clarkson, Monroe county, New York, and became an extensive farmer there. At the age of eighteen he was a Colonel in the War of 1812. The genealogy of the family is traced back many generations in the Allen gene alogy, which has been published. On his mother's side he is descended from John Hancock, the signer of the Declaration of Independence.
    [Show full text]
  • Olde Ulster : an Historical and Genealogical Magazine
    31833027626958 iGENEALOGY 974.701 IUL70 1906 Price Tzventy-five Cent LD STER An Hiftoricai and Genealogical Magazine Mf KINGSTON, N. V. P ub I t/h e d by the Editor^ Be nj a m i 7i My er B r i Ji k , k. IV. Andcrfon 6- Son, Printers, IV. Strand, King/Ion, N. V. ",;b!ic Library 3ox 2270 ^ u LSTER County SA VINGS InstiHction No. 278 Wall Street Kingston, New York Depofits, $3,000,000.00 I N G S T O N K SAVINGS BANK No. 273 Wall Street Kingston, New York OFFICERS: James A. Betts, Pres Chas Burhans, Treas Myron Teller, [ .^ „ Frank Johnston, Act ^^"^^'^^^^ John E. Kraft, \ j. j. Linson, Counsel HTHE DR. C. O. SAHLER SANITARIUM KINGSTON, N. Y. A\ental an^ Nervous Diseases CONTENTS Vol. II JANUARY, 1906 No. i Page The Rescue of the Captives i Ravages of Esopus Wolves 9 Saving the State Records lO Religious Liberty in New Netherland. .^ 13 Orphan Masters in Old Ulster 14 The Call to Domine Blom 16 Journal of Henry Pawling 18 Lineage of the De Witt Family 25 The Cauterskill Falls . 28 Editorial Notes 32 pORSYTH& DAVIS BOOKSELLERS & STATLONERS 307 WALL STREET, KLNGSTON, N. V. m E have a few copies of the ^ ^ ^ ^ Dutch Church Records that we offer at a very low price. These books are invaluable in tracing the history ot Ulster County families and are becoming scarce. We also have a large line of -^^s 5ouvcnir Postal Cards ^^ showing local scenes, including the Rev:>luticnary Buildings. OLD^ VLSTER Vol. II JANUARY, 1906 No.
    [Show full text]
  • Ar Mondriaan Stichting
    2008 Mondriaan Foundation International Activities In 2008, the Mondriaan Foundation supported 877 projects with a total of € 23.110.498. 319 international projects in 46 different countries were supported financially with a total amount of € 2.899.000. 1 www.mondriaanfoundation.nl Contents Foreword 5 1. Mondriaan Foundation 7 2. Facts and figures 8 3. Exhibitions and publications 12 Countries 13 Art and design institutions 14 Artists, designers and other professionals 21 4. Art fairs 24 5. International network programmes 26 Visitors programme 26 Group programme 26 Mondriaan Foundation International Activities 2008 – 6. State manifestations 28 Venice Biennale 28 7. Internationalization projects 29 8. Lofts 30 9. Further information 32 Contents 2 3 Foreword Authority and reputation in the art world are determined more and more in an international context. It is important for the development of artists and designers from the Netherlands to be able to measure themselves against international standards. It is also important to facilitate and encourage cooperation between Dutch organizations and partners abroad. In 2008, a new crop of Dutch artists and designers once again attracted inter- national attention. Art from the Netherlands was presented in a record number of countries. The Mondriaan Foundation is pleased that there has been a consistent increase in applications from Latin America, Asia and Africa. Mondriaan Foundation International Activities 2008 – This is partly due to the Mondriaan Foundation orientation visits to these areas and reflects developments in visual arts across the world. This annual report reviews the Mondriaan Foundation’s international activities in 2008. If we can be of service to you or if you require further information, please visit our website www.mondriaanfoundation.nl or contact us at our Amsterdam office.
    [Show full text]
  • The Record 2019/20
    The Record 2019/20 The Record 2019/20 contents 5 Letter from the Warden 6 Fellows and Academic Staff 9 Fellowship Elections and Appointments 10 Non-academic Staff 13 JCR and MCR Committees 14 Matriculation 20 Undergraduate Scholarships 22 College Awards and Prizes 24 Academic Distinctions 27 Higher Degrees 28 Fellows’ Publications 36 Sports and Games 40 Clubs and Societies 41 The Chapel 41 Parishes Update 41 Bursar’s Update 42 Gifts to the Library and Archive 43 Fellows’ Obituaries 46 Alumni Obituaries 62 News of Alumni letter from the warden When I wrote this letter last year we had just had the official opening of the H B Allen Centre by HRH the Duke of Cambridge at the beginning of what we expected to be a marvellous year of celebration of the College’s 150th anniversary. The impact of COVID-19 means that this year’s perspective is gloomier. Over the summer we initiated a redundancy programme for our non-academic staff in response to the financial impact and the operational consequences of the pandemic. We also spent a great deal of time planning for the return of students for Michaelmas Term with as much attention to sustaining the positive aspects of their experience as public health restrictions will allow. Unsurprisingly there is an atmosphere of uncertainty about how the external context will influence what happens. We recognise that we are unlikely to see a full return to anything like our previous normality in the course of this academic year. However, I do need to record changes in the Fellowship in the usual way.
    [Show full text]
  • 426: December
    AANGEBODEN DOOR UW FILMTHEATER, FDN & NVB IDFA OVER OUDE EN NIEUWE OORLOGEN RIAN JOHNSON IN DE VOETSPOREN VAN AGATHA CHRISTIE THE IRISHMAN EEN GRAF VOOR DE MAFFIA MARRIAGE STORY HET EINDE VAN HET BURGERHUWELIJK SERGEI LOZNITSA OVER STALINISTISCHE SHOWPROCESSEN VARDA PAR AGNÈS EEN LEVEN IN FILM 20 #426 1 9 DECEMBER PARASITE OMHOOG WERKEN IN KOREA Toronto International Film Festival 2018 NETPAC AWARD ‘GORGEOUSLY INTIMATe’ VARIETY THE THIRD EEN FILM VAN ‘SENSUOUSLY ELEGANT’ ASASHH SCREEN DAILY WIFE MAYMAYFAIRFAIR nu te zien in de filmtheaters EEN FILM VAN LJUBO STEFANOV EN TAMARA KOTEVSKA vanaf 12 december in de filmtheaters vanaf 9 januari in de filmtheaters DE FILMKRANT #426 DECEMBER 2019 3 REDACTIONEEL Een week nadat de Academy de Nigeriaanse inzending Lionheart diskwalificeerde voor de Oscar-uitreiking, besloot de organisatie dat de Oostenrijkse inzending Joy volgend jaar februari ook niet mee mag dingen naar de Oscar voor Best International Feature Film. Die blunder maakt pijnlijk duidelijk hoezeer de organisatie achter de feiten aanloopt. Reden voor de dis- kwalificatie is in beide gevallen dat er te veel Engels wordt gesproken in de films, ook al heet de categorie officieel niet meer de Best Foreign Language Oscar. Lionheart van Genevieve Nnaji was de eerste Nigeriaanse inzending ooit voor de Oscars. De film gaat over een vrouw in een door mannen gedomineerde wereld die haar vaders bedrijf voor de ondergang probeert te behoeden. Per- sonages spreken afwisselend Igbo, een van de drie meest gesproken talen in Nigeria, en dan weer Engels, de officiële taal van het land. In Joy, over een Nigeriaanse vrouw die in Wenen het slachtoffer wordt van vrouwenhandelaren, wordt een mix van Duits en Engels gesproken.
    [Show full text]
  • ARTE Y CULTURA En El Contexto Latinoamericano
    ISSN 0719-7683 ARTE Y CULTURA 1 En el contexto latinoamericano CONTENIDOS 6/7 EDITORIAL 11/29 | Jorge Luis Merlo Solorio Esculpido por tribulaciones y profecías asombrosas: Anatomía del corazón josefino Nueva España, SXVIII 31/55 | Joaquín Pérez Arancibia 4 Tensiones y disputas entre el realismo socialista y la figura del intelectual en Persona non grata de Jorge Edwards.Cuba, 1968-1975 56/61 | Gabriel Ilabaca Parra La imagen como argumento, de la facticidad a la post-verdad Danae Díaz Jeria | 62/65 Competencias, créditos y anti-escena Tomás Antonio Bascoli Castro | 67/91 Por la razón o la fuerza… Los espacios de esperanza en la trilogía original de Star Wars durante la dictadura chilena (1973-1983) 5 Paula Moreno Mella | 93/113 Los fotógrafos del Golpe: Los casos de Luis Poirot y Marcelo Montecino Joaquín Galende Cassigoli | 113/139 Roberto Bolaño, Latinoamérica en pugna. 1968-1990. Una lectura entre historia y literatura DIRECCIÓN ACADÉMICA Catalina Gutiérrez Vallejos EDITORIAL EDITOR GENERAL Isaac Gajardo Miranda EQUIPO EDITORIAL No se puede negar que hoy la Academia Carlos Huerta Caldera es diferente a la de algunos años atrás. Las Carol Contreras Ruiz plantas académicas de las Universidades están Ignacio Antonio Barba Ponce constituidas ampliamente por mujeres y su Ignacio Paredes Yáñez participación se extiende desde la coordinación y dirección de espacios, hasta ambiciosas y exitosas EQUIPO DIFUSIÓN Y investigaciones que son llevadas por mujeres. Pese CREATIVO a esto, queda mucho por avanzar y construir. Paula González Chávez Esto me lo enseñó una profesora que hace algún Ignacio Ocares Miranda tiempo me comentaba lo difícil que es emprender Fabián Oyarzún Millacoy como mujeres un camino con mesas llenas de expositores hombres y un cuestionamiento 6 José Sánchez Vargas permanente a las ideas, investigaciones y trabajo DIRECCIÓN DE EXTENSIÓN que debíamos estar constantemente defendiendo.
    [Show full text]
  • Aug –Sep Film
    home box office mcr. 0161 200 1500 org home film . aug –sep Pain and Glory, 2019 1 Women on Page 3: Nuala O’Sullivan As our Celebrating Women in Global Cinema programme continues so do our interviews with inspiring women from the film industry. This month we caught up with Nuala O’Sullivan, Director of the Women Over 50 Film Festival ahead of Best of the Fest screenings at HOME this August. Turn to p15 for more info and read on for more on WOFFF. Homemcr.org/women-at-home Q: What inspired you start up the Women Over 50 Film Festival? Q: Who are your top 5 women over 50? A: As a woman in my 50s I wrote and produced short film 1. Actor and producer Frances McDormand. I could quote Microscope, in 2014. The film was about about a middle- Frances all day long on fighting sexism and ageism in the aged woman examining her life and marriage. With my film industry. Here’s one of my favorites: “The way people producer’s hat on I started going to short film festivals but I age and the signs that we show of aging is nature’s way of found I wasn’t seeing many older women on the screen and tattooing. It’s natural scarification, and the life you lead gives around socially after screenings. Not many people talked to you the symbols and the emblems of your life, the road map me. I felt lonely and isolated, which was the exact opposite you followed.” of how I expected to feel in a roomful of people who had the 2.
    [Show full text]
  • KAPANDJI MORHANGE Commissaires Priseurs À Drouot
    KAPANDJI MORHANGE Commissaires Priseurs à Drouot Vendredi 14 novembre 2014 à 14h OBJECTIF CINÉMA II PHOTOGRAPHIES KAPANDJI MORHANGE Ghislaine KAPANDJI et Élie MORHANGE, Commissaires-Priseurs. Agrément 2004-508 – RCS Paris B 477 936 447. 46 bis, passage Jouffroy – 75 009 Paris. [email protected]. site www.kapandji-morhange.com. /jÊ\Êä£Ê{nÊÓ{ÊÓÈÊ£äÊUÊ>ÝÊ\Êä£Ê{nÊÓ{ÊÓÈÊ££ VENTE AUX ENCHÈRES PUBLIQUES HÔTEL DROUOT – SALLE 4 9, Rue Drouot – 75 009 Paris VENDREDI 14 NOVEMBRE 2014 à 14h OBJECTIF CINÉMA II Expositions publiques : À la galerie ZK.Images - 10 rue de l’Arbalète 75005 Paris Lundi 10 novembre 2014, de 10 heures à 18 heures. Mardi 11 novembre 2014, de 10 heures à 18 heures. À Drouot Richelieu, salle 4 Mercredi 12 novembre 2014, de 11 heures à 18 heures. Jeudi 13 novembre 2014, de 11 heures à 18 heures. Vendredi 14 novembre 2014, de 11 heures à 12 heures. Téléphone pendant l’exposition : 01 48 00 20 04 Exposition temporaire : Les photographies de la section Nouvelle Vague feront l’objet d’une exposition temporaire, du 6 au 11 novembre 2014, à la galerie ZK.Images, 10 rue de l’Arbalète, 75005 Paris. Expert PHOTOGRAPHIES DE CINÉMA Pierre BOURDY 97 rue Saint-Antoine 75004 PARIS [email protected] +33 (0)6 08 18 21 34 En couverture lot 178, 4e de couverture lot 244 ,2e de couverture lot 109 et en 3e de couverture lot 130. Le catalogue est disponible en ligne sur www.kapandji-morhange.com, www.drouotlive.com, www.auction.fr, www.interenchères.com VENTE OBJECTIF CINÉMA II 1 5 3 2 Catalogue de vente du 14 novembre 2014 2 1.
    [Show full text]