DOCSLIB.ORG

Ar Mondriaan Stichting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ar Mondriaan Stichting 2008 Mondriaan Foundation International Activities In 2008, the Mondriaan Foundation supported 877 projects with a total of € 23.110.498. 319 international projects in 46 different countries were supported financially with a total amount of € 2.899.000. 1 www.mondriaanfoundation.nl Contents Foreword 5 1. Mondriaan Foundation 7 2. Facts and figures 8 3. Exhibitions and publications 12 Countries 13 Art and design institutions 14 Artists, designers and other professionals 21 4. Art fairs 24 5. International network programmes 26 Visitors programme 26 Group programme 26 Mondriaan Foundation International Activities 2008 – 6. State manifestations 28 Venice Biennale 28 7. Internationalization projects 29 8. Lofts 30 9. Further information 32 Contents 2 3 Foreword Authority and reputation in the art world are determined more and more in an international context. It is important for the development of artists and designers from the Netherlands to be able to measure themselves against international standards. It is also important to facilitate and encourage cooperation between Dutch organizations and partners abroad. In 2008, a new crop of Dutch artists and designers once again attracted inter- national attention. Art from the Netherlands was presented in a record number of countries. The Mondriaan Foundation is pleased that there has been a consistent increase in applications from Latin America, Asia and Africa. Mondriaan Foundation International Activities 2008 – This is partly due to the Mondriaan Foundation orientation visits to these areas and reflects developments in visual arts across the world. This annual report reviews the Mondriaan Foundation’s international activities in 2008. If we can be of service to you or if you require further information, please visit our website www.mondriaanfoundation.nl or contact us at our Amsterdam office. Gitta Luiten director Mondriaan Foundation Board Mr Hans Hoogervorst chairman Mr Joost Kuiper treasurer Foreword Mr Edwin van Huis Ms Liane van der Linden Ms Daniëlle Lokin Mr Jos Werner Office Ms Gitta Luiten director Ms Coby Reitsma international visual arts and design projects officer Mr Haco de Ridder international visitors programme manager 4 5 1. Mondriaan Foundation The Mondriaan Foundation aims to encourage the appreciation of visual arts, design and cultural heritage from the Netherlands. Contemporary art and design from the Netherlands is exhibited by renowned institutions all over the world. We are committed to strengthening international cooperation and exchange. We endeavour to do this by offering financial support to enable institutions, companies and authorities, both national and international, to reach their audience and to extend this reach. Mondriaan Foundation International Activities 2008 – We also believe it important that artists, professionals and the public in the Netherlands have access to the latest international developments. To this end, we support initiatives designed to bring foreign projects of topical interest, and news of them, to the Netherlands. International projects supported by the Mondriaan Foundation include inter- national cooperation and exchange, exhibitions and publications of art and design from the Netherlands abroad, gallery representation at foreign art fairs, international visitors and group programmes, and participation in biennials and triennials. In addition to international projects, the Mondriaan Foundation supports other activities within the Netherlands such as acquisitions for museum collections, activities in the field of cultural heritage, publications and magazines, pro- gramming for artist run spaces, art and design projects, exchange programmes and an art purchase scheme for private individuals. Mondriaan Foundation The Mondriaan Foundation has an annual budget of approximately € 20 million. Every year more than a thousand applications are processed. Over one third of the projects supported by the foundation take place abroad. The Mondriaan Foundation operates with a board of six members, ten advisory committees comprising about sixty members, and a staff of twenty. 6 7 2. Facts and figures Interest in art from the Netherlands Art and design from the Netherlands should match international standards and .......Year Exhibitions Countries Budget spent. keep pace with international developments. The Mondriaan Foundation therefore . ......supported on international. values contacts worldwide and reserves a substantial budget for the presentation .........activities of art and design from the Netherlands abroad. The foundation responds . ......(in millions. of euros) . to international demands and can grant requests from foreign institutes. ......... 2002 ..171 presentations. .....36 € 2.1 ......... ...2003 218 presentations. .....42 € 3.2 ......... ...2004 321 presentations. .....39 € 3.2 ......... Mondriaan Foundation International Activities 2008 – ...2005 260 presentations. .....37 € 3.1 ......... ...2006 287 presentations. .....49 € 3.1 ......... ...2007 302 presentations. .....45 € 3.6 ......... ...2008 319 presentations. .....46 € 2.9 Facts and figures Facts and figures Mondriaan Foundation International Activities 2008 – 8 9 Expenditure .........in millions . ........of euros ......... ........ National activities. ....... ......... Art and design. projects .......3.257 ......... Programming.. artist run spaces ......2.662 ......... Publications. and magazines. ......0.573 . ........ Art purchasing. scheme .......0.874 ......... Collection activities.. cultural heritage ......5.095 ......... Presentation.. activities cultural heritage ......4.354 ......... Extra activities. .......3.124 Facts and figures ......... ......... ......... .........Subtotal 19.939 ......... ......... ......... International. activities ....... ......... International.. art and design projects ......2.403 ......... International.. manifestations ......0.087 ......... Art fairs: gallery.. participation ......0.328 ......... .........Lofts 0.080 ......... Visitors programme. .......0.050 ......... .........Mondriaan Foundation International Activities 2008 – ......... .........Subtotal 2.948 ......... ......... ......... .........Total 22.887 10 11 3. Exhibitions and publications Countries ......Country Number of Support in € The Mondriaan Foundation supports galleries, museums and exhibition spaces . .....presentations that exhibit contemporary art or design from the Netherlands. The main criteria ...... ......Australia 5 73.488 are an institution’s artistic standing and reputation, which are assessed on ......Austria 11 89.981 the basis of its exhibition programme. The Mondriaan Foundation usually helps ......Belgium 12 162.109 to cover the cost of transporting works of art, plus the cost of artists’ travel . Brazil .....4 38.218 and accommodation. We also co-support the cost of publications that provide ......Canada 6 27.404 ......Chile 1 34.750 contextual information about artists’ work. In 2008, we supported 241 ...... Mondriaan Foundation International Activities 2008 – China 13 209.712 exhibitions / publications in 46 countries. ......Croatia 1 10.240 ......Czech Republic 2 12.667 ......Denmark 4 29.893 The list below gives an overview of countries where the Mondriaan Foundation ......Egypt 3 13.054 contributed to art and design presentations in 2008. ......Estland 1 1.693 ......France 15 89.436 ......Germany 21 155.479 ......Hungary 1 2.920 ......India 1 32.500 ......Ireland 2 9.480 ......Israel 1 9.400 Exhibitions and publications ......Italy 20 216.811 ......Japan 10 52.545 ......Kyrgyzstan 1 13.520 ......Latvia 1 9.739 ......Lithuania 1 15.950 ......Luxembourg 3 10.054 ......Macedonia 1 1.100 ......Mexico 1 15.898 Exhibitions and publications ......Moldava 1 9.055 ......New Zealand 4 57.254 ......Nigeria 1 10.860 ......Norway 3 25.000 ......Peru 1 2.700 ......Poland 3 1.165 ......Portugal 3 45.000 ......Russia 2 59.600 ......Serbia 1 7.175 ......Singapore 2 31.600 ......Slovenia 3 13283 Mondriaan Foundation International Activities 2008 – ......South Africa 3 10.913 ......South Korea 4 40.022 ......Spain 5 23.098 ......Sweden 2 16.350 ......Switzerland 6 18.868 ......Taiwan 2 11.662 ......Thailand 1 5.200 . United Kingdom. ....16 112.739 . United States of. America ....33 458.240 . Several countries. ....3 17.600 ...... ......Total 241 2.315.425 12 13 Participations in art fairs and lofts are not included here. Art and design institutions Australia Brussels, Argos Chile Czech Republic Sebastian Diaz Morales Melbourne, International Urban Screens Brussels, Brussels Biennial Santiago de Chile, Fundacion America Praag, MeetFactory Association Brussels Biennial Diana Blok, Nederlands Fotomuseum, Erik Olofsen Karen Lancel, Hermen Maat Brussels, imal Chas Gerretsen, Anja de Jong, Koen Wessing Melbourne, National Design Centre Joan Heemskerk, Dirk Paesmans Gijs Bakker Ghent, A Prior Magazine Denmark Melbourne, Neon Parc Susanne Kriemann China Fendry Ekel, Folkert de Jong Ghent, smak Copenhagen, U-Turn Quadriennial Paddington, Australian Centre for Photography Edwin van der Heide Mondriaan Foundation International Activities 2008 – Beijing, Beijing Today Art Museum of Contemporary Art Robert Knoth Hasselt, Hasselt Triennial Irma Boom, lust, Maureen Mooren / Daniël van Bik Van der Pol Woolloomooloo, Biennale of Sydney Maarten Baas, Aldo Bakker, Harmen Brethouwer, der Velden, Richard Niessen Ebeltoft, Glasmuseet Ebeltoft Ryan Gander Driessens–Verstappen, Jongeriuslab, Krijn de Koning, Beijing, China Central Academy of Fine Arts Peter Bremers Germaine Kruip,
Load more

Recommended publications
  • Apocalypse Now the Lost Photo Archive
    Leseprobe Chas Gerretsen Apocalypse Now The Lost Photo Archive Bestellen Sie mit einem Klick für 45,00 € Seiten: 256 Erscheinungstermin: 27. September 2021 Mehr Informationen zum Buch gibt es auf www.penguinrandomhouse.de Inhalte Buch lesen Mehr zum Autor Zum Buch "Chas's stunning photos bring back the experience." —Francis Ford Coppola</w:p><w:p><w:pPr><w:pStyle w:val="ds12f" /></w:pPr>Hired in 1976 by Francis Ford Coppola as the still photographer for his masterpiece Apocalypse Now, Chas Gerretsen’s private archive of hundreds of photographs propels readers immediately into the chaos and drama surrounding one of the most important movies ever made. Gerretsen was a renowned freelance photographer who had previously worked in Chile and Vietnam when he got the call from Coppola, who was looking for a combat photographer for a war movie. Given unprecedented access to the film’s stars, extras, crew, and legendary behind-the-scenes drama he spent six months in the Philippines, shooting thousands of images. Culled from that archive, these full-color photographs offer an intimate glimpse of the turmoil and excitement of a Hollywood spectacle rising out of the unpredictable climate of the Philippine rainforest. Capturing the star power of Marlon Brando, Martin Sheen, and Dennis Hopper, as well as the sprawling sets, he takes us into the beauty of the Southeast Asian jungle and shows us how its inhabitants were incorporated into the filming. Throughout the book, Gerretsen’s astute reflections of his experience on set are as fascinating as his photography. While Apocalypse Now remains one of the most critically acclaimed movies of all time, the making of the film is equally legendary.
    [Show full text]
  • “The Great Archipelago,” Its Eighth Project
    Kayu is pleased to present “The Great Archipelago,” its eighth project, which consists of an international group exhibition including contributions by Arahmaiani, Ashley Bickerton, Dora Budor, Marco Cassani, Rafram Chaddad + Rirkrit Tiravanija, Fendry Ekel, Michal Helfman, Michelangelo Pistoletto, Rochelle Goldberg, Filippo Sciascia, and Entang Wiharso. The exhibition is part of the first “Rebirth Forum–Sustainability Through Differences,”*a three-dayevent –29, 30, 31 October–which aim is to create a platform for public and private entities, individuals and institutions, engaged in daily practices of sustainability and coming from different fields: from energy to food, from production to intercultural dialogue, from design to agriculture, from culture to health. The exhibition is deeply inspired by the work of Michelangelo Pistoletto and reflects on the concept of the table as a domestic object and as a symbol of union. The exhibition will feature eleven tables designed by the aforementioned artists and produced in Indonesia. The tables exhibited will host one hundred guests during the aforementioned three-day event. After the conclusion of the forum all the tables will remain on view for the entire duration of the exhibition. Furthermore, the title of the exhibition refers to the title of Michelangelo Pistoletto’s artwork, Il Grande Arcipelago [The Great Archipelago], a mirror table conceived by the artist for this occasion and produced in Indonesia. The table represents the seas that touch Indonesia and it is part of the mirror table series that Pistoletto made and which looks at the sea as the ultimate cultural melting pot, a symbol of meeting between different cultures. Kayu is Lucie Fontaine’s branch in Bali and since its inception it presented solo exhibitions by Luigi Ontani, Radu Comșa, Ashley Bickerton as well as the international group shows Domesticity V, Domesticity VI, Domesticity VII, and Ritiro.
    [Show full text]
  • The Artist As Researcher by Janneke Wesseling
    Barcode at rear See it Sayit TheArt ist as Researcher Janneke Wesseling (ed.) Antennae Valiz, Amsterdam With contributions by Jeroen Boomgaard Jeremiah Day Siebren de Haan Stephan Dillemuth Irene Fortuyn Gijs Frieling Hadley+Maxwell Henri Jacobs WJMKok AglaiaKonrad Frank Mandersloot Aemout Mik Ruchama Noorda Va nessa Ohlraun Graeme Sullivan Moniek To ebosch Lonnie van Brummelen Hilde Van Gelder Philippe Va n Snick Barbara Visser Janneke Wesseling KittyZijlm ans Italo Zuffi See it Again, Say it Again: The Artist as Researcher Jan n eke We sse1 ing (ed.) See it Again, Say it Again: .. .. l TheArdst as Researcher Introduction Janneke We sseling The Use and Abuse of .. ...... .. .. .. .. 17 Research fo r Art and Vic e Versa Jeremiah Day .Art Research . 23 Hilde Va n Gelder Visual Contribution ................. 41 Ae rnout Mik Absinthe and Floating Tables . 51 Frank Mandersloot The Chimera ofMedtod ...... ........ ... 57 Jero en Boomgaard Reform and Education .. ...... ...... .. 73 Ruchama Noorda TheArtist as Researcher . 79 New Roles for New Realities Graeme Sullivan Visual Contribution .. .. .... .. .... .. 103 Ag laia Ko nrad Some Thoughts about Artistic . 117 Research Lonnie van Brummelen & Siebren de Haan Surtace Research . 123 Henri Jacobs TheArtist's To olbox .......... .......... 169 Irene Fortuyn Knight's Move . 175 The Idiosyncrasies of Artistic Research Ki tty Z ij 1 m a n s In Leaving the Shelter ................. 193 It alo Zu ffi Letterto Janneke Wesse6ng .......... 199 Va nessa Ohlraun Painting in Times of Research ..... 205 G ij s F r i e 1 ing Visual Contribution ........ .... ...... 211 Philippe Va n Snick TheAcademy and ........................... 221 the Corporate Pub&c Stephan Dillemuth Fleeting Profundity . 243 Mon iek To e bosch And, And , And So On .
    [Show full text]
  • ALWEER EEN SIERAAD VOOR DE STAD Het Werk
    Voorjaar 2018 Het werk van Ed. Cuypers en Hulswit-Fermont in Nederlands-Indië 1897-1927 Nederlands-Indië in Hulswit-Fermont en Cuypers Ed. van werk Het NORBRUIS OBBE ALWEER EEN SIERAAD VOOR DE STAD Het werk ALWEER EEN SIERAADALWEER VOOR DE STAD van Ed.Cuypers en Hulswit-Fermont in Nederlands-Indië 1897-1927 Met grote vanzelfsprekendheid kwam het ene gebouw na het andere tot stand in Nederlands-Indië. Kranten schreven telkens jubelend van ‘een sieraad voor de stad’. De man daarachter was Eduard Cuypers (1859-1927). Hij hoorde met zijn bureau rond 1900 tot een van de meest gevierde architecten in Nederland. Nieuwe opvattingen in de architec- tuur maakten dat hij het daar moeilijk kreeg en, met het verstrijken der jaren, vrijwel doodgezwegen werd. Werkend vanuit Amsterdam verlegde hij zijn werkterrein deels naar Nederlands-Indië waar, in samenwerking met Marius Hulswit (1862-1921) en Arthur Fermont (1882-1967), talloze gebouwen tot stand kwamen. Vele bestaan nog, Indonesië is er trots op. Dit is het boeiende verhaal van die gebouwen en de mensen daarachter. Obbe H. Norbruis studeerde architectuur en stedenbouw in Delft. Hij deed onderzoek op dat gebied, en werkte als ontwerper en adviseur in jan pronk Nederland voor diverse bureaus en gemeentes. Geïnteresseerd in de onderhandelen over vrede en recht in het afrika hart van In 1994 werden een miljoen mensen vermoord in Rwanda. De architectuur en stedenbouw uit het koloniaal verleden breidde hij zijn JAN PRONK genocide op Tutsi’s schokte de wereld, maar niemand greep in, men onderzoeksveld uit naar Indonesië. keek alleen maar toe. Pas later kwam de hulp op gang.
    [Show full text]
  • Booklet 1987.Cdr
    1987 FENDRY EKEL 12.02-21.02.2016 Galeri Nasional Indonesia Jakarta www.ofcainternational.com 1987 1987: Man and Memory By Astrid Honold Fendry Ekel Solo Exhibition curated by Suwarno Wisetrotomo 12.02-21.02.2016 Galeri Nasional Indonesia Jakarta FENDRYEKEL 1987 2 3 one of thousands of islands somewhere in Indonesia I was born. […] The moving at that time felt like a travel without destination. […] There was never any intention to 1987: Man and Memory go back to the old place, every step that I took was one By Astrid Honold step further. The necessity of travelling now has become my passion.' 1987 was the year in which painter Fendry Ekel, as a teenager, followed his mother's emigration to the 1987 is also the title of one of Ekel's recent paintings Netherlands. He left behind not only Indonesia, his (2014, Fig. 1), depicting a three-mast clipper sailing country of birth, but consequently almost everything that vessel seen in three-quarter view from the front right and is vitally important to a young man in search of identity: executed in oil and acrylic on a monumental canvas of school, confidants, first girlfriend perhaps, and – what is 250 by 200 cm. For those acquainted with the painterly more – continent, mother tongue, and culture. In other oeuvre of Fendry Ekel, this excursion into naval painting words, he lost an overall system of reference that he doesn't come as a complete surprise. Portraiture, still life, could blindly trust, and on which he could base his daily architecture, text: because Ekel's paintings are based on activities, values, and future aspirations.
    [Show full text]
  • Increasing Contribution of News Photo Agencies Into Journalism by Evolving Technology
    The Online Journal of Communication and Media – April 2015 Volume 1, Issue 2 INCREASING CONTRIBUTION OF NEWS PHOTO AGENCIES INTO JOURNALISM BY EVOLVING TECHNOLOGY Assist.Prof. Dr. Kerim KARAGÖZ1, Prof.Dr. Özer KANBUROĞLU2 1,2Kocaeli University, Turkey [email protected],[email protected] Abstract:The publication of news photos in the journals directly begun in the beginning of 20th Century although news photos had emerged as a profession in the last quarter of 19th century. At the same time, the photos taken immediately distributed among and used in different media organs. In the beginning, the news were distributed by using a specific technique in the emerging agencies, before the photos. The economic reasons were determining factors at establishment of the news agencies in different European countries and in Northern America. Before that, hand-written commercial news letters were disseminated by copying them again by hand-writing. The qualified news coming on time in commercial and capitalist system became important as much as production. Thus, the new circles and groups emerged which were ready to pay for reaching quickly to news. When those increased in numbers, it was realized that the dissemination of news to large areas could be a profitable job. Consequently, the ‘news agencies’ as institutions emerged as a response to a rising need. Today, the news agencies with specific responsibilities in the global communication network just transmit the news and visual material. But some agencies only work on the photos. These agencies transmit photos to all news centers in a short time by connecting with a contracted photographer in that region, or in a region close to the event.
    [Show full text]
  • Peter Brown (Historien) D’Après Un Article De Wikipédia, L'encyclopédie Libre
    1 Peter Brown (historien) d’après un article de Wikipédia, l'encyclopédie libre D’après « Cérémonie du Prix Peter Brown Balzan 2011.JPG », Brown à la cérémonie du prix Balzan, 2011 Peter Robert Lamont BROWN (Biographie en français : https://fr.wikipedia.org/wiki/Peter_Brown_(historien),) (Ci-dessous traduction de la biographie en anglais : https://en.wikipedia.org/wiki/Peter_Brown_(historian), par Google Traduction) Né le 26 juillet 1935 (à l'âge de 83 ans) Dublin, Irlande Historien de l'occupation Prix Heineken Prize for History (1994); Prix Kluge (2008); Prix Balzan (2011); Prix Dan David (2015) Formation universitaire Université Alma Oxford Travail académique Doctorants Kate Cooper Œuvres remarquables Augustine of Hippo : A Biography (1967; 2000); Le monde de l'Antiquité tardive (1971); Le culte des saints (1981); Le corps et la société (1988); À travers l'oeil d'une aiguille (2012) 2 Peter Robert Lamont Brown, FBA, (né le 26 juillet 1935) est professeur d'histoire émérite Rollins à l'Université de Princeton. Il est crédité d'avoir apporté une cohérence au domaine de l'Antiquité tardive et est parfois considéré comme l'inventeur du domaine. [1] Ses travaux portent notamment sur la culture religieuse de la fin de l'empire romain et du début de l'Europe médiévale et sur la relation entre religion et société [2]. Contenu 1 début de vie 2 carrière 2.1 Emploi et affiliations professionnelles 2.2 Allocutions 2.3 Travail éditorial 2.4 Subventions de recherche 3 Aperçu de la recherche 3.1 1956 à 1971 3.2 1971 à présent 4 publications principales
    [Show full text]
  • 9 - 15 Januari 2020
    9 - 15 januari 2020 REPRISES APOCALYPSE NOW: FINAL CUT Regie: Francis Ford Coppola | VS | 1979 | 183 min. Digitale restauratie van het fameuze epos over de waanzin van de Vietnamoorlog met legendarische rollen van Martin Sheen, Robert Duvall als napalm kolonel, Dennis Hopper als geflipte oorlogsfotograaf. En natuurlijk Marlon Brando met zijn onvergetelijke mompeldialoog als een losgeslagen Kurtz. De absolute succesfilm van Filmhuis O42! ‘Dit is geen film over Vietnam. Deze film is Vietnam‘ aldus F.F.Coppola. (‘Hoe meer Apocalypse Now, hoe beter.’ ★★★★★ VPRO Cinema) KNIVES OUT Regie: Rian Johnson | VS | 2019 | 130 min. Een wervelende klassieke whodunit in een nieuw jasje, waarbij EEN FILM VAN LJUBO STEFANOV EN TAMARA KOTEVSKA iedereen een verdachte kan zijn. Daniel Craig schittert als detective in de beste traditie van Hercule Poirot. In de voetsporen van Agatha Christie, deze hit van de kerstvakantie! (‘Schmierende cast maakt van detective Knives Out een traktatie.’ ★★★★ de Volkskrant) A LAND IMAGINED Regie: Yeo Siew Hua | Singapore, Nederland | 2018 | 95 min. Oververmoeide rechercheur onderzoekt in Singapore de verdwijning van een Chinese bouwvakker en stuit zo op de duistere keerzijde van de hedendaagse bouwwoede in de metropool. Winnaar Gouden Luipaard filmfestival Locarno. (‘Een droomachtige trip naar het zwarte hart van het globale markt-kapitalisme.’ de Filmkrant) HONEYLAND PREMIÈRE Regie: Tamara Kotevska | Noord-Macedonië MARRIAGE STORY 2019 | 87 min. Regie: Noah Baumbach | VS | 2019| 136 min. Drie jaar lang volgden de makers de laatste Meesterlijk echtscheidingsdrama vol hartverscheurende momenten vrouwelijke honingjager. Hafidze speurt de tussen Adam Driver en Scarlett Johansson. Maar tegelijk ook een steile bergflanken af op zoek naar bijenkolo- instant klassieker, veertig jaar na Kramer versus Kramer, met veel nies.
    [Show full text]
  • Book XVIII Prizes and Organizations Editor: Ramon F
    8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................
    [Show full text]
  • Film Facts & Figures
    FILM FACTS & FIGURES OF THE NETHERLANDS JUNE 2020 ISSUE GHF 2015 2016 2017 2018 2019 THEY CALL ME BABU 27+29+31+34+39TOTAL REVENUES DUTCH MARKET (M) € CONTENT 31+25+27+35+29DUTCH FEATURES PRODUCED NL Key Trends 2015-2019 2 28+22+22+28+40TOTAL DUTCH FILM PRODUCTION ACTIVITY (M) € Review of 2019 4 Chapter 1 Production and Financing 7 37+40+43+48+49FEATURE LENGTH FILMS RELEASED Chapter 2 Releases 19 Chapter 3 International Performance and Festivals 23 Chapter 4 Distribution 31 28+26+27+33+27DUTCH FEATURES RELEASED (MAJ) Chapter 5 Exhibition 37 Chapter 6 DVD/Blu-ray/VOD 43 43+54+49+45+57INT. FILM FESTIVALS W. DUTCH FILM SELECTION Chapter 7 Television/MEDIA 47 Key figures of the Netherlands 2019 64 33+34+36+36+38ADMISSIONS TOTAL (M) 31+21+21+20+23ADMISSIONS DUTCH FILMS (M) 28+29+30+31+35BOX OFFICE TOTAL (M) € NL KEY TRENDS 2015-2019 19+12+12+11+12LOCAL MARKET SHARE DUTCH FILMS (ADM) 2015 2016 2017 2018 2019 Total revenues Dutch market (M) € 532 579 628 688 781 Dutch features produced (min & maj) 62 49 54 57 58 29+24+21+22+24MARKET SHARE EU FILMS (ADM) Total Dutch film production activity (M) € 136.9 105.9 108.3 140.9 201.1 Feature length films released 371 407 432 480 492 Dutch features released (maj & min) 55 51 54 66 55 29+24+21+22+24MARKET SHARE US FILMS (ADM) Int. film festivals w. Dutch film selection 432 540 491 452 569 Admissions total (M) 33 34.2 36.0 35.7 38.0 Admissions Dutch films (M) 6.2 4.2 4.3 3.9 4.5 Box office total (M) € 275.8 287.7 301.9 312.3 347.6 Local market share Dutch films (adm) 18.8% 12.3% 12.0% 11.2% 11.8% 27+28+21+22+24NUMBER
    [Show full text]
  • Atelier, 50 Kunstenaarsportretten
    atelier vijftig kunstenaarsportretten foto’s van hans de bruijn 99 uitgevers/publishers inleiding van hans den hartog jager atelier vijftig kunstenaarsportretten foto’s van hans de bruijn Ad Arma Lucebert inleiding van hans den hartog jager Jan Andriesse Mark Manders Armando Bertien van Manen Sjoerd Buisman Hellen van Meene Marc Bijl Pieter Laurens Mol Tom Claassen Marc Mulders Joost Conijn Erwin Olaf Anton Corbijn Pieter Pander Robbie Cornelissen Uwe Poth Iris van Dongen Charlotte Schleiffert Sam Drukker Rob Scholte Charlotte Dumas Margriet Smulders Marcel van Eeden Berend Strik Irene Fortuijn Joost Swarte Gil en Moti Fiona Tan Daan van Golden Piet Tuytel Klaas Gubbels Emo Verkerk Sara van der Heide Barbara Visser Jeroen Henneman Carel Visser Teun Hocks Jasmijn Visser Seet van Hout Harald Vlugt Natasja Kensmil Marijke van Warmerdam Job Koelewijn Guido van der Werve Erik van Lieshout Co Westerik Joep van Lieshout Robert Zandvliet 99 uitgevers/publishers Jeroen Henneman Jeroen Henneman (1942) – schilder, tekenaar, grafi - cus, beeldhouwer – woont en werkt in Amsterdam. Henneman verbeeldt op filosofische wijze alle - daagse objecten: een liggend wiel, een brandend peertje of het potlood dat signeert. Hij weet met zijn objecten, tekeningen en schilderijen de illusie van volume te suggereren. “Ik werk in twee ateliers in twee naast elkaar gele - gen huizen uit 1900 in een straat die grenst aan het Vondelpark. In het ene atelier schilder en teken ik, in het andere atelier staan mijn machines en maak ik objecten en modellen. Het atelier waar ik schilder kijkt aan beide kanten uit tot ver over de stad, het is een hoge, grote, lichte ruimte.
    [Show full text]
  • Available As
    Royal Netherlands Academy of Arts and Sciences Heineken Lectures 2004 Dr A.H. Heineken Prize for Environmental Sciences Simon A.Levin Heineken Lectures 2004 Dr A.H. Heineken Prize for Environmental Sciences Professor Simon A.Levin delivered his Heineken Lecture on September 28,2004 at the Royal Tropical Institute in Amsterdam. Royal Netherlands Academy of Arts and Sciences Heineken Lectures 2004 Amsterdam,2005 Dr A.H. Heineken Prize for Environmental Sciences Simon A.Levin The Heineken Lectures series for 2004 also includes Dr H.P.Heineken Prize for Biochemistry and Biophysics 2004,Andrew Z. Fire Dr A.H. Heineken Prize for Medicine 2004, Elizabeth H. Blackburn Dr A.H. Heineken Prize for History 2004, Jacques Le Goff To order publications from the Heineken Lectures series for 2004, please contact the secretariat of the Academy’s Communications Department at +31 (0)20 551 0726. Contents page 6 Preface Willem J.M.Levelt 9 Simon A. Levin and his research 12 Presentation address for the Dr A.H. Heineken Prize for Environmental Sciences Johan Bouma 14 The Ecology of Complexity and the Complexity of Ecology Dr A.H. Heineken Prize for Environmental Sciences Simon A.Levin 26 Heineken Lecture Program 2004 27 Audience and publicity for the Heineken Lectures in 2004 28 Secondary School Project about the Heineken laureates 29 General information 30 List of Heineken laureates Preface Address by Willem Levelt,President of the Royal Netherlands Academy of Arts and Sciences,on the occasion of the presentation of the 2004 Heineken Prizes on October 1,2004. Both in the sciences and the arts, history provides us with a looking glass that helps us to focus on the real pioneers.
    [Show full text]