DOCSLIB.ORG

January 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 2016 DEALER INFORMATION SERVICE: NO. 288 JANUARY 2016 • CUT-OFF DATE FOR RECEIPT OF ORDER: THURSDAY 17TH DECEMBER • SHIP-OUT DATE: TUESDAY 29TH DECEMBER REPRESENTING TODAY’S • NATIONAL ‘ON SALE’ DATE: THURSDAY 31ST DECEMBER GREAT LABELS THIS MONTH'S HIGHLIGHTS Download this month's information here: http://www.selectmusic.co.uk/ USERNAME: dealer / PASSWORD: select Select Music and Video Distribution Limited 3 Wells Place, Redhill, Surrey RH1 3SL Tel: 01737 645600 Fax: 01737 644065 Index Please click on a label below to be directed to its relevant page. Thank you. CDs Accentus Music ...................................................................................................................... page 10 BIS ....................................................................................................................................... page 5 BR Klassik .............................................................................................................................. page 6 Bridge Records ...................................................................................................................... page 10 Cantaloupe Music .................................................................................................................... page 6 Capriccio .............................................................................................................................. page 10 Chandos ................................................................................................................................ page 4 Claudio Records ..................................................................................................................... page 11 CPO ................................................................................................................................... page 6, 7 Dacapo ............................................................................................................................... page 7, 8 Delos ................................................................................................................................... page 11 Divine Art ............................................................................................................................. page 11 Dynamic ............................................................................................................................... page 11 Fondamenta .......................................................................................................................... page 12 Genuin Classics ...................................................................................................................... page 12 Gramola................................................................................................................................ page 13 Grand Piano .......................................................................................................................... page 13 Hyperion ............................................................................................................................... page 3 Melodia Records .................................................................................................................... page 14 Oehms Classics ...................................................................................................................... page 14 Ondine .................................................................................................................................. page 8 Opus Arte ........................................................................................................................... page 8, 9 Orfeo .................................................................................................................................... page 9 Orlando Records..................................................................................................................... page 14 Paladino Music ...................................................................................................................... page 15 Profil ............................................................................................................................. page 15, 16 Somm ................................................................................................................................... page 9 Steinway & Sons .................................................................................................................... page 16 SWR Music ............................................................................................................................ page 16 Tactus .................................................................................................................................. page 16 Timpani ................................................................................................................................. page 9 DVDs Accentus Music ...................................................................................................................... page 17 Dynamic ............................................................................................................................... page 17 Opus Arte ............................................................................................................................. page 17 2 All Prices Quoted are Dealer Prices JANUARY 2016 Highlight of the month Max BRUCH Violin Concerto No. 1 Op. 26; Serenade in A minor Op. 75; Romance in A minor Op. 42 Jack Liebeck BBC Scottish Symphony Orchestra, Martyn Brabbins Max Bruch’s Violin Concerto No. 1 is the most popular ever written. Much recorded, Jack Liebeck turns in a dazzling performance of youthful vigour, prefacing the Concerto with the gorgeous Serenade and a Romance. CDA68060 £9.00 Daniel STEIBELT (1765–1823) Piano Concertos Nos 3, 5 & 7 Ulster Orchestra, Howard Shelley Howard Shelley and the Ulster Orchestra return for a second volume in Hyperion’s new Classical Piano Concerto series. Daniel Steibelt—the man who dared to challenge Beethoven and lost—ruled the keyboards of northern Europe for a quarter of a century, his own concertos as sensationally popular as their composer was ostentatious. CDA68104 £9.00 Édouard LALO (1823–1892) Piano Trios Leonore Piano Trio: Benjamin Nabarro, Gemma Rosefield, Tim Horton Édouard Lalo sat at one remove from the French Musical Establishment, eschewing both the back- scratching of the Conservatoire and its members’ impressionist ‘musiques parfumés’. Instead we have big-boned melody—material into which the expert members of the Leonore Piano Trio sink their bows and fingers with appreciative gusto. CDA68113 £9.00 Felix MENDELSSOHN The Complete Solo Piano Music Volume 4 Howard Shelley The Op. 35 set of Preludes and Fugues is the most substantial single opus Mendelssohn wrote for solo piano, a mark of his reverence for the mighty Bach. Coupled with the popular fifth book of Songs without Words, we have here a heavyweight fourth volume in Howard Shelley’s compendium. CDA68125 £9.00 JANUARY 2016 All Prices Quoted are Dealer Prices 3 Highlight of the month Felix MENDELSSOHN Mendelssohn in Birmingham, Vol. 4: Violin Concerto in E minor; Incidental Music to A Midsummer Night’s Dream Jennifer Pike, Rhian Lois, Keri Fuge CBSO Youth Chorus, City of Birmingham Symphony Orchestra, Edward Gardner In this new recording of orchestral works by Mendelssohn, the CBSO and its principal guest-conductor, Edward Gardner, join the violinist Jennifer Pike, who made a remarkable debut at Carnegie Hall this year. Here she performs the Violin Concerto in E minor, the piece that launched her career thirteen years ago when she became the youngest-ever winner of the BBC Young Musician of the Year Award. CHSA 5161 £9.00 (Hybrid SACD) Camille SAINT-SAËNS Cello Concerto No. 1 in A minor, Op. 33; Cello Concerto No. 2 in D minor, Op. 119; The Carnival of the Animals; Africa, Op. 89; Caprice-Valse, Op. 76 ‘Wedding-cake’ Truls Mørk, Louis Lortie, Hélène Mercier, Alasdair Malloy Bergen Philharmonic Orchestra, Neeme Järvi The Bergen Philharmonic Orchestra and Neeme Järvi present this unusual collection of popular works by Saint-Saëns, for orchestra and piano or cello. Truls Mørk, this seasons Artist in Residence with the Orchestre Philharmonique de Radio France, is the soloist in the two contrasting cello concertos. His ‘seemingly flawless technical CHSA 5162 command’ is tested in the suave, expressive, famous No. 1 as well as in the many taxing solo passages, huge leaps, and double-stopping flourishes of No. 2. £9.00 (Hybrid SACD) Charles IVES Three Places in New England; A Symphony: New England Holidays; Central Park in the Dark; The Unanswered Question Melbourne Symphony Orchestra, Sir Andrew Davis In this second volume of orchestral works, the Melbourne Symphony Orchestra and its chief conductor Sir Andrew Davis play some of the most characteristic pieces of Charles Ives, an insurance salesman by trade and one of the most precociously original of all American composers. CHSA 5163 £9.00 (Hybrid SACD) Alberto GINASTERA Estancia; Ollantay; Pampeana No. 3 Lucas Somoza Osterc BBC Philharmonic, Juanjo Mena Impressive in the ongoing, successful Spanish music series, the BBC Philharmonic and its chief conductor, Juanjo Mena, explore the works of the Argentinean composer Alberto Ginastera in three orchestral volumes. Not only acknowledged as a leading South-American composer of his day, Ginastera is also
Load more

Recommended publications
  • Parsifal and Canada: a Documentary Study
    Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article.
    [Show full text]
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • Maurizio Pollini
    REVISTA DE MÚSICA Año XX - Nº 196 - Abril 2005 - 6,30 DOSIER Don Quijote y la música Nº 196 - Abril 2005 SCHERZO ENTREVISTA Miguel Sánchez ENCUENTROS Ofelia Sala ACTUALIDAD Maurizio Pollini ANIVERSARIO Karl Amadeus Hartmann 9778402 134807 9100 6 AÑO XX Nº 196 Abril 2005 6,30 € 2 OPINIÓN Don Quijote y los libros de caballerías CON NOMBRE Arturo Reverter 118 PROPIO Un singular encuentro 6 Maurizio Pollini entre Falla y Cervantes Yvan Nommick 122 Carmelo di Gennaro La discoteca del hidalgo 10 AGENDA Juan Manuel Viana 126 18 ACTUALIDAD ENCUENTROS NACIONAL Ofelia Sala “Espero no perder nunca la 44 ACTUALIDAD capacidad de ilusionarme” 132 INTERNACIONAL Rafael Banús Irusta 60 ENTREVISTA ANIVERSARIO Miguel Sánchez Karl Amadeus Hartmann “No podríamos sentir la música Francisco Ramos 138 sin el concierto” EDUCACIÓN Juan Antonio Llorente Pedro Sarmiento 140 64 Discos del mes EL CANTAR DE LOS CANTARES SCHERZO DISCOS Arturo Reverter 142 65 Sumario JAZZ Pablo Sanz 144 DOSIER 113 Don Quijote y la música LIBROS 146 114 Música para unos papeles LA GUÍA 148 y cartapacios CONTRAPUNTO Alfonso de Vicente Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, David Armendáriz Moreno, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Carmelo Di Gennaro, Giacomo Di Vittorio, Fernando Fraga, Joaquín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Leopoldo Hontañón, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan
    [Show full text]
  • 2019 Round Top Music Festival
    James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Sounding Nostalgia in Post-World War I Paris
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing.
    [Show full text]
  • Die Bildungsrevolution Istinvollemgange!”
    Dasoffizielle Magazinvon LionsClubs InternationalDeutscheAusgabe Lions ClubsInternational www.lions.deFebruar 2014 BildungsexperteProf. RichardDavid Precht im Interview: DieBildungsrevolution BemerkenswerteLaudation vonPIP Eberhard J. Wirfs Generalsekretär SörenJunge verabschiedet sichinden Ruhestand Urspring macht Schule. Und mehr. DieWeltzuhause in Urspring Dasehemalige KlosterUrspringist seit über80JahrenInternats- Im naturwissenschaftlichen Gymnasium gehört dieGanztags- schule.Mit dem BegriffInternatverbindet sichhier weitmehrals betreuung zumKonzept. eine Wohnschule.Wir betreuen unsere Schüler nicht, wirleben mitihnen.Überdie Hälfte derrund200 Schülerinnenund Schüler Talentierte Basketballspieler habenbei unsdie Chance,ihren wohnt im Internat gemeinsam mitrund90Erwachsenen,die für Lieblingssportineiner derbestendeutschen Schul- undJugend- sie da sind.Die Tagesschüler ausder Regionbesuchen dieGrund- mannschaftenzubetreiben. schule oder dasGymnasium in dieser besonderenAtmosphäre undGemeinschaft. In Urspring sind traditionell Schülerinnenund Schüler vieler Nationen zuhause. Durchlangjährige Beziehung bestehtein reger Mitdem ProjektG8+wird dasLernenstrukturiert, rhythmisiert Austauschmit China. DieErfahrungen,die wirimweltweiten undindividualisiertund somitmehrRaumfür diePersönlichkeits- Austauschund überdas EU-ProjektComeniusmachen,fließen ganz entwicklungIhres Kindesgeschaffen. Dazu gehört auch –jenach selbstverständlich in unseren internationalenSchulalltagein. Bedarf–einespezielle Förderung beiLegasthenie undDyskalkulie. Urspringist
    [Show full text]
  • Esercizio 2008
    esercizio 2008 Estremi approvazione Consiglio di Amministrazione del 21 aprile 2009 e dall’Organo di Indirizzo del 23 aprile 2009 Fondazione Banca del Monte di Lucca Bilancio 2008 Relazione Economico Finanziaria Pag. 2 Bilancio 2008 Fondazione Banca del Monte di Lucca Relazione Economico Finanziaria Indice RELAZIONE AL BILANCIO ........................................................ Sommario................................................................................................. pag. 5 Premessa.................................................................................................. pag. 6 Prima Sezione: l’identità.......................................................................... pag. 8 Seconda Sezione: la gestione del patrimonio ............................................. pag. 27 Terza Sezione: l’attività istituzionale ....................................................... pag. 53 BILANCIO CONTABILE Sommario................................................................................................. pag. 172 Premessa.................................................................................................. pag. 173 Criteri di Valutazione .............................................................................. pag. 173 Schemi di Bilancio ................................................................................... pag. 177 Nota Integrativa ...................................................................................... pag. 182 Rendiconto finanziario di liquidità..........................................................
    [Show full text]
  • Bruckner Symphony 1 Vienna Version 1891
    PH19084.Booklet.Schaller.qxp_Booklet 05.11.19 13:06 Seite 1 Edition Günter Profil Hänssler BRUCKNER SYMPHONY 1 VIENNA VERSION 1891 PHILHARMONIE FESTIVA GERD SCHALLER PH19084.Booklet.Schaller.qxp_Booklet 05.11.19 13:06 Seite 2 ANTON BRUCKNER (1824 –1896) SYMPHONY 1 – VIENNA VERSION 1891 DEUTSCH Änderungswut und Uraufführungstaumel Musik von einer fast kammermusikalischen Symphonie ja 1865-1866 komponiert und 1891 sollten die Eingriffe nun tiefer gehen: Passage zu mächtigstem Fortissimo auf- am 9. Mai 1868 im Linzer Redoutensaal Vor allem war er mit der bisherigen Instru- Sie ist eine meiner schwierigsten und besten. schwingt, das schlägt mich gänzlich in den dann selbst dirigiert. Damals stand er aller- mentation nicht mehr zufrieden. (Anton Bruckner) Bann! Dann ist da natürlich auch noch die dings noch am Anfang seiner Komponisten- zukunftsweisende Harmonik und Tiefgrün- karriere, während er 1891 in Österreich und Bevor wir da nun auf die Details eingehen, Anton Bruckners erste Symphonie und die digkeit gerade seines Spätwerks. Und dann darüber hinaus bereits als anerkannte möchte ich erstmal ganz allgemein fragen: Frage nach der richtigen Fassung. Ein Ge- die geistliche Dimension seiner Musik, die Persönlichkeit des Musiklebens galt. Und Welche seiner Symphonien änderte Bruckner spräch mit dem Dirigenten und Bruckner- schwebenden Bläserpassagen, die wilden es hatte ja übrigens auch lange genug eigentlich mal nicht? Es gab ja im Laufe der Spezialisten Gerd Schaller. Streicherfiguren, überhaupt die geniale gedauert, bis man seine Größe erkannte; Musikgeschichte nicht so viele Komponisten, Instrumentation, sein wunderbarer Um- nicht in allen Kreisen und in dem Ausmaß, die derart enthusiastisch immer wieder Herr Schaller, Sie haben bereits alle Sympho- gang mit Stimmen..
    [Show full text]
  • 1973-Iceland.Pdf
    -----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society.
    [Show full text]
  • PERSONAE 2008), Records, (Centaur Variations Goldberg
    his unique style which is characterized by constant seemingly self-organized mobility of harmony, motivic motivic harmony, of mobility self-organized seemingly constant by characterized is which style unique his Navona Records is a PARMA Recordings company Recordings PARMA a is Records Navona the whole range of modern composition, only to find his own way after many years of desperate search. In In search. desperate of years many after way own his find to only composition, modern of range whole the North Hampton NH 03862 NH Hampton North www.navonarecords.com/enhancedcontenturl the music of Johann Sebastian Bach for many years. As a student with Ingvar Lidholm he experienced experienced he Lidholm Ingvar with student a As years. many for Bach Sebastian Johann of music the 223 Lafayette Road Lafayette 223 started as a jazz trumpeter and became leader of his own band when he was 12 years old. Then he studied studied he Then old. years 12 was he when band own his of leader became and trumpeter jazz a as started www.navonarecords.com scores, extended liner notes, and more and notes, liner extended scores, Anders Eliasson (1947-2013) was one of the great composers of our time. Born in the Swedish province, he he province, Swedish the in Born time. our of composers great the of one was (1947-2013) Eliasson Anders [email protected] Place this product in your computer to access study study access to computer your in product this Place DISEGNO 2 FOR PIANO FOR 2 DISEGNO (1947-2013) ELIASSON ANDERS BY Ethan Fortin Ethan Manager Marketing Neil Rynston Neil Producer Alex Bourne Alex A&R last.
    [Show full text]
  • 2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
    2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House,
    [Show full text]