The Senses Just All Kinds of Crazy
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1 : Daniel Kandi & Martijn Stegerhoek
1 : Daniel Kandi & Martijn Stegerhoek - Australia (Original Mix) 2 : guy mearns - sunbeam (original mix) 3 : Close Horizon(Giuseppe Ottaviani Mix) - Thomas Bronzwaer 4 : Akira Kayos and Firestorm - Reflections (Original) 5 : Dave 202 pres. Powerface - Abyss 6 : Nitrous Oxide - Orient Express 7 : Never Alone(Onova Remix)-Sebastian Brandt P. Guised 8 : Salida del Sol (Alternative Mix) - N2O 9 : ehren stowers - a40 (six senses remix) 10 : thomas bronzwaer - look ahead (original mix) 11 : The Path (Neal Scarborough Remix) - Andy Tau 12 : Andy Blueman - Everlasting (Original Mix) 13 : Venus - Darren Tate 14 : Torrent - Dave 202 vs. Sean Tyas 15 : Temple One - Forever Searching (Original Mix) 16 : Spirits (Daniel Kandi Remix) - Alex morph 17 : Tallavs Tyas Heart To Heart - Sean Tyas 18 : Inspiration 19 : Sa ku Ra (Ace Closer Mix) - DJ TEN 20 : Konzert - Remo-con 21 : PROTOTYPE - Remo-con 22 : Team Face Anthem - Jeff Mills 23 : ? 24 : Giudecca (Remo-con Remix) 25 : Forerunner - Ishino Takkyu 26 : Yomanda & DJ Uto - Got The Chance 27 : CHICANE - Offshore (Kitch 'n Sync Global 2009 Mix) 28 : Avalon 69 - Another Chance (Petibonum Remix) 29 : Sophie Ellis Bextor - Take Me Home 30 : barthez - on the move 31 : HEY DJ (DJ NIKK HARDHOUSE MIX) 32 : Dj Silviu vs. Zalabany - Dearly Beloved 33 : chicane - offshore 34 : Alchemist Project - City of Angels (HardTrance Mix) 35 : Samara - Verano (Fast Distance Uplifting Mix) http://keephd.com/ http://www.video2mp3.net Halo 2 Soundtrack - Halo Theme Mjolnir Mix declub - i believe ////// wonderful Dinka (trance artist) DJ Tatana hard trance ffx2 - real emotion CHECK showtek - electronic stereophonic (feat. MC DV8) Euphoria Hard Dance Awards 2010 Check Gammer & Klubfiller - Ordinary World (Damzen's Classix Remix) Seal - Kiss From A Rose Alive - Josh Gabriel [HQ] Vincent De Moor - Fly Away (Vocal Mix) Vincent De Moor - Fly Away (Cosmic Gate Remix) Serge Devant feat. -
Generator Magazine, 4-8 One) to : Sven Vath Competition, Generator, Project for R&S, Due for Release in the Early Peartree Street, London, Ecl V 3SB
and culture of Plus Going Global - British Dance Labels Take On The World! ISSN 0969-5206 11 111 " 9 770969 ,,,o,, I! I OW HMV • KNOW Contents April 1995 Vol 2 Issue 3 Features 10 Moby 14 Move D 19 Riccardo Rocchi 20 Danny Tenaglia 24 Crew 2000 2 6 Carl Craig 32 DJ Pierre 37 Dimitri 38 A Bad Night Out? 40 Havana 44 On-U-Sound 52 Caroline Lavelle 54 Going Global! 70 DJ Rap 81 Millennium Records Live 65 Secret Knowledge 68 A Positive Life Regulars 5 Letters 8 From The Floor 50 Fashion 57 Album Reviews 61 Single Reviews 71 Listings 82 The World According To ... Generator 3 YOU IOlC good music, ri&11t? Sl\\\.tle, 12 KILLER MASTERCUTS FLOOR-FILLERS ~JIIA1fJ}J11JWJ}{@]1J11~&tjjiiliJ&kiMJj P u6-:M44kiL~ffi:t.t&8/W ~-i~11J#JaJJA/JliliID1il1- ~~11JID11ELJ.JfiZW-J!U11-»R dftlhiMillb~JfJJlkmt@U¾l E-.fiW!JJlJMiijifJ~)JJt).ilw,i1!J!in 11Y$#~1kl!I . ' . rJOJ,t'tJi;M)J4&,j~ letters.·• • Editor Dear Generator, Dear Generator, and wasting hours-worth of Tim Barr Que Pasa? Something seems to My friends and I are wondering conversationa l aimlessness in Assistant Editor (Advertising) have happened at Generator about a frequent visitor to your an attempt to discover exactly Barney York HQ. One minute, there I was letters page. It seems that the where it was you left those last thinking your magazine was military have moved up north three papers, or, indeed, your Art Direction & Design Paul Haggis & Derek Neeps well and t ruly firmed up with and installed someone with head. -
Music-Week-1998-10-2
PROFILE: The A&R: Having won A&R: It's quietly does industry is to gather the bidding war for it as Food slowly in salute to SIR SEAL, Warner Bros brings Scottish four - GEORGE MARTIN as has high hopes for his piece IDLEWILD to a he retires from music third album larger audience A life in music 10 Talent 15 Talent 17 FOR EVERYONE IN THE BUSINESS OF MUSIC 24 OCT"en music week Phillips set for Warner role by Robert Ashton not sat behind his desk since the contender for the job of running ing directorJeff Golembo has Nick Phillipsis expected to be beginning of the month. the combined PolyGram/Universal taken control of the company on a installed as Rob Dickins' succes- The exact circumstances of his UK operation, a post that is now day-to-daybasis. Onesenior sor at Warner Music following his departure still remain a source of set to be assumed by Kennedy. It source says no immediate sudden departure last week from speculation. Universal refused to is understood that legal discus- changes are expected at Universal the post of managing director at elaborate on a statement issued sions over the nature of Phillips's this side of Christmas, although Universal Music. on Thursday saying:"Itiswith contract with Universal have taken thesituationislikelytobe Hisexit was confirmedat a regret that we announce that Nick place in recent weeks. addressed early in the New Year. meeting attended by senior staff Phillipshas decided toleave Phillips was one of two top Phillips began his career in the atUniversal'sMandeville Place Universal Music (UK). -
“Surely People Who Go Clubbing Don't Read”: Dispatches from The
“Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print Simon A. Morrison University of Chester [email protected] Abstract In the context of the UK dance club scene during the 1990s, this article redresses a presumption that “people who go clubbing don’t read”. It will thereby test a proposed lacuna in original journalist voices in related print media. The examination is based on key UK publications that focus on the musical tropes and modes of the dancefloor, and on responses from a selection of authors and editors involved in British club culture during this era. The style of this article is itself a methodology that deploys ‘gonzo’ strategies typical of earlier New Journalism, in reaching for a new approach to academicism. In seeking to discover whether the idea that clubbers do not read is due to inauthentic media re/presentations of their experience on the dancefloor, or with specific subcultural discourses, the article concludes that the authenticity of club cultural re/presentation may well be found in fictional responses. Keywords: music journalism, gonzo journalism, chemical generation literature, electronic dance music culture (EDMC). Welcome to the disco-text This article will interrogate the claim made in 2000 by writer and editor Sarah Champion regarding a lacuna in auteur journalist voices, in relation to club culture media products. Her broader reports about a perceived unwillingness amongst clubbers to read at all — “surely clubbers don’t read” — form part of Steve Redhead’s collection Repetitive Beat Generation (2000: 18). Within this title, Champion further asserts about the genre- specific media of this subcultural scene that, “There should have been some kind of ‘Gonzo’ journalism to capture the spirit but there wasn’t”. -
Sasha Carl Cox Dimitri Vegas & Like Mike Hardwell Armin Van Buuren
Simon Posford Omnia DJ Chetas Scratch Perverts Colin Dale Martin Jensen Florian Picasso Andy Smith Paul Trouble Anderson Claptone Remy Breathe Carolina Adam Sheridan BK Gabriel & Dresden Jonathan Lisle Merk & Kremont Plump DJ's Danny Howells Benjamin Bates JFK Stanton Warriors Anne Savage Diego Miranda Infected Mushroom Offer Nissim SLANDER Luciano Filo & Peri Ferry Corsten Ian M Fergie 2 Many DJs Orjan Nilsen Flash Brothers Tidy Boys John Graham Lee Burridge DJ Tarkan DJ Shah Dope Smugglaz Jon Pleased WimminAlex P Blu Peter Ronski Speed Lost Stories Alan Thompson The Chainsmokers James Lavelle Astral Projection Pete Wardman Daniel Kandi Astrix Serge Devant Paul Glazby Phil Smart Sonique Jeremy Healy Ian OssiaDJ Tatana Cass Andy Farley HixxyBrisk Luke Fair Darren Pearce SolarstoneSteve Thomas DJ Skazi Chris Liberator John 00 Fleming Juanjo Martin D.A.V.E The Drummer Paul Oakenfold Yoji Biomehanika Pippi Kyau & Albert Cor Fijneman Dougal DJ Vibes DJ Sammy Jon Carter Scot Project Lisa Lashes Amadeus Parks And Wilson Don Diablo Andy Moor Sharkey Slipmatt Mat Zo Mike Candys Sy Rob Tissera Heatbeat Lisa Pin-up Chris Fortier tyDi Christopher Lawrence Johan Gielen Magda Sied Van Riel Alex Morph & Woody Van EydenAlok Stu Allen John Kelly Steve Porter Mike Koglin Mariana Bo Super8 & Tab Cosmic Gate Tom Swoon Bl3nd Force & Styles Guy Ornadel Max Graham Alex M.O.R.P.H.Bobina Rachel Aubern Ronald Van Gelderen Simon Patterson Yahel Jeffrey Sutorius Jon The Dentist Jimpy Above & Beyond Tallah 2XLC NGHTMRE Nick Sentience Sean Tyas Arty Neelix Lange Rank 1 DJ Feel Alan Walker Krafty Kuts Junior Jack Scott Bond Marco V Audien M.I.K.E. -
Music-Week-1992-09-1
4 Obie blast 22 Tough guys 26 Big 27 Hitman 3 PolyGram chairman Artist managers The Marquee club Polydor MD dons nails critics of are uniting to rocks to the sound disguise for I 11111 "high -price" CDs combat gripes of staff bands cameo role 9 770265 1 54015 i sicwtire For Everyone in the Business of Music ek 19 SEPTEMBER 1992 £2.65 111/ wins Brits show in Dickins shake-up The Brit Awards will be broad- tries there is and that should cast by ITV for the first time be reflected." next year under a new deal Dickins says the Brit sealed with Carlton Television Awards Committee wanted to late last week. try a fresh approach for the The split with BBC Televi- 1993 show. "Malcolm Gerrie is sion - which has broadcast new, I am new, and the gen- the show for the past 15 years eral feeling was to try some- - is part of a massive Brits thing different," he says. shake-up just weeks after Rob BPI executive producer for Dickins' appointment as Brits the event Lisa Anderson says Primal Scream singer Bobby Gillespie committee chairman. Brit masterminds: Gerrie, Dickins, Anderson discussionsarecontinuing was the only one of the group's 15 - The changes include: since 1987. tazz and Wired - takes over with Radio 1FM over its cover- strong contingent not to invade the The show, produced by In- The programmewillbe from Jonathan King as the age of the Brits. stageattheMercury MusicPrize broadcast across the ITV net-executive producer of the TV The station will continue to itial TV, being fronted by a awardslastweek.Followingthe presenter for the first time in work between 8pm and show. -
Clubbers Guide to Breaks Vol 1
Clubbers guide to breaks vol 1 Continue More barcode images (Text): 7 24353 91540 7 barcode (Scanned): 724353915407 (r130275) Edit release data Correct 18 Aug 20 3.04 9.65 22.09 CLoWeCkKR, eidoom, Dae-su, labeatrokka, Spankwa, Feta, n0m0re, maldoror, Adrian-79, DiscogsUpdateBot, jweijde, derek.king Barcode: 7 24354 30532 0 Matrix / Runout (Disc One): MOSA021/1 B E1 D.A.T.A. Matrix / Runout (Runout (Drive Two): MOSA021/2 A E1 D.A.T.A. Mastering Code SID: IFPIL 311 Mold SID Code: IFPI 2661 MOS - Clubbers Guide to Breaks Clubbers Guide to Breaks is the first Break Beats release that MOS released. that have been around for the last 2 years. It has some of the old favorites such as Azzido Da Bass - Dooms Night, as well as some of the later tracks such as Soul man - Killabrew, Cellar Jaxx - Where Your Head Is on, and Freq Nasty - Amped, which should be one of my favorites on the first CD. Mixing itself is very smooth and you can listen through the tracks. There were also a few surprises with Disc One, such as the addition of a new song by Yakatta So Lonely, which was a bit odd for Breaks CD. Disc 2 is a little different from Disc One. Titled Chillout Breaks, its exactly that. Jesse says in his interview (included in the interactive component on the CD) that disc two has a more Latin/Electro/Jazz/Ambient Feel to it. Also included on the CD is a really funky interactive component where you can learn more about the producers, labels and clubs that make up the break beats scene. -
Festival Fever and International Djs: the Changing Shape of DJ Culture in Sydney’S Commercial Electronic Dance Music Scene Feature Article
Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney’s Commercial Electronic Dance Music Scene Feature Article Ed Montano RMIT University Abstract In recent years there has been an increase in the number of electronic dance music festivals in Sydney. This has served to shift the clubbing landscape in the city from night to daytime, taking dance music out of clubs and into parks and other public spaces. With its roots in imported versions and local interpretations of overseas dance culture, the dance scene in the city has always been heavily dependent on international sounds and fashions. With the dominance of these festivals, such as Field Day, Parklife, Harbourlife, Future Music, Creamfields, Good Vibrations and Stereosonic, this dependence is further emphasised through the high billing of international DJs in promotional material. Drawing on a decade of ethnographic research and participant-observation in the commercial electronic dance music scene in Sydney, this article explores how this festival fever is changing the shape of DJ and dance music culture in the city. Keywords: Sydney, DJs, club culture, festivals, mainstream, underground Ed Montano is a lecturer in Music Industry at RMIT University. He has an MA in Popular Music Studies from the Institute of Popular Music at the University of Liverpool and a PhD on the com- mercial Sydney dance music scene from Macquarie University. Dancecult: Journal of Electronic Dance Music Culture 2 (1): 63–89 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI 10.12801/1947-5403.2011.02.01.04 64 Dancecult 2(1) Introduction During the past decade, the commercial Sydney electronic dance music (EDM1) scene has become dominated by annual festivals. -
Professional Firm Hired to Curb `Thuggish Behaviour' THAT MADE
L71 MAY 1995 StudentVOL 28: ISSUE NO. 21 4 ce searche lIt the secret ingredie at makes t e award-winning funnyman that little hit special UNION DRAVII I-IEAV%7 1110B Professional firm THAT MADE IT BIG hired to curb `thuggish behaviour' BY A STAFF REPORTER UNION boSses have discarded student bouncers at weekends amid fears that they were unable to cope with an increasing number of violent disturbances. And their professional replacements Show Sec will police the union building on Friday and Saturday nights at less cost. But the move has sparked fears that the new firm will be over zealous in their approach to maintaining order. OPINION • PAGE fi Existing security staff saw the move as a knee jerk reaction made without proper consultation. Yet ironically a spokesperson for ShowSec admitted that they would be employing students as part of their security team. FULL STORY PAGE 4 FULL STORY • PAGE 5 EIM BSE: THE TRUTH BEHIND THE SCARE STORIES - PAGES 12 AND 13 UNIVERSITY OF LEEDS NEWSDESK 243 4727 Leeds Student, Friday May 1 1998 iN•1111W INSIDE t utast TODAY outlook SECTION STARTS PAGE 15 ABOVE: Becca Mountford, Societies Officer at LUU, believes students could be forced to Capri -dumb. The graduate six months late worst fashion LEFT: The centre of the controversy disasters ever PAGE 20 New fees PLUS action Strike ballot `comes at the wrong tune' Ry_CATHERINE BURT FEES campaigner, have in protest come under fire after organising the latest protest against the lecture levy. “Utlitalii%Ivit hciplewerit begins the NUS is ratting for students to lobby at cutbacks parliament in one last attempt to stop the government adopting Wether-ing the BYIELIAOTTCWION crisis on it -redistribution of tuition fees. -
THE INVISIBLE ARTIST Arrangers in Popular Music (1950 - 2000) Their Contribution and Techniques
THE INVISIBLE ARTIST Arrangers in popular music (1950 - 2000) Their contribution and techniques A thesis submitted for the degree of Doctor of Philosophy by Richard Niles School of Arts Brunei University 2007 TABLE OF CONTENTS Page Foreword 1 Chapter 1 8 Jesse Stone (1901 - 1950) Analysis of Money Honey (1953) 11 Chapter 2 16 Dave Bartholomew (1920 - 1970) Analysis of Blueberry Hill (1956) 19 Chapter 3 25 Maxwell Davis (1916 - 1970) Analysis of Good Rockin ' Daddy (1955) 27 Chapter 4 33 Jack Nitzsche (1937 - 2000) Analysis of River Deep Mountain High (1966) 36 Chapter 5 44 H.B. Barnum (b. 1936) Analysis of Help Me Make It Through The Night (1972) 45 Chapter 6 50 Jerry Wexler (b. 1913) - the art of Collective Arranging Interviews with Wexler, Wayne Jackson Analysis of I Never Loved A Man (1967) 55 Chapter 7 58 Harold Battiste (b. 1931) Analysis of I Got You Babe (1965) 60 Chapter 8 68 Arif Mardin (1932 - 2006) Analysis of Natural Woman (1972) 72 Chapter 9 79 Burt Bacharach (b. 1928) Analysis of The Look Of Love (1965) 83 Analysis of Anyone Who Had a Heart (1963) 84 Chapter 10 91 Brian Wilson (1932 - 2000) Analysis of Good Vibrations (1972) 93 ii Chapter 11 .......... 102 The Motown Sound Berry Gordy, The Funk Brothers ........... 103 Interview with Harry Weinger, Paul Riser .......... 105 Analysis of My Girl (1964) .......... 107 Interview with Allan Slutsky .......... 109 Chapter 12 .......... 115 David Van dePitte (b. 1942) Analysis of What's Goin ' On? (1971) .......... 119 Chapter 13 .......... 123 George Martin (b. 1926) Analysis of Penny Lane (1967) ......... -
Musicwe for Everyone in the Business of Music 22 JUNE 1996 £3
musicwe For Everyone in the Business of Music 22 JUNE 1996 £3. THISWEEK Virgin grows footieto Gazza joy for 5system New tposa uns on ail fronts for mdies by Catherine Eadc Inserts in The Guardian on Saturday dancing Virgin Our Price bas received a mas- ketingfiagged initiative the beginning for Virgin of a nichewhich mar- has i Worldwide shareholdersive vote of confidenceWH Smith front with its mainthe beenVirgin in development Entertainment for 10Direcfs months. génér- announcement of an accelerated expan- al manager John Hind, who joined the MillCréation Hillbilly willsion seeof its the music opening retail of business 80 new Virginwhich theProject aim in isJanuary to target from spécifieOur Price, group says The expansion will roll out over the withunder separate, the umbrella glossy of "lapsedmagazine-style buyers" reviewnext three by WHyears Smith and follows which a identifies stratégie brochures.The first magazine, Composa, targets nessesVirgin Ourof the Price £2,689m-tumover as one of the core group. busi- high-eamingexplores the genres 18-to-35-year-olds of ambient, Africai an ' New génération Virgin stores will acid jazz and arias, with in-depth art 10 Afresh withgradually up to replace70 being Our closed, Price although stores, keydes artistson each within inforraing each the genre. reader A secon aboi startfor VOP has reafilrmed its long term com- atmagazine, young gay Crash maies, Bang will beWallop, launched aime £ Cathy Dennis consequenceings, Virgin Ourof the Price larger trad st GayTwo Pride other in July.magazines are already i willgiving increase the chain overall around by 130 23,250 stores sq with m, developmentmagazines upwith andplans runningto have siby moreVOP than managing 67,518 sq mdirector of trading Simon"space. -
Bio Mark Picchiotti | Dj / Producer / Remixer
BIO MARK PICCHIOTTI | DJ / PRODUCER / REMIXER “If you’re in it for yourself, then the audience loses, and if you’re in it for the audience, then you lose – you constantly have to check the pulse of the dancefloor and enjoy the challenge of pushing and pleasing it.” – Mark Picchiotti A DJ first, Mark cut his teeth at the legendary Stark Club (named after its designer, Phillipe Stark) in Dallas, before moving to Chicago and going on to DJ in the world's most respected clubs. From residencies at home (Shelter, Smart Bar, Soundbar, Berlin, Crobar) and abroad (historic UK club Hard Times) to globe-hopping gigs at venerable dance temples like Ministry Of Sound (UK), Pacha (the original, in Portugal), El Divino (Ibiza) and various Crobar clubs. Mark is also a four-time veteran of Chicago’s largest Circuit event, Fireball and founding DJ of the hot Fire Island house party, “More, More, More.” His solid DJ reputation was highlighted with a request by Janet Jackson to DJ her Janet album launch party. Mark Picchiotti is one of the great American DJs still rocking the house. Literally. Flashing a discography of over 200 remixes, Mark Picchiotti has remixed all the top girls (Beyonce, Solange, Mariah, Madonna, Kylie) and boys (Enrique, Pet Shop, The Killers, AC/DC, New Order, Erasure, Jamiroquai). He was voted one of the Top 40 Most Influential Remixers Of All Time (Blues & Soul Magazine, UK) and counts many of the world’s top DJs (Deep Dish, Danny Tenaglia, Peter Rauhofer, Seb Fontaine, Roger Sanchez) as fans.