Clubbers guide to breaks vol 1

Continue More barcode images (Text): 7 24353 91540 7 barcode (Scanned): 724353915407 (r130275) Edit release data Correct 18 Aug 20 3.04 9.65 22.09 CLoWeCkKR, eidoom, Dae-su, labeatrokka, Spankwa, Feta, n0m0re, maldoror, Adrian-79, DiscogsUpdateBot, jweijde, derek.king Barcode: 7 24354 30532 0 Matrix / Runout (Disc One): MOSA021/1 B E1 D.A.T.A. Matrix / Runout (Runout (Drive Two): MOSA021/2 A E1 D.A.T.A. Mastering Code SID: IFPIL 311 Mold SID Code: IFPI 2661 MOS - Clubbers Guide to Breaks Clubbers Guide to Breaks is the first Break Beats release that MOS released. that have been around for the last 2 years. It has some of the old favorites such as Azzido Da Bass - Dooms Night, as well as some of the later tracks such as Soul man - Killabrew, Cellar Jaxx - Where Your Head Is on, and Freq Nasty - Amped, which should be one of my favorites on the first CD. Mixing itself is very smooth and you can listen through the tracks. There were also a few surprises with Disc One, such as the addition of a new song by Yakatta So Lonely, which was a bit odd for Breaks CD. Disc 2 is a little different from Disc One. Titled Chillout Breaks, its exactly that. Jesse says in his interview (included in the interactive component on the CD) that disc two has a more Latin/Electro/Jazz/Ambient Feel to it. Also included on the CD is a really funky interactive component where you can learn more about the producers, labels and clubs that make up the break beats scene. I recommend buying this CD if you want to get a little feel for that breaks as I gave this CD 8 out of 10 because of the inclusion of the Yakatta track and because it dosent represent more awesome breaks of tracks that are around the moment. Also get this CD if you liked Plump Dj's - Plump Night Out or Ministry of Sounds 2 - Step Album. Well done Kid Kenobi for a great CD. Track Listing Drive One - Part Breaks 01 Krafty Kuts Freaturing TC Izlam - Bad Sound Type 02 Shakedown - Get It 03 Phill Fuldnt Works #2 - Miami Pop 04 Groove Armada - Superstilin 05 Cellar Jaxx - Where Your Head at 0 6 Azzido Da Base - Dooms Night 07 DJ zinc - 138 hike 08 Jinx - kutt free 09 Soul Man - Killabrew 1 10 Fatboy Slim - Star 69 11 GT - Kid Dymamite 12 Plump Dj's - scram13 JDS - 9 Ways 14 Freq Nasty - Amped 15 Player One - Into Darkness 16 Rennie Pilgram - B.L.I.M - Eskimo 17 Jakatta - So Lonely 18 Ills - 6 Space Drive Two - Chill Breaks 01 Radioactive Man - GoodNight Morton 02 Drone reel 03 Thievery Corporation - Guide to Me and I 04 Akasha - Soft and Melting 05 Beanfield - Season 06 Underwolves - So Blue Its Black 07 House Um Romao - Sambao 08 Ian Pooley - What Your Yours 09 Tricky Cris - Visitor 10 Deepchild - Refugee Dub 11 Scientist - Pitch His 12 UNN - Three Pilots 13 Moonface - Synchronized Knowledge 14 Lamb - Gorecki Page 2 KS:01 - Kevin Saunderson Introduction begins with some very dark ambient vocals and strange noise, setting the scene perfect for a dark set forward. The first track starts pounding; straight out of know where it seems... I must say that it took me a while before this style of track plunged into my system. But once he did the set really started to flow well. It takes a similar dark edge to what someone like the style Of Mauro Picotto does, but without too heavy a bass line. The second half of this album really takes a good look at techno from this year. Funk D'Void Samuel l Sessions Juice Mix Diabla is a great track that is really perfect. Then it mixes so well that in that of Deep World E - Dancer. G Flame's 'Buss Eye' on Alpha Recordings NYC is a very good track and really shows in the middle of this album mixing out World Of Deep. A few more highlights on this album are that of Gary Martin's 2 tracks, followed by two delicious tracks from Mr. Sliffe (aka Adam Beyer) with his tracks Rippin' and Dippin' Parts 1 and 2 that really go well. This is the second ever released mix disc by Kevin Saunderson and the first release on Trust The DJ, and it's impressive. I think the start starts a bit from the center, but it ends perfectly in a style that will remind you of Kevin's live sets. If dirty Detroit techno is your style, then definitely give it a listen. Read more: KS:01 - Trust the DJ. Page 3 of New Flesh - Understanding Hiphop coming from the UK has been getting better and better lately, with amazing production from different perspectives all aimed at one purpose - making Phat hip-hop tracks that get their heads nodding - and lately many have been hitting the mark. We've seen some great albums from Nextmen and Unsung Heroes on the 75ark label, creators going off to Bad Magic (Wall Of Sound's hip-hop from shoot), Mad Doctor X releasing a very hard album at a very reliable and Oz-friendly Marble Bar, and of course the ninjas with their Big Dada label, where they talk some wonderful talents in the name of Roots Manuva New album New Flesh Understanding, requires a bit of insight to get used to - it's not the usual style of sampling James Brown or jiggy jiggy style that we've seen coming out of the U.S. mainstream recently - Part 2 decided on a more digi-dub/dance (thanks Jeff) feel, largely in the same way as Manuva.). Broken beats and bass lines, the only real dance action you can do is nod your head and listen deeply. Toastie Taylor rips the microphone with its interesting The ragga's voice style and Alim's juice just rips it up to the period. Move Slow Featuring beans. Anti-Pop Anti-Pop have become a pretty underground hip-hop phenomenon with their latest release put out by the Warp label - interesting. The beat in this track just sounds phat with synth lines just to get melodic enough to sit in the background yet to put in the way of the song. Beans kicked as soon as beans can - abstract and quickly zero gravity. It seems to go from hip hop to beat drum'n'bass feel in seconds, in fact a drum'n'bass remix can be in the pipeline - it will work so well. 2 MC show that they not only know how to rhyme, but they like to get a little melodic with their style, not like Nelly, though, a little more like the lyrics born in it I changed my mind under the guise. More fire. It looks like the ragga has influenced Timbaland's production. enough said actually. Broken beats and syncopated bass lines with bells, bells, horns and bells go off in the background. Northbert and Cecil with Cecil P.J. L.M. Pimernell. Cecil AKA Roots Manuva can seriously blow some evil rhyme streams as he demontrated on his 2nd album. Here he matches Juice Aleem and Tosty rap style with his ragga rhyme stylee, as if he were to be in a band. Stick and motion featuring the robotic E.B.U. Is one of the outstanding tracks on the album and it would be an album that sounds very good. The bass line sticks in your head and moves you probably the reason why they called the track. A real child soldier. The trumpet sample in this track gives it a melancholy feel. The impact here is quite a change from the usual syncopated hit style that the rest of the album showing that Part 2 can produce both the traditional hip hop style and the new Timbaland style hits. Talk to Gab's gift. The man with the Gab gift, the alphabet aerobics instructor can always rock the microphone on any track he represents. On this he pulls out the big guns and starts rapping at the speed of light. Toastie Taylor decided to take on a more vocal angle and sing. Going for a more upbeat dancehall style, this song may be able to keep its weight on the dance floor in a two-step club. The piano has never sounded so good in a hip-hop track until now. The rewind button will usually come in handy at the end of this. Related. After the chaos Communicate, things slow down with this bass heavy, lazy drum beat number. Pretty hard to adjust to, however Toastie and Juice decide it's time to free yourself with some fast rhyme streams. Transition featuring Gwen Esti. It's always good that the singer sing on top of the hip hop beat. This one can be an easy female version of Communicate as they sound very similar and use similar components. Gotta love piano! His crockery story is a feat. Ramm:Ell: See. Pronounced word in tact and funky beat at the same time. The bass line gets its head nodding and the neck hurts at the same time It's time. Similar to The Yellowo Biafra in a message from ours Aspirations pt.1 A half minute robotic vocodered madness ... nothing more to say really. Pt.2 is available on the single Stick and Move CD. Mack Facts feat. Ramm:Ell: See. The colloquial word, rhyme streams and melodic rap style of Tostea Taylor join forces in this straight out of the future hip-hop cut. The kick feels like it came straight out of a sci-fi movie with his orchestral beats. Do you understand? (What will happen...). Another piano heavy cut is also very similar in sound to chat, especially with Toastie Taylor singing and rhyming at the same time. Part 2 seems to have found a new niche in the production style as they all seem to work pretty well. Comes with a secret walkway 5 minutes after graduation. Big Daddy seems to come straight out of nowhere and hit major artists in the gut with every release they put out. If you like the roots of Manuva, then this is for you if you don't then try it out. Page 4 Goal - Hinterland Any release from Grandcentral Records seems to kick some when given some airplay, whether in the club, on the radio, or just in the comfort of the living room. Aim releases are pretty nice to hear on a set of headphones with nothing better to do than sit back and read a book. His last outing was 1999's laid-back/chillout/hip-hop/triphop classic Cold Water Music with the title track becoming the anthem of the dance floor at many break clubs/events. After 3 years we were treated to his latest release - Hinterland. A photo somewhere in Western Australia adorns the front cover. Mr. Turner should really think highly of us here, especially given some good reviews about his performance on Vibes last year. Either that or he has to think WA has a really chilled place and having it on the cover is perfect for a chillout album. The goal seems to be to choose some really obscure sample/beat for intro tracks to your album and Intro Hinterland is no different. Syncopated piano plays alone, then drum kicking, showing no sign of being less syncopated - a large, concentration all lost when trying to reach the right mood to listen to this album. Kate Rogers makes another guest appearance on The Girl Who Fell Through the Ice. What better way to start an album than having a woman lull you unconscious with her voice and the strings in the background don't help much either - what I'm trying to say is an amazing track! Need to be heard and beat could not confuse me further ... Is it a hip hop track or what? What do people do all day? If this song was something to go by the time we would have sex since it's a sexy track. It has something quite similar to that feeling of Saint-Germain. No restrictions with Souls Of Mischief. The last time I heard that these guys were on Kwenum. Grandcentral seems to have found its niche with American hip-hop stars with Funky Fresh Few with Afu Ra, Ra, The child and Krimin and Ray and Christian in the team with Farkide. This track sounds very similar to the last team, with its xylophone and funky drum beat. Autumn break. What do students get up to during their fall break? Party and get drunk. This track really sounds like a violinist getting drunk and melancholy on top of the beat so Phat he probably pulled off some LP combat breaks. You'd think it was a chillout track, but then a hip hop sample just proves you wrong. This hip hop production is taken to the next level of the child. Guimar. Getting pretty upbeat for this track, Target decides to take off Samba style and it seems to be working well. This one features Sneaky from Fingathing on bass, which works wonders at the lower end of the sound spectrum, but the most appealing part is the uptempo beat accompanied by a cheeky saxophone line. Good disease involving Stephen Jones. Going a little slower on this track, we hear how the singer gets all falsetto with his voice on a track that sounds pretty groovy and jazzy, he can impress either in the background, on headphones or playing live. Omen featuring Diamond D. Diamond D, which is capable of both producing a good hip-hop track and hitting some lyrical flow, sometimes at the same time, presents well on this track. The low end of the bass line with orchestral beats seems to fit its rhyme flow pretty well - not too fast, not too slow Linctus. Getting pretty chilled and atmospheric. It's more like the goal we all know. A lazy sample of the pipe just makes you want to throw back and the strings in the background will just help you create that ambience feel. Viper. A return to the spy theme that The Propellerheads made so popular back in 97. This track is upbeat with a phat beat and these crazy horn punches we expected from the spy theme (during the action, of course). Twilight zone. Folk rock in chillout album? It sounds a little strange to these ears, however it shows that the goal is not only decent when producing the number trip-hop, but also adept at pretty much everything it adds to its magic. This is another vocal track, with some unnamed singer. From the seaside town. This one is a better track than the previous one. The piano line, which sounds like a Satie and once again, the goal seems to sample another saxophone line to use in your track. Another atmospheric path that allows your mind to swim. Heartland. The purpose of the title tracks seems to be dark and moody, and it's no different. Has a pretty scary movie feel to it with a sample of a horror movie being a major part of the song. A flute sample takes it further into the territory of the horror/suspension movie. Target seems to want to take hip-hop to the next level as he explores beats and uses them in different contexts. If you're a fan of the laid-back style of left field hip-hop like Avalanche, DJ Shadow, Automator, Ninjatune, Rae and Christian and other Grandcentral Grandcentral artists, then this is the one album you should get in your choice. Grandcentral artists seem to get better with every release they put out. Personally, I found Rae and Christian Sleepwalking a little better than Northern Sulphur Shower. Creative Vibes have outdone themselves again with another wonderful release from the label (Grandcentral), which seems to suit their style much better than their previous distributor. Page 5 DJ Hype - FabricLive.03 Fabric not only proves to be one of the best clubs in the world, but their CD series also proved to be of the highest quality. Their latest installment, that of the Fabriclive series (03), this time offers fans a drum and bass aural feast. DJ Hype has been chosen to mix this up, and is doing it very well. From the beginning, the pace is intense with Moving Fusion's Thunderball. One thing that stands out are the really heavy baselines, which I'm sure will go down the treat with the fantastic sound system they have in Fabric. The bad company Planet Dust is such an example. Cool delivers his regular class with Snapped It and DJ Hype includes his own production in True Playaz Style. Overall, this release is definitely one for drum and bass fans. But it's worth checking if open to suggestions! Page 6 GU:022 - Dave Seaman - Melbourne I really don't need to describe the Global Metro series. Its name is synonymous with quality, and previous 20 mixes from elite DJs such as John Digweed, Sasha and Danny Tenaglia (just to name a few) have oozed fresh tracks, impeccable mixing and durability, which is key to the mix's compilation. Their last piece, from a DJ who also doesn't require an introduction, Dave Seaman, is another piece of the puzzle that paints a very beautiful picture. This edition comes from Melbourne, based on a night out in Saray Merchandise. From the beginning, let me point out that this is a completely different mix from Dave compared to his previous releases under the GI banner. CD1 begins where his Back To Mine stopped - a soothing atmosphere with a slow mix of Soliton Wave Australian outfit Our House. Satoshi Tomie continues his peaceful aura with his remix of Urban Dwellers' Loverman. Dave, however, decides to get down to business by using S-Man's gypsy remix of Howie B's Making Love on Your Side, and then delves a little deeper with another Australian record, Digital Mind Control's Mindstake. A lot of in-form Israeli Flash Brothers take the mix to another level with Sarcasm, a record that Dave Seaman stamped all over it, hypnotic melodies and drum thumping. No album is complete without the smell of Cass and Slide, and this time the scent of Mind Rewind, sweeping horns like a screech with a mesmerizing breakdown to say the least! The mixture then enters in fast and furious, with Kenny Guy Gerber and Sugar Offer and trademark Slacker basic and spooky tunes can be heard with their latest production of Looky Thing. CD1 hits home run! But the game has certainly not won yet, since there are still 70 odd minutes of seaman bliss to go! The second half starts with a very brilliant FC Kahuna, and their electro funk monster, Glitterball. The evolution of Bill Hamel's stylish and epic remix of Close spark things at the beginning of the mix. Sean Cuesik's Consider The Crows has a very messy and vicious feel to him, like The Magic Dust Natious. Dave is definitely stepping up gear at the moment. The infusion is then featured for the second time in the mix with Starwater (Legacy is placed earlier in the mix), and the standard energy atmosphere is applied here, as it does with most infusion work. Now we enter the trademark Dave Seaman territory! Starting with the harmonious Corporate Entertainment Pin Drop. Dave unleashes a big fuck-off baseline with Roots on Lo- Step, Phil K.'s Project No Dave Seaman mix completed without a few vocal treats, first in Ashland's Clear, followed by a superb remix courtesy of Tom Cosmos Middleton of Lamb What Sound. The journey ends with the Frakkar Slide. TRACKLIST: Drive 1 1. Solition Wave - Our House 2. Loverman (Satoshi Tomiie Ambient Mix) - city dwellers 3. Uninvited guest - Jono Fernandez 4. Folk - Make Love on Your Side (Roger Sanchez Remix) - Howie B 5. One 4 You (Avus Accapella) - James Holden 6. Mindstake - Digital Mind Control 7. Ghosts Theme - Min Moods Vol. 1 8. Sarcasm - Flash Brothers 9. Mind Rewind - Cass and Slide 10. Depth - Nu Breed 11. Back Kenny - Guy Geber and Sugar No 12. Light up (Medicine Remix) - Orbital 13. Looky Thing - Slacker Disc Two 1. Glitterball - Kahuna 2. Legacy (Synthesia dub mix) - Infusion 3. Close (Evolution Remix) - Hamel 4. Consider the Ravens - Sean Keusik 5. Magic Dust - Natious 6. Phuc (Maurice and Noble Remix) - T-Empo 7. Star Water (Chicken Little Remix) - Infusion 8. Corporate Entertainment - Pin Drop 9. Roots - Lo-Step 10. Cliff - Ashland 11. What a Sound (Tom Middleton Remix) - Lamb 12. Slide - Frakkar Page 7 Herbert Remixes - The Used Sounds of Matthew Herbert produces extraordinary house music. Its new double package, used sounds, is no exception. The release essentially presents a collection of remixes by Ala Kruder and Dorfmeister in KDD sessions, with this unmistakable Herbert sound mincing throughout. His remixes are clean, not being sanitary, rare, not being empty, emotional, without being wet; it's a lovely balance guy going on. Throughout 21 tracks Herbert applies his remixes talents to a wide range of artists including Motorbass, Mono, Dr. Rockit, Presence, Furry Phreaks, Milk (Sing It Back Never so right!) and Blaze, and will work on their own tracks. Sweet Organic House by the King of bodily functions. Page 8 Bushes - Hia For those who are devoid of the known Catskills is a shortcut to look at cheeky hilarious breakbeat adventures. Their last long player comes from Bushy (aka Jim Bingham) and goes by the name Of Hi! For fans of smoother, slower breaks who have not lost their appeal to the dancefloor album corker. The grooves are a lush and stylish swinging feel to them, O pudding is a prime example. Influences from old school jazz and funk - Jim citing outfits like Parliament and Herbie Hancock - are fused with new electronic sounds, dirty bass, cuts and samples with sensational results. The album does grow on you after a few listens as grooves permeate the soul, however some of the tracks meander a little. Silky sexy groove laden with tunes from Brighton breaks the connection. Page 9 FC Kahuna - Machine says Yes machine says yes it is an album of in the form of pruduction outfit, FC Kahuna. The Kahuna brothers, Dan and John, really made a name for themselves with their debut single from the album, Hayling, and their debut album is just as impressive. Fear of Guitars is an ever- important opening melody, a slow greeting with soothing male vocals. Their latest single, Glitterball is next in line and can only be described as an electro funk odyssey. Growler is full of tweaks, growls, squeals and any other sounds that combine to make the track really work! Nothing happened has an enticing vocalist. Speaking of vocals, those of Hayling are stunning. Microcuts has an 80s dance feel to him, and the album concludes as it began, a soothing farewell to the North Pole transmission. The word different very much comes to mind with this album. There is no denying, however, that the Kahuna brothers are indeed a talented couple. The album is well prepared and the full range of sounds and bleeps are used in this album. Recommended purchase. Page 10 Frez Nasty - Y4K Frez Nasty is just a superstar chain breaks. As a DJ or producer, he is ruthless, demanding respect from Sydney to London and all the places where he left his mark between them. As a producer, he remixes the likes of Fatboy Slim, Gorillaz and KRS-One among others. As a DJ, he left the dance floors in awe at clubs such as Fabric, Home and Twilo. His latest offering for fans is the latest installment in the very excellent Y4K/Y3K series, followed by other respected artists such as Hyper and Koma and Bones. If you're a fan of this series, then you'll know what to expect from Freo, pure breakbeat joy! The mix starts cranking early with cuts from Tayo and Lexicon Avenue with Wicked Dub and Here I Am respectively. Base fills your ears with Resident Soundboyz from Almighty sound straight from the London Underground. Fre's very own nasty edit of Fatboy Slim's Retox thankfully included, as his own production, Goose, again a basic driven frenzy. The mixture takes an unexpected turn with The Words of Wise Henry and Louis, slowing the mixture down to a stop with some laid back Reggae! Soon we were back in the 4th gear, however, with a very attractive My House your home is Phil Keiran. Free weathered the classic with one of The Chemical Brother's best moments, Under the Influence, hand in hand with the a cappella never Afraid, meaning Frey's intention to put that a little more with this mixture. The mixture then closes with some real gems, notably the Lord of the Zero Lines on Hyper-On-Experience. This mix is definitely a worthy addition to this brilliant series from the crew at Distinctive Breaks. Mixed beautifully, with a very striking selection of tracks, Fre really demonstrates why he is such a crowd favourite here in Sydney. Tracklisting: 1 Total Fusion feat. Evenson - Da Funk 2 Tayo Meets Acid Rockers Uptown - Wicked Dub 3 Lexicon Avenue - Here I 4 Junior Delgado - Hypocrites (Naked Funk Remix) 5 Taishan 'Dub Hypnosis / Dance Floor Bully 6 Almigty Beatfreakz - Resident SoundBoyz 7 Fat Boy Slim - Retox (Freq Nasty Y4k Edit) 8 Phil Keiran - Voices In My Head (Plastic Perverts Remix) 9 Plazzy Mods - Lock Loaded 10 Freq Nasty - Goose (Dub) 11 Henry and Louis feat. Ben Bones - Words Wise 12 Precision Cuts Ricky Whoop Whoop - Let This World Be 13 Freq Nasty - Amped (Dub)/Public Enemy - Bring Tha Noise (accapella) 14 Phil Keiran - My Home Is Your Home 15 Chemical Brothers - Influenced / Dance Floor Bully - Spoonface - Never Be Afraid (accapella) 16 Hyper-On-Experience - Lord zero lines 17 Aphrodite - All Over Me (Freq Nasty Remix) Page 11 DJ quest - Rat Records Vol. 1 You may think who this DJ quest guy is, and before I gave this release a thorough audition, I had no idea who this 22-year-old named Marcus Britnell was either. After this release, though, we can hear a lot more of this talented young man as well as the MC IC3, which does its thing over 1 CD in a double COMPACT package. Cd 1 has 20 of its own productions of DJ quest mixed continuously, while CD 2 has the same 20 tracks, this time with the work of MC IC3 on top, all tunes being on DJ Dee Kline's Rat Records Label. A mixture of drum and bass intermittently, the sound is a bit like Plump DJ's. You can definitely say that many of the tunes from the album will be dance-friendly, with great base and tempo dirty beats. Highlights include the opening melody Say Yes, Piano and Old School Vibe Floor Basher. Egypt comes with a little hypnotic melody flutes are always present in a fittingly called Flute Tune Remix. The MC IC3 certainly adds a bit of life to those like MC with their breaks, but don't let that lead you to believe that the tracks lack energy, as they certainly have a party feel to them. Add DJ quest to the ever-growing list of talented artists breaks in the UK. If the big heavy base is your stuff, then you may have found the perfect CD. Page 12 Of In House Vol 2 EFA, one of Germany's most famous independent record labels, has released the latest collection of House artists for the eternally hungry public. Describing this release as the modern sound of the house from the deepest Germany for some may evoke images of dirty deformed electro regurgitation designed to be disturbed, but in fact this album is far from it, it is a fresh, light compilation of some excellent soulful house music opening track Glance feat. Marlene Johnson sets the tone for the album as he skips along with his housy Marline, of course, providing some choice of soulful vocals. As the album wriggles through the other ten tracks of music never deviate too far from the opening style. Some great contributions are provided through the likes of Polyester Records, Soul Camp and Compost Recordings, making it a quality addition to any home junkie's collection. Page 13 eurohouse v Eurotec in the UK's Eurotec and euro house labels have been creating some serious waves since their introduction on the dance scene five years ago. The Euro label phenomenon reached another point in October 2001, when they won the prestigious Best Independent Recording Label award at the Muzik Magazine Dance Music Awards. Almighty Nils Hes has been an instrumental player in the labels' recent success through his joint productions with Nathan Coles as Get Funked; and clubs together phat collection of labels highlights to give us this 148min compilation. CD1 - Bunkhouse, opens with some pounding house beats provided by Mooch and edges in a darker feel as Niels is throwing in some of his own gems (Yank Funk and Dark and Dirty) to spice things up. Choons then ebb in the cool funkier kingdom with Mark Dale in Burn. Flunky has been performing an easier, more uplifting hand since December Moore Moore. Mook finally connects things to the Vibrator. Overall, the choice of pimp is 14 quality house thugs and may not be suitable for all 'sleeping clubbers', but of course the tech house grovers! CD2 - Eurotec blasts out the much faster-harder lackity clack tech roller style as Nils remix of American Beauty Ha Lo (not to be confused with Jakatta) knocks some dirty sound spit out as the superbly named Swiss cheese pair Iron Train adorns the eardrums. Tracks continue with a strong style of techies, heavy base lines and than all the dark feel that which Personal pleasure! Reck's Clever and Marco Lenzi Rhytham Maker are two excellent techy classics...... As the CD comes to an fulfilling end, that will pop you off the floor?!? Page 14 Slinky Word Class Yes, that's right. You read it correctly in the genre part of this review. Slinky is world class here delivering goods without an ounce of hard home. Mixed Slinky residents Tim Lyall and Harry White, a world-class divison takes you on a journey where no other Slinky CD has gone before. Disc 1 starts with a dreamy Northface remix of Weird Noises I won't continue to list each track, but the CD makes progress towards a techy/tribal tip that will have you locked in a groove. Mark James brings out the vocals with Hear Me soon followed by funked up diva tunes of the Science Department 'Breathe'. Starcase remix of PVD's Vega lifts the melody and intensity to another level, back to sleep as a state until you're out with Harry's fat. Disc 2 is my favorite. This is what I called a party CD. Beggining with the infamous Smoke Machine mixing in the first five tracks on top of Dirty Accapella, this tapestry of hip swinging, booty shaking action! The work of his child ;p After home chaos, the beautiful vocals of Mindcircus bring on a state of soothing trance, but not as long as funked up to the house kicking back in with Sirens At first I thought my ears teased me with another mixture of Smoke Machine. Ian Johnston returns the melody with Superstar, but it's not long before Lexi and K-Paul bring out the first day of The Greatest DJ. I called it a CD party because you can only imagine these Slinky boys teasing the dance floor with their mixing. Brilliant! It's impressive to hear the non-hard side of Nick Sentiens working with Tim Healy to make you Feel Surrel Very fresh indeed. We're taken out with the Supernova synths up and the way I like it. Slinky World Class is a pure class. Page 15 Global Trancemissions 02 Ibiza - Ferry Corsten Close Your Eyes and Let Your Soul Penetrate with the euphoria of uplifting tunes and angelic vocals. International RA columnist and DJ superstar Ferry Corsten brings you the second part of the global trancemission series. The Flying Dutchman provides a seamless, intense and epic mix of trance music inspired by his summer experience in Ibiza. This mix is delivered straight from the heart of the mastermind, who not only contributed original tracks to this work of art, but also a plethora of remixes. The original tracks include lost emotions and pocket damage. Ferry remixes the epic Pure Blue Water featuring the charming vocals of Justin Suissa, along with two other remixes of My Dance on ransom and early again by Roger Goode. If you're not yet impressed, Click to pretend with To create a beautiful please save me, rank 1 remix of Delerium's underwater, Lange introduces Skye with drifting and cheeky Armin Van Buren appears as the Rising Star bringing a clear blue moon If you're looking for a trance style that is what oozes emotion and celestial intensity, no look any further. Page 16 Christopher Lawrence - Worldwide I would like to introduce you to all the people voted as this year's number one DJ in the United States... Christopher Lawrence. Not a bad effort when up against other talented contenders such as Masters at work, Eric Morrillo and Danny Tenaglia. Around the World is Christopher's sixth compilation. Mixed with impeccable precision and ease, you are drawn into moody and mysterious melodies. Now buckle up and hold on tight as you propelled around the world. Christopher begins this touching journey in the evening sky 'Jet Black'. His ascent is smooth, gliding into teasing synths. They're thin yet enough to lock you up in the upcoming Manhattan Spectrum. These smooth grooves find you in cruise control, but only for a moment. Within minutes the blows darken and take you to India. However, emotional voices float through the night sky and take you to the charming worlds of Eastern Europe. Drifting in and out of the clouds, you hear voices reluctantly disappearing, remaining glued to the subconscious. Cruise control ends right now as Replicant brings on Conspiracy. The intensity is increasing, and these melodic notes transport you back to the underground warehouse sounds. You open your eyes, remembering that you are well into the evening flight. Looking into the sky from your window seat you see the Cape Town Galaxy. This is the closest you'll ever get to space. Looking up, you hear the ringing of bells, pounding rhythm and astral synths, not just tease. You are in among the 'Night Fever' Mile High. Your temperature rises and your heart pounds as Christopher launches into the speed of light. Energy is phenomenal! Just as you think you've lost perspective of where you are, the Arabic sense of curse returns your bearings quickly smart. A strong melody accompanied by consistent drums sends your blood rushing. The rhythmic crash brings you over Asia as you accustom your ears to the addict beats Hong Kong. You are here with these voices again, this time Mark Auerbach, and realize that you are on your way home. Again they drift in and out of the moon illuminated clouds with stuttering. When the flight comes to an end, Christopher leaves you all somewhere in the depths of his favorite underground. Christopher Lawrence delivers a blend that reflects his favorite style of underground progressive trance. Mysterious and energetic, this is his best combination to date. Page 17 John Digweed - MMII John Digweed is a man with so few words but so many emotions. His career Michael Schumacher. He's like the pinnacle of his profession, and just when you think he can't do more, he raises the bar a little higher. MMII (2002 in Roman numerals) is his last sentence. At a time when the number of progressive releases seems endless, there often comes along one mix that blows each other out of the water, MMII is one of them. The first thing that will hit you is the fact that this is only one CD release, compared to the standard 2 CD release that we have come to expect, and means that Digweed has 70 odd minutes to portray its message. Whether he achieves his goal - let's treat ourselves. Lonely Planet pollen is an all-important discovery of delight. The hypnotic progressive is best at it with a subtle but beautiful piano line. Pole Folder and CP in Dust follows with another masterpiece from the Belgian duo. A soothing aura with mesmerizing vocals, and when 5 minutes and 50 seconds pass you will know that it is a classic when the most blissful strings take the mixture to another level. Mooger Fooger of the Bermuda Triangle follows with pounding drums meeting space tunes, with delicate computerized vocal samples in the background. The mixture is still, of which the tempo is at an easy level, still in the first gear. We have, however, stepped up the gears with Sean No.6 Thing. Rattling drums and funky base combine, this trademark digweed right here ladies and gentlemen. All the impressive Flash Brothers make their mark with Protecting the Senses, another fantastic production from the boys from Israel who have made their name known through melodic and spiritual house music over the past year or so. A familiar name in Darren Emerson follows with his remix of the Te Kiero 108 Grand - rolling the baseline with the construction of a tunes blast into a breakbeat climax. Dub Extravaganza's sister Shakespeare's Black Sky continues, where 108 Grands stopped, in a flurry of punches and sweeping strings - Digweed stepped up another gear. James Holden's familiar name treats us to one of his best moments in the production studio - I Have Put Out The Light, with various melodic Riffs of Holden. The tempo is going with the dub club mix of Belong by old Times Spooky, and then Charlie May delivers the grand finale with his remix of mandalay's Deep Love, finishing the mix with a peak-time delight full of subtle uplifting vocals and killer synths. The CD is fantastically mixed, with twists and unrivalled flow. This return to the happy side of the progressive, return to the state of this genre was a few years ago, healthy, bright and joyful. This mix will receive comparisons with the classic North Exposure series. But you can't deny that the music has changed from the mid to late 90s, and as such it's pretty hard Comparison. One thing is still the same though, and it has some fantastic music being made, this mix is proof of that. Manufacturers such as Pole Folder and CP, Flash and Charlie May, who represent every corner of the earth, are some proof of this. MMII, without a doubt the best mixed release of last year or two, Digweed once again proved no other DJ is approaching showing what a progressive house really means. Page 18 Club Traxx Vol 1 - Carl Cox's Carl Cox is one of the most famous DJs in the dance music industry and his techno style is part of what made him so famous. This latest release is a limited edition 4 track EP and showcases where Karl's production style moves. These tracks were created while Karl was on the road touring so they had a good idea of how his mind works while he is locked away from distractions in the bus, train, plane, etc with nothing but his mini-studio. Each of these four tracks are very different from each other yet all that pounding funky techno style that Carl Cox is so well known for. This is definitely a quality release, Club Traxx Vol. 1 was released on the Trust The DJ label and is only available online to buy your copy of the magazine on carlcox.com. Tracking: 1. Want to live 2. Katia 3. Bangbiter 4. Put your hands up Page 19 Digital Domain - Nick Fish Step into Nick Fish's digital domain. Fast, hard, dark and dirty, with a sprinkling of hymnal melody. Nick was blessed to find himself at the beginning of the rave scene here in Australia, an era that embodies priceless emotions and memories. He moved from the subway to the legendary Voodoo backstage at the original sublime in Pitt St. Nick can now be seen decorating the decks at the country's biggest parties such as Transmission, Utopia, Gatecrasher, and two tribes. He even finds time to make an annual pilgrimage to the world's largest party, the Love Parade. Now it would be logical to find Nick floating through cyberspace. So turn up your speakers just a little more as we prepare to step on. We log in to make a habit of forming a substance. This is a unique feeling of Nick Fish, resulting in many of us hooked up and wanting more. No matter what party or club night we attend, we all instinctively know who is on deck when we hear that sound. Fast and hard, very energetic, intense and in your face. I especially love breaking the bass featured in The Realm and Michael Echo, adding an almost funky tip to this relentless mix. Despite the bass 'Hardcore Motherfucker', melodic breakdowns help us breathe easier, just a little though, because there are a lot of naughty bits giving us 'Hot Time.;p' Owning ear cutting edge tracks, knowing everyone on the dance floor will cover them too as one of their favorites. Favorites. According to Beam Vs Cyrus, Kai Tracid's Too Many Times and Paranoid Hypertraxx are just three examples. Double click now, we open up a deeper and darker site in the domain. Plenty of intensity here, even a touch pilot providing a good escape from the homepage. You can feel the drums and echo the vocals right until we time out. Dave Joy's First Impression ignites euphoria by rushing straight into Men In Trance Play and The Anthem of Trans-All. In fact, this well-programmed sequence continues with double speed. As the hard rhythm of Kriminal Flash sets in, there is a change in the atmosphere, one that is all the more sullen and underground. We get a taste of some catchy tribal punches in Africa. 'Givin' It All' returns the groove and has even been taken on a quick journey to experience life on Mars. Infectious is best described by these dark depths. How do we get out of Nick's digital domain with only one question left. When will we experience more funky side of Munch fish? Page 20 Digital Domination - Pee Wee Ferris How Do You Like Your Bass? Driving, pounding, pounding or pounding? How about the ground shaking or maybe even the ground breaking. If you like bass, then I'm sure all of the above applies. And if you like BIG bass, then you'd be familiar with Pee Wee Ferris. No introduction is required what it takes for this DJ. Pee Wee likes to have his base sub-sound. This led him to deliver you the second instalment of the dot-com series, the digital dominance of his Playhouse studio to be true to his dominance in the base, which is a better way to start the mix than with Mauro Picotto's 'Pulsar 2002'. Starting with this technical Italian gives a clear indication that techno will filter throughout the mixture, but only slightly, and not to the second side. Tom Wax makes an early appearance with And then he hit me. I wonder if he's talking about bass too? This is definitely something you'll hear knocking away on Friday night in sublime. Packed in like sardines, the crowd sweats it non-stop in the early hours. Pee Wee throws in Back Norman DJ and Infierno by Audiowerk raising intensity up a notch. Can't keep up? Then Beware now, in no way can it slow down for all of you. The best thing he'll be is to bring out some early nineties break beat in D.C., projects 'Cye 2002' along with some ultrasonic sounding vocals. Hardly a surprise given Pee Wee is one of the original rave DJs. It's definitely a favorite on this drive, dreamy still fused with a pounding drive. Impressed by the whole base so far? Personally, I was intrigued to hear Pee Wee's so-called upfront techno. Not quite the techno I expected, but nonetheless more tech-trance. First in the mix are Organ Donar with Here Comes the Devil. we need Mauro Picotto here to bring the goods with us. Minimal, dark, Italian techno. 'Amazing'. Reloops in Society is a great track that has had a great response on the dance floor, purely for its fun tune. 'Daumenshraube' really gets to the point and probably my favorite here is just because it's techno! Solid home bass kicks back in with Digital Expression and tech-trans bass largely left with Minimaz, Sinus, Bladerunner and Triplet. Pee 2 provides a diverse mix of techno, tech trance and hard house. So if you like bass be sure to have digital dominance in your system. Page 21 X-ecutioners - Built from Scratch X-Ecutioners - 4 man DJ combat team Rob Swift, Mist Sinista, Total Eclipse and DJ Roc Raida... sorry that must be Grandmaster Rock Ryde, came out with a new album, Built from scratch to take turntablism, from the underground phenomenon to the more accessible sound. But before you shout CHEESE, keep in mind that this is not a P.Diddy sold-out record, it's straight hip-hop in 2002 using techniques and more created since the days when Grandmaster Flash had his adventures behind the wheels of steel. No hip-hop album is complete at present without the usual Intro and, ever since De La (actually Prince Paul) brought them out, Skit. Many albums really wack parodies and get too played out, however X-Ecutioners pulled out some decent parodies and included a lot of scratching routines in them, and be quite funny. Sketch to hear it you can't scratch as it describes me very well. This album is not about parody, but about hip hop and turntable and proper tracks were done pretty well. Intro featuring Vinroc, Shortkut and Apollo Triple Threat DJ's. All the crazy scratch DJs in the states are Filipino mostly on the west coast (San Francisco to be exact) and they are well represented on this album. XL featuring a great professor. Smooth head nodded to hip-hop with one of the MC from the main source. After listening to this you can easily say that it sounds familiar and so I just can't put my finger on where the back track comes from. Scratch X-Eclipser. Old Skool scratch madness. You can learn a lot of cuts here as X-Men take you to a hip hop history lesson. The same kinda vibe goes to all the spiky tracks on the album. Journey into sound featuring Kenny Mohammed. The first time I heard this guy was on Rahzel's album, and maybe this guy's a beatbox. He compliments the X-Men style very well as they cut the fight breaks with technical prowess. Let this bang the MOP feat. A bit of a tribute to their classic Track Ante Up, this one is sure to start any party with hardcore MOP delivery rhymes and production, making it almost sound like a rock song. Hands in the air! X-Equivalents The song is a feat. Dan Automatic. This has that Automator's signature feel to it, a real head nod to hip-hop that sounds like something out of a Handsome Boy album. I did dig a juggling routine at the end where they created their own drum models using combat recordings. It's going down a feat. Mike Shinoda and Mr. Khan from Linkin Park. The hard rock/rap style we expected from Linkin Park was taken in by an X-ecution camera ready to be cut. It's been getting a lot of play on JJJ already and quite a decent track. The only thing that brings it down is a pretty average and flowing rap from Mike Shinod. Instrumental on 12 kicks, however it's not hard to see people moshing at the sound of turntables after hearing this song. X-ecution premiere. Gangstarr's DJ Premier put his signature smooth hip hop style production on this as the X-Men cut on top. I love the bass line, but where does the Guru kick the rhyme flow? X feat. Pharoahe Monche, Xzibit, Inspectah deck and Skillz. What is a hip-hop album now without a squad cut? Fortunately, they chose the cream de la creme MC today to flow on top of that rhythm. After cutting his samples into 3 Boro (a song that appears at the beginning of the album but is not reviewed here), Pharoahe Monche makes a personal appearance here and kicks some real streams. Xzibit never ceases to impress with its usual rough voiced delivery. The Inspectah deck shows that he is a versatile Wu-Tanger and kicks some decent lines and Skillz PKA Mad Skillz provides some crazy skills on the microphone. Genius Of Love 2002 feat. Tom Tom Club and Biz Markey. The cover of Tom Tom Clubs' Genius Of Love featuring Tom's Volume Club himself and Biz Markie with his usual comic delivery rhyme. The part I like about this song is when they changed the original lyrics and pay tribute to legends like Bootsy Collins, Bob Marley, Smokey Robinson and Sly and Robbie. B-Boy Punk Rock 2001 feat. Everlast. More piano sampling hip-hop beats, but not as crazy as Busta Raim's Wu Ha. Everlast's flow of pretty stock standard home pain style still works very well. Play that beat feat. Fatman Scoop. Hearing his Vera Evans sampling the club anthem, Be True, this track could be next in line to follow this path. This is another history lesson in hip-hop, as it is a sample of hip-hop classics. Fatman Scoop goes crazy on the microphone instructing people how to dance with typical shouts who are his DJs. Play that beat feat. Fatman Scoop. (Lo-Fidelity All-Star Remix) A little more disco groove on this one. I would never choose Lo-Fi for X-ecutioners remixes, but anything is possible in dance music now. I prefer this mix in general, especially when Fatman Scoop can get a little on the annoying side and the vocoder adds that extra bit of funk. Playwright feat Big Pun and Kool G Rap. Rap style flows from hip-hop creator gangsta gangsta and the late Big Pune. The Kool G stream sounds like an amazing stream he contributed to the UNKLE release, but this song showcases more X-Men instead of MC. X-Ecution from Bum Rush feat. Babu and J-Rocc of Beat Addicts. Moreover East Coast vs West Coast turntablism and Big Outro to album. I like hip hop samples from hip hop bands from both shores like Advanced Peoples, Gangstarr, etc. If you're a big fan of hip-hop, then it's going to please you, as well as a great introduction to the world of werewolves because previous releases of Mix Master Mike, z-bert and X-ecutioners are hard to find and can also leave you pretty much out of pocket. It has no real raw materials and underground feel to their first album, X-Press, but it still retains the same cool and will certainly be upgraded to classic status in time. Page 22 various artists - 10 Kilo Calling British-based label breaks, 10 Kilo signs some of the heavyweights breakbeat to pull out some massive tunes, all the while keeping it tasteful - the cheese grater is locked in the drawer where it should be. Red Star feat. MC Spee - Contender. It's Danny Briotte's new nickname. He used to be a Renegade Soundwave (remember them?), so he basically went from one RS to another RS and this kickass melody screams Freestyler all the way through. If you're familiar with ragga breaks tracks on the freestyler's massive sophmore album Pressure Point, such as Get Down Massive, then you'll know it. More minimal effort, this one has the phattest beats, familiar bass line and certainly grew on me after repeated listens. All but those damn vocals in the middle. No matter, it's kind of a welcome change, and I find myself singing along to him in the car. I really like dropping basslines which shakes the glass in my car. PFN - Future burn. Electro vocodered voices always seem to feature in tracks made by anyone now. However, only some people do it right. Still going on with minimal feel breaks, this melody is mostly for listening rather than dancing. Bleeps and bloops add that extra touch of futurism. If you like TCR breaks, then you can dig this one!. Nathan Coles - RAAS Bucket. It starts with a sample saying: I get deep and deep into the breaks it gets and builds from there. The sound of arpeggio is pretty good and gives it something pretty authentic 80s feeling. DJ Hal is close to the edge. As for more than a 4/4 review - breakbeat was required to explore this area and has been doing so recently, wouldn't that mean it should be called fixedbeat? Yes! forget that I said that. It's pretty chunky and similar to the current designs coming out on the Kingsize label - that heavy 4/4 tech home style. If you've heard Meat Seismic sounds mix CD, then you have an idea of what you are in for. The bass line feels like it was backwards. But it's the beat that hits me - it's homemade yet too uplifting so you want to go Ooohh! What the way it is! Dylan Rimes and Katie Meat - Wet. Hearing this on vinyl at my local record store, I dismissed it as too much of a filler track and while it leans towards that direction, if you keep moving the needle to hear other parts of the track, it's definitely not. The drum pattern takes this lead from Katie's meat breaks the anthem Dirty South and has a bit of a tribal feel to it. Just as the house has a messy subgenre at home, breaks should have one just for tracks like these - dirty breakbeats. Sneakers pimps - Bloodsport (Dylan Rhimes Remix). It's been a while since Sneaker Pimps graced us with any new tracks and it wasn't a single breakbeat of sorts either. The same can be said of Dylan Rhimes, who hasn't released a single classic track on his own since Naked and Shamed at 97. The bass line and melody feel as if Crystal Method have had a hand in creating this as it feels so US West Coast breakbeat. This track uses a lot of build ups to it and basically reaches a climax, and there is no singer on it as we normally can expect from the Sneaker Pimps track. Rennie Pilgram and BLIM - Monkfish. In the team of two breakbeat superheroes once again. After a huge blow by the Eskimos, heads breaks are treated to a potential classic - Monkfish. Since this tribal feel that Pilgrem is so keen to move TCR in, it's the same feeling. It's nice to see that they're not saving their ideas just for Rennie's label. If you have a new album Tribalizm, then you are pretty much behind the same thing. Elite power - Haiku. This track has more of that four-on-the-floor tech feel. Bassline makes me pump up. Tribal punches in the middle can cause some havoc on the dance floor breaks. I still don't understand why they called this track Haiku. There's nothing to do with it. Broadway Danny Rose - Night elastic. More techy breaks and this one top heavy on tech sounds, and it sounds pretty evil to that. The beats are less noticeable and it just shows that decent track breaks don't always have to have crazy beats however it does change the song's dancefloor friendliness. Subsonic Legacy vs. Dreadzone - Phantom. This is apparently a classic track breaks with '92, and makes an appearance on Stanton Warrior Stanton session album called Version Of Excursions and has been remixed by Laio and Bushwacka. Here we see it given a low-down sub bass remix treatment for a while fingerlickin cohort, Dreadzone. As with many Dreadzone tracks it's a bit of a ragga feel to it and uses a lot of bass yet to maintain the feel of the original. Unlike the L'B remix, the bass line is kept at a low volume and gives it a really dark Can be quite possessable. 10 Kilo Records really put out an impressive release with this if you want and after a little variation from the usual batch vibe you get from Fingerlickin' then you can try this. Even if it's as good as it is, it doesn't get a full 10kg score. Maybe about 8 kilograms still it's still a good score. Page 23 Tony Humphries - Fabric 04 When it comes to military horses in the dance industry, Tony Humphries is the name that comes to mind. From his first professional DJ gig in 1975 in Manhattan to his residency at Fabric, he is a legend in the DJ circuit. His production career is just as impressive, with remixes for Janet Jackson among others. His latest blend is also another chapter in the always impressive Fabric series. This mix is a little different from previous efforts from the likes of Richards and Marsh. It's a mixture with a lot of variety. Mainly consisting of the trademark soulful Humphries sound with recordings such as Partial Art Canopy and Yukihiro's Play. There are techier moments out there as well with Floppy Sounds excellent Late Night. Some classic vocal house numbers come in shape How does it feel? By Househeadz and the Soldiers of Twilight Believe. Bertrand Burgalat's Sunshine Yellow adds a more twisted element later in the mix with his quirky beats and sampled vocals. Then the mixture ends with some soulful house in the form of Kingsburg by projections and zoology of Jaztronic. The result? A very calm mix for those lazy Sunday afternoons. Well built with a bright selection of track, fans of Tony Humphries will not be disappointed. Page 24 Deadly Avenger - FabricLive.04 Now let me just say from the beginning that FabricLive 04 by Deadly Avenger is my least loved effort from the flawless Fabric series. Let me then say that this is by no means a bad combination, far from the wrong, the only fault being among the pure geniuses of Craig Richards, Terry Francis, John Marsh and many talented others. It is quite unique to a series covering elements of hip hop, rap and drum and bass, but it also showcases the fantastic Turntabilism of the Deadly Avenger. It's a fun party mix, fun time operative word, and it definitely has its moments. The first tune, We Took Pelham Deadly Avenger is a belter, cinematic and empowering to say the least. London Sound presented by Put Em Up by Frank Delor. DJ LBR's Make Some Noise is sure to get some moves. We shoved back into the 80's with I Believe in Miracles by the Jackson Sisters. Many will be familiar with the amusing Crooklin clan Let's get sick - it's the right dog! Many will think if they have the right album as soon as Jackson 5's I want you back fills the sound waves. Petricone's Handz Across The Water Mix concludes the mix with some heavy beats and scratched songs. It's a party mixture of this, such I must say that I really liked this combination. It runs through the twists and turns of mixing rough contemporary sounds with 80s classics. Cleverly scratched, cut, gashed, cut and pasted by a deadly avenger, I'm sure he's the man who had Fabric's numbers in a frenzy. Page 25 Spoon Wizard - Believe or suffer Spoon Master can be an outfit that is very unfamiliar to Australian audiences. They have, however, developed fans in Europe by playing glastonbury among other festivals, and to win the support of DJs and acts such as Dj Dan, Hybrid, Way Out West, Stanton Warriors, Anthony Papp and Jimmy Van M. Believe or Suffer will be their first album to get a full release in Australia, something I'm sure pleases Graham Gray and Neil Anderson who make up Spoon. After this release, however, I'm sure breaks fans will be more aware of this very talented duo because this album is very, very impressive. The album's opening track, Hardened gets straight into action - quick breaks with wide strings - a fantastic opening. Seven displays Spoon's calmer approach with Neil on vocals, while Spoonkey combines more progressive sounds with breakbeat. Recycling their first breakbeat tune, Pantaloon included. Stop Forking About gives us a hint of acid breaks. Cutlery Shuffle is a certain highlight of the album with Neil's vocals again used, as well as solid beats and uplifting melodies. The album concludes with Pink Saturday, a trans break that is sure to leave you more than satisfied. Big album, and a great future ahead of these guys. Based on the evidence of this album, Spoon Wizard is sure to be a household name in the break scene. Let this album listen, you won't be disappointed. Page 26 Craig Richards and Lee Burridge - Tyrant 2 Craig Richards was born in 1966 in Bourne ... blah blah. I'm not going to bother to give you the story of these 2 wonderful DJs, all you need to know is what these guys sound like now. Craig Richards and Lee Burridge are a tyrant - Sasha sits in the back seat to some extent from time to time. Their sound is fresh; it's an addictive drug some might say. This training is still entertaining, this uplift is still dangerously deep, it's smooth but tough shiny. Tyrann 1 was revolutionary - he made other collections of his time sound stale. This installment, for the misfortune of other DJs, again made most of the other bar mixes the odd exception, falling on the ass. It made me look pretty ordinary on public transport with my Discman as I look somewhat perplexed about how music can get so good! Enough of my embarrassment - on musical bodies. This review can now go on for 38 pages. I would love to analyze and dissect each of the 32 tracks on these 2 CDs, but but (For me, most likely) can only divulge a few highlights, and believe me, there are highlights on every corner. No shoes, no cake (CD1) starts with tribalations Falling Down, the perfect introduction to the tyrant sound that I'm talking about. Raasbucket Nathan Coles is a straight paradise on record, drums performed to perfection. The energy at Midjut Boys is funkified by the chaos that got the feel it proclaims - yes, definitely! The bouncing base of KBS Groove DJ Linus has closely followed the base, which stops bouncing while snarling in your direction - the culprit is Rock on the Coast 2 coast. Orbit 1.3 from Second Hand Satellites sums up itself quite comfortably - beautiful - nothing strange about its brilliance. Beat Dis from Omni Am is as good as house music might get chased by Chick N Stew in San Francisco's Mark Farina, who, on the other hand, just put it sexy. Die Sonne's zig-zag Uber undoubtedly turns the heat on this mix while the soothing melody and lush vocals of Love Variations on Soul Patrol calls for an end to the first half of proceedings in the highest fashion one might ask for. Take a break - get your breath back. Tirana's training is not over yet. Pushing Doors Marked Pull (CD2) throws you straight back into the deep end with Martin Landsky's crushing baseline and delayed synth Pfhey. You'll be asking what kind of place Craig and Lee are taking you with Brett Johnson's very first-rate record, Stucco Home. You are guaranteed to love PJ Stroller's Rocky Mountain Remix with its rumbling drums and electro beats. TGM and Teknostep's Spandia has a progressive edge to it with a subtle but empowering piano line in a breakdown fully equipped with an appropriate baseline - it's got it all. You'll be in no time in pure delight, as I was when Nectar Concussive hits your ears - and when Renaissance-style string 11 to sound like a pound enter you will hopefully be pushed over the edge of the realms of happiness. Orion Music One brings that end of the night smile on your face, which is then firmly fixed on your head for the next few hours, as Plantastik's Familamily leaves you with the knowledge that your ears have been treated to something very, very special over the last few hours. It's pretty obvious that I liked this combination a little bit. This must be purchased for dance music lovers. It's like a lovely red wine or a lovely whiskey whiskey, you know deep inside that quality looks you in the face. It's the kind of mix that makes you forget about the problems you have and convinces you that the music we listen to is a godsend. It's not often it happens in a CD mix, most just come and go like a one night stand, Tyrant 2 my good friends is the one you pray won't go away with. Tracklist: No Shoe No Cake 01 - Tribalation - Fall 02 - Nathan Coles - Raasbucket 03 - Sumnerik - Crazed Cello 04 - Jefferys Lee - Echo Jazz 05 - Idjut Boys - Energy 06 - Lee Burridge - Lost and 07 - DJ Linus - KBS Groove 08 - Coast 2 Coast - Rock 09 - Kenny Hawkes - Ashley War 10 - Second Hand Satellites - Orbit 1.3 11 - Omni AM - Beat Dis 12 - Sounds Out Around - Things Fall Apart 13 - Mark Farina - Chick N Stew 14 - Callisto - Resistance 15 - Sig Uber Die Sonne - Hot 16 - Soul Patrol - Love Variations Pushing Doors Marked Pull 01 - Panoptica - And L 02 - Martin Landsky - Pshey 03 - Brett Johnson - Stucco Homes 04 - DJ F.E.X. - So Special 05 - Shuffle INC - Remember Chicago (Swag Remix) 06 - Metta and JT Love - Day Shuffle 07 - PJ Stroller - Gravy (Rocky Mountain Remix) 08 - DJ Garth and Eric James Present Rocket - Standby 09 - TGM - Teknostep - Spandia 10 - Hush - Chop - Drummers Dawn 11 - Ivan I - All Tings Dub 12 - Nectar - Consume 13 - Sound as a Pound - 11 14 - Karnak - Black Rain 15 - Orion Music Gifts - One 16 - Plantastik - Familamily Familamily

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