Most Senate Resignations in Three Years Shanel Edwards, Former On-Campus Nelson Toriano Was Not Present
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Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Kid Koala Featuring Emilíana Torrini Music to Draw To: Satellite Album Biography
Kid Koala featuring Emilíana Torrini Music To Draw To: Satellite Album Biography Kid Koala’s Music To Draw To: Satellite is an uncharted musical journey for the legendary scratch DJ, producer, and composer. Eric San ’s fifth studio album is an expansive work of ambient electronic soundscapes and chilling dream-pop ballads sung by Icelandic artist Emilíana Torrini. Satellite is the renowned audio-collagist’s first non-sample-based record, with Kid Koala composing, performing, and producing with an array of synthesizers, keys, guitars, strings, turntables, noisemakers, and inventive recording techniques. This inaugural volume in the Music To Draw To collaboration series also finds Kid Koala contributing poetic lyrics to five of Emilíana Torrini’s seven vocal contributions. Created during the gelid Montreal winter, the eighteen movements of Music To Draw To: Satellite tell a tale of discovery and loss through the lens of lovers separated by an early Mars mission. Album opener “The Observable Universe” swells in a cycle of orchestral electronic ambience, a glacial and patient overture to Satellite’s 72-minute sonic expedition. On “Collapser,” San’s heartrending poetry is sung in Torrini’s spectral, icy style, repeating the song’s sombre mantra over a pulsating sequence of keyboards, analog synthesizers, samplers, and controllers: No plan, no map, at this rate, we’ll all collapse. About working with the vocalist, San says: “Emilíana is one of my favourite singers in the world. I’ve been following her work since her first album. She’s just got one of those singular voices that captivated me years ago. Even when she is singing at whisper quiet levels, it’s enough to crack your heart open.“ Following their meeting at one of Emilíana’s shows at Joe’s Pub in New York, the pair bonded over a mutual appreciation of one another’s work. -
Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29). -
Satellite Credits
Kid Koala RIC SAN (or DJ Kid Koala as he is known) is a master of pushing the SATELLITE boundaries of turntable artistry to THURSDAY, MAY 2, 7:30 PM E incredible effect. In his first visit to Carolina FRIDAY, MAY 3, 8 PM Performing Arts, he puts the imaginative style for SATURDAY, MAY 4, 8 PM which he is renowned on display with two unique CURRENT ARTSPACE + STUDIO experiences. During Satellite, audience members are seated at ROBOT DANCE PARTY stations equipped with a turntable, effects box, SATURDAY, MAY 4, 10 AM & 2 PM and a small crate of color-coded vinyl records. SUNDAY, MAY 5, 2 PM Through subtle lighting changes in the room, the CURRENT ARTSPACE + STUDIO audience is cued to play along with DJ Kid Koala, who leads them from his DJ booth. The idea for Satellite emerged from Kid Koala’s Music To Draw To series, where he would spin SATELLITE CREDITS calming music for people to draw or write Eric San, Musician / Composer to, creating a powerful creative energy in the Felix Boisvert, Musician / Turn Table room. He wanted to create an experience that Conductor was “deliberately slow, meditative, emergent, Karina Bleau, Chemical Puppeteer and creative, where everyone in the room Brian Neuman, Production / Tour Manager contributed in a small way to create the music.” carolinaperformingarts.org 55 The audience is an integral part of the show, Kid Koala is a world-renowned scratch DJ, accompanying Kid Koala to create an “ambient vinyl music producer, and an award-winning graphic novelist. orchestra,” melding their individual strains into a He has released four solo albums on Ninja Tune, including fluid body of sound. -
IT's GOIN DOWN As Recorded by Linkin Park Ft
IT'S GOIN DOWN As recorded by Linkin Park ft. The X-Ecutioners and Wayne Static (From the 2005 Album BUILT FROM SCRATCH) Transcribed by Lloyd Samuell Words by Mike Shinoda Music by Linkin Park, X-Ecutioners, Wayne Static Arranged by Linkin Park, X-Ecutioners, Wayne Static A Intro = 209 All guitars tuned drop d down one semitone: Db Ab Db Gb Bb Eb. D5P 1 g I 4 U U GtrU I U T A 0 (0) B 0 (0) 0 (0) D5 C D5 C 3 g V V V V V I c j V V V k k c V c V V V } V } V V u } } V V } V } V GtrV I V } V } V V } } V V } } T 5 5 5 5 5 5 5 5 5 5 A 0 0 x 0 x 0 0 x x 0 0 5 5 B 0 0 x 0 x 0 0 x x 0 0 x 3 x 3 0 0 x 0 x 0 0 x x 0 0 x x D5 C D5 7 g V V V I c j V V V k k V V } V } V V u } } V V V Gtr I V } V } V V } } V V T 5 5 5 5 5 5 A 0 0 x 0 x 0 0 x x 0 0 B 0 0 x 0 x 0 0 x x 0 0 0 0 x 0 x 0 0 x x 0 0 Generated using the Power Tab Editor by Brad Larsen. -
Deltron 3030
K k NOVEMBER 2013 KWOW HALL NOTES g VOL. 25 #11 H WOWHALL.ORGk Shook Twins intertwine gor- the sentiment still stands.” geous “twin” harmonies with an eclectic and eccentric blend of folk, THE GREAT HIATUM roots, pop and fun. But don’t be Subscribing to the genre “dance fooled. The Shook Twins are not rock,” The Great Hiatum provide your average folk group. They a spectrum of sound from toe- have a few tricks up their sleeves. tapping jazzy tunes to raging punk Laurie may drop a beatbox in the jams. They have evolved a middle of a song, while Katelyn dynamic body of work drawing plays the guitar, glockenspiel, man- from each band member’s distinct dolin and sings into a telephone interests. TGH incorporates elec- and bocks like a chicken. Laurie tronic beat sampling mixed with plays wah-wah banjo and loops live drums, savage guitar licks, various melodies and beats to make high energy grooves, synth effects, it sound like more than just two and powerful female lead vocals. identical twin sisters. The Great Hiatum was birthed For the past year Shook Twins in 2010 and currently consists of have been touring throughout the Melissa Randel (lead singer), western states behind their 2011 James Aronoff (guitar), Max release, Window. They have Miller (bass), Travis Lien (drums) opened for Langhorne Slim, Blitzen and Melissa’s brother Keith Trapper, Elephant Revival, Sara Randel (lead guitar). Jarosz, David Grisman, and The Great Hiatum has been Carolina Chocolate Drops. Their recently recognized as the Best song “Rose” was featured in NPR’s Student Band by the Oregon GRRRLZ Rock Gives Thanks! Muse Mix, and an exclusive audio Daily Emerald. -
Yamaha – Pianosoft Solo 29
YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4. -
Nufonia Must Fall BE PRESENT Table of Contents
2015-16 UMS LEARNING GUIDE Nufonia Must Fall BE PRESENT Table of Contents 04 05 06 19 ATTEND THE DETAILS LEARN CONNECT 07 Why? 20 Being an Audience Member 09 Artist 23 Arts Online 12 Art Form 25 Recommended Reading 15 Performance 29 Writing About Live Performance 32 About UMS 34 Credits and Sponsors BE PRESENT 2 UMS SCHOOL DAY PERFORMANCE march 10 Nufonia Must Fall Thursday, March 10 // 11 am Power Center BE PRESENT 3 Attend Coming to your E-mail Inbox! Map and Driving Directions Logistical Details (drop-off/pick-up locations) Venue Information UMS.ORG / 734.615.0122 BE PRESENT 4 The Details ACCESSIBILITY We aim to maximize accessibility at our performances and below are details regarding this performance’s points of accessibility. If you have further questions, e-mail [email protected] or call 734-615-0122. The following services are available to audience members: • Wheelchair, companion, or other special seating • Courtesy wheelchairs • Hearing Impaired Support Systems PARKING There is handicapped parking very close to the Power Center on Fletcher Street and in the parking structure behind the Power Center on Palmer Drive. The first three levels of the Palmer Drive structure VENUE ADDRESS have five parking spots on each level next to each elevator. There are Power Center, 121 Fletcher St, Ann Arbor, MI 48109 a total of 15 parking spaces in the garage. EMERGENCY CONTACT NUMBER WHEELCHAIR ACCESSIBILITY 734.764.2538 The Power Center is wheelchair accessible and has 12 seats for audience members with special needs. ARRIVAL TIME Between 10:30-10:50am BATHROOMS ADA Compliant toilets are available in the green room (east corner) of the TICKETS Power Center for both men and women. -
Xavier.Edu/Student Newspaper
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2001-09-26 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2001). All Xavier Student Newspapers. 2889. https://www.exhibit.xavier.edu/student_newspaper/2889 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. .Campus events highligh~ divers·ity XAVIER._·• •OMA honors Shuttlesworth ··Masks on display in Cohen Center NEWSWIRE PHOTO BY DEVIN MATHIS T H·E XAVIER U N I V E R S I T Y. 87th year, issue 6 · week of SEPTEMBER 26, 2001 www.xu.edu/newswire/ OMA Panelists. address healing. BY LORI GOETZINGER Campus News Editor offers Representatives from · six • world religions met on Sept. 20 new series at a panel discussion entitled "Re~ sponding to Sept. 11: An Interac BY COLIN MCDERMOTT Contributing writer tive, Interreligious Public Forum for Discussion, Reflection and Xavier University's Office of Prayer." Multicultural Affairs (OMA) is Members of the panel in starting a new series entit.led cluded Bret Shull, representing "Colloquium." The series was de the Baha'i faith; Michael veloped by Paul James, director Atkinson.. representing Bud of Multicultural .Affairs, and its dhism; Patricia Brown, represent goal is to enlighten understand ing Protestant Christianity; Paul ings of face, diversity and differ Knitter, representing Roman ent perspectives of past struggles. -
Saxofonisté V Kapelách Milese Davise
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra dechových nástrojů Hra na klarinet Saxofonisté v kapelách Milese Davise Diplomová práce Autor práce: BcA. Lukáš Dittrich Vedoucí práce: Mgr. Rostislav Fraš Oponent práce: doc. MgA. Vít Spilka Brno 2016 Bibliografický záznam Dittrich, Lukáš. Saxofonisté v kapelách Milese Davise. [Saxophonists in Miles Davis’s bands]. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra dechových nástrojů, 2016. 55 s. Vedoucí diplomové práce Mgr. Rostislav Fraš. Anotace Práce s názvem „Saxofonisté v kapelách Milese Davise“ pojednává o hráčích na saxofon, se kterými Miles Davis spolupracoval v jeho různých tvůrčích obdobích. Ty nejvýznamnější jsem popsal v samostatných podkapitolách, kde se zabývám jejich životní cestou, hráčským stylem i nástrojovým vybavením. Annotation Thesis with title „Saxophonists in Miles Davis’s bands“ is focused on the saxophone players with whom Miles Davis worked in his various creative periods. The most important I have described in separate sections which deal with their way of life as well as players style and saxophone equipment. Klíčová slova Miles Davis, saxofonisté, jazz, umělecká období, porovnání Keywords Miles Davis, saxophone players, jazz, creative periods, comparison Prohlášení Prohlašuji, že jsem diplomovou práci vypracoval samostatně a za použití uvedených informačních zdrojů. V Brně, dne 1. 5. 2016 Lukáš Dittrich Obsah 1 Úvod……………………………………………………………………………………....5 2 Cool jazzové noneto…..………………………………………………………………......6 2.1 Gerry -
The Ithacan, 2001-02
Ithaca College Digital Commons @ IC The thI acan, 2001-02 The thI acan: 2000/01 to 2009/2010 2-28-2002 The thI acan, 2002-02-28 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_2001-02 Recommended Citation Ithaca College, "The thI acan, 2002-02-28" (2002). The Ithacan, 2001-02. 21. http://digitalcommons.ithaca.edu/ithacan_2001-02/21 This Newspaper is brought to you for free and open access by the The thI acan: 2000/01 to 2009/2010 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 2001-02 by an authorized administrator of Digital Commons @ IC. VOL. 69, No. 20 THURSDAY ITHACA, N. y. FEBRUARY 28, 2002 28 PAGES, FREE www.ithaca.edu/ithacan - :· ·, The NewJp!l,pe.r Jo/the Ithaca College Community . - .. , .,,. ...·.· ···. ·- ·. -· - ,_ ~ :-, . > ~- - • . ~ . Surveying subsfh:ricetl$€ College denies 'J· full RA raise BY EMILY PAULSEN of any recent years. _,_<". ·· ... ·- Staff Writer He said he is hopeful that even greater changes will come in -· .. -. ·\--Sir:- -.· Resident assistants will receive the future. ',•': ,', a higher percentage of room-and "I am disappointed but opti ·-··}Js;P board costs for their compensation mistic," he said. "I think the dif next academic year. ferentiation between new and re However, the increase is less turning RAs is a positive change. I than the Office of Residential Life think the small increases approved requested in its 2002-2003 budget this year will pave the way for proposal. greater compensation in the future." The proposal, which came Sophomore Lauren Guida, an from resident assistants on the RA in Talcott Hall, said she plans Student Input Board, requested an on returning to her job next year and increase to 100 percent compensa is pleased with the progress made tion for returning RAs during a in salary increases. -
Can Foresight Processes Operationalize the Notion of Sustainability?
Can Foresight Processes Operationalize the Notion of Sustainability? By Leah A. Soroka A Thesis Presented to The University of Guelph In partial fulfillment of requirements for the degree of Doctor of Philosophy in Rural Studies Guelph, Ontario, Canada © Leah A. Soroka, May 2016 Abstract CAN FORESIGHT PROCESSES OPERATIONALIZE THE NOTION OF SUSTAINABILITY? Leah A. Soroka Advisors: University of Guelph, 2016 Professors Allan Lauzon and John FitzGibbon Arden Brummell In an increasingly complex world, many business leaders, politicians, citizens, and NGOs desire sustainability, but the academic literature is insufficient with insights on how to operationalize sustainability. The commonly mentioned Brundtland definition of sustainability refers to making decisions that benefit today but are also beneficial to future generations. Implicit in the definition of sustainability is consideration of the future. Given this temporal dimension inherent in the definition of sustainability, the research question is: how does thinking about the future impact decision making and enhance sustainability? Linking the future to the definition of sustainability, foresight or future studies may be essential to operationalize sustainability. After a review of the literature on sustainability, the researcher proposes a theoretical construct known as the Sustainability Heuristic Model where thinking about the future fosters social learning, adaptability and sustainability. In this model, foresight methodologies promote the development of adaptive capacity through the development of options, technologies, and solutions that support sustainability. The consideration and practice of these options opens thinking, consciousness of changes, and the generation of ideas and options for action. The combination of these factors increase the likelihood that decisions move the achievements toward sustainability.