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Tourism Under RDC, CD, Cuttack ******* Tourism Under This Central Division Revolves Round the Cluster of Magnificent Temple Beaches, Wildlife Reserves and Monuments
Tourism under RDC, CD, Cuttack ******* Tourism under this Central Division revolves round the cluster of magnificent temple beaches, wildlife reserves and monuments. Tourism specifically in Odisha is pilgrimage oriented. The famous car festival of Puri Jagannath Temple has got the world wide acclaim. It holds attraction of all domestic, national and international tourists, Sea Beaches like Puri, Konark, Astarang of Puri District, Digha, Talasari, Chandipur of Balasore, Siali of Jagatsinghpur District keeps the beholder at its clutch. Wild life reserves like Similipal of Mayurbhanj, Bhitarkanika of Kendrapara along with scenic beauty of nature makes one mesmerized and gives a feeling of oneness with nature, the part of cosmic power. BALASORE KHIRACHORA GOPINATH TEMPLE: Khirachora Gopinatha Temple is situated at Remuna. It is famous as Vaishnab shrine. Remuna is a Chunk of Brindaban in Orissa. It is a little town located 9 k.m east of Balasore. The name Remuna is resulting from the word Ramaniya which means very good looking. "Khirachora" in Odia means Stealer of Milk and Gopinatha means the Divine Consort of Gopis. The reference is to child Krishna's love for milk and milk products. (Khirachora Gopinath Temple) PANCHALINGESWAR TEMPLE: Panchalingeswar is located on a top of a hillock near the Nilagiri hill which is popular for its natural surroundings. The main attraction of this place is a temple having five lingas with a perennial stream, which is regularly washes the Shivalingas as it flows over them. So, to reach to the temple one has to lie flat on the rock parallel to the stream to touch and worship the lingas inside the water stream. -
Elephants in Art, Architecture and History of Orissa
Orissa Review * June - 2008 Elephants in Art, Architecture and History of Orissa Debabrata Swain Since time immemorial the elephant has been an plates makes us believe that the living species of integral part of Indian culture and heritage. The the mastodon either attracted the admiration of Vedic 'King of Gods' (Indra) assumed a distinctly the people of the valley for its gigantic structure Indian character after localization in the land of and strength or where depictions of elephants the 'Five Rivers'. He ultimately stepped from his appear on amulets they were propitiatory in nature chariot, drawn by the steeds of the Aryan horse (Sen, 1972). An outstanding icon in Indian art tamers and mounted an elephant. Sen (1972) appears in the Harappan culture for the first time states that it is indeed curious that Indra who was on a famous seal from Mahenjodaro. The seal conceived as being borne on a golden chariot shows a central figure seated on a low throne in a drawn by two or many tawny steeds, abandoned yogic position, along with which appear the his old vehicle and preferred an elephant as his elephant, tiger, rhinoceros, buffalo and deer and vahana or carrier. Craven (1976) observes that two exceedingly stylized human figures (Craven, hymns in Rigveda, the first and chief book of the 1976). Vedas compiled sometime between 1500 and ASHOKA AND THE KALINGA WAR 500 BC, were especially directed towards Indra, the God of the heavens and the warrior king, who The history of Indian Art and Architecture rode a white elephant and used the thunder bolt, is obscure between the Indus Valley period and Vajra, as his principal weapon. -
Meditating on the King's Feet? Some Remarks on the Expression Pa ̄Da
Meditating on the king’s feet? Some remarks on the expression pa ̄da ̄nudhya ̄ta Cédric Ferrier, Judit Törzsök To cite this version: Cédric Ferrier, Judit Törzsök. Meditating on the king’s feet? Some remarks on the expression pa ̄da ̄nudhya ̄ta. Indo-Iranian Journal, Brill Academic Publishers, 2008, pp.51: 93-113. 10.1007/s10783- 008-9101-2. hal-00711431 HAL Id: hal-00711431 https://hal.archives-ouvertes.fr/hal-00711431 Submitted on 25 Jun 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Meditating on the King’s Feet? Some Remarks on the Expression pādānudhyāta* Cédric Ferrier and Judit Törzsök One of the most widely used and commonest expressions occurring in Sanskrit epi- graphical sources is the compound -pādānudhyāta, which is unhesitatingly translated by ‘who meditates on the feet of.’1 This interpretation would seem strikingly odd to *The original idea of the article came from C. Ferrier, while most of the proofs and parallels have been researched by J. Törzsök, who wrote the paper. J. Törzsök is grateful to Somadeva Vasudeva and Marion Rastelli for generously sharing their etexts with her. C. -
Alampur, Garuda, Bada and Vira Temples, $75.00
DONALDSON ARCHIVE DONALDSON ARCHIVE IMAGE SITE SETS FOR SALE ANDHRA PRADESH SBHN-1 58 images, Bihar/Bengal sculpture, Buddhist; $174 .00 SBHN-2 107 images Bihar/Bengal sculpture, Hindu, $321.00. , ALM-1 25 images; Alampur, Garuda, Bada and Vira temples, $75.00 ALM-2 28 images, Alampur, Kumara T, Padma T, sculpture court; $84.00 ALS` 27 images, Alampur, Svarga Brahma complex, 680 C.E. $81.00 ALV 35 images, Alampur, Vira Brahma T. c. 680-95 C.E. $105.00. APG 44 images, Gallavali, Kumaresvara temple, c. 10th C. $105.00 APN 39 images, Narayanapuram, NilakanthesvaraT. 10th C , $117.00 ARV-1 39 images, Amaravati site images , 1st-7th C. $117.00 ARV-2 27 images, Amaravati museum images, $81.00 CRZ 13 images, Chezerla, Kapotesvara temple,, 7th C, $39.00 HMV` 50 images, Hemavati, Doddesvara temple, 8th-11th C . $150.00 HNM 28 images, Hanamkonda, Thousand pillar Temple, $84.00 JAY 29 images, Jayati temples, 9th-10th C. $87.00 LPK 44 images, Lepaksi Virabhadra temple complex, c. 16th C MUK-1 365 images, Mukhalingam, Madhukesvara T. 8-9th C $1,095.00 MUK-2 101 images, Mukhalingam, Somesvara temple, 10thC, $303.00. MUK-3 21 images, Mukhalingam , Bhimesvara T, Nagrikatakam, $63.00 NGJ 14 images, Nagarjunakonda, c. 3rd century C.E. $42.00. PLP 67 images, Palampet, Ramappa temple, 1213 C.E. $201.00 PNG 101 images, Panagal, Paccala Somesvara com, 10-15th C, $303.00 PUS 127 images, Puspagiri, temple compound, 10-16th C. $387.00. SAL 24 images, Salihumdam, Buddhist site, c. 10th C $72.00. -
Indian Architecture Previous Year Questions
Indian Architecture Previous Year Questions www.laex.in Page No. 1 https://elearn.laex.in Indian Art & Culture UPSC Previous Year Questions INDIAN ART & CULTURE UPSC PREVIOUS YEAR QUESTIONS www.laex.in https://elearn.laex.in Indian Art & Culture UPSC Previous Year Questions INDIAN ART & CULTURE UPSC PREVIOUS YEAR QUESTIONS INDEX No. of Page No. S.No. Topic Qns From To 01. Indian Architecture, Sculpture and Pottery 27 1 14 02. Indian Paintings 2 14 16 03. Indian Music 2 16 16 04. Indian Dance Forms 5 17 20 05. Languages in India 2 20 21 06. Religions in India 7 21 27 07. Indian Literature 5 27 28 08. Schools of Philosophy 2 28 30 09. Calendars in India 1 31 31 10. Martial Arts in India 1 31 31 www.laexias.co https://elearn.laex.in Indian Art & Culture UPSC Previous Year Questions 1. Indian Architecture, Select the correct answer using the code given below. Sculpture and Pottery a) 1 and 2 only 1. Consider the following pairs : b) 3 only Famous place Region c) 1 and 3 only 1. Bodhgaya Baghelkhand d) 1, 2 and 3 2. Khajuraho Bundelkhand 4. With reference to the art and 3. Shirdi Vidarbha archaeological history of India, which one 4. Nasik (Nashik) Malwa among the following was made earliest? 5. Tirupati Rayalaseema a) Lingaraja Temple at Bhubaneswar b) Rock-cut Elephant at Dhauli Which of the pairs given above are correctly c) Rock-cut Monuments at Mahabalipuram matched? Codes d) Varaha Image at Udayagiri a) 1, 2 and 4 5. Consider the following pairs: b) 2, 3, 4 and 5 Place of Pilgrimage Location c) 2 and 5 only 1. -
Sri Sathya Sai Organisation, Odisha Humble Beginnings
SRI SATHYA SAI ORGANISATION, ODISHA HUMBLE BEGINNINGS History of Sri Sathya Sai Seva Organisation is history of advent of Sri Sathya Sai Avatar and His Divine Love flowing through the Divine Manifestations in all corners of the globe. The main architect and motivator for the formation of any unit of the organisation is Bhagawan Baba Himself. After the historic announcement of Avatar in October, 1940, the pilgrimage of seekers started towards Puttaparti. The seekers find fulfillment of their journey experiencing 'Sarva Devata Swarupam' in Sri Sathya Sai the seekers are transformed into devotees. Their hearts get thrilled at the heart throbbing bhajans sung by Him. They observe with awe and ecstasy the activities of seva performed there. They come back to their places and try to experience Him by creating a similar atmosphere which thrilled them at Prashanthi Nilayam. So a bhajan group starts followed by nagarsankirtan and narayana seva and that gives birth to a bhajan mandali or seva samithi named after Sri Sathya Sai. Thus in our humble effort of experiencing Sai in our own places and to cultivate nearness with Him by engaging ourselves in activities so dear to Him, an integrated path of sadhana takes birth which we call by the name Sri Sathya Sai Seva organisation. To carry bhajans in a systematic and regular way Sri Sathya Sai Bhajan Centre was inaugurated for the first time in Prashanthi Nilayam in the Divine presence in March, 1963. Sai Bhajan movement gathered momentum in the following years. In 1965 this movement started spreading in Orissa also along with other states. -
Kharavela and Jain Cave Architectures in Udayagiri Suchitra
P: ISSN NO.: 2321-290X RNI : UPBIL/2013/55327 SHRINKHALA : VOL-II * ISSUE-VII*March-2015 E: ISSN NO.: 2349-980X Kharavela and Jain Cave Architectures in Udayagiri Abstract Jainism is one of the ancient religions of world. Khandagiri- Udayagiri is one of the oldest and prominent siddhakshetras of Digambara Jain community. It is one of the earliest Jaina rock cut shelters which command a unique place in Eastern India in the history of rock cut architecture, art and Jaina religion. The Mahamegh Vahana dynasty of Kharavela is treated as the golden period of Jainism. His spiritual vision expanded to the limitless point and he partonised Jainism as state religion). The caves in Udayagiri illustrates the Jaina legends, mythology and iconography in the Rani and Ganesa Gumphas etc. Keywords: Khandagiri-Udayagiri, Kharavela, Cave Architecture, Rock Cut Shelters, Hatigumpha, Ranigumpha, Sramanas, Arhats. Introduction Jainism is one of the ancient religions of world. The history of Jainism in Odisha traces back to the days of Parsvanatha, the 23rd Tirthankara. Khandagiri-Udayagiri is one of the oldest and prominent siddhakshetras of Digambara Jain community. King Kharavela has constructed these caves about 2000 years ago for the resting of the Jaina monks. The twin hills afford the peace of mind and the sanctity for religious pursuit. There are as many as 34 nos. of caves or cells for sramanas or Jaina monks. Some caverns are as early as Mahavirs’s time and consecreated by the visit of Arhats. Khandagiri and Udayagiri, the twin hills, are situated at a distance of 8kms to the west of Bhubaneswar Railway station. -
10.1: Literature: Sanskrit, Pali, Prakrit and Tamil 10.2: Scientific and Technical Treatises Author: Dr
Subject: History Lesson: Cultural development Course Developers : 10.1: Literature: Sanskrit, Pali, Prakrit and Tamil 10.2: Scientific and technical treatises Author: Dr. Shonaleeka Kaul Assistant Professor, Department of History, University of Delhi 10.3: Understanding Indian art: changing perspectives Author: Dr. Parul Pandya Dhar Associate Professor, Department of History, University of Delhi 10.4: Art and architecture: patronage 10.5: The Mauryan phase: monumental architecture, stone sculpture and terracottas Author: Dr. Snigdha Singh Associate Professor, Miranda House, University of Delhi 10.6: The early stupa: Sanchi,Bharhut, Amaravati and Nagarjunakonda 10.7: The rock-cut cave: Western Ghats, Udayagiri and Khandagiri 10.8: Sculpture: regional styles (up to c. 300 CE): Gandhara, Mathura and Amaravati Author: Dr. Devika Rangachari Post-Doctoral Fellow, Department of History, University of Delhi, and writer 10.9: Rock cut caves: architecture, sculpture, painting 10.10: Temple architecture, c. 300 - 750 CE 10.11: Ancient Indian sculpture, c. 300 - 700 CE Author: Sanjukta Datta Ph.D Scholar, Department of History, University of Delhi Language Editor: Veena Sachdev Production Editor: Ashutosh Kumar Assistant Professor, Lady Shri Ram College, University of Delhi NOTE: The dates in modern historical writings are generally given according to the Christian calendar. In recent years, the use of AD (Anno Domini) and BC (Before Christ) has to some extent been replaced by BCE (Before Common Era) and CE (Common Era). Both usages are acceptable, -
Rock CUT ARCHITECTURE)
1 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock Cut Architecture NEWSPAPER ANALYSIS PROGRAMME – WORK-SHEET Part - 10 Copyright © Aspire IAS All rights are reserved. No part of this document may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Aspire lAS. 2 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock cut architecture of Bihar. Some of these caves, most of which The Rock-cut structures present the most trace back to the 3rd century BC during the rule of spectacular piece of ancient Indian art specimen. the Maurya Empire (322–185 BCE), bear Most of the rock-cut structures were closely Ashokan inscriptions. These caves from the time associated with various religions and religious of the great Indian emperor Ashoka and his activities. In the beginning, remarkable Buddhist grandson, Dasharatha speak volume of the policy and Jain rock-cut structures were built in areas of religious tolerance undertaken by the two such as Bihar in the east and Maharashtra in the emperors who were otherwise Buddhists. west. Numerous caves were excavated by the Different Jain sects also thrived under their rule. Buddhist monks for prayer and residence purposes. The best example of this is Chaityas The Barabar Caves, BIHAR (prayer halls) and viharas (monasteries). Inside The Barabar Caves are the oldest examples of these rock-cut structures, windows and balconies Buddhist rock-cut architecture. and gates were carved as huge arch shaped openings. -
Later Guptas in India Study Materials
Later Guptas In India Study Materials collapsed, its fragmented remnants existed here LATER GUPTAS and there, till they too. finally disappeared from Chandragupta II had two queens, the historical map of India by the end of sixth Dhruvadevi and Kuberanaga Govindagupta and centun ad. After the decline of the Gupta Kumaragupta I were the two sons of Empire, another line of kings with names ending Chandragupta (I from the first queen and a with ‘Gupta’ rose in the Magadh region. daughter Vakataka was from his second queen. However, there is no evidence of their Kumaragupta I ascended the throne after his genealogical relationship with that of the father Chandragupta II, in AD 414 Although not Imperial Guptas. The Vallahha in Gujarat, the many details of his reign are ava,ilable, he ruled Gowda-padas in Bengal and the descendants of close to 40 years dunng which he performed the Pushyabhuti in Sthaneshwar became Ashvamedha yajna, which indicates his military independent Simultaneously, another line of Towards the end of his life the Gupta Empire Mukhari kings emerged m the northern Ganges was constant threat of invasion by the Hunas plains of Kanauj. Out of the chaos emerged the rulers. He died in AD 455. His son, powerful kingdom of Sthaneshwar. Towards the Skandagupta Vikramaditya (AD 455- end of the century, the Maukari dynasty. 467)succeeded him. But Skandagupu had to face Mukharis defeated the Guptas and captured the a political crisis, because of the threat from the entire of the Magadha region. The Guptas then other heirs to the moved towards the east, where they came throne, during his 12 years of reign. -
Rock Art (Part-2)
Rock Art (Part-2) drishtiias.com/printpdf/rock-art-part-2 Rock Art (Part-I) Rock-Cut Architecture About: The rock-cut architecture is a type of Rock Art in which a structure is created by carving it out of solid natural rock. Cave temples and monasteries are found in many parts of India, but the largest and most famous artificial caves were excavated from Western Deccan region. It was constructed during the regime of the Satavahana rulers and their successors. Timeline: This architecture had three definite phases; The earliest dating from the 2nd century BC to 2nd century AD The second from the 5th to 7th century The last from the 7th to 10th century Significance: Rock-cut architecture occupies a very important place in the history of Indian Architecture as they present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were closely associated with various religions and religious activities. Numerous caves were excavated by the Buddhist monks for prayer and residence purposes. The rock-cut architecture differs from traditional buildings in many ways. It is more similar to sculpture than architecture, as structures were produced by cutting out solid rocks. The architectures are classified into Rock-Cut Caves and Rock-Cut Temple Architecture. 1/7 Rock-Cut Caves Mauryan period: The earliest rock-cut caves in India are attributed to the Mauryan period, mainly to Ashoka (273-232 BC) and his grandson Dasharath. Caves in this period were generally used as viharas, i.e. living quarters, by the Jain and Buddhist monks. -
Udayagiri Caves
Coordinates: 23°32′11.0″N 77°46′20″E Udayagiri Caves The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh Udayagiri Caves from the early years of the 5th century CE.[2][3] They contain some of the oldest surviving Hindu temples and iconography in India.[2][4][5] They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions.[6] One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India. Udayagiri caves contain iconography of Vaishnavism (Vishnu), Shaktism (Durga and Matrikas) and Shaivism (Shiva).[7][6] They are notable for the ancient Udayagiri, Cave 5, Viṣṇu as the monumental relief sculpture of Vishnu in his incarnation as the man-boar Varaha, Varāha Avatar, general view rescuing the earth symbolically represented by Bhudevi clinging to the boar's tusk as described in Hindu mythology.[4] The site has important inscriptions of the Gupta dynasty belonging to the reigns of Chandragupta II (c. 375-415) and Kumaragupta I (c. 415-55).[8] In addition to these, Udayagiri has a series of rock- shelters and petroglyphs, ruined buildings, inscriptions, water systems, fortifications and habitation mounds, all of which remain a subject of continuing archaeological studies. The Udayagiri Caves complex consists of twenty caves, of which one is dedicated to Jainism and all others to Hinduism.[5] The Jain cave is notable for one of the oldest known Jaina inscriptions from 425 CE, while the