A New Direction
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Chic Street Oscar De La Renta Addressed Potential Future-Heads-Of-States, Estate Ladies and Grand Ole Party Gals with His Collection of Posh Powerwear
JANET BROWN STORE MAY CLOSE/15 ANITA RODDICK DIES/18 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • September 11, 2007 • $2.00 Ready-to-Wear/Textiles Chic Street Oscar de la Renta addressed potential future-heads-of-states, estate ladies and grand ole party gals with his collection of posh powerwear. Here, he showed polish with an edge in a zip-up leather top and silk satin skirt, topped with a feather bonnet. For more on the shows, see pages 6 to 13. To Hype or Not to Hype: Designer Divide Grows Over Role of N.Y. Shows By Rosemary Feitelberg and Marc Karimzadeh NEW YORK — Circus or salon — which does the fashion industry want? The growing divide between designers who choose to show in the commercially driven atmosphere of the Bryant Park tents of Mercedes-Benz Fashion Week and those who go off-site to edgier, loftier or far-flung venues is defining this New York season, and designers on both sides of the fence argue theirs is the best way. As reported, IMG Fashion, which owns Mercedes-Benz Fashion Week, has signed a deal to keep those shows See The Show, Page14 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY 2 WWD, TUESDAY, SEPTEMBER 11, 2007 WWD.COM Iconix, Burberry Resolve Dispute urberry Group plc and Iconix Brand Group said Monday that they amicably resolved pending WWDTUESDAY Blitigation. No details of the settlement were disclosed. Ready-to-Wear/Textiles Burberry fi led a lawsuit in Manhattan federal court on Aug. 24 against Iconix alleging that the redesigned London Fog brand infringed on its Burberry check design. -
The Evolution of Brassiere in the 20Th Century
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 12-10-2012 The Evolution of Brassiere in the 20th Century Jolene Khor Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Journalism Studies Commons Recommended Citation Khor, Jolene, "The Evolution of Brassiere in the 20th Century" (2012). Honors Theses. 2342. https://scholarworks.wmich.edu/honors_theses/2342 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running Head: The Evolution of Brassiere in the 20th Century 1 The Evolution of Brassiere in the 20th Century Jolene Khor Western Michigan University The Evolution of Brassiere in the 20th Century 2 Abstract It is common knowledge that a brassiere, more widely known as a bra, is an important if not a vital part of a modern woman’s wardrobe today. In the 21st century, a brassiere is no more worn for function as it is for fashion. In order to understand the evolution of function to fashion of a brassiere, it is necessary to account for its historical journey from the beginning to where it is today. This thesis paper, titled The Evolution of Brassiere in the 20th Century will explore the history of brassiere in the last 100 years. While the paper will briefly discuss the pre-birth of the brassiere during Minoan times, French Revolution and early feminist movements, it will largely focus on historical accounts after the 1900s. -
Tailoring the British Landscape: Tim Walker's Stage Designed Fashion
Tailoring the British Landscape: Tim Walker’s Stage Designed Fashion Photographs Julie MORÈRE Université de Nantes Tailoring the British Landscape: Tim Walker’s Stage Designed Fashion Photographs Julie MORÈRE Université de Nantes CRINI, EA 1162 [email protected] Résumé Tim Walker est connu pour ses séries photographiques insolites très britanniques publiées dans Vogue ou Vanity Fair, et pour son absence d’intérêt pour les images de défilés de mode, ou les photos prises en studio (pour lesquelles il éprouve cependant une curiosité grandissante). En lieu et place de cela, il bouleverse l’ordre des intérieurs des grandes demeures britanniques, ou invente des mises en scènes extravagantes en extérieur, qu’il s’agisse d’un dîner bohémien suspendu dans les arbres, d’un squelette burtonien dans un champ de roses déclinant tous les tons de rouges, d’une soucoupe volante planant au-dessus d’une horde de chiens lancés à la poursuite d’un renard dans la campagne anglaise, ou d’une poupée géante déambulant dans les bois d’un Northumberland mystérieux. Les grands espaces du paysage anglais, des contrées insulaires de l’ouest au comté du Northumberland, jusqu’au nord, vers les Highlands écossais, sont le terrain de jeu du photographe, et lorsque l’extérieur n’est pas physiquement présent, il ressurgit par le truchement d’arbres, de ruisseaux, de petits lacs, de clairières ou de neige recréés artificiellement à l’intérieur, entre les murs des grandes demeures. Walker donne vie sans contraintes à ses visions, et utilise la photographie de mode comme outil pour explorer ses rêves et désirs fantaisistes. -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath. -
The-Scenes Secrets the Sequel the Fashion
Behind the scenes hey won legions of fans as Ab Fab’s Edina and Patsy, so when THE BEHIND- Woman got to meet Jennifer THE-SCENES Saunders and Joanna Lumley in person, we had our fingers SECRETS Tcrossed that they’d live up to our high They’re famed for sipping bottles of Bolli expectations. So imagine our relief as we – but the pair reveals it’s different when walk into London’s Soho Hotel and see the director shouts, ‘Action!’ Joanna – complete with her Patsy up-do ‘This can only be kept between your – smoking out of the window. Meanwhile readers and us, but the drink is pretend Jennifer, accompanied by her dog, Olive, – it’s ginger ale,’ Joanna explains. ‘People soon has us giggling with her trademark dry want us to be slaughtered. Sometimes humour. We’re soon chatting about the film, you wish it could be true!’ which tells the story of the But there are some traditions that hapless PR pair after they the women stick to from their sitcom accidentally push Kate Moss days. Joanna does all of Patsy’s make-up into the Thames at a fashion herself, saying, ‘Once Patsy has her red party. And soon we’ve got lips on and her hair’s up, you think, all the answers to our ‘Here she comes again!’’ Jennifer has burning questions... a much simpler approach. ‘I just put a wig on!’ she laughs. THE ALL- Does Jon Hamm STAR kow Kate Moss will After Kate Moss filmed end up in the river? the scene where she falls CAMEOS into the River Thames, With a whopping 60 cameoss the pair were on hand to F – including Dame Joan Collins, Graham boost her spirits. -
Victoria's Secret As a Do-It-Yourself Guide Lexie Kite University of Utah
Running Head: VS as a Do‐It‐Yourself Guide 1 From Objectification to Self-Subjectification: Victoria’s Secret as a Do-It-Yourself Guide Lexie Kite University of Utah Third-Year Doctoral Student Department of Communication 1 Running Head: VS as a Do‐It‐Yourself Guide 2 In the U.S. and now across the world, a multi-billion-dollar corporation has been fighting a tough battle for female empowerment since 1963, and according to their unmatched commercial success, women appear to be quite literally buying what this ubiquitous franchise is selling. Holding tight to a mission statement that stands first and foremost to “empower women,” and a slogan stating the brand is one to “Inspire, Empower and Indulge,” the franchise “helps customers to feel sexy, bold and powerful” (limitedbrands.com, 2010). This is being accomplished through the distribution of 400 million catalogs to homes each year, a constant array of television commercials all hours of the day, a CBS primetime show viewed by 100 million, and 1,500 mall storefront displays in the U.S. alone (VS Annual Report, 2009). And to the tune of 5 billion dollars every year, women are buying into the envelope-pushing “empowerment” sold by Victoria’s Secret, the nation’s premiere lingerie retailer. Due to Victoria’s Secret’s ubiquitous media presence and radical transformation from a modest, Victorian-era boutique to a sexed-up pop-culture phenomenon in the last decade, a critical reading of VS’s media texts is highly warranted. Having been almost completely ignored in academia, particularly in the last 15 years as the company has morphed from a place for men to shop for women to a women-only club (Juffer, 1996, p. -
Knit a Homer NEW YORK — As the Academic Year Ends, WWD Brings You Round Two of Our Coverage of Student Fashion Shows
WYATT EXITS WARNACO/2 MUDD’S NEW BACKERS/2 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • May 25, 2004 • $2.00 Ready-to-Wear/Textiles Knit a Homer NEW YORK — As the academic year ends, WWD brings you round two of our coverage of student fashion shows. The final grade? Another handful of bright hopefuls with the right training and enough creative mojo to make things interesting. Here, from Nan Kyoung Seo, an MFA student at the Academy of Art University in San Francisco, an intricately knitted angora and lambskin coat over a silk, cotton and Lycra spandex turtleneck. Winner of the CFDA Best Portfolio Scholarship in 2003, she says her collection was inspired by “a maze in winter with snow-covered branches.” For more student designers, see pages 6 and 7. Burberry’s Bonanza: Luxe Brand Eyes Growth As Earnings Climb 75% By Samantha Conti LONDON — The turnaround is over at Burberry and now the brand’s in growth mode. Rose Marie Bravo, its chief executive officer who over the last six years has overseen the transformation of the British label from a dusty company known for trenchcoats to one of luxury’s major brands, said Monday that Burberry is entering its next phase. “In many ways, this is a new era for Burberry,” said Bravo, who joined Burberry in September 1997. “We’ve completed the turnaround, and now See Burberry’s, Page12 PHOTO BY RANDY BROOK RANDY PHOTO BY 2 WWD, TUESDAY, MAY 25, 2004 WWDTUESDAY Ready-to-Wear/Textiles New Asian Backers at Mudd GENERAL By Scott Malone more than 17,000 employees at its “We have the potential to grab factories in China and Cambodia. -
LILY COLE on Education and Achieving Her Impossible Dream
AUTUMN2013 News andand viewsviews forfor the the people people of of Glasgow Glasgow Caledonian Caledonian Universit University y LILY COLE On education and achieving her impossible dream. PAGE 0 4 . Creating the fashion leaders of tomorrow GCU British School of Fashion is launched. PAGE 10 . Bright er futures begin with GCU. Why have a strapline of ‘brighter futures begin with GCU’ if we don’t live by it? That’s why GCU, in partnership with the Open University, offers all staff the opportunity to undertake a language course, to expand upon their existing skills and open up the global opportunities available to them, through research, exchanges and beyond. Visit www.gcu.ac.uk/ oulanguages Brighter futures begin with GCU Welcome from the Principal and Vice-Chancellor I am delighted Cont ent s to introduce this new and 04 Nothing’s impossible for Honorary Graduate Lily revamped edition Model and actor Lily Cole talks to The Caledonian about her social business of The Caledonian ambitions. magazine. 07 How young people make ‘sense’ of male violence Our University is Researcher Nancy Lombard takes her work to the US and the United Nations. embarking on a 08 Fringe benefits of laughing and learning series of exciting Professor Keith Stevenson and tutor Eddie McKean hit the comedy stage projects, driven at the Edinburgh Festival Fringe. forward by the passion of our sta and 10 Creating the fashion leaders of tomorrow students, with an impressive array of Professor Christopher Moore on how the British School of Fashion has external partners. This is why I am so inspired the industry. -
Estta272541 03/17/2009 in the United States Patent And
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA272541 Filing date: 03/17/2009 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91183558 Party Plaintiff Temple University -- Of the Commonwealth System of Higher Education Correspondence Leslie H Smith Address Liacouras & Smith, LLP 1515 Market Street, Suite 808 Philadelphia, PA 19102 UNITED STATES [email protected] Submission Motion for Summary Judgment Filer's Name Leslie H Smith Filer's e-mail [email protected] Signature /Leslie H Smith/ Date 03/17/2009 Attachments TEMPLE WORKOUT GEAR SJ Motion with Exhibits and Certif of Service.pdf ( 75 pages )(1933802 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the Matter of Application No. 77/038246 Published in the Official Gazette on December 18, 2007 Temple University – Of The Commonwealth: System of Higher Education, : : Opposer, : Opposition No. 91183558 : v. : : BCW Prints, Inc., : : Applicant. : SUMMARY JUDGMENT MOTION OF OPPOSER TEMPLE UNIVERSITY – OF THE COMMONWEALTH SYSTEM OF HIGHER EDUCATION TABLE OF CONTENTS Page I. INTRODUCTION…………………………………………………………… 2 II. UNDISPUTED FACTS……………………………………………………… 3 III. THE UNDISPUTED FACTS ESTABLISH A LIKELIHOOD OF CONFUSION BETWEEN THE TEMPLE MARKS AND OPPOSER’S TEMPLE WORKOUT GEAR (AND DESIGN) TRADEMARK…………… 7 A. Likelihood of Confusion is a Question of Law Appropriate for Summary Judgment………………………………………………………………….. 7 B. Under the du Pont Test, the Undisputed Facts Establish A Likelihood of Confusion between Temple’s TEMPLE Marks and Opposer’s TEMPLE WORKOUT GEAR (and design) Mark…………………………………… 7 1. The TEMPLE Marks and the TEMPLE WORKOUT GEAR (and design) Mark Are Similar in Appearance, Sound, Connotation, and Commercial Impression………………………… 8 2. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
A Front Row Seat Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk A Front Row Seat Kirstin Sinclair ISBN 9781851496617 Publisher ACC Art Books Binding Hardback Territory World Size 240 mm x 170 mm Pages 304 Pages Illustrations 352 color Price £29.95 A rare glimpse into the life of the people setting the trends and making the fashions Features a foreword by British supermodel Erin O'Connor Presents seven years of documentary catwalk shots from New York, London, Milan and Paris Key icons from the fashion industry: Anna Wintour, Karl Lagerfeld, Kate Moss, Claudia Schiffer and also newcomers such as Agyness Deyn, Lily Cole, Gareth Pugh, Scarlett Johanssen To be launched in November 2011 at the Catwalk to Cover exhibition at London's Fashion and Textile Museum. Kirstin's work will be showcased at the exhibition alongside that of three other photographers "This is an enchanting and absorbing book that captures many facets of the fashion industry...Pure glamour" My Creative Diva "I am rarely front of house, I am always backstage. The adrenaline is amazing; placing the hats just-so, tweaking a veil, shoving in another flower, crossing my fingers and praying that my confections don't fall off! Those last moments as the girls line up backstage is the most exciting time of the entire creative process; six months condensed into a few seconds; like bolts of lightning speeding onto the runway. This book captures that moment." Stephen Jones OBE Through a series of candid photographs taken over the last seven years A Front Row Seat offers an insight into the chaos that makes up the extraordinary world of fashion shows. -
News Release
News Release Tilda Swinton, Grace Jones, Karen Elson and Grayson Perry feature in largest-ever exhibition on photographer Tim Walker – with over 150 new works inspired by the V&A’s collection Tim Walker: Wonderful Things Galleries 38a and 38 21 September 2019 – 8 March 2020 vam.ac.uk | #TimWalkerxVAM On 21 September, the V&A opens a new immersive exhibition inviting visitors to experience the fantastical imagination of Tim Walker, one of the world’s most inventive photographers. Tim Walker: Wonderful Things is the largest exhibition of Walker’s pictures to date. It celebrates his extraordinary contribution to image- making over the last 25 years and the inspirational role that the V&A’s collection plays in his creative process. At the heart of the exhibition are 10 major new photographic projects, directly influenced by treasures in the V&A’s vast collection. In preparation for the exhibition, Walker visited object stores and conservation studios, meeting many of the museum’s curators, conservators and technicians. He scoured the V&A’s 145 public galleries, scaled the roof of the 12-acre South Kensington site, and explored the labyrinth of Victorian passages below ground level. Along the way, he encountered luminous stained-glass windows, vivid Indian miniature paintings, jewelled snuffboxes, erotic illustrations, golden shoes, and a 65-metre-long photograph of the Bayeux Tapestry, the largest photograph in the museum’s collection. These and many other rare artefacts have inspired Walker’s monumental new photographs, and feature in the exhibition designed by leading British creative, Shona Heath. Tim Walker said: “To me, the V&A has always been a palace of dreams – it’s the most inspiring place in the world.