LILY COLE on Education and Achieving Her Impossible Dream
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Chic Street Oscar De La Renta Addressed Potential Future-Heads-Of-States, Estate Ladies and Grand Ole Party Gals with His Collection of Posh Powerwear
JANET BROWN STORE MAY CLOSE/15 ANITA RODDICK DIES/18 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • September 11, 2007 • $2.00 Ready-to-Wear/Textiles Chic Street Oscar de la Renta addressed potential future-heads-of-states, estate ladies and grand ole party gals with his collection of posh powerwear. Here, he showed polish with an edge in a zip-up leather top and silk satin skirt, topped with a feather bonnet. For more on the shows, see pages 6 to 13. To Hype or Not to Hype: Designer Divide Grows Over Role of N.Y. Shows By Rosemary Feitelberg and Marc Karimzadeh NEW YORK — Circus or salon — which does the fashion industry want? The growing divide between designers who choose to show in the commercially driven atmosphere of the Bryant Park tents of Mercedes-Benz Fashion Week and those who go off-site to edgier, loftier or far-flung venues is defining this New York season, and designers on both sides of the fence argue theirs is the best way. As reported, IMG Fashion, which owns Mercedes-Benz Fashion Week, has signed a deal to keep those shows See The Show, Page14 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY 2 WWD, TUESDAY, SEPTEMBER 11, 2007 WWD.COM Iconix, Burberry Resolve Dispute urberry Group plc and Iconix Brand Group said Monday that they amicably resolved pending WWDTUESDAY Blitigation. No details of the settlement were disclosed. Ready-to-Wear/Textiles Burberry fi led a lawsuit in Manhattan federal court on Aug. 24 against Iconix alleging that the redesigned London Fog brand infringed on its Burberry check design. -
Tailoring the British Landscape: Tim Walker's Stage Designed Fashion
Tailoring the British Landscape: Tim Walker’s Stage Designed Fashion Photographs Julie MORÈRE Université de Nantes Tailoring the British Landscape: Tim Walker’s Stage Designed Fashion Photographs Julie MORÈRE Université de Nantes CRINI, EA 1162 [email protected] Résumé Tim Walker est connu pour ses séries photographiques insolites très britanniques publiées dans Vogue ou Vanity Fair, et pour son absence d’intérêt pour les images de défilés de mode, ou les photos prises en studio (pour lesquelles il éprouve cependant une curiosité grandissante). En lieu et place de cela, il bouleverse l’ordre des intérieurs des grandes demeures britanniques, ou invente des mises en scènes extravagantes en extérieur, qu’il s’agisse d’un dîner bohémien suspendu dans les arbres, d’un squelette burtonien dans un champ de roses déclinant tous les tons de rouges, d’une soucoupe volante planant au-dessus d’une horde de chiens lancés à la poursuite d’un renard dans la campagne anglaise, ou d’une poupée géante déambulant dans les bois d’un Northumberland mystérieux. Les grands espaces du paysage anglais, des contrées insulaires de l’ouest au comté du Northumberland, jusqu’au nord, vers les Highlands écossais, sont le terrain de jeu du photographe, et lorsque l’extérieur n’est pas physiquement présent, il ressurgit par le truchement d’arbres, de ruisseaux, de petits lacs, de clairières ou de neige recréés artificiellement à l’intérieur, entre les murs des grandes demeures. Walker donne vie sans contraintes à ses visions, et utilise la photographie de mode comme outil pour explorer ses rêves et désirs fantaisistes. -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath. -
Building on REF Excellence £1Billion Boost to the Economy
2015 ISSUE 1 ISSUE News andand viewsviews forfor the the people people of of Glasgow Glasgow Caledonian Caledonian Universit University y £1billion boost to the economy GCU supports 14,000 jobs Page 6 Building on REF excellence Top modern Scottish university by research power Pages 4-5 Welcome to The Caledonian As the launch of GCU’s Strategy 2020 draws near, the University’s research academics are already looking to the future. Just three months after receiving the results of the Research Excellence Framework (REF) 2014, GCU is already planning for the next assessment in 2020. The REF 2014 results reaffirm the University's position as a world-class research institution, and work is under way to ensure that GCU is as prepared as it can be for the next submission. You will also read 2015 how GCU generates 1 ISSUE News andand viewsviews forfor the the people people of of Glasgow Glasgow Caledonian Caledonian Universit University y economic and social benefit worth nearly £1billion to the UK economy while supporting 14,000 £1billion boost jobs. The report also to UK economy Pages 06 notes that for every Building on REF excellence GCU is top modern university in Scotland £1 from funding by research power Pages 04-05 bodies, GCU returns Caledonian Magazine Winter 2014.indd 3 22/04/2015 10:10 £14.75 to the UK economy and £13.13 to the Scottish economy. Chief Financial Officer Gerry Milne tells us about his 32 years at GCU and former Chair of Court Tony Brian reflects on his time at the University. -
The-Scenes Secrets the Sequel the Fashion
Behind the scenes hey won legions of fans as Ab Fab’s Edina and Patsy, so when THE BEHIND- Woman got to meet Jennifer THE-SCENES Saunders and Joanna Lumley in person, we had our fingers SECRETS Tcrossed that they’d live up to our high They’re famed for sipping bottles of Bolli expectations. So imagine our relief as we – but the pair reveals it’s different when walk into London’s Soho Hotel and see the director shouts, ‘Action!’ Joanna – complete with her Patsy up-do ‘This can only be kept between your – smoking out of the window. Meanwhile readers and us, but the drink is pretend Jennifer, accompanied by her dog, Olive, – it’s ginger ale,’ Joanna explains. ‘People soon has us giggling with her trademark dry want us to be slaughtered. Sometimes humour. We’re soon chatting about the film, you wish it could be true!’ which tells the story of the But there are some traditions that hapless PR pair after they the women stick to from their sitcom accidentally push Kate Moss days. Joanna does all of Patsy’s make-up into the Thames at a fashion herself, saying, ‘Once Patsy has her red party. And soon we’ve got lips on and her hair’s up, you think, all the answers to our ‘Here she comes again!’’ Jennifer has burning questions... a much simpler approach. ‘I just put a wig on!’ she laughs. THE ALL- Does Jon Hamm STAR kow Kate Moss will After Kate Moss filmed end up in the river? the scene where she falls CAMEOS into the River Thames, With a whopping 60 cameoss the pair were on hand to F – including Dame Joan Collins, Graham boost her spirits. -
A Glasgow Caledonian University 20Th Anniversary Celebration: the Dough School in the 1950S and 1960S
A Glasgow Caledonian University 20th Anniversary Celebration: The Dough School in the 1950s and 1960s Wednesday 10 April 2013, 2.00pm to 4.00pm The Saltire Centre, Glasgow Caledonian University Presented by the Centre for the Social History of Health and Healthcare The Dough School in the 1950s and 1960s 1 The Dough School in the 1950s and 1960s A Glasgow Caledonian University 20th Anniversary Celebration: The Dough School in the 1950s and 1960s In 2012 we began to examine the history of recollections noted down by attendees at the Domestic Science. We’d also like to thank the the Glasgow and West of Scotland College July coffee afternoon. alumni office which has generously facilitated of Domestic Science, known locally, and by this event, and our colleagues Carol Barry many of its alumni, as the ‘Dough School’. Taken alongside materials from the Institutional (Programme Leader for the current BA/BA This institution had its roots in the Glasgow Archive, these new interviews provide us for (Hons) Fashion Business Programme) and Dr School of Cookery, founded in 1875, and took the first time with an insider’s account of what Jennie Jackson (Lecturer in Human Nutrition its name following a merger with the West End life was like for the students of the Dough and Dietetics) for their assistance with today’s School of Cookery in 1908. In 1975, the College School in the 1950s and 1960s. Interviewees events. We are very grateful to Lindsey Becket adopted the name of Queen’s College, and in recalled the demanding, wide-ranging nature at DARO for allowing us to reproduce part 1993 it merged with Glasgow Polytechnic to of the courses they studied and the strict of an interview that she did with Phyllida form Glasgow Caledonian University. -
A New Direction
PLUS: A closer look at the manufacturing woes in China’s A NEW Pearl River Delta. PAGE 6 DIRECTION LVMH HAS TAPPED THE OPENING CEREMONY DUO OF HUMBERTO LEON AND CAROL LIM AS CREATIVE DIRECTORS OF KENZO. PAGE 3 OVERSEAS EXPOSURE Kellwood Mixes It Up With Scotch & Soda By LISA LOCKWOOD WHEN MICHAEL KRAMER WALKED INTO SCOTCH & Soda’s fi rst U.S. store in Manhattan’s SoHo neigh- borhood, he was blown away. “I had a coronary. I was ‘Oh my God, the product is amazing,’” said Kramer, TUESDAY, JULY 12, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 president and chief executive offi cer of Kellwood Co. “I called them and they weren’t for sale, but I just WWD kept banging on their door,” he said. After six months of negotiations, an affi liate of Sun Capital Partners and Kellwood reached a deal Monday to acquire the Amsterdam-based fashion brand. “They are true designers that keep innovating,” said Kramer, noting the deal is expected to close next month. Terms of the private transaction weren’t disclosed, and the Scotch & Soda founders and man- agement team will continue in their respective roles. Kramer said Scotch & Soda’s business generates wholesale volume of 250 million euros, or $350 mil- lion at current exchange, and represents Kellwood’s biggest and fi rst international acquisition. “It’s huge and it’s hugely profi table,” Kramer said. Begun as a men’s wear label, Scotch & Soda has expanded to include a women’s collection called Maison Scotch, a boys’ collection called Scotch Shrunk, a girls’ collection called Scotch R’Belle, and its most recent venture, Amsterdams Blauw, a high- profi le denim collection. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
A Front Row Seat Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk A Front Row Seat Kirstin Sinclair ISBN 9781851496617 Publisher ACC Art Books Binding Hardback Territory World Size 240 mm x 170 mm Pages 304 Pages Illustrations 352 color Price £29.95 A rare glimpse into the life of the people setting the trends and making the fashions Features a foreword by British supermodel Erin O'Connor Presents seven years of documentary catwalk shots from New York, London, Milan and Paris Key icons from the fashion industry: Anna Wintour, Karl Lagerfeld, Kate Moss, Claudia Schiffer and also newcomers such as Agyness Deyn, Lily Cole, Gareth Pugh, Scarlett Johanssen To be launched in November 2011 at the Catwalk to Cover exhibition at London's Fashion and Textile Museum. Kirstin's work will be showcased at the exhibition alongside that of three other photographers "This is an enchanting and absorbing book that captures many facets of the fashion industry...Pure glamour" My Creative Diva "I am rarely front of house, I am always backstage. The adrenaline is amazing; placing the hats just-so, tweaking a veil, shoving in another flower, crossing my fingers and praying that my confections don't fall off! Those last moments as the girls line up backstage is the most exciting time of the entire creative process; six months condensed into a few seconds; like bolts of lightning speeding onto the runway. This book captures that moment." Stephen Jones OBE Through a series of candid photographs taken over the last seven years A Front Row Seat offers an insight into the chaos that makes up the extraordinary world of fashion shows. -
Last-Christmas-Movie-Production
UNIVERSAL PICTURES Presents In Association with PERFECT WORLD PICTURES A CALAMITY FILMS Production A FEIGCO ENTERTAINMENT Production A PAUL FEIG Film EMILIA CLARKE HENRY GOLDING MICHELLE YEOH and EMMA THOMPSON Executive Producer SARAH BRADSHAW Producers DAVID LIVINGSTONE, p.g.a. EMMA THOMPSON, p.g.a. PAUL FEIG, p.g.a. JESSIE HENDERSON, p.g.a. Story by EMMA THOMPSON & GREG WISE Screenplay by EMMA THOMPSON and BRYONY KIMMINGS Directed by PAUL FEIG Last Christmas_Production Information 2 PRODUCTION INFORMATION EMILIA CLARKE (HBO’s Game of Thrones, Me Before You), HENRY GOLDING (A Simple Favor, Crazy Rich Asians), MICHELLE YEOH (Crazy Rich Asians; Crouching Tiger, Hidden Dragon) and two-time Oscar® winner EMMA THOMPSON (Sense and Sensibility, Saving Mr. Banks) star for director PAUL FEIG (A Simple Favor, Spy, Bridesmaids) in Last Christmas, a romantic comedy inspired by a GEORGE MICHAEL beat, from a screenplay by Academy Award® winner Thompson (Sense and Sensibility, Nanny McPhee) and writer/performer BRYONY KIMMINGS. Kate (Clarke) harrumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart … and you gotta have faith. Set in London during the 2017 holiday, Last Christmas features the music of George Michael and Wham!, including the bittersweet holiday classic of the film’s title. -
News Release
News Release Tilda Swinton, Grace Jones, Karen Elson and Grayson Perry feature in largest-ever exhibition on photographer Tim Walker – with over 150 new works inspired by the V&A’s collection Tim Walker: Wonderful Things Galleries 38a and 38 21 September 2019 – 8 March 2020 vam.ac.uk | #TimWalkerxVAM On 21 September, the V&A opens a new immersive exhibition inviting visitors to experience the fantastical imagination of Tim Walker, one of the world’s most inventive photographers. Tim Walker: Wonderful Things is the largest exhibition of Walker’s pictures to date. It celebrates his extraordinary contribution to image- making over the last 25 years and the inspirational role that the V&A’s collection plays in his creative process. At the heart of the exhibition are 10 major new photographic projects, directly influenced by treasures in the V&A’s vast collection. In preparation for the exhibition, Walker visited object stores and conservation studios, meeting many of the museum’s curators, conservators and technicians. He scoured the V&A’s 145 public galleries, scaled the roof of the 12-acre South Kensington site, and explored the labyrinth of Victorian passages below ground level. Along the way, he encountered luminous stained-glass windows, vivid Indian miniature paintings, jewelled snuffboxes, erotic illustrations, golden shoes, and a 65-metre-long photograph of the Bayeux Tapestry, the largest photograph in the museum’s collection. These and many other rare artefacts have inspired Walker’s monumental new photographs, and feature in the exhibition designed by leading British creative, Shona Heath. Tim Walker said: “To me, the V&A has always been a palace of dreams – it’s the most inspiring place in the world.