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Proust), 198, 218, 222–3, 239, 257, 288; 8, 258, 274, 280 Anagnorisis (Recognition), 26; Aarne, Antti, 181 Catharsis, 107; Dialectical Problem, Abbott, H Cambridge University Press 978-1-107-03366-5 — Narrative Theory Kent Puckett Index More Information Index 20 Master Plots and How to Build Arendt, Hannah, 36 Them (Tobias), 188 Aristotle, 2, 4, 14, 24–47, 60, 63, 65, 70, 74–5, 81, 107, 112, 126, 178, 182, À la recherche du temps perdu (Proust), 198, 218, 222–3, 239, 257, 288; 8, 258, 274, 280 anagnorisis (recognition), 26; Aarne, Antti, 181 catharsis, 107; dialectical problem, Abbott, H. Porter, 4, 22, 27, 39, 47; Poetics, 14, 24–46, 49, 52, 54, 129, 306 70, 114, 121, 123, 136; Topics,47 Abraham & Isaac, the story of, 167, 170 “Art as Technique” (Shklovsky), 191–2 Abrams, M.H., 71–2 Artaud, Antonin, 225 Adorno, Theodor, 260 artistic motivation (Tomashevsky), Aesthetics (Hegel), 137 201, 204, 214 Alber, Jan, 331 Auerbach, Erich, 14, 23, 165–75; Alber, Jan & Monika Fludernik, 306 “Figura,” 171; legend & history, Alice’s Adventures in Wonderland 174; Mimesis: The Representation (Carroll), 194 of Reality in Western Literature, Alive (Marshall), 28 165–75 Althusser, Louis, 91, 212, 332; Austen, Jane, 48, 202, 204; “First “Ideology and Ideological State Impressions,” 202; Pride and Apparatuses,” 91 Prejudice, 202–3, 269 The Ambassadors (James), 124–5 anachrony (Genette), 11, 92, 110, Bakhtin, Mikhail, 5, 14, 23, 48, 55, 70, 264 84, 93, 125, 134, 153–65, 193, 204, anagnorisis, recognition (Aristotle), 26 214, 220, 225, 229, 231, 243, 247, analepsis (Genette), 11, 256–7, 264, 253, 267, 288; “The 266, 274, 281 Bildungsroman and Its “Analysis Terminable and Significance in the History of Interminable” (Freud), 117 Realism,” 182; chronotope, 15, Anderson, Benedict, 58, 319 157, 229, 231, 253, 267, 288; The Antigone (Sophocles), 50–1 Dialogic Imagination, 153; antinomy, 13, 18, 62, 93, 153, 232, Rabelais and His World, 153, 155; 254–5, 287 Problems of Dostoevsky’s Poetics, Apollo & Dionysos, 95, 111, 153–4; Toward a Philosophy of the 113, 222 Act, 153 339 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03366-5 — Narrative Theory Kent Puckett Index More Information 340 Index Bal, Mieke, 130, 306; Narratology: The Bible, 167, 173 Introduction to the Theory of Bieiser, Frederick, 74 Narrative, 130 Bildungsroman,70–1, 75 Bally, Charles, 206 “The Bildungsroman and Its Balzac, Honoré de, 90, 204, 242, 244, Significance in the History of 247, 249, 251, 278, 286; Père Realism” (Bakhtin), 182 Goriot, 80, 249; Sarrasine, 242–3 biography, 128, 146 “Bartleby, the Scrivener: A Story of The Birth of Tragedy (Nietzsche), 93 Wall Street” (Melville), 199 Black, Jeremy, 240 Barthes, Roland, 3, 5, 13–14, 23, 53, 55, Blok, Alexander, 190 65, 84, 93, 117, 180, 185, 190, 197, Bonaparte, Louis, 81, 85 209, 213, 216, 223–4, 226, 231, Booker, Christopher, 188; The Seven 233–57, 259, 274, 277, 280; Basic Plots, 188 connotation & denotation, 242, Booth, Wayne, 31, 68, 131, 319; The 246, 252; Criticism and Truth, Rhetoric of Fiction, 131, 319 235; Elements of Semiology, 210, Bordwell, David, 180, 184, 187 234; “An Introduction to the Borges, Jorge Luis, 271 Structural Analysis of Narratives,” Bourdieu, Pierre, 89 185, 233–42, 245; jouissance, 117; Bowie, Malcolm, 258, 284 Mythologies, 234, 250, 254; Bowstring: On the Dissimilarity of the readerly & writerly, 231, 233, 240, Similar (Shklovsky), 191, 326 243, 247, 254, 277–8; “The Reality Boyd, Brian, 22 Effect,” 237; S/Z: An Essay, 14, Boym, Svetlana, 21 223, 233, 240, 242–56, 277, 286; Bradley, A.C., 49, 84; Shakespearean “Utopia,” 255; Writing Degree Tragedy,84 Zero, 234, 243, Braudel, Ferdinand, 216 252, 277 Breaking Bad (Gilligan), 45 base & superstructure (Marx), 90, 109, Bremond, Claude, 180, 185 141, 196, 257, 261 Breton, André, 64 “Base and Superstructure in Marxist Bretton Woods Agreement, 242 Cultural Theory” (Williams), 92 Breuer, Josef, 107 Bataille, Georges, 64, 225 Bridget Jones’s Diary (Fielding), Beckett, Samuel, 243 129 Beethoven, Ludwig van, 58 “Bright Morning Star” (Wright), 61 Bely, Andrey, 190 Bringing Out Roland Barthes Benjamin, Walter, 60, 148; “The (Miller), 248 Storyteller,” 60 Brontë, Charlotte, 101, 131; Jane Eyre, Benveniste, Émile, 239; “The Nature of 29, 100, 131, 203 Pronouns,” 239 Brooks, Peter, 69, 82–3, 115, 133; Bernstein, J.M., 143 narrative desire, 69, 82; Reading Between Women: Friendship, Desire, for the Plot: Design and Intention and Marriage in Victorian in Narrative, 115 England (Marcus), 186 Bruner, Jerome, 307 Beyond the Pleasure Principle Buck-Morss, Susan, 57–8; Hegel, Haiti, (Freud), 114 and Universal History,58 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03366-5 — Narrative Theory Kent Puckett Index More Information Index 341 Burckhardt, Jacob, 86 Coleridge, Samuel Taylor, 199; willing Burian, Peter, 34, 49 suspension of disbelief, 199 Bushnell, Rebecca, 37 Colley, Linda, 319 Butler, Judith, 71, 312 Columbo, 264 Comay, Rebecca, 59–60, 62, 84 Capital (Marx), 82 The Comforters (Spark), 271 Carlyle, Thomas, 22 “Coming Unstrung: Women, Men, Cassirer, Ernst, 158 Narrative, and the Principles of Cast Away (Zemeckis), 28 Pleasure” (Winnett), 115 Caston, Victor, 309 Communications, 234 Catch-22 (Heller), 9 The Communist Manifesto (Marx), 82 catharsis (Aristotle), 32, 34, Community and Civil Society 40, 107 (Tönnies), 140 Cervantes, Miguel de, 48–75, 149; Don comparative analysis of narrative Quixote, 149 forms, 14–15, 123, 154, 165, 173, Chaplin, Charlie, 86; The Great 176, 185, 187, 213, 220, 260 Dictator,86 competence & performance “Characteristics” (Carlyle), 22 (Chomsky), 209 Chatman, Seymour, 25, 131, 197, 237, compositional motivation 306, 308, 321, 332; Story and (Tomashevsky), 198, 204 Discourse: Narrative Structure in condensation & displacement Fiction and Film, 237 (Freud), 109 Chaucer, Geoffrey, 48; “The Monk’s conflict, 36–7, 42, 47, 49, 64–5, 70, 75, Prologue,” 48 79, 85, 97, 113–14, 209, 221–2, 288 Chekhov, Anton, 77, 198; rifle, Congdon, Lee, 57 Chekhov’s, 77 connotation & denotation (Barthes), Chomsky, Noam, 209; competence & 242, 246, 252 performance, 209 Conrad, Joseph, 268; Lord Jim, 268 Chrétien de Troyes, 165 Corneille, Pierre, 47–8, 114 chronotope (Bakhtin), 15, 157, 229, Cortázar, Julio, 271 231, 253, 267, 288 Course in General Linguistics Citizen Kane (Welles), 30, 263 (Saussure), 206 Civilization and Its Discontents The Craft of Fiction (Lubbock), 319 (Freud), 110, 114 Criticism and Truth (Barthes), 235 Cixous, Hélène, 280 Culler, Jonathan, 5, 10, 209, 211, 257, Clarissa, or, the History of a Young 260, 262, 287 Lady (Richardson), 202 curiosity (Sternberg), 169 Clark, Katerina & Michael Holquist, 155–6 Dante, 48 Cohen, Herman, 158–9 De Quincey, Thomas, 40, 42 Cohen, Margaret, 17, 52, 89; The The Death-Bound Subject: Richard Sentimental Education of the Wright’s Archeology of Death Novel,89 (JanMohamed), 61 Cole, Andrew, 59, 64 death drive (Freud), 114, 116, 118 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03366-5 — Narrative Theory Kent Puckett Index More Information 342 Index deep structure (Greimas), 103, 220, Einstein, Albert, 158 228, 245, 253, 288 The Elementary Structures of Kinship defamiliarization, 20, 193, 195, 216, (Lévi-Strauss), 216 228, 257 Elements of Semiology (Barthes), Defoe, Daniel, 48; Robinson Crusoe, 210, 234 147 ellipsis (Genette), 265, 283 Derrida, Jacques, 82, 113, 216, 224, Ellison, Ralph, 162 226, 332 emergent (Williams), 92, 110, 203 Descombes, Vincent, 64, 216 Energy of Delusion (Shklovsky), 191 dialectical problem (Aristotle), 47 entertainment novel (Lukács), 145, The Dialogic Imagination (Bakhtin), 153 151–2 Dibelius, Wilhelm, 182 Erlich, Victor, 190, 196 Dickens, Charles, 268; Great esoteric writing, 19, 42, 121, 261 Expectations, 80, 129, 147, 268 Exercises in Style (Queneau), 6, 314 Diderot, Denis, 271 Didion, Joan, 21; “The White Album,” fabula & sjuzhet, 7, 10, 73, 189–90, 21 196, 199 diegetic levels (Genette), 100, 102, 197, fact & value, 75, 141–3, 146, 153, 161, 203, 269, 271 172, 178, 213, 257, 288 disenchantment, 143–4, 288 farce, 85, 88 Dolezel, Lubomir, 201 Favret, Mary, 59 dominant (Williams), 92, 203 Ferrell, Will, 271 Don Quixote (Cervantes), 149 ficelle (James), 124 Don’t Look Now (Roeg), 11 Fictions of Authority: Women Writers Dosse, François, 179, 190, 213, 226 and Narrative Voice (Lanser), Dostoevsky, Fyodor, 7, 125, 152–3, 162, 203 159, 163, 204, 229; Notes from Fight Club (Fincher), 28 Underground,7 “Figura” (Auerbach), 171 Douglas, Frederick, 162 Finlayson, J.G., 50 Douglas, Kirk, 266 Finnegan’sWake(Joyce), 233 Duncan, Ian, 17; Scott’s Shadow: The “First Impressions” (Austen), 202 Novel in Romantic Edinburgh,17 Flaubert, Gustave, 149, 243; Madame Dundes, Alain, 186 Bovary, 80; Sentimental Education, 149 Eagleton, Terry, 16, 70 Fleming, Ian, 240; Goldfinger, 240 Eckermann, Johann Peter, 188 Flesch, William, 309 Eco, Umberto, 234 Fleschenberg, Otmar Schissel von, 182 Edelman, Lee, 116, 118; No Future: Fludernik, Monika, 5, 12, 27, 256, 260, Queer Theory and the Death 262, 331; Towards a “Natural” Drive, 116 Narratology,27 Edge of Tomorrow (Liman), 273 focalization, 28, 129–33, 256, The Ego and the Id (Freud), 114 265, 272 Eichenbaum, Boris, 189–92 form and structure, 178 “The Eighteenth Brumaire of Forster, E.M., 26 Napoleon Bonaparte” (Marx), Foucault, Michel, 4, 94, 212, 216, 80–93, 220 224, 268; heterotopia, 268; © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03366-5 — Narrative Theory Kent Puckett Index More Information
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