Grammar Chapter 1.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons Liberty University DigitalCommons@Liberty University Liberty Baptist Theological Seminary and Graduate Faculty Publications and Presentations School 1992 Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected] Follow this and additional works at: http://digitalcommons.liberty.edu/lts_fac_pubs Part of the Biblical Studies Commons, Comparative Methodologies and Theories Commons, Ethics in Religion Commons, History of Religions of Eastern Origins Commons, History of Religions of Western Origin Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Heater, Homer, "Structure and Meaning in Lamentations" (1992). Faculty Publications and Presentations. Paper 283. http://digitalcommons.liberty.edu/lts_fac_pubs/283 This Article is brought to you for free and open access by the Liberty Baptist Theological Seminary and Graduate School at DigitalCommons@Liberty University. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of DigitalCommons@Liberty University. For more information, please contact [email protected]. Structure and Meaning in Lamentations Homer Heater, Jr. Professor of Bible Exposition Dallas Theological Seminary, Dallas, Texas Lamentations is perhaps the best example in the Bible of a com bination of divine inspiration and human artistic ability. The depth of pathos as the writer probed the suffering of Zion and his own suf fering is unprecedented. Each chapter is an entity in itself, a com plete poem.1 The most obvious literary device utilized by the poet is the acrostic; that is, poems are built around the letters of the alpha bet. -
Study on Unique Pharyngeal and Uvular Consonants in Foreign Accented Arabic
Study on Unique Pharyngeal and Uvular Consonants in Foreign Accented Arabic Yousef A. Alotaibi, Khondaker Abdullah-Al-Mamun, and Ghulam Muhammad Department of Computer Engineering, College of Computer and Information Sciences, King Saud University, Riyadh, Saudi Arabia {yalotaibi, mamun, ghulam}@ccis.ksu.edu.sa common to all Arabic-speaking countries. It is the language Abstract used in the media (television, radio, press, etc.), in official This paper investigates the unique pharyngeal and uvular speeches, in universities and schools, and, generally speaking, consonants of Arabic from the automatic speech recognition in any kind of formal communication situation [4]. (ASR) point of view. Comparisons of the recognition error Arabic texts are almost never fully diacritized and are thus rates for these phonemes are analyzed in five experiments that potentially unsuitable for automatic speech recognition and involve different combinations of native and non-native synthesis [3]. Table 1 shows all Arabic alphabet letters and Arabic speakers. The most three confusing consonants for their correspondences to consonant and semivowel phonemes. every investigated consonant are uncovered and discussed. This table also shows the phonetic description of each Results confirm that these Arabic distinct consonants are a phoneme including the place of articulation. In this paper we major source of difficulty for ASR. While the recognition rate use Language Data Consortium (LDC) WestPoint Modern for certain of these unique consonants such as /H/ can drop MSA database phoneme set rather than International Phonetic below 35% when uttered by non-native speakers, there are Alphabet (IPA). This was decided because we are using advantages to including non-native speakers in ASR. -
The Hebrew Alphabet
BBH2 Textbook Supplement Chapter 1 – The Hebrew Alphabet 1 The following comments explain, provide mnemonics for, answer questions that students have raised about, and otherwise supplement the second edition of Basics of Biblical Hebrew by Pratico and Van Pelt. Chapter 1 – The Hebrew Alphabet 1.1 The consonants For begadkephat letters (§1.5), the pronunciation in §1.1 is the pronunciation with the Dagesh Lene (§1.5), even though the Dagesh Lene is not shown in §1.1. .Kaf” has an “off” sound“ כ The name It looks like open mouth coughing or a cup of coffee on its side. .Qof” is pronounced with either an “oh” sound or an “oo” sound“ ק The name It has a circle (like the letter “o” inside it). Also, it is transliterated with the letter q, and it looks like a backwards q. here are different wa s of spellin the na es of letters. lef leph leˉ There are many different ways to write the consonants. See below (page 3) for a table of examples. See my chapter 1 overheads for suggested letter shapes, stroke order, and the keys to distinguishing similar-looking letters. ”.having its dot on the left: “Sin is never ri ht ׂש Mnemonic for Sin ׁש and Shin ׂש Order of Sin ׁש before Shin ׂש Our textbook and Biblical Hebrew lexicons put Sin Some alphabet songs on YouTube reverse the order of Sin and Shin. Modern Hebrew dictionaries, the acrostic poems in the Bible, and ancient abecedaries (inscriptions in which someone wrote the alphabet) all treat Sin and Shin as the same letter. -
Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
Torah from JTS Worship, JTS
Exploring Prayer :(בלה תדובע) Service of the Heart This week’s column was written by Rabbi Samuel Barth, senior lecturer in Liturgy and Torah from JTS Worship, JTS. Simhat Torah: Which Way When the Circle Ends Bereishit 5774 The annual celebration of Simhat Torah brings great joy to so many of us of all generations, and it is a fitting and triumphant conclusion to the long and multifaceted season of intense Jewish observance and focus that began (a little before Rosh Hashanah) with Selichot. In Israel and in congregations observing a single day of festivals, Simhat Torah is blended with Shemini Atzeret, offering the intense experience in the morning of Hallel, Hakkafot (processions with dancing) and Geshem (the prayer for Rain). At the morning service of Simhat Torah there are four linked biblical readings (three from the Parashah Commentary Torah), and the relationship among them invites us to think about the flow of sacred text in a multidimensional context. The first reading is Vezot HaBrakha, the last chapters of Deuteronomy This week’s commentary was written by Dr. David Marcus, professor of Bible, containing the final blessings from Moses to the community—and the account of the death of Moses, alone with God on Mount Nebo. To receive the final aliyah after everyone else present JTS. has been called to the Torah is considered a great honor, and the person with this honor is called up with a special formula (a short version is presented in Siddur Sim Shalom for Shabbat Bereishit with a Capital Bet and Festivals, 215) that affirms, “May it be the will of the One Most Powerful to grant abundant blessings to [insert the name of the one called] who has been chosen to complete the Torah.” With this week’s parashah, we once again commence the cycle of reading the Torah from the first chapter of Genesis, which begins with the Hebrew word bereishit. -
ב Bet ה Heh ו Vav ט Tet י Yod ך מ Mem ם
Exercise 1A: Writing the Hebrew Square Script Using the examples at the right, practice writing out the Hebrew characters on the lines provided for you. Be sure to accurately reflect the position of the letter in relation to the base line. Boxes are used to indicate final forms. Letter Name aleph א aleph bet ב bet gimel ג gimel dalet ד dalet heh ה heh vav ו vav zayin ז zayin .het ח ḥet tet ט tet yod י kaph כ yod ך kaph final kaph lamed ל mem מ lamed ם mem 3 Exercise 1A: Writing tHe Hebrew SquAre Script final mem Letter Name nun נ ן nun final nun samek ס samek ayin ע pe פ ayin ף pe final pe tsade צ ץ tsade final tsade qoph ק qoph resh ר resh שׂ sin sin shin ׁש shin tav ת tav NAme: __________________________________________________ Exercise 1A: Writing tHe Hebrew SquAre Script 4 Exercise 1B: Reading Proper Names In this exercise you will practice identifying the Hebrew consonants by reading familiar proper names. Write the English name in the space to the left of the Hebrew name. Since the alphabet has no vowels, you will have to provide vowel sounds to recognize each word. Start by trying an “a” vowel between each con- sonant. The “a” vowel is the most common vowel in Hebrew and, while it will not always be the correct one, it should help you recognize these names. לבן Laban יעקב אסתר אברהם עבדיה יצחק יחזקאל יׂשראל דוד רבקה נחמיה נבכדנאזר ירבעם ירדן מרדכי מׁשה דברה גלית יׁשמעאל עׂשו 5 Exercise 1B: ReAding Proper NAmes Exercise 1C: Hebrew Cursive (Optional) Using the examples shown, practice writing out the cursive Hebrew characters on the lines provided for you. -
A Very Virtual Holiday
A Very Virtual Holiday HOW TO PLAY DREIDEL A GAME PLAYED DURING THE JEWISH FESTIVAL OF LIGHTS, MEANING “TURN AROUND” MATERIALS NEEDED To play you’ll need a special top, called a dreidel, as well as several game pieces which can be poker chips, chocolate pieces, pennies or anything else you would like to use. Here is a link you can follow for how to make a dreidel at home using a sheet of paper and a pencil: https://youtu.be/TheEkZetsRI WHAT DO THE LETTERS ON THE DREIDEL STAND FOR? Each Hebrew letter on the dreidel stands for a word in the phrase “nes gadol haya sham,” meaning “a great miracle happened there.” This refers to the miracle of one day’s worth of oil lasting for eight days, which is why we celebrate Hanukkah today. If you find yourself playing dreidel in Israel you’ll notice that one letter is different, as “a great miracle happened here.” Below is a quick guide to each letter on the dreidel. Letter Name Dreidel Word Game Action Nun Nes Nothing happens “miracle” Gimmel Gadol Get everything in pot “great” Hey Haya Half of pot is yours (if odd number take ½+1) “happened” Shin Sham Shame! You must put 1 back into the pot. “there” HOW TO PLAY 1. To start the game, everyone gets 20 game pieces (feel free to change the amount depending on how long you want to play). 2. Each player puts 4 game pieces into the middle to create the pot. 3. Each player takes turns spinning the dreidel. -
Arabic Alphabet - Wikipedia, the Free Encyclopedia Arabic Alphabet from Wikipedia, the Free Encyclopedia
2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia Arabic alphabet From Wikipedia, the free encyclopedia َأﺑْ َﺠ ِﺪﯾﱠﺔ َﻋ َﺮﺑِﯿﱠﺔ :The Arabic alphabet (Arabic ’abjadiyyah ‘arabiyyah) or Arabic abjad is Arabic abjad the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad. Type Abjad Languages Arabic Time 400 to the present period Parent Proto-Sinaitic systems Phoenician Aramaic Syriac Nabataean Arabic abjad Child N'Ko alphabet systems ISO 15924 Arab, 160 Direction Right-to-left Unicode Arabic alias Unicode U+0600 to U+06FF range (http://www.unicode.org/charts/PDF/U0600.pdf) U+0750 to U+077F (http://www.unicode.org/charts/PDF/U0750.pdf) U+08A0 to U+08FF (http://www.unicode.org/charts/PDF/U08A0.pdf) U+FB50 to U+FDFF (http://www.unicode.org/charts/PDF/UFB50.pdf) U+FE70 to U+FEFF (http://www.unicode.org/charts/PDF/UFE70.pdf) U+1EE00 to U+1EEFF (http://www.unicode.org/charts/PDF/U1EE00.pdf) Note: This page may contain IPA phonetic symbols. Arabic alphabet ا ب ت ث ج ح خ د ذ ر ز س ش ص ض ط ظ ع en.wikipedia.org/wiki/Arabic_alphabet 1/20 2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia غ ف ق ك ل م ن ه و ي History · Transliteration ء Diacritics · Hamza Numerals · Numeration V · T · E (//en.wikipedia.org/w/index.php?title=Template:Arabic_alphabet&action=edit) Contents 1 Consonants 1.1 Alphabetical order 1.2 Letter forms 1.2.1 Table of basic letters 1.2.2 Further notes -
China's Place in Philology: an Attempt to Show That the Languages of Europe and Asia Have a Common Origin
CHARLES WILLIAM WASON COLLECTION CHINA AND THE CHINESE THE GIFT Of CHARLES WILLIAM WASON CLASS OF IB76 1918 Cornell University Library P 201.E23 China's place in phiiologyian attempt toI iPii 3 1924 023 345 758 CHmi'S PLACE m PHILOLOGY. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023345758 PLACE IN PHILOLOGY; AN ATTEMPT' TO SHOW THAT THE LANGUAGES OP EUROPE AND ASIA HAVE A COMMON OKIGIIS". BY JOSEPH EDKINS, B.A., of the London Missionary Society, Peking; Honorary Member of the Asiatic Societies of London and Shanghai, and of the Ethnological Society of France, LONDON: TRtJBNEE & CO., 8 aito 60, PATEENOSTER ROV. 1871. All rights reserved. ft WftSffVv PlOl "aitd the whole eaeth was op one langtta&e, and of ONE SPEECH."—Genesis xi. 1. "god hath made of one blood axl nations of men foe to dwell on all the face of the eaeth, and hath detee- MINED the ITMTIS BEFOEE APPOINTED, AND THE BOUNDS OP THEIS HABITATION." ^Acts Xvil. 26. *AW* & ju€V AiQionas fiereKlaOe tij\(J6* i6j/ras, AiOioiras, rol Si^^a SeSafarat effxarot av8p&Vf Ol fiiv ivffofievov Tireplovos, oi S' avdv-rof. Horn. Od. A. 22. TO THE DIRECTORS OF THE LONDON MISSIONAEY SOCIETY, IN EECOGNITION OP THE AID THEY HAVE RENDERED TO EELIGION AND USEFUL LEAENINO, BY THE RESEARCHES OP THEIR MISSIONARIES INTO THE LANGUAOES, PHILOSOPHY, CUSTOMS, AND RELIGIOUS BELIEFS, OP VARIOUS HEATHEN NATIONS, ESPECIALLY IN AFRICA, POLYNESIA, INDIA, AND CHINA, t THIS WORK IS RESPECTFULLY DEDICATED. -
The Mystery of the Hebrew Language the Symbolism of the Hebrew
Apocalypse Prophesied From Eden to the New Jerusalem: God’s Plan for Humanity The Mystery of the Hebrew Language Appendix The beginning of language on earth can be traced back to John 1:1, which states: In the beginning was the Word, and the Word was with God, and the Word was God. (NRSV) When Adam and Eve lived in the Garden of Eden, God revealed to them the basic structure of the original language. At that time man lacked direct experience so he needed to be taught how to think and function in order to deal with his environment. His mind was in some ways like that of a newborn baby. The creative process of developing the human mind was not finalized in the Garden. It will continue throughout the cycles of human habitation of the earth. The finished product (a human being from God's perspective) can only come to his full potential by being born on the other side of reality after his earthly life is through. After programming, for example, a computer usually must be shut down and restarted. Similarly, people must die and then be resurrected in order to become a finished product in accordance with God's full pleasure and intent. However, because God does not want preprogrammed robots, He gave us free will. Many human beings will reject eternal life by rejecting God. Since they do not choose to conform to His image, they will remain dead and eventually be eliminated in the lake of fire. Only those made holy and clean by the blood of Jesus Christ will remain to live forever. -
The Phonetic Nature of Consonants in Modern Standard Arabic
www.sciedupress.com/elr English Linguistics Research Vol. 4, No. 3; 2015 The Phonetic Nature of Consonants in Modern Standard Arabic Mohammad Yahya Bani Salameh1 1 Tabuk University, Saudi Arabia Correspondence: Mohammad Yahya Bani Salameh, Tabuk University, Saudi Arabia. Tel: 966-58-0323-239. E-mail: [email protected] Received: June 29, 2015 Accepted: July 29, 2015 Online Published: August 5, 2015 doi:10.5430/elr.v4n3p30 URL: http://dx.doi.org/10.5430/elr.v4n3p30 Abstract The aim of this paper is to discuss the phonetic nature of Arabic consonants in Modern Standard Arabic (MSA). Although Arabic is a Semitic language, the speech sound system of Arabic is very comprehensive. Data used for this study were collocated from the standard speech of nine informants who are native speakers of Arabic. The researcher used himself as informant, He also benefited from three other Jordanians and four educated Yemenis. Considering the alphabets as the written symbols used for transcribing the phones of actual pronunciation, it was found that the pronunciation of many Arabic sounds has gradually changed from the standard. The study also discussed several related issues including: Phonetic Description of Arabic consonants, classification of Arabic consonants, types of Arabic consonants and distribution of Arabic consonants. Keywords: Modern Standard Arabic (MSA), Arabic consonants, Dialectal variation, Consonants distribution, Consonants classification. 1. Introduction The Arabic language is one of the most important languages of the world. With it is growing importance of Arab world in the International affairs, the importance of Arabic language has reached to the greater heights. Since the holy book Qura'n is written in Arabic, the language has a place of special prestige in all Muslim societies, and therefore more and more Muslims and Asia, central Asia, and Africa are learning the Arabic language, the language of their faith. -
Contents Origins Transliteration
Ayin , ע Ayin (also ayn or ain; transliterated ⟨ʿ⟩) is the sixteenth letter of the Semitic abjads, including Phoenician ʿayin , Hebrew ʿayin ← Samekh Ayin Pe → [where it is sixteenth in abjadi order only).[1) ع Aramaic ʿē , Syriac ʿē , and Arabic ʿayn Phoenician Hebrew Aramaic Syriac Arabic The letter represents or is used to represent a voiced pharyngeal fricative (/ʕ/) or a similarly articulated consonant. In some Semitic ع ע languages and dialects, the phonetic value of the letter has changed, or the phoneme has been lost altogether (thus, in Modern Hebrew it is reduced to a glottal stop or is omitted entirely). Phonemic ʕ The Phoenician letter is the origin of the Greek, Latin and Cyrillic letterO . representation Position in 16 alphabet Contents Numerical 70 value Origins (no numeric value in Transliteration Maltese) Unicode Alphabetic derivatives of the Arabic ʿayn Pronunciation Phoenician Hebrew Ayin Greek Latin Cyrillic Phonetic representation Ο O О Significance Character encodings References External links Origins The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had the shape of a circle or oval, clearly representing an eye, perhaps ultimately (via Proto-Sinaitic) derived from the ır͗ hieroglyph (Gardiner D4).[2] The Phoenician letter gave rise to theGreek Ο, Latin O, and Cyrillic О, all representing vowels. The sound represented by ayin is common to much of theAfroasiatic language family, such as in the Egyptian language, the Cushitic languages and the Semitic languages. Transliteration Depending on typography, this could look similar .( ﻋَ َﺮب In Semitic philology, there is a long-standing tradition of rendering Semitic ayin with Greek rough breathing the mark ̔〉 (e.g.