Danish Music Awards

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ThE nominees are: closer To ThE music.... Danish album Danish hiT Danish PoP album Danish children’s album Efterklang Parades alphabeat 10.000 Nights Of Thunder alphabeat Alphabeat Div. kunstnere Cykelmyggen og Dansemyggen natasja I Danmark Er Jeg Født infernal I Won’t Be Crying isam b. Institution lille nørd Lille Nørd The Raveonettes Lust Lust Lust KNA connected Fibs (Løgn & Latin) Private My Secret Lover søs Fenger Vuggeviser Tina Dickow Count To Ten Private My Secret lover Tina Dickow Count To Ten Volbeat Rock The Rebel/Metal The Devil TV-2 S.O.M.M.E.R TV-2 For Dig Ku’ Jeg Gøre Alting Danish songwriter Jens unmack Danish banD internaTional album Danish ElEctronica album natasja alphabeat Alphabeat amy Winehouse Back To Black Efterklang Parades Thomas Troelsen Private Dúné We Are In There You Are Out Here arcade Fire Neon Bible Jaconfetti The Rainbow Express sune Wagner The Raveonettes Efterklang Parades band of horses Cease To Begin People Press Play People Press Play Tina Dickow The Raveonettes Lust Lust Lust bruce springsteen Magic Volbeat Rock The Rebel/Metal The Devil Timbaland Shock Value Danish hiP-hoP album Danish PRoDucer booty cologne BC natasja I Danmark Er Jeg Født (Pharfar) Danish FEmalE ArtisT internaTional New acT marwan P.E.R.K.E.R. Private My Secret Lover (Thomas Troelsen) anne linnet Anne Linnet Jamie scott & The Town Park Bench Theories suspekt Prima Nocte suspekt Prima Nocte (Rune Rask & Troo.l.s) ane Trolle JaConfetti Justice [Cross] natasja Natasja Kate nash Made Of Bricks annisette Savage Rose Klaxons Myths Of The Near Future Danish hard RocK album Danish music Video Tina Dickow Tina Dickow mika Life In Cartoon Motion hatesphere Serpent Smiles And Killer Eyes Efterklang Mirador mnemic Passenger (hvass, hannibal & ufex) The Psyke Project Apnea i Know That you Know Danish malE ArtisT internaTional hiT You Need Paths To Draw Maps isam bachiri Isam B Fergie Big Girls Don’t Cry (Fabulab) Jens unmack Jens Unmack nelly Furtado All Good Things (Come To An End) Danish Urban album Jaconfetti Step Up Thomas Troelsen Private nelly Furtado Say It Right bliGlad Kærlighed Til Folket (mary mary) sune Wagner The Raveonettes Rihanna Feat. Jay-Z Umbrella burhan G Breakout michael Poulsen Volbeat Timbaland feat. Keri hilson The Way I Are natasja I Danmark Er Jeg Født Danish Artwork Efterklang Parades Danish New act Danish RocK album Danish AdulT contemPoRaRy album (hvass, hannibal & ufex) alphabeat Dúné We Are In There You Are Out Here anne linnet Akvarium savage Rose Universal Daughter bliGlad Figurines When The Deer Wore Blue big Fat snake NU (naja Koppel, nego & brando) Dúné The Kissaway Trail The Kissaway Trail savage Rose Universal Daughter TV-2 For Dig Ku’ Jeg Gøre Alting Jaconfetti The Raveonettes Lust Lust Lust (Jo Dam Kærgaard) The Kissaway Trail Volbeat Rock The Rebel/Metal The Devil .

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Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler.
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Fru Skagerrak
FRU SKAGERRAK www.fruskagerrak.com The music of Fru Skagerrak takes you on a journey through Scandinavia; from lowlands to mountains, from slow airs to lively polkas, in major and in minor, and everything in between. Fru Skagerrak- ”Lady Skagerrak” - are three master musicians - one from each Scandinavian country: Maja Kjær Jacobsen from Denmark, Elise Wessel Hildrum from Norway and Anna Lindblad from Sweden. In 2011, these three globetrotting musicians met for the first time at Tønder Festival, Denmark’s biggest Folk Festival, in a roaring session that had engulfed the backstage bar. Through the mayhem of tunes you could feel a certain Scandinavian groove, and in that moment the connection between these three fiddlers was clear. After meeting at Tønder Festival for three consecutive years, Fru Skagerrak finally saw the light of day in August 2014. The trio brings together the diverse traditions from each of their homelands, which surround the Skagerrak strait. Through a repertoire of traditional tunes, new compositions, and songs in their respective languages, they express their kinship and love of their shared heritage. The result is an explosion of the sounds that exist in Scandinavian music today. The self-titled debut album was released in May 2016 and their second album “Ankerdram” was released in April 2018. What the press says about Fru Skagerrak’s albums: "The album brims over with confidence and bravura, and the material and performances to match. There's astonishing power and fire in the unison playing, and even the oddities come out grinning. A definite triumph" - fRoots (UK) Contact: Fru Skagerrak – www.fruskagerrak.com – [email protected] - T: +45 2537 1544 p.
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DANISH TRADITIONAL FOLK MUSIC to BE PERFORMED at HARBOR HISTORY MUSEUM in GIG HARBOR Gangspil Trio to Perform Thursday, March 1St, 2018
Contact Zachary Sokolik MEDIA RELEASE Telephone 253.858.6722 February 15, 2018 Email [email protected] Website www.harborhistorymuseum.org DANISH TRADITIONAL FOLK MUSIC TO BE PERFORMED AT HARBOR HISTORY MUSEUM IN GIG HARBOR Gangspil Trio to Perform Thursday, March 1st, 2018 Gig Harbor, WA – On Thursday, March 1, 2018 at 6:30 p.m., Gangspil, the lively trio of Sonnich Lydom (accordion, harmonica), Kristian Bugge (fiddle) and Viðar Skrede (guitar), will provide those in attendance with an entertaining journey through the traditions of Danish folk music. Their performance at Harbor History Museum will include old dance tunes and songs from every corner of their Scandinavian home country: From the rural islands of Læsø to metropolitan Copenhagen, including a few of their own compositions. Expect everything from wild polkas and jigs to lyrical waltzes, fiery reels and happy hopsas, plus the exotic Sønderhoning dance tunes from the famous Island of Fanø, and long forgotten songs from all over the country. An unforgettable live experience spiced up with humor and stories from their many years on the road. Gangspil's: Danish Traditional Music will be held at Harbor History Museum, 4121 Harborview Drive, Gig Harbor, WA 98332. Offered as a special fundraising event for the museum, tickets are $25 for non- museum members and $20 for members. Tickets can be purchased online on the Museum's Buy Tickets page or by calling 253-858-6722; tickets may also be purchased at the Museum front desk. Sonnich (accordion, harmonica, vocal) is a master of Irish, French--Canadian, and especially Danish traditional tunes.
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Tal Og Perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S
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West Side Story
1 WEST SIDE STORY Baseret på koncept af JEROME ROBBINS Efter bog af ARTHUR LAURENTS Musik af LEONARD BERNSTEIN Tekst af STEPHEN SONDHEIM Entire Original Production Directed And Choreographed by JEROME ROBBINS Originally Produced on Broadway by Robert E. Griffith and Harold S. Prince By Arrangement with Roger L. Stevens Presented by arrangement with Music Theatre International (Europe) FORESTILLINGSSPONSOR VILHELM KIERS FOND 2 3 4 5 Det er volden og den diffuse trang til oprør, der giver ekko i West Side Story mindre end to år efter, James Dean har personifi ceret den dysfunktionelle, vol- delige amerikanske ungdomskultur i fi lmen Rebel without a Cause – og det er ikke kun West Side Storys ”rastløse, elektrifi cerende” dans, avisens anmelder hentyder til med sin tale om en eksplosion. Her er pludselig en musical, der tager et beskidt emne som bandekrig op og gør det til genstand for et kunst- værk. Noget, der overskrider grænserne for almindelig, pæn underholdning. Leonard Bernsteins på én gang ”provokerende og kunstfærdige” musik er med til at etablere et brud med underholdningsmaskinen Broadways eskapistiske selvforståelse. Et brud, der chokerer publikum lige så voldsomt, som Carmen gjorde det, da Bizets opera om fatal kærlighed mellem en fattig fabriksarbejder og en soldat ramte Paris i 1875. Kombinationen af Jerome Robbins’ pågående koreografi og Bernsteins dristige rytmer detonerer simpelthen som en bombe. At bruge dans som drivmiddel i en musical – og så oven i købet kombinere det med musik, der trækker på den store symfoniske tradition og operaens univers – er uhørt. Det gør West Side Story til ”en modig ny slags musikteater – en New York-juke- box-opera”, som en anden avis formulerer det.
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Turboweekend - Første Nordiske Band Til Itunes Konseptet ”Itunes Live”
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Of the Power Chip
ListenThe world of widex Power of the ChiP #02 2010 www.widex.com Printed by RD / 2010-11 9 502 1966 001 #02 ¡9 502 1966 001h¤ ¡#02y¤ managerial editor Peter hentze Knudsen [email protected] editor-in-chief Jeanette Blom [email protected] Writers Andrew Somerville [email protected] Simon Brookes [email protected] art director lone olai [email protected] GRaphic designer marianne Kim Noel [email protected] translation lærke christensen [email protected] 2 Listen – The world of widex Listen Science and health Widex around the World 6 From chipmunk to fish 25 Country profile: Belgium 16 Better health, better hearing 58 Made in Japan 48 Pump down the volume 56 If music be the food of love play on people 30 The adventures of a businessman trendS 8 Hearing aids hit the catwalk BuSiness news 37 Widex wins Danish Entrepreneur of technology the Year 2009 prize 12 A wireless world 54 New headquarters in Russia 26 The power of the chip 64 Widex establishes new subsidiaries 38 Widex BABY440 – the best start in life 42 Quality = Reliability professional partnerS 52 Extendable ears – making the inaudible 62 Joseph E. Bertin – A small institute audible again with great strength reSearch & development corporate news 18 The science of hearing aids 44 Green is not just a colour 20 Widex Nordic Seminar SponSorShipS Society 65 Campaign to help the elderly in 22 Shaken to the core Hong Kong 29 Helping marginalised children in Brazil 65 2009 Widex Sportsman and 60 Can you hear it? Sportswoman of the Year Listen – The world of widex 3 ediToriAl deAr reAderS Welcome to the second issue of Listen.
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DENMARK “Very Tropical Again! You Can Hear That African Lo-Fi Influence on the Whole Album” - Gilles Peterson / BBC Radio 6 Music
WEST-AFRICAN FUNK, ELECTRO RAVE AND JAZZ IMPROVISATION DENMARK “Very tropical again! You can hear that African lo-fi influence on the whole album” - Gilles Peterson / BBC Radio 6 Music. DISCOGRAPHY: What kind of music would emerge if you combined a pair of renowned Danish MASALA, 2016 electronic producers with two of the most exciting jazz musicians around? RUMP RECORDINGS This was the question in the minds of the Copenhagen Strøm Festival curators. The answer? It arrived in the form of Scandinavian electro pioneers Rumpistol and Winner of Danish Music Awards Spejderrobot—two prominent characters with a reputation well beyond their home 2017: Best Danish Special Release countries—along with guitarist Niclas Knudsen and drummer/percussionist Emil de Waal. These four talented strangers, introduced with minimal rehearsal time, WAHwaHwa, 2016 were brought together and launched onstage, and KALAHA was born. A daring Rump Recordings experiment to say the least. From the spontaneous and infectious magic of their first show came their critically Digital EP acclaimed debut album “Hahaha”, the sound taking its inspiration in equal parts from West-African funk, electro rave and jazz improvisation, standing up as best possible blending of musical worlds—highly energetic and expressive, triggering QUARQUABA, 2016 the listener to dance with the head just as much as the heart. Rump Recordings Their four releases to date have proved to be captivating experiences, epitomized by their distinctive sound design as well as the outstanding instrumental Digital EP contributions of the protagonists. It comes as no surprise that their albums not only gather constant acclaim in among vinyl connoisseurs, but have also brought KALAHA a Danish Music Award in 2017 as well as a place on the playlists of numerous European radio stations.
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DISCOGRAPHY MICHAEL ILBERT Producer,Mixer, Engineer
Zippelhaus 5a 20457 Hamburg Tel: 040 / 28 00 879 - 0 Fax: 040 / 28 00 879 - 28 DISCOGRAPHY mail: [email protected] MICHAEL ILBERT producer,mixer, engineer P3 Guld Award 2015 "Best Pop": Beatrice Eli Danish Music Awards 2014 "Best Popalbum of the year": Michael Falch "Sommeren Kom Ny Tilbage" Spellemann's Awards 2014 "Best Newcomer" & "Best Popsolist": Monica Heldal "Boy From The North" (Norwegian Grammy) EMAs 2014 "Best German Act": Revolverheld "Immer In Bewegung" Grammy Nomination "Rock of the year": Side Effects "A Walk In The Space Between Us" Sweden 2014 Grammy Nomination 2013 "Best record of the year": Taylor Swift "We are never ever getting back together" Grammy Nomination "Rock of the year": The Hives "Lex Hives" Sweden 2013 Taylor Swift "Shake it off" (4x USA) Taylor Swift "Red"(3x USA) Bosse "Kraniche" Revolverheld "Ich Lass Für Dich Das Licht An" Herbert Grönemeyer "Schiffsverkehr" / "Zeit dass sich was dreht" Jupiter Jones "Still" Platin Award Laleh "Sjung"(SWE) Pink "Funhouse" (GER, SWE) Robyn "Robyn" (SWE) Cardigans "Long before daylight" (SWE) Roxette "Centre of my heart" (SWE) / "Have a nice day" (SWE) Ulf Lundell "I ett vinterland" (SWE) Lars Winnerbäck "Kom" (SWE) Laleh "Colors" (SWE) Herbert Grönemeyer "Dauernd Jetzt" (GER) Revolverheld "Immer In Bewegung" (GER, AUT) Ulf Lundell "Trunk" (SWE) Katy Perry "Roar" Amanda Jensen "Hyms for the haunted" (SWE) Thåström "Beväpna dig med vingar" (SWE) Jupiter Jones "Jupiter Jones"/ "Still"(AU) Gold Award Avril Lavigne "What the hell" (SWE) Pink "Raise your glass" Selig
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September/October 2008 Publication Mail # 40047729
® Our 36th Year - Issue 4 – September/October 2008 • The Hadley Caliman Quintet featuring Thomas Marriott • Don Berner and the Brass Knuckles • Dino Dominelli Group • Audrey Ochoa Presents: The J-Team • Rachelle van Zanten • John Stetch Trio • Lina Allemano Four • Billy Bang Quartet • Don Thompson Quartet • Sheila Jordan 80th Birthday Celebration • goo! • Morgan Childs Quintet • Gravitas Quartet Publication Mail # 40047729 EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY (Corner of 102 St & 86 Ave) EDMONTON AB T6E 2M2 Edmonton Jazz Society’s Board of Directors YARDBIRD 2007•2008 Jasiek Poznanski • President SUITE Adrian Albert • Vice-President 11 Tommy Banks Way (corner of 102 St & 86 Ave) Shelley Chebry • Secretary Edmonton, Alberta T6E 2M2 Paul Wilde • Treasurer Phone: (780) 432-0428 Board Members Dave Babcock • Chris Brown Pam Josey • Craig Magill THEYARDBIRDCREW Yardbird Suite Our Volunteer House Managers PROGRAMMING • Adrian Albert, Julie • Bill Hume • Judy Hume • Pam Josey King, Craig Magill, Jasiek Poznanski • Tracy Kolenchuk • Rhonda Netterfield PRODUCTION • Lisi Sommer • Mary Richards • Marilyn Rude JAM SESSIONS • Dave Babcock • Rosalynn Ruptash • Suzanne Slade Raymond Baril • Collette Slevinsky • Karen Voller LITTLEBIRDS DIRECTOR • Joel Gray • Gail Wozny FINANCE • Suzanne Morter PRESS RELEASES • Paul Wilde TRANSPORTATION • Alan Spence Yardbird Suite HOUSE MANAGER & VOLUNTEER COORDINATOR • Pam Josey Newsletter The Yardbird Newsletter is published five times per year by the Edmonton Jazz Society. Yardbird Suite Jazz is a registered EDITORS • Adrian Albert, Jasiek Poznanski trademark of the Edmonton Jazz Society (1973). ADVERTISING • Shelley Chebry NEWSLETTER DESIGN • Vikki Wiercinski GRAPHIC LAYOUT • Kim Deley, Critical Path Return undeliverable Canadian Marketing Communications addresses to: DISTRIBUTION • Monique Bielech, EDMONTON JAZZ SOCIETY Shelley Chebry, Bill Harper 11 TOMMY BANKS WAY EDMONTON AB T6E 2M2 PRINTING • Nisku Printers (1980) Ltd.
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Manufacturing Creativity: Production, Performance, and Dissemination of K-Pop*
Korea Journal, vol. 53, no. 4 (winter 2013): 14-33. 14 © Korean NationalKOREA Commission JOURNAL for / UNESCO, WINTER 2013 Manufacturing Creativity: Production, Performance, and Dissemination of K-pop* Gil-Sung PARK Abstract The rise of K-pop (Korean pop) as a new global music genre has wrought theoretical turmoil within the field of cultural studies. This article argues that the global ascen- dance of K-pop can primarily be attributed to the passionate support of inter-Asian audiences. However, the actual production, performance, and dissemination of K-pop contents have little to do with the Asian pop-culture system. Although the manufacture of K-pop music and its performers depends on Korean talent and man- agement, K-pop producers tend to rely heavily on the global music industries of North America and Europe for their creative content. The global dissemination of K-pop would not have been possible without global social network service (SNS) sites such as YouTube, Facebook, and Twitter—none of which are owned or operated by Asians. This article argues that the manufacturing of creativity in non-Western music, as illustrated by the case of Hallyu, involves three stages: globalization of cre- ativity, localization of musical contents and performers, and global dissemination of the musical contents through social media. Keywords: K-pop (Korean pop), Hallyu, creativity, music industry, globalization, localization, social network service (SNS) sites * This research was supported by a Korea University Grant. The author gives special thanks to Kang Sou-Hwan, Park Jung-Ha, Oh Hayeon, Ye Weibo, and Song Choo Eui for their assistance with data collection and management.
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Monterey Jazz Festival
DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
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