Edition 2 | 2019-2020

Total Page:16

File Type:pdf, Size:1020Kb

Edition 2 | 2019-2020 WHAT’S INSIDE BOARD OF TRUSTEES | 4 CAPA STAFF | 5 COMMUNITY PARTNERS | 6 INDIVIDUAL INVESTORS | 7 CIRQUE MUSICA PRESENTS: HOLIDAY WISHES | 13 AN ACOUSTIC CHRISTMAS WITH OVER THE RHINE | 14 DAVE KOZ & FRIENDS CHRISTMAS TOUR 2019 | 17 RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL | 20 THE HIP HOP NUTCRACKER | 34 CAPA CORPORATE MEMBERSHIP PROGRAM | 44 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. BOARD OF TRUSTEES OFFICERS EXTRAORDINARY SUPPORTERS Chair Richard Helmreich CAPA would like to graciously thank the Immediate Past Chair Michael Petrecca following for their outstanding support Treasurer & Vice Chair Stephanie E. Green of our mission. Vice Chair Lawrence L. Fisher Secretary Barbara B. Lach CAPA President & CEO Chad Whittington Trustees: Steven P. Brechter Nicole Callam Josh Corna Kristina Daiker David English Robert Falcone, M.D. John F. Finn Debra Griffin Stephen Ifeduba Linda Kaufmann Thomas R. Krouse T. Earl LeVere Julie M. Lynch Walden W. O’Dell Angela Pace Steve Parrish Amie Preston Ramona Reyes Toshia Safford Matthew J. Satterwhite Michael Schoedinger Susan Tomasky Laura Yaroma Sandra Zimmerman Emeritus: David Schoedinger Lois S. and H. Roy Chope and Helen W. Wildermuth OHIO THEATRE Fund for Drama and Music PALACE THEATRE SOUTHERN THEATRE LINCOLN THEATRE McCOY CENTER FOR THE ARTS RIFFE CENTER THEATRE COMPLEX SHUBERT THEATRE (NEW HAVEN, CT) 55 EAST STATE STREET COLUMBUS, OHIO 43215-4264 614-469-1045 | fax 614-461-0429 capa.com 4 CAPA STAFF ADMINISTRATION Group Sales and Education President & CEO Chad Whittington Ticketing Associate Joe Calmer Executive Vice President & Broadway Columbus Chief Strategy Officer Elfi Di Bella Ticketing Specialist Beth Hayes Executive Assistant Arline Dimitri OPERATIONS DEVELOPMENT Vice President of Theatre Operations Todd Bemis Director of Development Barbara Markus Floating Director of Operations Charlie Marino Director of Development Jessica Morris Stage Door Coordinator Jeff Dümmer Director of Grants Judy Smith Director of Maintenance Phillip Hidy Strategic Projects Director Tracy Moran Maintenance Technician Steve Slivka Grants & Foundations Manager Susan Ropp Lead Custodian Marlinda Miller Manager of Inclusion & Volunteer Coordinator Kristen Paige Community Development Diana Pagan Volunteer Office Assistant Ireland Webb Annual Fund Manager Beth Graham Food & Beverage Manager Doug Wiese Special Events Manager Julie Weeks Assistant Food & Beverage Manager David Sinclair Tessitura Project Manager Katie Cullen Grants & Development Assistant Emily Webb OHIO THEATRE Donor Records Coordinator Devon Broderick Director of Operations Charles R.D. Hammerle, II Head Carpenter Jason Gay EDUCATION Operations Desk Attendant Mary Manson Cecil Director of Education Amy Handra Operations Desk Attendant Jeremiah Long Education Coordinator Mackenzie Peterson Operations Desk Attendant Judy Stein Operations Desk Attendant Horacio D. Lerma FINANCE & HUMAN RESOURCES Custodian Beverly Jones Staff Accountant Pam Ball Custodian Curtis Almond Chief Financial Officer John L. Callahan GL Accountant Michael Daniels PALACE THEATRE Controller Deanna Jones Director of Operations Mark Szwabinsky Staff Accountant Christina Davis Head Carpenter Kevin Campbell Staff Accountant Linda Matheis EADH Rex Buckingham Staff Accountant Shanna Young Custodian Frank Brown Director of Human Resources Hillary Thompson Human Resources Manager Lauren Paxton RIFFE CENTER THEATRE COMPLEX Payroll & Benefits Accountant Chris Wallace Facility Coordinator Christopher Skinner Technical Director Keya Myers-Alkire INFORMATION TECHNOLOGY Head Carpenter Kelly Ganley Director of IT David Davis IT Technician Brian Kovats SOUTHERN THEATRE IT Technician Joseph Mueller Director of Operations Christopher Skinner Head Carpenter Greg Bryan MARKETING EADH Paul Kavicky Director of Marketing Kelly Boggs Custodian Christopher Weatherly Publicist Rolanda Copley Broadway Marketing Manager Lisa A. Minken LINCOLN THEATRE Digital Marketing Manager Jennifer Nodjak Executive Director Suzan Bradford Digital Content & Video Specialist Lydia Miller Technical Director James Cantrell Marketing Manager Lydia Ohman Custodian Sabrina Dukes Marketing Manager Scott Vezdos Assistant Technical Director Isaiah Schmackers Marketing & Administrative Assistant Kevin Seals Content Creation Assistant Diana Verde House Manager Denise Hassel Art Director Sara Maassel Graphic Designer Lisa McLymont HOUSE MANAGERS Design Assistant Stephanie Conner Hiba Abdouni Edwin C. Gilkey Jacqueline Dozier Richard J. Bookshaw Richard Greene Ralls PROGRAMMING David Butcher Victoria S. Hart Sandra A. Vice President of Programming Rich Corsi Deborah Corry Robyn Patrick Heard Rodenkirchen Programming and Events Manager Craig Daniels Theresa Couasnon James E. Heise Jodi B. Shultz Broadway Manager Elizabeth Lamont Richard L. Council Helen Mckinley Robert T. Stant Venue Sales Assistant Elena Perantoni Mary M. Winter K. Mead Rita M. Stevenson Cunningham John Nevergall Hollie R. Strauss TICKETING SERVICES Claudia J. Dinges Sharon L. Pendy Sandra D. Wilson Director of Ticketing Rhea Shaffer Ross A. Fillmore Assistant Director of Ticketing Roger Whitaker Events Creation Manager Aylish Connolly TICKET OFFICE ASSOCIATES Events Creation Specialist Billy Boyd Christine Baker Elizabeth Festi Sebastián Muñoz CSO Ticketing Specialist Brandon Smith Karen L. Bovenizer Dawn M. Freese Jason Speicher Shared Services Moneett M. Davis Maya Gordon Allison N. Walker Ticketing Specialist Juleah Buttermore Mark D. Duellman Kyle Johnson Bradley Keith Wees Melinda Faris Heather Kalman Abigail L. Zeszotek Natalie L. Ferris Elise Joy Lawson COMMUNITY PARTNERS Corporate, Foundation, & Government Support Key: + Capital Campaign / @ Education / * Gala July 1, 2018–June 30, 2019 COMMUNITY PARTNERS $5,000–$9,999 $1,000–$2,499 BakerHostetler Acloche $100,000 + Broadway Across America * The Chester Family Foundation American Electric Power Duke’s Mayonnaise Burgerim Gourmet Burgers Foundation + Columbia Gas of Ohio and Bar The Columbus Foundation Columbus Partnership * CASTO Barbara B. Coons & Construction Systems, Inc. Columbus Public Health Robert Bartels funds Corna Kokosing Construction Co. * Columbus State Greater Columbus Arts Council * Denison University * Community College Nationwide Foundation+ Electrical Service Crabtree Insurance Inc. Ohio Arts Council Professionals, Inc. Daiker Law @ PNC Bank * John Gerlach & Company LLP * Donatos + State of Ohio + Ohio Commission on Franklin Park Conservatory * Minority Health OhioHealth $50,000–$99,999 Ohio Small Business Pat and Gracie’s Honda of America Mfg, Inc. +* Development Centers Huntington National Bank +* The Ohio State University Office UP TO $1,000 L Brands Foundation * of the President + Abbott Nutrition Nationwide Otterbein University @ Alexandra Ramos Agency LLC & Overmyer Hall Associates * Erie Insurance $25,000–$49,000 PricewaterhouseCoopers LLP * Barroluco Argentine Anonymous + Schoedinger Funeral Service * Cameron Mitchell Restaurants City of Columbus + Team Fishel Columbus City Schools Spanish Crane Group Co. + Tom E. Dailey Foundation + Immersion Academy Nationwide Insurance Columbus Crew SC @ Wolfe Enterprises, Inc. * PNC Foundation DACA Time $2,500–$4,999 Delk Counseling $10,000–$24,000 Bath Fitter Dublin Cleaners & American Electric Power +* Boost Mobile New Albany Cleaners Battelle Memorial Institute +* Crabbe, Brown & James, LLP +* El Centro de Servicios Big Lots, Inc. * Dawson Sociales Inc. Cardinal Health Foundation * Ice Miller * Grange Insurance Companies + Columbus Commons @ Installed Building Products Homes on the Hill CDC Danbert, Inc. MetroPCS Inspire Elementary School Dorothy E. Ann Fund Mount Carmel Health System L Brands * Fifth Third Bank * The Ohio State University Maryhaven, Inc. G & J Pepsi-Cola Bottlers, Inc. Department of Spanish Nationwide Foundation Kimball Midwest * & Portuguese In Recognition of Debra Griffin McGohan Brabender * OSU Wexner Medical Center Ohio Department of NiSource + Nationwide Children’s Hospital Administrative Services, Ohio Health * Rosati Windows Equal Opportunity Division Porter Wright Morris & State Farm Mutual Automobile OSU Center for Ethnic Studies Arthur LLP * Insurance Co. OSU Office of Diversity PVS Chemicals Vorys Sater Seymour & Pease LLP and Inclusion Reinberger Foundation + Our Lady of Guadalupe Center SWACO @ at Catholic Social Services White Castle Management Co. St. Vincent Family Center Tortilla Walnut Township Local Schools 6 INDIVIDUAL INVESTORS APA is grateful to the following friends and investors who have generously given to our annual Cfund, ongoing capital projects, education programs, and/or 50th Gala Celebration. To join this wonderful group, please contact Beth Graham at (614) 719-6718 or [email protected] Key: + Capital Campaign / @ Education / * Gala July 1, 2018–June 30, 2019 INDIVIDUAL DONORS $10,000 + Anonymous George S. Barrett +@* Elfi Di Bella +* Bebe & John Finn +* Larry & Marion Fisher @* Heather Grant & Michael Petrecca +@ Mike & Linda Kaufmann @ Hattie and Robert Lazarus Fund of The Columbus Foundation +* Meuse Family Foundation @ Cindy G. Owens @ Lee Shackelford Family
Recommended publications
  • Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
    MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler.
    [Show full text]
  • Fru Skagerrak
    FRU SKAGERRAK www.fruskagerrak.com The music of Fru Skagerrak takes you on a journey through Scandinavia; from lowlands to mountains, from slow airs to lively polkas, in major and in minor, and everything in between. Fru Skagerrak- ”Lady Skagerrak” - are three master musicians - one from each Scandinavian country: Maja Kjær Jacobsen from Denmark, Elise Wessel Hildrum from Norway and Anna Lindblad from Sweden. In 2011, these three globetrotting musicians met for the first time at Tønder Festival, Denmark’s biggest Folk Festival, in a roaring session that had engulfed the backstage bar. Through the mayhem of tunes you could feel a certain Scandinavian groove, and in that moment the connection between these three fiddlers was clear. After meeting at Tønder Festival for three consecutive years, Fru Skagerrak finally saw the light of day in August 2014. The trio brings together the diverse traditions from each of their homelands, which surround the Skagerrak strait. Through a repertoire of traditional tunes, new compositions, and songs in their respective languages, they express their kinship and love of their shared heritage. The result is an explosion of the sounds that exist in Scandinavian music today. The self-titled debut album was released in May 2016 and their second album “Ankerdram” was released in April 2018. What the press says about Fru Skagerrak’s albums: "The album brims over with confidence and bravura, and the material and performances to match. There's astonishing power and fire in the unison playing, and even the oddities come out grinning. A definite triumph" - fRoots (UK) ​ ​ Contact: Fru Skagerrak – www.fruskagerrak.com – [email protected] - T: +45 2537 1544 ​ ​ ​ ​ p.
    [Show full text]
  • DANISH TRADITIONAL FOLK MUSIC to BE PERFORMED at HARBOR HISTORY MUSEUM in GIG HARBOR Gangspil Trio to Perform Thursday, March 1St, 2018
    Contact Zachary Sokolik MEDIA RELEASE Telephone 253.858.6722 February 15, 2018 Email [email protected] Website www.harborhistorymuseum.org DANISH TRADITIONAL FOLK MUSIC TO BE PERFORMED AT HARBOR HISTORY MUSEUM IN GIG HARBOR Gangspil Trio to Perform Thursday, March 1st, 2018 Gig Harbor, WA – On Thursday, March 1, 2018 at 6:30 p.m., Gangspil, the lively trio of Sonnich Lydom (accordion, harmonica), Kristian Bugge (fiddle) and Viðar Skrede (guitar), will provide those in attendance with an entertaining journey through the traditions of Danish folk music. Their performance at Harbor History Museum will include old dance tunes and songs from every corner of their Scandinavian home country: From the rural islands of Læsø to metropolitan Copenhagen, including a few of their own compositions. Expect everything from wild polkas and jigs to lyrical waltzes, fiery reels and happy hopsas, plus the exotic Sønderhoning dance tunes from the famous Island of Fanø, and long forgotten songs from all over the country. An unforgettable live experience spiced up with humor and stories from their many years on the road. Gangspil's: Danish Traditional Music will be held at Harbor History Museum, 4121 Harborview Drive, Gig Harbor, WA 98332. Offered as a special fundraising event for the museum, tickets are $25 for non- museum members and $20 for members. Tickets can be purchased online on the Museum's Buy Tickets page or by calling 253-858-6722; tickets may also be purchased at the Museum front desk. Sonnich (accordion, harmonica, vocal) is a master of Irish, French--Canadian, and especially Danish traditional tunes.
    [Show full text]
  • Theatre6 Present
    THEATRE6 PRESENT ADAPTED BY STEPHANIE DALE DIRECTED BY KATE Mc GREGOR MUSIC BY MARIA HAÏK ESCUDERO ADAPTED BY STEPHANIE DALE WELCOME FROM THEATRE6’S Persuasion debuted at the Playground ARTISTIC DIRECTOR, KATE MCGREGOR Theatre on Tuesday 17 April 2018. Welcome to Theatre6’s production of Jane Austen’s final novel Persuasion. This LATE SUMMER 1814 brand new adaptation by Stephanie Dale celebrates 200 years since the novel’s TO SPRING 1815. publication. Opening at the Playground Theatre in London, this production will tour Anne and Wentworth were young across the country, including two performances at one of the novel’s most famous and in love. Persuaded by her locations – Lyme Regis. prosperous and prominent family to refuse Wentworth’s proposal, Jane Austen loved the sea, music, nature and her family. She wrote during the Anne lost the great love of her life. Napoleonic Wars and saw two of her brothers become Captains in the Navy. Bath Our play, as in Austen’s original was a place she spent a great deal of time. Her own life was not free of tragedy story, takes place eight years after and heartbreak. What is remarkable about Jane’s writing is not only her detailed these events. understanding of her characters, plots, locations and the impact of society and history on people but also her ability to write about the human spirit. In a time where The performance lasts for approximately women had very little agency and power in society, she created female protagonists 2 hours including an interval. with aspirations, who longed for adventure, who were able to decipher their feelings and analyse their place in a changing world.
    [Show full text]
  • Tal Og Perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S
    MUSIK- SELSKABER 2016 tal og perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S. 2 FORORD I mere end et århundrede har man kunnet høre musik Løsningen ligger imidlertid lige for. Den europæiske i de danske hjem. I starten af 1900-tallet var det dog lovgivning – og særligt den aktuelle reform af ophavs- kun de velbjærgede borgere forundt at opleve grammo- retten – bør understrege, at alle tjenester, der aktivt fonen frembringe lyd i stuen. På daværende tidspunkt udbyder musik, selvfølgelig skal indhente tilladelse fra kostede en grammofon nemlig mere end en månedsløn dem, der leverer musikken, før den kan udbydes. Også for de fleste danskere. amerikanske giganter som YouTube, der baserer de- res succesfulde forretningsmodel på, at brugerne selv Sådan er det heldigvis ikke i dag. Tværtimod kan alle uploader musik til tjenesten. nu få adgang til millioner af musiknumre med en lav månedlig ydelse og få klik på mobilen. Forbruget af Det er bekymrende, at artister, sangskrivere og mu- indspillet musik har således næppe været større, end sikselskaber ikke får en anstændig betaling for deres det er i dag. hårde arbejde fra sådanne tjenester i dag. Mindst lige så bekymrende er det imidlertid, at konkurrencesitua- Derfor er det ikke med udelt begejstring, vi kan konsta- tionen mellem tjenesterne er så grotesk, at den reelt er tere, at musikselskabernes indtægter for salg af ind- en bombe under udviklingen af nye spændende mulig- spillet musik udgør 494 mio. kr. i 2016. For selvom der heder til forbrugerne. er tale om en vækst på 9 % sammenlignet med 2015, burde markedet være markant større, når man ser på For hvor er incitamentet til videreudvikling hos tje- det faktiske forbrug af musik i Danmark.
    [Show full text]
  • Poleroid Theatre Presents PLASTIC by Kenneth Emson
    Poleroid Theatre presents PLASTIC By Kenneth Emson TOURING SPRING-SUMMER 2017 A shitty little town in Essex. A summer’s day. Amid the prefect badges and empty B&H packets, a secret lurks that will send shivers down the spine of a small community. By award-winning television and screen writer Kenneth Emson, Plastic is an extraordinary, heady mix of drama and performance poetry, a dynamic new verse play looking at the musicality in the everyday; the first moments of adulthood, the hard edge of school abuse, the creation of urban folklore and the seemingly random moments that come to define our adult lives. Today’s the day Yes it is Reebok Classic of a day today Yes. It. Is. Directed by Josh Roche (RSC/Globe/nabokov/Finborough) and produced by acclaimed, triple Off West End Theatre Award- nominated Poleroid Theatre, Plastic previewed to a packed house at Latitude Festival 2015. Plastic’s debut production starred Katie Bonna (Dirty Great Love Story), James Cooney (Bottleneck), Adam Gillen (Benidorm/Fresh Meat) and Scott Hazell (Mudlarks). ‘Top of this week’s list for all theatre-goers.’ Bargain Theatre London ‘An extraordinary piece of theatre’ Female Arts ‘Touching and beautifully written’ Postscript Journal We are now planning an extensive small-scale UK tour in Spring-Summer 2017, with support from the Mercury Theatre in Colchester and High House Production Park in Thurrock, pending an ACE application. We are seeking expressions of interest/pencilled dates from venues. We have already created key marketing resources including marketing and print designs, a video trailer and press imagery.
    [Show full text]
  • West Side Story
    1 WEST SIDE STORY Baseret på koncept af JEROME ROBBINS Efter bog af ARTHUR LAURENTS Musik af LEONARD BERNSTEIN Tekst af STEPHEN SONDHEIM Entire Original Production Directed And Choreographed by JEROME ROBBINS Originally Produced on Broadway by Robert E. Griffith and Harold S. Prince By Arrangement with Roger L. Stevens Presented by arrangement with Music Theatre International (Europe) FORESTILLINGSSPONSOR VILHELM KIERS FOND 2 3 4 5 Det er volden og den diffuse trang til oprør, der giver ekko i West Side Story mindre end to år efter, James Dean har personifi ceret den dysfunktionelle, vol- delige amerikanske ungdomskultur i fi lmen Rebel without a Cause – og det er ikke kun West Side Storys ”rastløse, elektrifi cerende” dans, avisens anmelder hentyder til med sin tale om en eksplosion. Her er pludselig en musical, der tager et beskidt emne som bandekrig op og gør det til genstand for et kunst- værk. Noget, der overskrider grænserne for almindelig, pæn underholdning. Leonard Bernsteins på én gang ”provokerende og kunstfærdige” musik er med til at etablere et brud med underholdningsmaskinen Broadways eskapistiske selvforståelse. Et brud, der chokerer publikum lige så voldsomt, som Carmen gjorde det, da Bizets opera om fatal kærlighed mellem en fattig fabriksarbejder og en soldat ramte Paris i 1875. Kombinationen af Jerome Robbins’ pågående koreografi og Bernsteins dristige rytmer detonerer simpelthen som en bombe. At bruge dans som drivmiddel i en musical – og så oven i købet kombinere det med musik, der trækker på den store symfoniske tradition og operaens univers – er uhørt. Det gør West Side Story til ”en modig ny slags musikteater – en New York-juke- box-opera”, som en anden avis formulerer det.
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Turboweekend - Første Nordiske Band Til Itunes Konseptet ”Itunes Live”
    26-06-2012 16:18 CEST Turboweekend - første nordiske band til iTunes konseptet ”iTunes Live”. Det danske bandet Turboweekend har allerede skaffet seg et stort publikum blant konsertgjengere og kritikere i hjemlandet, anført av deres utsøkte kobling av melodisk rock og dansbar synth-pop. 25. juni slapp Turboweekend sitt tredje album "Fault Lines", inkludert første singlen "On My Side". Som første nordiske act har Turboweekend spilt en eksklusiv minikonsert for iTunes. Konserten kan sees gratis her:http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewFeature?id=53 5997776&mt=1&s=143457 ”On My Side” er valgt ut som ”Singel of the week” og kan lastes ned gratis her: http://itunes.apple.com/no/album/on-my-side-single/id532118554 Turboweekend har tidligere mottatt dansk radios (DR) "P3 Guld" for årets gjennombrudd, samt "Årets Danske Livenavn" under Danish Music Awards 2011. Senest i februar i år spilte Turboweekend under By:larm i Oslo. Turboweekend: Silas Bjerregaard – Vocal Morten Køie – Bass Martin Øhlers Petersen – Drums Anders Stig Møller – Synths Diskografi: 2010: Bound (EP) 2010: Ghost of a Chance – Special edition 2009: Ghost of a Chance 2007: Night Shift 2006: Into You (Single) 2012: Fault Lines Bonus: se Turboweekend covre Robyn: Se video på YouTube her EMI er ett av verdens største og eldste plateselskaper. Blant våre internasjonale artister finner du The Beatles, Pink Floyd, David Bowie, Katy Perry, Robyn, Coldplay, David Guetta, Swedish House Mafia, Roxette, Kim Larsen, Tinie Tempah, Adam Tensta, Alice In Chains, LCD Soundsystem, Deadmau5, The Kooks, 30 Seconds To Mars, Jane’s Addiction, Kate Bush, Peter Gabriel, Rise To Remain, Iron Maiden m.fl.
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • Theatres Celebrate a Host of Off West End Awards
    26 South London Press, Tuesday, March 5, 2013 7 News www.southlondon-today.co.uk ‘We need 100 extra cops’ A TOWN hall chief has met with By BEN MORGAN Mayor Boris Johnson to urge a rethink over policing numbers in the pressure with police officers being taken CAMPAIGN: From left, Cllr Jack Hopkins, Val Shawcross, Yvette Cooper and the borough. off the streets where they are needed.” Lambeth council leader Councillor Lib Ms Cooper added that if she was the home Lib Peck hand out their ‘100 more police’ cards outside Brixton Tube station Peck met with Mr Johnson at City Hall last secretary, she would have cut the police week to discuss the town hall campaign to budget by less than the 20 per cent currently add an extra 100 officers to the borough’s imposed by her counterpart Theresa May. police force. The number of officers in However, Cllr Peck said she Lambeth has been the focus of received “no commitment” that discussions with two sets of the extra officers would be figures used to forecast the drafted in. number of police on the streets for The council has embarked on the next three years. a campaign to ask Lambeth As part of the Mayor’s Office for residents to write to the Mayor, Policing and Crime (MOPAC) ahead of the Policing and Crime Plan consultation, City Hall has said Lambeth consultation ending this week. would get 10 new officers – rather than the Cllr Peck said: “I presented a case to Boris 100 that Lambeth council is calling for.
    [Show full text]
  • Blanche Mcintyre Director / Writer
    Blanche McIntyre Director / Writer * Winner - Best Director: TMA 2013 UK Theatre Awards * Winner of the 2011 Critcs' Circle Most Promising Newcomer Award for ACCOLADE and FOXFINDER (both at the Finborough Theatre) * FOXFINDER: Listed in Independent's top 5 picks for 2011 * ACCOLADE: Best Director and Best Production at Off West End Theatre Awards 2011; Listed in the Spectator's Top Ten Plays for 2011; Time Out's Best Fringe Show 2011 National Theatre Studio Director's Course (2010) Winner - Leverhulme Bursary (2009) Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE LITTLE FOXES Gate Theatre, Dublin By Lillian Hellman 2020 Theatre Production Company Notes HYMN Almeida / Sky Arts By Lolita Chakrabarti 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BOTTICELLI IN THE FIRE Hampstead By Jordan Tannahill 2019 BARTHOLOMEW FAIR Shakespeare's Globe - By Ben Jonson 2019 Sam Wanamaker Playhouse TARTUFFE National Theatre By Molière 2019 Adapted by John Donnelly & Director Blanche McIntyre WOMEN IN POWER Nuffield Based on Aristophanes' 2018 ASSEMBLY WOMEN THE WINTER'S TALE Shakespeare's Globe By William Shakespeare 2018 THE WRITER Almeida By Ella Hickson 2018 TITUS ANDRONICUS RSC By William Shakespeare 2017 THE NORMAN CONQUESTS Chichester Festival By Alan Ayckbourn 2017 Theatre THE TWO NOBLE KINSMEN RSC: The Swan By William Shakespeare 2016 NOISES
    [Show full text]