2000 – in Depth Zine - Interview with Tormentor

Total Page:16

File Type:pdf, Size:1020Kb

2000 – in Depth Zine - Interview with Tormentor 2000 – In Depth Zine - Interview with Tormentor Norwegian black metallers, Gorgoroth, are back! Their latest release, "Incipit Satan," is a work of pure evil. The songs are a bit more refined and mature, but it's the same black metal you've grown to love. I recently got the chance to chat with Tormentor. Below we discuss the new album, the many line-up changes over the years and whether or not Gorgoroth writes love songs! Dive in and fill your head with all this extreme knowledge. Meilani: How long did it take to make "Incipit Satan?" Lyrics and all. Tormentor: Well, we were in the studio, Sunlight Studios, we used three weeks for recording and another week for mixing. Before that we rehearsed for a couple of months. We don't rehearse very much, we just rehearse right before the album. The music is mainly written by me and the other guitarist, Infernus. We get together and arrange the music and mix it and get together with all the guys. M: Was the recording process for this album any different from the recording process of the previous albums? T: Well, it was different. And that is what we wanted. We all live in the city of Bergen, in Norway. The studio we have been using is in the city. So, on the former albums we went to the studio and did what we had to do then got back to work or whatever and this time we got to Stockholm, Sweden. You're 100% into working with music all the time. So, you don't have other things to worry or to care about. It feels good actually. :) M: When you feel it's ready to make an album, do you write the songs when you feel it's time to make an album or are you constantly writing songs? T: No. We're working quite different. I try to make music when I feel like doing it and I just record it on an ordinary tape recorder just to remember the ideas to bring back in when we're all together. When we release an album and we do some touring and then we don't rehearse or do anything. About 4 or 5 months then it's time to do something again. It feels quite natural. It feels very healthy to do it that way, then you don't get tired or anything. It's perfect. M: What influences your material? Do you live by certain philosophies? T: Yeah, yeah. It's very important that we have a conflict to work with. You get a little at ease if you have certain topics that are supposed to be expressed through the album. That's what we start with to work with the concept. On "Destroyer" some of the concepts are almost always influenced by a lot of philosophy like Nietzsche. For me, it's a lot of other philosophers as well because I am studying philosophy at the University. I'm always reading a lot of different stuff. Infernus is more into the more religious things, also esoteric thoughts and religious directions. It's very important because I think a lot of the bands, they just make something. For us, it's very important to have ideas, something to lie in the background. It puts some substance to the music to the songs. That's important. M: Do you have certain works you recommend? T: For me personally, I love the works by Federic Nietzsche. There is a lot of secondary literature about the guy, which is really good just to get into the world that he deals with. M: Who did the artwork for the album? T: The front cover is done by a guy called Nietcha (sp?). I've never read about this guy but he did some cool things. He made some paintings to his book. This picture with the eagle with the snake around it's neck symbolizes pride and courage. The sun in the background coming up is like the dawn of the new age. That why we called the album "Incipit Satan," which means this is a brand new start, the beginning of Satan. It fits the concept perfectly. The artwork on the back is done by the same guy who painted Morbid Angel's "Blessed Are The Sick." The women who made the cover for us found it on the Internet and manipulated it a bit and it looks really good and I like it a lot. She put some cool colors and background in it. M: What is your ultimate goal or message being in Gorgoroth? T: For me personally, it's to do exactly the things I want to do. And that's just playing brutal music. I'm also a fan of the older American bands: Slayer, Possessed, Sadist, and Morbid Angel. A lot of the music is made in the spirit of those bands and also the German thrash bands. When it comes to the concept and the topics, it's more basic satanic message. Especially the freeing of the individual from the boundaries put upon them by religion and society in general. M: Do you guys have any future plans with this album? Tours? T: Yes, well, we have a tour in May. It's a European tour. We're going to headline with this Brazilian band called Krisiun and Soul Reaper from Sweden and Old Man's Child from Norway's going to join. The bands are quite different but we all stand for the same kind of things. In the summer I think we are going to do some festivals and some single gigs around Europe. I really hope that we can go to the US someday because I have never played there before. That would be really cool to go there. I hope we could perhaps co- headline with one of the bigger American bands like Morbid Angel or Deicide. That would be perfect. M: For those of us who haven't been fortunate to see you guys yet, can you describe what your performance is like, maybe visually and musically? T: Gorgoroth is very simple. No synth. Very easy to reproduce the songs to play live. I like to play live because it sounds pretty cool. Visually we're still doing the old fashion style with spike and corpse paint and leather. A lot of the band today have tried to move away from it. I think it is the perfect way to express Gorgoroth. It's a lot of aggression and a lot of energy live. You won't be disappointed. M: What do you think of America so-called "heavy music" scene as opposed to Europe's "heavy music" scene? T: Well, I'm not very into the new bands in the US. The last stuff I bought which I found really good was like Angelcorpse and I still buy the Morbid Angel albums and I like Deicide. But I'm more into the old, brutal death metal stuff. When I speak with Americans, they always say that the metal scene is really bad. That, of course, is very sad. I check out albums and I find some that are decent. A week ago I bought some albums from a band called Gold Snake. I think they're from California or something. It's really great. It's in the spirit of Black Sabbath. There's a lot of good American bands though. Germany has a great metal scene. M: I read somewhere that someone described you as "the most satanic band in the world." Do agree with that? T: (laughing) Yeah, top ten! We're the most satanic band... I can agree with that at one point. We have a message with the music. That's our definition of Satanism. It works perfectly for us. It's a little bit in the essence of all Satanism. It's very dogmatic. It's all about freeing yourself from boundaries. I don't believe in morals, but I don't believe in killing anything for fun. Gorgoroth is a very satanic band. M: Is there anything about yourself or the band as a whole that would shock the fans? T: That's a hard question. I've never thought about it. I guess there is something, but it feels quite natural to us. We all have jobs or our studies. We are pretty normal people. We just have this art thing in Gorgoroth where we can express things that we want to express. It's not like you go home, paint and then you're evil and bad (laughter). M: Do you feel that the numerous band changes over the years have affected the sound of Gorgoroth? T: Yeah, everybody puts something into the band which disappears when they leave the band. Infernus is the only original band member. He has always been the boss in Gorgoroth. Everybody works with the material. It's still Gorgoroth. Through the years, you can hear it's is kind of the same. The spirit is still there. M: Is "When Love Rages Wild in my Heart" an attempt at a black metal love song? T: No, no I don't think so. Infernus wrote the lyrics and I don't know what it's about actually. It's basic satanic lyrics. We use a little bit other language. We talk about rationality and using your head. It's a little bit hard to explain. It's about the feelings and instincts related to the animal in man.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
    TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved.
    [Show full text]
  • Soulseller Records Album Titel: Instinctus Bestialis Spielzeit: 31:18 VÖ: 12.06.2015
    Band: Gorgoroth (N) Genre: Black Metal Label: Soulseller Records Album Titel: Instinctus Bestialis Spielzeit: 31:18 VÖ: 12.06.2015 Bereits seit 1992 lärmen die norwegischen Schwarzmetaller von Gorgoroth durch alle Herren Länder. Nun erscheint mit "Instinctus Bestialis" ihr zehntes Studiowerk. Bis zu "Incipit Satan" habe ich ihre Musik noch mitverfolgt. Nach Gaahls Ausstieg 2012 und andere Besetzungswechsel, habe ich die Truppe dann ziemlich aus den Augen verloren und war daher neugierig, wie sie wohl Anno 2015 klingen!? Der Sound und die Grundstimmung der Platte sind atmosphärisch komponiert worden. Überwiegend dunkel-düster und schwermütig sind besonders die Riffs und der Klang der Gitarren. Die Stimme von Atterigner ist dezent tief und kehlig gehalten. Hin und wieder wird auch ein wenig gegrowlt und ein leichter Einschlag an Todesblei ist nicht zu überhören. Etliche Teile der Stücke sind in verschiedenen Tempi gehalten und wechseln sich ab. Überwiegend wird aber im Midtempo-bereich gezockt. Auch wenn die durchdachten Strukturen musikalisch auf hohem Niveau sein mögen, so habe ich doch von einer Band wie Gorgoroth mehr Wut, Aggression und Raserei erwartet. Vielleicht bin ich da zu traditionell eingestellt, aber dieser "melancholische" Einschlag ist für mich, in dieser Menge, einfach nicht passend; Weiterentwicklung hin oder her. Es gibt genügend neuere Combos denen diese Attitüde besser steht. Leider bleibt auch ein schleppendes Gefühl bei etlichen Titeln, welches sich beim Hören bald bei mir eingestellt hat. Zudem ist die Platte mit knapp 31 Minuten auch noch sehr kurz für ein Vollalbum. Fazit: Musikalisch liegt zwar ein qualitativ gutes und sehr düster gehaltenes Album vor, welches mich aber leider nicht wirklich packen kann.
    [Show full text]
  • Oslo, Norway – 31
    OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come.
    [Show full text]
  • Februar 2012
    Februar 2012 The Creation of an industry Mick Upton The Evolution of Crowd Barriers E O Cees Muurling MMade by ConCom Safety V Summerdays Festival i Schweiz Johnny Jønsson En hilsen fra Helvede! Jeppe Nissen Fodbold er ikke det rene anarki Lars Hintze Crowd dynamics Keith Still 1 MOVE What’s in it? Leder En hilsen fra helvede! Morten Therkildsen 4 18 Jeppe Nissen The Creation of an industry Summerdays Festival i Schweitz Mick Upton 6 22 Johnny Jonsson Fodbold er ikke det rene anarki Det siger loven / Tillykke til... Lars Hintze 8 28 Crowd dynamics 10 30 Mötorhead i VEGA Keith Still Visti Iversen Historien om VEGA Hvad er moshing? Eva Therkildsen 12 31 The Evolution of Crowd Barriers Cees Muurling 14 Move’s Redaktion: Sofie Dahl - Layout og redaktion Eva Therkildsen - Redaktion Forslag, tips og idéer: 2 [email protected] 3 Prepared for the future of learning from history and plan ahead large scale. It is about documentation, TY TR AFE AIN or just await the next accident, and crowd psychology, crowd dynamics, S IN L G not have any contingency plans ready. management principles, expected A A N S O S Since ConCom Safety started in 2006, incidents and a lot more. You have to I O International Safety T the employees have been a part of learn from other incidents and accidents A C N I creating a culture of speaking open- in the past and bring it into your own A R T E planning. We believe that Lincoln’s I minded about what we can improve.
    [Show full text]
  • Metaldata: Heavy Metal Scholarship in the Music Department and The
    Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s .
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]
  • DARKWOODS MAILORDER CATALOGUE March 2018
    DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..
    [Show full text]
  • Masterarbeit / Master's Thesis
    d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1.
    [Show full text]
  • Weekly Menuwm 09 INHALTSVERZEICHNIS 02.05.08
    Soulfood Music Distribution weekly menuWM 09 INHALTSVERZEICHNIS 02.05.08 POP / ROCK 2 - 9 JAZZ / WORLD 9 - 10 HIP HOP/ RAP 11 - 11 DANCE / CLUB / HOUSE 12 - 13 EBM / GOTHIC / DARK WAVE 14 - 17 PUNK / ALTERNATIVE 17 - 19 METAL / HARD ROCK 19 - 33 DVD-Musik 33 - 35 PROMO UPDATES 35 - 37 WEITERE VÖs 37 - 38 ON TOUR 39 - 46 Auftragsannahme Soulfood Music Distribution Tel +49 (0)40 854196 21 WM 09 +49 (0)40 854196 22 Fax +49 (0)40 854196 10 weekly menu [email protected] www.soulfood-music.de Jetzt im VVK erhältlich! 02.05.08 • Interviews: Heavy, Breakout, Coolibri, Gitarre & Bass, Rocks, Berliner Abendblatt POP / ROCK • Stories: Rocks, Berliner Abendblatt, Breakout, Heavy, Rock it • Soundchecks: Rock Hard, Rock it • Reviews: Bass Professor, Berliner Abendblatt, Breakout, Bright Funk / Hard Eyes, Darkscene.at, Evilized Metal Magazin, Fan, Good Times, Rock Hardharderheavy Red. / Poly4Media, Heavy, Metal Inside, Metal2Me- tal, Metalroxx, Obliveon, Piranha, Powermetal.de, Rock Hard, Rock 12/12 It, Rockingboy.de, Rocks , Rocktimes, Scarred For Life, Schweres- PUNKTE IM Metall.de, Sleaze-Metal.com, Squealer-Rocks.de, Stormbringer.at, HEAVY Evilrockshard.de, Heavyhardes.de 09.05.08 Weiterhin erhältlich: Glenn Hughes MUSIC FOR THE DIVINE First Underground Nuclear Kitchen Frontiers 8 024391 028728 Format: CD EXTRA Slipcase PC: B CD - FRCD 287 - Y76 Best.-Nr.: FRCD 371 8 024391 037126 Pressestimmen Heavy 12 von 12 Punkte „Die weißhäutige Reinkarnation eines Rufus Thomas hat wieder zuge- Acoustic / schlagen, und diesmal grandioser denn je…..eine solch explosive Mixtur aus Funk, Soul, Rock und ruhigen Momenten brachte selbst Glenn, den Unplugged Rock Stevie Wonder als seinen `weißen Lieblingssänger` bezeichnete, bislang nicht zustande.
    [Show full text]
  • Job Interview Tips
    "Let Each Become Aware" Founded 1957, Incrorated 1975 1 9 vouluime, A1J iumer~~~~~~~~~~~~~~~~~~~ IU . Monday, Uctober 7,9~~~~~~~~~~~~~~~~~~~~~~ 1996 . First CoDv Free Nat' Coming Out Day Movement, Integration, Equi0ty NADIA PERSAUD movement. The Lesbian, Gay, for everyone, but similar in community more so than any Special to the Statesman words ofUrvashi Vaid, in:Virtual ; -: Bisexual, and Transgendered that all gays and lesbians pass other presidential National Coming Out Day Reality (1995) "We proceed as if Alliance (LGBTA), located in through the heterosexual administrat i on. President is an event whose roots stem we enjoy real freedom, real Room 045A of the Student closet, the content of which is Clinton has-appointed openly from the Second National acceptance, as if we have won Union, has planned events for the usual wardrobe of gay and lesbian officials March on Washington, to lasting changes in the laws and the entire week of October7 - morality, religion, and fear. government offices. But, with October 11, 1987. - Initially, mores of our nation . But the 11. On October 9, there will The threat of homophobia the recent defeat: of the the. first step towards the actual facts and conditions that be an open mike in the is an always present shadow Employment Non- creation of National Coming we have won 'virtual' freedom Fireside Lounge in the on the gay and lesbian Discrimination Act and the Out Day (NCOD) was taken at and 'virtual' equal treatment Student Union. Everyone is community. With the aid of passing of the so-called the War Conference in 1988. under 'virtually' the same invited to speak about or PAC's like, the Human Rights Defense of Marriage Act, the The body of the conference laws as straight people." voice their opinion on lesbian, Campaign, statewide political gains of gays are consisted of at least 220 gay If you are interested in gay, bisexual, and organizations and local questionable.
    [Show full text]
  • Brandnew Underground Power Records Releases
    Brandnew Underground Power Records Releases 10 years after our first and only Label Shirt – we did it again: Underground Power Records Label Shirt – 20 € Black Gildan Shirt with our Logo as pocket print on the front – backside “Knights of Steel” artwork incl. Bandlogos from our rooster like Siren, Titan Force, Midnight Dice, Satans Hallow, Air Raid, Iron Jaw, Iron Brigade and more – limited to 100 copies – sizes S, M, L, XL, XXL and XXXL KATAGORY V – Present Day (NEW*LIM.100 WHITE VINYL*US METAL*QUEENSRYCHE) - 24 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited to 100 copies in White Vinyl + 4 Page LP Insert with Pics and Lyrics - this UP100 and we are proud of it - 20 years ago this was our first Distribution title under the Label name Underground Power Records ! Razorsharp Riffs, powerful, melodic Vocals up to high pitched, great hooks and a tight and pounding Rhythm Section KATAGORY V – Present Day (NEW*LIM.200 BLACK VINYL*US METAL*QUEENSRYCHE) - 21 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited
    [Show full text]