Book Reviews
BOOK REVIEWS Creating Faulkner's Reputation: end. Everywhere in the academy nowa- The Politics of Modern Literary days, the concept of disinterested literary Criticism, by Lawrence H. judgment is under assault. The basis of Schwartz. Knox,ville, Tenn.: the assault varies from critic to critic, but University of Tennessee Press, 1988, the two books under review offer a sign of the times. In Creating Faulkner's Reputa- 286 pp., $32.50 hardbound, $14.95 tion: The Politics of Modern Literary Criti- paperback. cism, Lawrence H. Schwartz makes it clear that naked politics account for why we think so highly of a writer like William Faulkner. Recalcitrance, Faulkner, and the And in Recalcitrance, Faulkner, and the Pro- fessors: A Critical Fiction, Austin M. Wright Professors: A Critical Fiction, by transmogrifies all criticism into a species Austin M. W~ght. Iowa City, Iowa: of private, dubiously motivated fiction- University of Iowa Press, 1990, 242 making. pp., $25.00 hardbound, $12.95 In both books, it should be clear, the paperback. intrinsic quality of Faulkner's art is less important than the uses to which that art James W. Tuttleton can be put in making arguments about an entirely different matter- the political, his- torical, and cultural conditions regnant in How is the reputation of a writer made? America during the past half-century. It used to be thought that a writer's stand- Faulkner, it must be said, was critically ing was based on the estimate of many, neglected during the 1920s and 1930s. His many readers of taste and conviction, ex- horrific pictures of alcoholism, incest, mur- perienced men and women whose knowl- der, and madness--in The Sound and the edge of literature was wide and deep and Fury, Sanctuary, and Light in August (to whose standards were formed by the con- name just a few novels)--were often de- tinual comparison and contrast of the style, nounced as bizarrely Gothic, morbid, per- vision, and judgment of writers.
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