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METADATA and PHOTOGRAPHIC DOCUMENTATION Santa Maria Dell'assunzione – Ariccia, ITALY – by Bernini
TM ARCHIVISION www.archivision.com an image source for visual resource professionals Renseignements généraux en français disponibles sur demande. No part of this publication may be reproduced or printed, in whole or in part, without the written consent of Archivision. All terms and fees subject to change without notice. Archivision Inc. © 2009 Archivision Inc. All rights reserved. version April 2009 THE ARCHIVISION DIGITAL RESEARCH LIBRARY This catalogue is a partially illustrated content list of architectural sites, gardens, parks and works of art which comprise the Archivision Digital Research Library. The Archivision Library is currently 46,000 18 MB files and is composed of: 1) Base Collection (16,000 images) 2) Addition Module One (6,000 images) 3) Addition Module Two (6,000 images) 4) Addition Module Three (6,000 images) 4) Addition Module Four (6,000 images) 4) Addition Module Five (6,000 images) The content coverage within each Library module is: .: 60% architecture (most periods) .: 20% gardens & landscapes .: 15% public art .: 5% other design related topics The Archivision Library makes an ideal complement to any core art digital collection, such as the Saskia Archive or ARTstor. Only the Archivision Digital Research Library meets the needs of students and faculty – for both research and teaching – in the disciplines of architecture, landscape architecture, and urban planning. We do not offer a subscription service – you must sign a site license agreement and pay a one-time license fee for the Library – then you may keep the images and related metadata in perpetuity with no additional annual fees. The exception is where you choose one of our hosted server options – the annual fee you pay is only for the access service. -
Bernini's Fountains: an Illustration of How This Art-Form Can Be Said to Symbolize the Emotional Stability of Its Creator—The Seventeenth Century Genius
BERNINI'S FOUNTAINS: AN ILLUSTRATION OF HOW THIS ART-FORM CAN BE SAID TO SYMBOLIZE THE EMOTIONAL STABILITY OF ITS CREATOR—THE SEVENTEENTH CENTURY GENIUS by JANE MAYNARD MATHER B.A., McGill University, 1952 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Fine Arts We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada ABSTRACT The oft cited man on the street has never heard of Gian Lorenzo Bernini, although this great artist was perhaps the genius of the seventeenth century. Such ignorance, it is my contention in this thesis, arises from the myth that links creativity with illness, genius with insanity. The same man on the street often knows of other artists not so much, unfortunately, from their work, as from the much publicized idiosyncrasies of their personalities. Bernini, as I have endeavoured to show in this paper, was a man of outstanding stability, vitality, dis• cipline—and a man entirely committed to, and involved in, the time in which he lived. -
Churches and Sights in Paris and the Surrounding Region (Including Versailles)
Hi there and welcome, fellow Cheapo! We launched EuroCheapo.com in 2001 with the goal of making travel through Europe affordable and memorable. In the years since, our editors have visited thousands of hotels, taken innumerable train trips, spent nights in airports, run out of gas in rental cars, and eaten our fair share of currywurst. During this time, weʼve picked up money-saving tips of all shapes and sizes -- lessons occasionally learned the hard way. The list that follows is a compilation of some of our best tricks to help you save on the big ticket essentials (airfare, car rental, train tickets and hotel rooms) and help lower your budget in five of Europeʼs priciest cities. We hope these tips will help you experience more while spending less. And thanks for using EuroCheapo.com! About these tips: The travel information contained in this booklet was written by the editors and correspondents of EuroCheapo.com. For more detailed information about these subjects, consult the URLs at the end of each section. All information contained herein is © 2012 by Over There Interactive, Inc. All Rights Reserved. First the essentials: Before you hop on that flight, hereʼs a list of planning tips that are sure to help you get off on the right foot. From understanding bank charges and accessing money on the road, to calling to say “hi” to mom for less, these simple steps will help stretch your trip budget. Tip #1: Tell your bank about your trip. Call your bank and credit card companies to tell them that youʼll be traveling abroad. -
MASTERS of ART by Courtesy of the National Galleries 1680
Here, his most famous works are housed. Capra 11 Palazzo Montecitorio 14 Ponte Sant’Angelo 1 Chiesa di Santa Bibiana 4 Galleria Nazionale d’Arte Amaltea (1615) is one of Bernini first sculptures, 16 Monumento a Beata Ludovica followed by Aeneas, Anchises and Ascanius Piazza di Monte Citorio Lungotevere Vaticano Via Giovanni Giolitti, 154 Antica - Palazzo Barberini (1618-19), the Rape of Proserpina (1622), Apollo Albertoni Now the seat of the Chamber of Deputies, Palazzo Saint Angel bridge less famous second name is On the occasion of the jubilee in 1625 and just Via delle Quattro Fontane, 13 and Daphne (1622-25) and David (1623). They all Chiesa di San Francesco a Ripa Montecitorio (1653) was commissioned by pope Pons Hadriani, from the name of the emperor after Santa Bibiana’s remains were miraculously represent the best of Bernini’s virtuous skills to Piazza di San Francesco d’Assisi, 88 It was built in 1625. It was conceived as a real Innocent X Pamphilj as wedding present for his Hadrian that commissioned it. It is adorned found, Bernini was called to restore the facade express the pathos of human soul by twisting villa in the city centre to host the pope’s family. nephew Camillo Ludovisi. Bernini designed a by splendid statues of angels made by Bernini On the occasion of the beatification ceremony of Santa Bibiana’s church. It is considered his the bodies and giving an intense expressiveness It is the result of the cooperation between building with a convex polygonal front in order together with his students, who were believed of the nun Ludovica Albertoni, member of the first architecture work as well asSanta Bibiana’s to the faces. -
Tridente, Trevi and the Quirinale
PDF Rome Tridente, Trevi & the Quirinale (PDF Chapter) Edition 9th Edition, Jan 2016 Pages 31 COVERAGE INCLUDES: Page Range 98–119, 214–222 • Neighbourhood Top • Sleeping Five Useful Links • Local Life Want more guides? • Getting There & Head to our shop Away Trouble with your PDF? • Sights Trouble shoot here • Eating Need more help? • Drinking & Nightlife Head to our FAQs • Entertainment Stay in touch • Shopping Contact us here © Lonely Planet Publications Pty Ltd. To make it easier for you to use, access to this PDF chapter is not digitally restricted. In return, we think it’s fair to ask you to use it for personal, non-commercial purposes only. In other words, please don’t upload this chapter to a peer-to-peer site, mass email it to everyone you know, or resell it. See the terms and conditions on our site for a longer way of saying the above – ‘Do the right thing with our content’. ©Lonely Planet Publications Pty Ltd 98 Tridente, Trevi & the Quirinale PIAZZA DEL POPOLO | VIA DEL CORSO | PIAZZA DI SPAGNA | TREVI FOUNTAIN | THE QUIRINALE | PIAZZA BARBERINI | VIA VENETO Neighbourhood Top Five 1 People-watching, 2 Gazing at the Cara- 4 Revelling in the archi- photo-snapping and day- vaggio masterpieces in tectural treasures, glut of dreaming on the Spanish the artistic treasure trove masterpieces, and breath- Steps (p100), with a view Chiesa di Santa Maria del taking Cortona ceiling of down the glittering back- Popolo (p101). Palazzo Barberini (p110). bone of the Tridente dis- 3 Taking a tour of the 5 Visiting the poignant trict, designer-clad Via dei Villa Medici (p106), with Keats–Shelley House Condotti. -
THE BAROQUE PAPACY Ary Papal Court, the Roman Curia and the Papal State Were Constructed
is work leads the reader into one of the most exciting chapters of the history of the papacy. It delineates the behaviour and dilemmas of ❧ Rome in the ghts against the Turks, in the irty Years’ War, and in ) the struggles with the Protestants and the numerous con icts with the éter usor Catholic States. In addition, the book describes in detail the rst real example of globalisation, namely the worldwide spread of missions, in addition to providing accounts of the formation of new religious move- – ments, Galileo’s trial and the ordeals of the Institute of the Blessed Virgin ( Mary. Furthermore, the chapters o er insights into the nature of papal nepotism, how the Roman inquisition worked, and how the contempor- THE BAROQUE PAPACY ary papal court, the Roman Curia and the Papal State were constructed. (–) Péter Tusor, PhD, DSc, was born in 1967. He is currently an Associate Professor at the Institute of History at the Péter Pázmány Catholic Uni- versity and a Research Group Leader at the Hungarian Academy of Sci- ences. THE BAROQUE PAPACY THE BAROQUE ISBN 978-88-7853-715-6 éter usor 9 788878 537156 , Sette Città Barokk pápaság.indb 2 2016.05.24. 9:52:59 Péter Tusor THE BAROQUE PAPACY (1600–1700) Sette Città 2016 Barokk pápaság.indb 3 2016.05.24. 9:52:59 All rights reserved. Reproduction in any form, storage or transcription by any means (electronic, mechanical, photocopying, recording or in any other ways, including movie, radio, television or internet) is prohibited without the written permission of the publisher. -
Fontane Di Roma E Del Lazio “Bella, Come Nella Pietra Fresca Della Sorgente, L’Acqua Apre Un Ampio Lampo Di Schiuma”
Storie di pietre e di acque Fontane di Roma e del Lazio “Bella, come nella pietra fresca della sorgente, l’acqua apre un ampio lampo di schiuma” Bella, Pablo Neruda Storie di pietre e di acque Fontane di Roma e del Lazio INDICE INTERATTIVO > Fontana dei Quattro Fiumi > L’acqua e la pietra > Fontana del Carcere Mamertino > Acqua Fiuggi > Fontana delle Api > Fontana di Trevi > Fontana del Facchino > Fontana del Babuino > Fontana di Villa Medici > Fontana delle Tartarughe > Fontana Grande > Fontana del Vermicino > Fontana dei Draghi > Fontana della Barcaccia > Fontana dei Quattro Mori INDICE L’acqua e la pietra Nelle fontane l’acqua e la pietra si parlano, e lo fanno da sempre. E a Roma e nel Lazio, è facile ascoltarle raccontare la loro storia millenaria: l’acqua vergine della fontana del Babuino che si tuffa in un antico sepolcro, tornato a nuova vita come vasca; oppure quella che passa tra pietre sapientemente modellate per formare evoluzioni ed emettere suoni, come in una fontana della stupenda villa d’Este a Tivoli; o una pietra che da palla di cannone si è trasformata in base per uno zampillo allegro, o ancora una fontana dove ogni tanto l’acqua lascia il posto al vino. In questo piccolo volumetto abbiamo voluto raccogliere le piccole storie di alcune di esse, senza perderci in descrizioni architettoniche che lasciamo a tomi più eruditi del nostro, che ci aiutano a capire quanto l’acqua e la pietra sappiano convivere e raccontarci la Storia. La maggior parte delle fontane descritte si trovano a Roma, che è universalmente riconosciuta come la città con più fontane al mondo, ma ve ne sono anche di meno conosciute, sparse nel territorio del Lazio, denso di storia e leggende tutte da scoprire. -
Le Piazze Storiche Di Roma Tutte Le Città Hanno Piazze Che Ne Sono Diventate Simbolo E Roma Non È Certamente Da Meno
Le piazze storiche di Roma Tutte le città hanno piazze che ne sono diventate simbolo e Roma non è certamente da meno. La Capitale d'Italia ne può infatti vantare molte che sono universalmente conosciute per la loro storia e che attraggono turisti da tutto il mondo con la loro eleganza architettonica: passeggiare per le piazze storiche di Roma costituisce spesso un'esperienza da non perdere durante una visita della Città Eterna. Infatti le piazze storiche rappresentano sempre aspetti storici, architettonici e culturali, che contribuiscono a far comprendere l’evoluzione della vita bimillenaria della città, dandole allo stesso tempo quell’atmosfera speciale che ha fatto di Roma la “Città Eterna”. Piazza Barberini Rione Trevi La piazza ebbe in passato diverse denominazioni, derivate dalla presenza di residenze della nobiltà romana che era attratta dall'area ricca di ville e giardini fin dal XVI secolo. Con l'apertura della strada Felice, ideata da Sisto V per congiungere Trinità dei Monti e la Basilica di Santa Croce in Gerusalemme, la piazza divenne un punto importante della città. La piazza ebbe dapprima il nome di "Grimana" per la presenza delle proprietà del cardinal Grimani; più tardi, prese il nome di "Sforza a Capo le Case", per le proprietà del cardinale Sforza, in seguito acquistate dal cardinale Francesco Barberini, che vi fece erigere il palazzo dal quale la piazza prese il nome definitivo. Furono però gli interventi del Bernini a determinarne l'importanza architettonica della piazza: al centro vi si trova infatti la Fontana del Tritone, formata da quattro delfini che alzano con la coda una conchiglia su cui si erge un tritone che soffia entro una buccina dalla quale esce acqua. -
L'ape Nell'arte Di Bernini
L’uomo e l’ape di Renzo Barbattini e Giuseppe Bergamini L’ape nell’arte di Bernini Si deve al genio di Gian Lorenzo Ber- Renzo Barbattini e Giuseppe Bergamini ci propongono nini (Napoli 1598 - Roma 1680), mi- un breve racconto di sintesi della avvincente vicenda rabile interprete della nuova concezione estetica barocca, la realiz- delle api “araldiche” più famose della storia dell’arte: zazione di gran parte delle opere archi- quelle della famiglia Barberini, attraverso un breve itinerario tettonico - scultoree che nel corso del Seicento conferirono alla città di tra i monumenti della Roma papale del Cinquecento, Roma quel volto che tanto piacque ai provando a decifrarne il messaggio simbolico contemporanei e che ancora stupisce che visita la Città Eterna. che il nostro occhio poco allenato non riesce forse più Architetto, scultore ma anche pittore a decifrare adeguatamente e scenografo, in possesso di una vasta cultura che spaziava dalla conoscenza della plastica nervosa e del concitato dinamismo della scultura ellenistica a famoso anche per il noto processo di quella, più affine al suo intendi- condanna contro Galileo Galilei. mento, della scultura michelangiole- Seguendo la terminologia araldica, il sca del Cinquecento, di una illimitata suo stemma2 può essere così descritto: fiducia nelle potenzialità della tec- Arma: d’azzurro a tre api montanti d’oro nica, e di una stupefacente capacità poste 2, 13 (Fig. 1). creativa, il Bernini divenne con ra- Le tre api furono scelte, come em- pida ascesa il protagonista del rinno- blema di operosità, dallo stesso Urbano vamento artistico voluto dalla Roma VIII in sostituzione di altrettanti ta- papale a gloria e testimonianza del fani, antichi simboli araldici della sua maggiore centro della cristianità. -
ROME ATHENAEUM ROME Summer, 2017 ARHI 3316 Art And
ROME ATHENAEUM ROME Summer, 2017 ARHI 3316 Art and ARCHITECTURE of ROME Summer Session II, 2017 John Cabot University, Via della Lungara 233, Roma, Italy 00165 Phone: John Cabot University +39 06 681 9121 Prof. Jo Anna Isaak [email protected] Italian phone: 338 874 4275 US Cell 212 929 7850 Course Description: This course will examine the art, architecture and culture of Rome through four epochs of the city's history: Ancient, Medieval, Renaissance/Baroque, and Modern. Rome once ruled the entire Mediterranean world, and its cultural legacy looms large in Western civilization. At the heart of this legacy is the city that gave its name to the ancient empire. For almost two thousand years, Rome has been more than a literal place; it has also been an icon of culture, expressing many different characters depending on the era. In the ancient world the city epitomized the earthly splendor of Roman civilization. In the Medieval period its political importance waned, and the city was reduced to a symbolic, spiritual center. In the Renaissance, Humanists and the Papacy sought to reclaim the city's Classical past and rework it into a new vision of the city as both spiritual and temporal "caput mundi," (head of the world). During the modern period Rome again sought to reclaim its ancient culture while embracing the latest innovation in technology and design. Contemporary Italian art has now moved onto to global stage. There is no better place to study art and architecture than Rome. During the day Rome will be our classroom as we experience first hand the art, architecture, and culture of the city’s history through the lens of its monuments. -
Walking Rome in a Day Part One PRINT.Cdr
WalkingWalking ROMEROME inin aa DayDay -- PartPart OneOne This route covers a wonderful, and easily accessible, walking portion of the Eternal City. It’s a lot of ground to cover so you could certainly split it into 2 days, spending more time at each stop, if you wish. As you follow the map please check out the inside pages for some fun facts about each of the stops. There are also written Directions to the next area of interest. Most of all . Have Fun!!! © 2019.2019. TheGloveTrotters.com.TheGloveTrotters.com. WalkingWalking ROMEROME inin aa DayDay -- PartPart OneOne First, just a few words . they say that some of the most memorable things in life just happen, unexpectantly. One of those for me was Ramie's and I's trip to Rome for our 2nd honeymoon. We had just checked into our hotel and crossed the street to do our currency exchange. Unfortunately she was disappointed in the rates we got and, in her disappointment, missed the last of a series of steep stairs. The end result . a badly sprained ankle. She spent the rest of the week either lying in bed with her foot elevated (that actually lasted only a single day), in a wheelchair or on crutches. While not ideal this accident unexpectedly led to a series of pleasant benets during the week, but that's a different story. For the rst day, when she was laid up, she insisted I go out and enjoy myself. That is where the following itinerary came from . no specic planning, just having a sense of what I wanted to see and walking where I wanted to go at a pace I enjoyed. -
Termini Stop
Termini Stop Baths of Diocletian Built at the end of the third century by the Emperor Diocletian and his brother Maximian, the baths were the largest in Rome and could hold more than 3,000 people. The Romans, apart from the wealthy ones, did not have running water in their homes, thus by necessity they had to use the thermal baths. The baths provided facilities for group and individual bathing, saunas, gyms, massage rooms, and libraries. All around the complex, then as now, were porticoes. Entrance was free and both sexes were allowed, but, except for a few Emperors who permitted common use, men and women had to take their baths at different scheduled times. Address: Viale Enaudi - Via Enrico De Nicola, 78 Timetables: 9.00 am - 7.45 pm; closed on Monday. Tariffs: Full price: € 5,00. Free entrance under the age of 18. Useful information: Guided visit € 3.50 per person. Reservation: 06/39967700 1 © Copyright Trambus Open S.p.A. All rights reserved. Piazza della Repubblica Romans call it Piazza Esedra because of the exedra of the Baths of Diocletian, on the foundations of which rose, at the end of the 19th century, the two semicircular palaces with colonnades designed by Gaetano Koch. In the center of the square stands the 19th century fountain by Alessandro Guerrieri, decorated at the beginning of the 20th century with bronze sculptures by Mario Rutelli. Address: Piazza della Repubblica Santa Maria degli Angeli The church overlooking Piazza della Repubblica is Santa Maria degli Angeli, designed by Michelangelo, who made use of the main hall of the Baths of Diocletian.