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Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Recentis Romae Ichnographia et Hypsographia Sive Planta et Faies Ad Magnificentiam Qua Prioribus Annis Urbs Ipsa Directa Exculta et Decorata Est. Stock#: 46642 Map Maker: Sandrart / Falda Date: 1679 Place: Nuremberg Color: Hand Colored Condition: VG+ Size: 26.5 x 34.5 inches Price: SOLD Description: Jacob von Sandrart's rare and exquisitely engraved view of Rome, one of the finest impressions of the 'Eternal City' made during the great Baroque Era of Art and Architecture. This finely engraved and lavishly decorative view of Rome takes in all of the 'Eternal City', as it was encompassed by its ancient Aurelian Walls, built during the 2nd Century A.D., on the banks of the River Tiber. Numerous monuments and sites, all of which are still present today, can be seem on the view, including the Coliseum, the Pantheon, the Piazza del Popolo, the Church of San Giovanni Laterno, the Baths of Diocletian, and the Vatican, which is dominated by the Dome of St. Peter's Basilica and the Castel Sant'Angelo. Most notable is the great oval Colonnade that lines the square in front of St. Peter's, which had only been completed in 1666 by the Gianlorenzo Bernini, one of the towering figures of the Baroque Era. The quality of the engraving is exceptionally high, as is the composition of the view, which grants the observer a panoptic view over Rome, while the specific details of the cityscape remain sharply distinguishable. -
Menomonee Falls High School Symphonic Orchestra
Your itinerary Starring Menomonee Falls High School Symphonic Orchestra romeparade.com Menomonee Falls High School Symphonic Orchestra Your hotel: BARCELO ARAN MANTEGNA Via Andrea Mantegna, 130 00147 Roma 0039 06 989521 www.barcelo.com 2 Your Rome NEW Year Itinerary Rome Useful Information charge) are already included. However, rounding up on a cheque Time zone: GMT+1. From America or a taxi fare is always appreciated. EST +6, West Coast +9, CST +7 Useful words & phrases: Language: Italian Hello Ciao/ Salve Temperature: Throughout Goodbye Ciao December and January, the Arrivederci average temperature remains Please Per Favore constant at 46°F (8°C). Thank you Grazie Currency: the Euro (€). There are You’re welcome Prego 100 cents in a Euro. Yes Si Euro coins: 1€, 2€ No No Good morning Buongiorno Cent coins: 1, 2, 5, 10, 20, 50 Good evening Buonasera Euro notes: 5€, 10€, 20€, 50€, Good night Buonanotte 100€, 200€, 500€ Pleased to meet you Piacere Credit cards: Visa, MasterCard How are you? Come va? and Maestro are all widely Excuse me Scusi accepted. Sorry Mi Dispiace Money: The easiest way of getting Do you speak money is from ATM machines. English? Parla Inglese? You’ll find ATMs at banks and I don’t understand Non Ho post offices all over Italy and Capito most of them have step-by-step How much is this? Quanto instructions in your choice of Costa? languages. ATMs nearly always Where is the toilet? Dov´ É Il have better rates than currency- Bagno? exchange offices and hotel reception desks. Where can I find...? Dove Posso Trovare...? Tipping: Tips are not expected Happy New Year Buon Anno in restaurants as servizio (service charge) and/or coperto (cover 3 Your Rome NEW Year Itinerary New Year’s Eve Capodanno/ with multiple voltages, then an Feste di San adapter is needed. -
The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
THE FOUNTAINS Roma Ti Aspetta PIEGHEVOLI Definitiviinglese6antmodif Layout126/11/1008.49Pagina2 Their Namesandmemory
PIEGHEVOLI DEFINITIVI INGLESE 6 ant MODIF_Layout 1 26/11/10 08.49 Pagina 1 Call number We have reached the road along by the we can make our way up to the Tiber. So now we resume our itinerary, Fontanone del Gianicolo, or, to give it its 060608 heading for Piazza Navona. It is in this real name, the Fontana dell’Acqua or visit marvellous Baroque piazza that you can Paola, which was built for Paul V (bet- www.turismoroma.it admire Bernini’s Fontana dei Fiumi ween 1608 and 1612) by Flaminio For tourist information, (Fountain of the Four Rivers). Ponzio, while the semicircular basin was cultural events and entertainment offered in Rome Surmounting the rocks are four figures, added by Carlo Fontana in 1690. Its [Roma tiaspetta personifying rivers symbolizing the con- structure is simple, inspired by Roman tinents known in past ages: the triumphal arches. At the top, the inscrip- LIST OF T.I.P. (Tourism Information Points) Danube, the Ganges, the Rio de la Plata tion celebrates the merits of Paul V, who • G.B. Pastine Ciampino and the Nile. According to tradition, the brought the Trajan aqueduct back into International Arrivals – Baggage Collection Area (9.00 - 18.30) Fontana dei Tritoni dei Fontana poses of the statues of the Nile and of operation. The semicircle of the fountain • Fiumicino International Airport "Leonardo Da Vinci"- Arrivals the Rio de la Plata, as also that of the looks onto a panoramic terrace from International - Terminal T - 3 (9.00 - 18.30) statue of S. Agnese in the church of which the whole of Rome can be seen: • Ostia Lido [Having come to Piazza Mattei, cho- that name (Sant'Agnese in Agone) truly a sight not to be missed. -
Theatre Tips Sion of the Men in Her Life, Unfolded on Stage
Issue 152 September 2018 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY GETTY IMAGES Theatre Tips sion of the men in her life, unfolded on stage. Broadway show inexpensively, but of course, Not every theatre experience is as emotion- you shouldn’t rely on winning to have plans M ELISSA JAR M EL ally charged as that one, but they all offer a to see theatre that night. Some shows like One of the best ways that I know how chance to see life from a different perspective Mean Girls, Book of Mormon, and Once On to take myself out of lab life is to see live the- and with a unique group of people. In future This Island offer in person lotteries every atre, and I’m lucky that New York City offers posts, I hope to highlight shows I’ve watched day that are usually drawn two hours before an overwhelming number of options to do on and off Broadway, but this time I want to the performance. In the last couple of years, this affordably (though Hamilton ticket pric- give you tips for seeing theatre on a budget. many shows have begun to offer digital lot- es may have you fooled about this). If you are a full time student, teacher, tery options. Broadway Direct (https://lot- One of the aspects I love most about or faculty member (or other qualifying cat- tery.broadwaydirect.com/) offers digital lot- going to the theatre is the acute feeling that egory), the Theatre Development Fund is teries for Lion King, Aladdin, Spongebob, and I am part of a connected community. -
Revised Final MASTERS THESIS
UNIVERSITY OF CALIFORNIA RIVERSIDE Carlo Fontana and the Origins of the Architectural Monograph A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Juliann Rose Walker June 2016 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Juliann Walker 2016 The Thesis of Juliann Rose Walker is approved: Committee Chairperson University of California, Riverside Acknowledgements I would first like to start by thanking my committee members. Thank you to my advisor, Kristoffer Neville, who has worked with me for almost four years now as both an undergrad and graduate student; this project was possible because of you. To Jeanette Kohl, who was integral in helping me to outline and finish my first chapter, which made the rest of my thesis writing much easier in comparison. Your constructive comments were instrumental to the clarity and depth of my research, so thank you. And thank you to Conrad Rudolph, for your stern, yet fair, critiques of my writing, which were an invaluable reminder that you can never proofread enough. A special thank you to Malcolm Baker, who offered so much of his time and energy to me in my undergraduate career, and for being a valuable and vast resource of knowledge on early modern European artwork as I researched possible thesis topics. And the warmest of thanks to Alesha Jeanette, who has always left her door open for me to come and talk about anything that was on my mind. I would also like to thank Leigh Gleason at the California Museum of Photography, for giving me the opportunity to intern in collections. -
Information Note for Participants
INFORMATION NOTE FOR PARTICIPANTS 12TH London Group Meeting on Environmental and Economic Accounting 17-19 December 2007 Rome, Italy General information 1. The 12th London Group Meeting is scheduled to be held in Rome 17th-19th December 2007 The venue of the meeting is Istat - Aula Magna, 2° floor Via Cesare Balbo, 14 Rome Registration and identification badges 1. Participants are requested to register and obtain meeting badges at the reception once entered the building, between 9.30 am and 10.00 am, on Monday 17th December 2007. Participants who are not able to register on the opening day are requested to do so on the subsequent day. 2. For identification and security reasons, all participants are requested to wear the meeting badge all the times during the meeting in Istat’s building. 3. Participants will receive folders containing all meeting papers. Working language 4. The meeting will be conducted in English only. No translation/interpretation services will be provided. All documentation will also be in English. Officers concerned with servicing the meeting 5. The following person may be contacted: Xenia Caruso Tel. +39 06 46732155 E-mail: [email protected] Internet and e-mail services 6. Internet facilities are available near the meeting room, at the 2° floor of the building. Travel arrangements 7. Participants are responsible for their own travel expenditure. Information on flights, services and transfers to and from the two main Airports of the City are available below: Leonardo da Vinci Fiumicino Airport Via dell'Aeroporto di Fiumicino 00050 Roma Fiumicino Tel. +39 06 65951 http://www.adr.it/content.asp?L=3&idmen=199 Termini Central Station offers local trains to and from the Airport. -
Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
12-13 October 2016 Sapienza University Rome, Italy
1 | P a g e IYP Regional Dialogue for Europe and Central Asia Practical information for participants 12-13 October 2016 Sapienza University Rome, Italy 2 | P a g e Index Arrival in Rome 3 Information about Public Transport system of Rome 5 Rome subway Map 6 Additional useful Information on the city of Rome 7 Registration/Lunch/Dinner at: Casa dell’Aviatore 8 How to get to the Sapienza University 9 Sapienza’s Campus Map 10 The Conference venue 11 List of hotels within walking distance of La Sapienza University 15 Restaurants near Sapienza 20 3 | P a g e Arrival in Rome 1) From Fiumicino Airport By Train To reach the airport train station follow the indications in the airport arrivals hall. Train tickets are sold at the station counter and at automated machines. You can pay with cash or by credit card. Alternatively, you can buy the tickets on-line: www.trenitalia.it The Rome Fiumicino “Leonardo da Vinci” Airport (FCO) is connected to the city centre via a direct express train and slower trains on the FR1 Regional Railway line. Leonardo Express: - direct train to Termini Station; - journey time 30 minutes; - ticket costs € 14; - the train leaves the airport every 30 minutes from 6:36 am to 11:36 pm. By Bus A number of bus companies provide transportation from the airport to the centre of Rome (‘Termini’ central train station or Piazza Cavour - Vatican Area). Tickets cost €4-6 one-way and €8/12 return trip; the journey lasts ca. 1 hour, but traffic during peak hours can severely delay the buses. -
Spoliation in Medieval Rome Dale Kinney Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2013 Spoliation in Medieval Rome Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Spoliation in Medieval Rome." In Perspektiven der Spolienforschung: Spoliierung und Transposition. Ed. Stefan Altekamp, Carmen Marcks-Jacobs, and Peter Seiler. Boston: De Gruyter, 2013. 261-286. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/70 For more information, please contact [email protected]. Topoi Perspektiven der Spolienforschung 1 Berlin Studies of the Ancient World Spoliierung und Transposition Edited by Excellence Cluster Topoi Volume 15 Herausgegeben von Stefan Altekamp Carmen Marcks-Jacobs Peter Seiler De Gruyter De Gruyter Dale Kinney Spoliation in Medieval Rome i% The study of spoliation, as opposed to spolia, is quite recent. Spoliation marks an endpoint, the termination of a buildlng's original form and purpose, whÿe archaeologists tradition- ally have been concerned with origins and with the reconstruction of ancient buildings in their pristine state. Afterlife was not of interest. Richard Krautheimer's pioneering chapters L.,,,, on the "inheritance" of ancient Rome in the middle ages are illustrated by nineteenth-cen- tury photographs, modem maps, and drawings from the late fifteenth through seventeenth centuries, all of which show spoliation as afalt accomplU Had he written the same work just a generation later, he might have included the brilliant graphics of Studio Inklink, which visualize spoliation not as a past event of indeterminate duration, but as a process with its own history and clearly delineated stages (Fig.