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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Bortolami Gallery
BORTOLAMI Tom Burr (b. 1963 in New Haven, Connecticut) Lives and works in New York, NY Education 1987-8 Whitney Independent Study Program, New York, NY 1986 School of Visual Arts, New York, NY Residencies/Teaching 2009-10 Critic in Sculpture, Yale University, New Haven, CT 2010 Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland Selected Solo Exhibitions 2020 Fondazione Converso, Milan, Italy (Forthcoming) 2019 Hélio-Centricities, Auroras, São Paulo, Brazil Hinged Figures, Wadsworth Atheneum Musuem of Art, Hartford, CT Hélio-centricities: coda, Escola De Artes Visuais Do Parque Lage, Rio de Janeiro, Brazil 2018 Sedimental, SCAD Museum of Art, Savannah, GA No Access, SCAD Museum of Art, Savannah, GA 2017 Tom Burr/New Haven, Bortolami Gallery, New Haven, CT Stages, Maureen Paley, London, England Surplus of Myself, Westfälischer Kunstverein, Münster, Germany Abridged, Galerie Neu, Berlin, Germany 2016 Grips, Sommer Contemporary Art, Tel Aviv, Israel Put Down, piece*unique, Cologne, Germany 2015 Circa, Bortolami Gallery, New York, NY Ull Hohn and Tom Burr, Peep-Hole, Milan, Italy 2014 Notes on Camp, curated by vienna: The Century Bed, Vienna, Austria Drunk Emily, Galleria Franco Noero, Torino, Italy Tom Burr. Screen, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY 2013 Dressage, Parcours, Art Basel, Basel, Switzerland Stuart Shave/Modern Art, London, United Kingdom 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM BORTOLAMI 2012 Cloud in -
Dream Location
PRESENTATION HOUSE GALLERY DREAM LOCATION DREAM LOCATION WALKER EVANS RUNA ISLAM ERNST LUDWIG KIRCHNER ELAD LASSRY SIGMAR POLKE GERHARD RICHTER CURATED BY STEPHEN WADDELL JANUARY 25 TO MARCH 9, 2014 Dream Location begins with the photo essay Unposed Portrait, an editorial oddity published amidst the adver- tisements for perfume, Dior and Bergdorf Goodman in a 1962 issue of Harper’s Bazaar. The essay comprises a series of black and white portraits of New York City subway riders by the photographer Walker Evans, along with the following text: The crashing non-euphoria of New York subway life may someday be recorded by a modern Dickens or Daumier. The setting is a sociological gold mine awaiting a major artist. Meanwhile, it can be the dream ‘location’ for any portrait photographer weary of the studio and the horrors of vanity. With Unposed Portrait, Evans sought to subvert the af- firmative demands typically made of photography, and consider the ways in which experience and its depiction have motivated artists. His subway pictures—taken between 1938 and 1941 in the close, uncontrollable setting of the metro—developed into a provisional, unfinished series of works that provided him a new way of thinking about portraiture and the documentary im- pulse, as well as a ‘dream location’ for experimentation. Published 20 years later in the context of Harper’s, these works appear as a surreptitious intervention within the commercial confines of the magazine, standing in sharp contrast to the kind of editorial aesthetic that Evans himself helped make recognizable decades earlier. These photographs reveal a rupture in how pictures are made and encountered that was unimaginable to audiences at the time. -
Biography Elad Lassry
Biography Elad Lassry Tel Aviv, Israel, 1977. Lives and works in Los Angeles. SOLO EXHIBITIONS 2020 2020 - Elad Lassry, SF Moma, San Francisco, USA 2019 2019 - Elad Lassry, 303 Gallery, New York, USA 2018 2018 - Elad Lassry, curated by Xavier Franceschi, Frac île‑de‑France, Paris, F 2018 - Le Plateau, Paris, F None 2017 2017 - Solo Show, Galerie Francesca Pia, Zürich, CH 2017 - Elad Lassry, curated by Jef Wall, Vancouver Art Gallery, Vancouver, CDN 2016 2016 - Systematically Open?, LUMA Foundation, Arles, F 2015 2015 - Elad Lassry, Massimo De Carlo, Milano, I 2015 - Elad Lassry, David Kordanski Gallery, Los Angeles, USA 2014 2014 - Sensory Spaces 3, Museum Boijmans van Beuningen, Rotterdam, NL 2013 2013 - Elad Lassry, Galerie Francesca Pia, Zürich, CH 2013 - Elad Lassry, 303 Gallery, New York, USA 2012 2012 - Elad Lassry, Kunstnernes Hus, Oslo, N 2012 - Elad Lassry, Rathole Gallery, Tokyo, J 2012 - Elad Lassry, PAC Padiglione d'Arte Contemporanea, Milano, I 2012 - Elad Lassry, David Kordansky Gallery, Los Angeles, USA 2012 - Elad Lassry: Untitled (Presence), Te Kitchen, New York, USA 2012 - Elad Lassry, White Cube , Hong Kong, HK 2011 2011 - Elad Lassry, Francesca Pia, Zürich, CH 2011 - Elad Lassry, White Cube, London, UK 2011 - Elad Lassry, Tramway, Glasgow, UK 2010 2010 - Kunsthalle, Zürich, CH 2010 - Elad Lassry, Massimo De Carlo, Milano, I 2010 - Elad Lassry: Sum of Limited Views, Contemporary Art Museum, St. Louis, USA 2010 - Elad Lassry, Luhring Augustine, New York, USA 2009 2009 - David Kordansky Gallery, Los Angeles, USA 2009 -
Department of Sociology 450 Serra Mall Building 120, Room 160 Stanford, CA 94305-2047 [email protected]; (650) 721-5822
TOMÁS R. JIMÉNEZ Stanford University - Department of Sociology 450 Serra Mall Building 120, Room 160 Stanford, CA 94305-2047 [email protected]; (650) 721-5822 December 2016 Curriculum Vitae POSITIONS HELD____________________________________________________________ 2014-present Stanford University, Department of Sociology Associate Professor (with tenure) 2015-present Stanford University, Undergraduate Program on Comparative Studies in Race and Ethnicity Director 2014-2015 Stanford University, Program on Chicana/o-Latina/o Studies Director 2008-14 Stanford University, Department of Sociology Assistant Professor 2007-09 New America Foundation Fellow 2005-08 University of California, San Diego, Department of Sociology Assistant Professor EDUCATION_________________________________________________________________ 2005 Harvard University, Ph.D. in sociology 2001 Harvard University, A.M. in sociology 1998 Santa Clara University, B.S. in sociology; magna cum laude, Phi Beta Kappa, Class Valedictorian PUBLICATIONS______________________________________________________________ Books forthcoming Jiménez, Tomás R. The Other Side of Assimilation: How Immigrants are Changing American Life. Oakland, CA: University of California Press. 2010 Jiménez, Tomás R. Replenished Ethnicity: Mexican Americans, Immigration, and Identity. Berkeley: University of California Press. *Distinguished Book Award - American Sociological Association’s Section on Latino/Latina Sociology, 2011* Tomás R. Jiménez Curriculum Vitae Peer-Reviewed Journal Articles 2016 Jiménez, -
Walead Beshty
[email protected] — WWW.RODOLPHEJANSSEN.COM 1/20 Walead Beshty Biography Born 1976, London, United Kingdom Lives and works in Los Angeles Education 2002 MFA, Yale University School of Art, New Haven, CT 1999 BA, Bard College, Annandale-on-Hudson, NY Solo Exhibitions 2015 - Walid AlBeshti, Regen Projects, Los Angeles, CA USA - Insitute fo Fine Arts, New York University, NY - Disponible, Travesia Cuatro, Guadalajara, Mexico 2014 - Gastarbeiten, Capitain Petzel, Berlin, Germany - A Partial Disassembling of an Invention Without a Future: Helter-Skelt er and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench, The Barbican Center, Lon don, UK - Performances Under Working Conditions, Petzel, New York, NY - Thomas Dane Gallery, London, UK - Selected Bodies of Work, Regen Projects, Los Angeles, CA 2013 - Fair Use, The Power Station, Dallas, TX - Walead Beshty, Le 8 rue Saint-Bon, Paris, France 2012 - Travel Pictures, Thomas Dane Gallery, London, UK 2011 - PROCESSCOLORFIELD, Regen Projects, Los Angeles, CA - A Diagram of Forces, Malmö Konsthall, Malmö, Sweden / Centro de Arte Dos de Mayo, Madrid, Spain - Securities and Exchanges, Ullens Center for Contemporary Art, Beijing, China - Diapositives, Galerie Rodolphe Janssen, Brussels, Belgium [email protected] — WWW.RODOLPHEJANSSEN.COM 2/20 2009 - Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Gar den, Washington, DC - Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Muse um of Art, Ann Arbor, MI (Ex. cat) -
Elad Lassry 20.09-09.12.18 Monographic Exhibition
Press kit Elad Lassry 20.09-09.12.18 Monographic exhibition Opening Wednesday 19th Septembre, from 6pm to 9pm Curator : Xavier Franceschi Press visit Wednesday 19th September 9.30pm * * Visit of the exhibition Elad Lassry at Le Plateau then L at Le Château A free shuttle will drive you from Le Plateau to Le Château : Departure at 11am -return at 3pm at La Place du Châtelet Mandatory reservation : [email protected] Untitled (assignments), Elad Lassry, 2018 © Elad Lassry Contacts : Isabelle Fabre, Responsable de la communication > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Relations avec la presse > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. T +33 (0)1 76 21 13 20 Membre du réseau Tram, de Platform, fraciledefrance.com regroupement des FRAC et du Grand Belleville 1 Press kit Contents 1. Introduction /p. 3 2. Presentation by Xavier Franceschi—curator /p. 4 3. Elad Lassry & Xavier Franceschi—Interview /p. 5-8 4. Images available /p. 9-10 5. Rendez-vous /p. 11-12 6. Practical informations /p. 13 2 Press kit Introduction The frac île-de-france presents at le Plateau the first exhibition of Elad Lassry in France. Born in Tel Aviv in 1977, Elad Lassry lives and works in Los Angeles. -
The Mosaic October 2015 Edition Monthly Newsletter from the Department of Multicultural Life
The Mosaic October 2015 Edition Monthly Newsletter from the Department of Multicultural Life Highlights of The Month By Jinath Tasnim ‘16 Program Assistant, Lealtad-Suzuki Center An(Other) Story Circle: Feminisms & Religion On October 20, 2015, the Department of Multicultural Life hosted our first An(Other) Story Circle program for the semester in collaboration with the Center for Religious and Spiritual Life (CRSL). An(Other) Story Circle is a once-a-semester program where a group of community members are asked to share their experiences, or stories, with the campus community around a particular theme on identity, self, and soci- ety. The Story Circle program aspires to encourage the Macalester community to talk across difference and get to know each other through sharing personal narratives. This semester our topic was Feminisms and Religion and we invited four story-sharers who are passionate about their identities as feminists and how that relates to their religion and spirituality. Set in the beautiful lower level space of Weyerhaeuser Chapel, nearly 30 participants attended the event over the lunch hour munching on sandwiches from Jimmy John’s. Chaplain Kelly Stone welcomed everyone to the space, followed by an overview of the program and community guidelines by the DML student staff organizers. Our four story sharers were a nice mix of students, faculty, and staff across multiple faith backgrounds: our very own Afifa Benwahoud, coordinator of the DML; Rachel Fogel ’16; Gao Thor ’18; and Lin Aanonsen, Professor of Biology. They each shared thoughtful and quite moving stories, and tears might have been shed. Afterwards, the room divided into small groups of four to reflect on the stories, resonance, and own relation- ships with faith and feminism through some guided questions. -
Walead Beshty
Walead Beshty Born in London, England, 1976 Lives and works in Los Angeles CA Education MFA, Yale University School of Art, New Haven CT, 2002 BA, Bard College, Annandale-on-Hudson NY, 1999 Professorships Art Center College of Design, Pasadena CA, 2008 Milton Avery Graduate School of the Arts, Bard College, Annandale-on-Hudson NY, 2007 Solo Exhibitions 2021 Foreign Correspondence (October 1, 2012 - January 14, 2021), Galeria Eva Presenhuber, Zurich, Switzerland 2020 Walead Beshty: Standard Deviations, Kunst Museum Winterthur, Winterthur, Switzerland Walead Beshty: Industrial Portraits, Fondazione MAST, Bologna, Italy 2019 Walead Beshty, Petzel Gallery, New York NY Walead Beshty, Rodolphe Janssen Gallery, Brussels, Belgium Walead Beshty, Musée d’art modern et contemporain, Geneva, Switzerland 2018 Aggregato, Thomas Dane Gallery, Naples, Italy Equivalents, Regen Projects, Los Angeles CA 2017 Open Source, Petzel Gallery, New York NY Transparencies, Rat Hole Gallery, Tokyo, Japan 2016 Automat, Galerie Eva Presenhuber, Zurich, Switzerland 2015 Disponibles, Travesîa Cuatro, Guadalajara, Mexico Walead Beshty, Great Hall Exhibition, Institute of Fine Arts, New York University, New York NY Walid AlBeshti, Regen Projects, Los Angeles CA 2014 Marginalia, Thomas Dane Gallery, London, England Gastarbeiten, Capitain Petzel, Berlin, Germany A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench, Curve Gallery, Barbican Centre, London, England Performances Under Working Conditions, Petzel, New York NY Selected Bodies of Work, Regen Projects, Los Angeles CA 2013 Walead Beshty, 8 rue Saint-Bon, Paris, France Fair Use, Power Station, Dallas TX 2012 Travel Pictures, Thomas Dane Gallery, London, England 2011 PROCESSCOLORFIELD, Regen Projects, Los Angeles CA A Diagram of Forces, Malmö Konsthall, Malmö, Sweden (Ex. -
9/9/10 Hello, This Week's Lesbian, Gay, Bisexual, Transgender, Queer
9/9/10 Hello, This week's Lesbian, Gay, Bisexual, Transgender, Queer, Questioning, Intersex and Two-Spirit (LGBTQQI2-S) CCMH Inclusion Initiative eNewsletter has a new look. I've reduced the content and provided links where more information can be found if desired. Please be sure to note the two up-coming LGBTQQI2-S Trainings, and the RFP for AIDS Programs funding in Contra Costa County. Thanks, Tony Tony Sanders, PhD CCMH Program Manager: Care Management Unit, Access Line, and The LGBTQQI2-S Inclusion Initiative 30 Douglas Drive #234, Martinez, CA 94553 (925) 372-4401 Fax: (925) 372-4410 Local Lesbian, Gay, Bisexual, Transgender, Queer, Questioning, Intersex and Two-Spirit (LGBTQQI2-S) Resources Website: www.EastbayPride.com The Inclusion Initiative phone: 925.372.4404 and email: [email protected] ************************************* CC Cnty LGBTQQI2-S Trainings ************************************* September 21 st: Families Matter: Rethinking Approaches to Reduce Risk and Promote Well-Being for Lesbian, Gay, Bi-Sexual and Transgender Youth by Caitlin Ryan, PhD (Repeats from 6/9/10). Concord, CA. October 18th: Gender Matters: Concepts in Working with Gender Variant and Transgender Children, Youth and Families by Caitlin Ryan, PhD. Concord, CA. ************************************* RFP's & Funding Opportunities ************************************* Contra Costa Health Services AIDS Program Request For Proposal Guidelines And Instructions (PDF) - Federal Health Resources and Services Administration (HRSA) Ryan White Treatment Modernization Act funds, including federal Minority AIDS Initiative (MAI) funds, are available through the Contra Costa Health Services Department AIDS Program. Services funded through this RFP are intended to help stabilize clients' lives and reduce barriers to receiving medical attention. HRSA requires that 75% of Ryan White funding support primary care and related core services. -
The New Dealer,” Nytimes.Com, September 10, 2014
Griffin, Jonathan, “The New Dealer,” NYTimes.com, September 10, 2014 T Magazine Blog The New Dealer By JONATHAN GRIFFIN, SEPTEMBER 10, 2014 David Kordansky might not be the biggest player in the L.A. gallery scene, but his manic enthusiasm and seemingly genuine determination to draw attention to underappreciated artists make him the most interest- ing by far. INNER CIRCLE Kordansky (center) with several artists he represents, from left: John Mason, Rashid Johnson, Kathryn Andrews, Jonas Wood, Mary Weatherford, Elad Lassry, Anthony Pearson, Ricky Swallow, Thomas Lawson and Lesley Vance. Griffin, Jonathan, “The New Dealer,” NYTimes.com, September 10, 2014 Kordansky (seated at center) with a group of his artists in Los Angeles. There is little in the world that David Kordansky enjoys more than talking about art. According to the art- ists he represents and the collectors to whom he sells, this is his gift. The artist Rashid Johnson, whom Kor- dansky has represented since 2009, said he can count on the fingers of one hand the number of times he and Kordansky have spoken about sales. There is no doubt that Kordansky, who is 37, can sell art like few other dealers, but he prefers to leave the closing of the deal to his staff. The venality of the current art business dismays him. Even in the 11 years since he opened his first gallery in L.A.’s Chinatown, the market has become bloated beyond recognition, he said, especially in the auction houses of New York and London. “I believe in art much more than I believe in the art world,” he told me last summer in the kitchen of his home in the Los Feliz neighborhood of Los Angeles, where he lives with his wife, the artist Mindy Shapero, and their two young children. -
Words Without Pictures
WORDS WITHOUT PICTURES NOVEMBER 2007– FEBRUARY 2009 Los Angeles County Museum of Art CONTENTS INTRODUCTION Charlotte Cotton, Alex Klein 1 NOVEMBER 2007 / ESSAY Qualifying Photography as Art, or, Is Photography All It Can Be? Christopher Bedford 4 NOVEMBER 2007 / DISCUSSION FORUM Charlotte Cotton, Arthur Ou, Phillip Prodger, Alex Klein, Nicholas Grider, Ken Abbott, Colin Westerbeck 12 NOVEMBER 2007 / PANEL DISCUSSION Is Photography Really Art? Arthur Ou, Michael Queenland, Mark Wyse 27 JANUARY 2008 / ESSAY Online Photographic Thinking Jason Evans 40 JANUARY 2008 / DISCUSSION FORUM Amir Zaki, Nicholas Grider, David Campany, David Weiner, Lester Pleasant, Penelope Umbrico 48 FEBRUARY 2008 / ESSAY foRm Kevin Moore 62 FEBRUARY 2008 / DISCUSSION FORUM Carter Mull, Charlotte Cotton, Alex Klein 73 MARCH 2008 / ESSAY Too Drunk to Fuck (On the Anxiety of Photography) Mark Wyse 84 MARCH 2008 / DISCUSSION FORUM Bennett Simpson, Charlie White, Ken Abbott 95 MARCH 2008 / PANEL DISCUSSION Too Early Too Late Miranda Lichtenstein, Carter Mull, Amir Zaki 103 APRIL 2008 / ESSAY Remembering and Forgetting Conceptual Art Alex Klein 120 APRIL 2008 / DISCUSSION FORUM Shannon Ebner, Phil Chang 131 APRIL 2008 / PANEL DISCUSSION Remembering and Forgetting Conceptual Art Sarah Charlesworth, John Divola, Shannon Ebner 138 MAY 2008 / ESSAY Who Cares About Books? Darius Himes 156 MAY 2008 / DISCUSSION FORUM Jason Fulford, Siri Kaur, Chris Balaschak 168 CONTENTS JUNE 2008 / ESSAY Minor Threat Charlie White 178 JUNE 2008 / DISCUSSION FORUM William E. Jones, Catherine