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Contemporary Art and the Billboard Megan Driscoll Suggested Resources A Message to the Public: Contemporary Art and the Billboard Megan Driscoll Suggested resources: American Foundation for AIDS Research. Art Against AIDS, On the Road: May 18-June 18, San Francisco. Edited by Ann Philbin and Bruce W. Ferguson. San Francisco, California: s.n, 1989. arkinetblog. “Billboards For Art, Not Ads.” Arkinet. Accessed June 1, 2014. http://arkinetblog.wordpress.com/2010/03/09/billboards-for-art-not-ads/. “Art Crimes - The Writing on the Wall - Graffiti Art Worldwide.” Accessed March 9, 2014. http://graffiti.org/. Augé, Marc. “From Places to Non-Places.” In Non-Places: Introduction to an Anthropology of Supermodernity, 75–116. London ; New York: Verso, 1995. AVALOS, ANDY. “They Get Message Across in a Big Way : L.A. Festival: Three Artists Take an Advertising Tool--the Outdoor Billboard--to Convey Different Messages at Selected Southern California Sites.” Los Angeles Times, August 11, 1990. http://articles.latimes.com/1990-08- 11/entertainment/ca-92_1_advertising-messages. “Billboard Art Warns L.A. Drivers Not to Text and Drive.” AutoTrader.com. Accessed February 22, 2014. http://www.autotrader.com/research/article/car-news/120690/billboard-art-warns-la- drivers-not-to-text-and-drive.jsp. Bloodworth, Sandra, William S Ayres, New York (State), Metropolitan Transportation Authority, and Arts for Transit. Along the Way: MTA Arts for Transit. New York: Monacelli Press, 2006. Bogart, Michele Helene. Artists, Advertising, and the Borders of Art. Chicago: University of Chicago Press, 1995. Bray, Anne. “The Community Is Watching, and Replying: Art in Public Places and Spaces.” Leonardo 35, no. 1 (2002): 15–21. Buchloh, Benjamin H. 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Guerrilla Girls (Group of artists). Confessions of the Guerrilla Girls. New York: HarperPerennial, 1995. Harvey, David. “Space as a Keyword.” In David Harvey: A Critical Reader, edited by Noel Castree and Derek Gregory, 270–93. Antipode Book Series. Malden, MA ; Oxford: Blackwell Pub, 2006. Harvey, Doug. “Art & Commerce.” LA Weekly, January 17, 2001. http://www.laweekly.com/2001-01- 25/art-books/art-commerce/. Henderson, Sally. Billboard Art. San Francisco: Chronicle Books, 1980. “How Many Billboards? MAK Center for Art and Architecture.” Accessed February 22, 2014. http://www.howmanybillboards.org/. Johnson, Greg. “Museums See Advertising in New Light.” Los Angeles Times, February 1, 2001. http://articles.latimes.com/2001/feb/01/business/fi-19675. “Joseph Kosuth ’A Short History of ‘Text/Context’ 1977-1979.” Accessed February 22, 2014. http://www.artnet.com/galleries/exhibitions.asp?gid=140983&cid=219433. Knight, Cher Krause. Public Art: Theory, Practice and Populism. Malden, MA: Blackwell, 2008. Knight, Christopher. “Taking the Public for a Spin.” Los Angeles Times, February 16, 2001. http://articles.latimes.com/2001/feb/16/entertainment/ca-25977. Kosuth, Joseph. “Public Text.” In Public Art: A Reader, edited by Florian Matzner, 2nd rev. ed., 188–97. Ostfildern-Ruit: Hatje Cantz, 2004. Kosuth, Joseph, and Félix González-Torres. “A Conversation.” In A. Reinhardt, J. Kosuth, F. González- Torres: Symptoms of Interference, Conditions of Possibility, 76–81. Art & Design Profile #34. London; Deerfield Beach, Fla.: VCH Publishers, 1994. Kruger, Barbara, Museum of Contemporary Art (Los Angeles, Calif.), and Whitney Museum of American Art. Barbara Kruger. Los Angeles, CA : Cambridge, Mass: Museum of Contemporary Art ; MIT Press, 1999. Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass.: MIT Press, 2002. Lacy, Suzanne. “Introduction: Cultural Pilgrimages and Metaphoric Journeys.” In Mapping the Terrain: New Genre Public Art, edited by Suzanne Lacy, 19–47. Seattle, Wash: Bay Press, 1995. ———. , ed. Mapping the Terrain: New Genre Public Art. Seattle, Wash: Bay Press, 1995. Lefebvre, Henri. “Space: Social Product and Use-Value.” In Critical Sociology: European Perspectives, edited by J. Freiberg, 285–95. Irvington Critical Sociology Series. New York: Irvington : distributed by Halsted Press, 1979. Levine, Les, and Everson Museum of Art. Public Mind: Les Levine’s Media Sculpture and Mass Ad Campaigns, 1969-1990. Syracuse, N.Y.: Everson Museum of Art, 1990. Levine, Les, and Galerie der Stadt Stuttgart. Art Can See: Les Levine, Medienskulptur. [Stuttgart, Germany] : Ostfildern-Ruit: Galerie der Stadt Stuttgart ; Cantz, 1997. “Like Its Art, MOCA’s Ad Campaign Draws Variety of Reviews.” Los Angeles Times, February 24, 2001. http://articles.latimes.com/2001/feb/24/entertainment/ca-29551. Lippard, Lucy R. “Tyrant or Tool? Photography In/and Public Art.” Public Art Review 18, no. 2 (Spring/Summer 2007): 22–23. Los Angeles Contemporary Exhibitions. “LACE ArtBulletin 1988 Archival Images and Articles,” 1989 1988. LACE Archives. Massachusetts Museum of Contemporary Art. Billboard Art on the Road: A Retrospective Exhibition of Artists’ Billboards of the Last 30 Years. Edited by Laura Steward Heon, Peggy Diggs, and Joseph Thomas. North Adams, Mass. : Cambridge, Mass: Mass MoCA Publications ; MIT Press, 1999. Matzner, Florian, ed. Public Art: A Reader. 2nd rev. ed. Ostfildern-Ruit: Hatje Cantz, 2004. McQuiston, Liz. Graphic Agitation. London: Phaidon, 1993. Mitchell, W. J. T., and Barbara Kruger. “An Interview with Barbara Kruger.” Critical Inquiry 17, no. 2 (January 1, 1991): 434–48. “MOCA Hits the Pause Button.” Los Angeles Times, February 5, 2001. http://articles.latimes.com/2001/feb/05/local/me-21278. Novakov, Anna. “Public Penetration: Text, Gender, and Urban Space.” Public Art Review 6, no. 2 (Spring/Summer 1995): 20–21. “NYPL Gran Fury Collection.” Accessed February 23, 2014. http://archives.nypl.org/mss/3648. Olson, Lester C., Cara A. Finnegan, and Diane S. Hope, eds. Visual Rhetoric: A Reader in Communication and American Culture. Los Angeles: Sage, 2008. “Public Art Fund : Projects.” Accessed February 19, 2014. http://www.publicartfund.org/projects. Redstone, Louis G. Public Art: New Directions. New York: McGraw-Hill, 1981. Schwendener, Martha. “When Acting Up Meant Arting Up.” The New York Times, February 2, 2012, sec. Arts / Art & Design. http://www.nytimes.com/2012/02/03/arts/design/gran-fury-read-my- lips-at-80wse.html. Senie, Harriet F. “Disturbances in the Fields of Mammon: Towards a History of Artists’ Billboards.” In Billboard Art on the Road: A Retrospective Exhibition of Artists’ Billboards of the Last 30 Years, edited by Laura Steward Heon, Peggy Diggs, and Joseph Thomas, 14–30. North Adams, Mass. : Cambridge, Mass: Mass MoCA Publications ; MIT Press, 1999. ———. “Road Work: Reconfiguring the American Highway.” Public Art Review 13, no. 2 (Spring/Summer 2002): 4–9. Senie, Harriet, and Sally
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