DOCSLIB.ORG

Etq.Fft Seminar R \O Cl-GF \\ Etqflq'ss Exlribition :2G22 Jtily '96 6Qft-{R* R \) Rtqflt'sv Seminar: 2L July'96

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Etq.Fft Seminar R \O Cl-GF \\ Etqflq'ss Exlribition :2G22 Jtily '96 6Qft-{R* R \) Rtqflt'sv Seminar: 2L July'96 tE a 6 I I I t I !!i ri ri al \l ti I T s'EFrR trEI efq,{ft € GryFHK Crafts Frame Exhibition & Seminar u;OW" ql.{ 8 <tqq[6rt u1qr Tfev< Venue : Bangladesh National Museum <to1ffi.t ffiFF s q.ffipg rrttce-n Bangl,adesh Folk Art & Crafts Foundation 6{Ftt{dt€, {r{I{tcIrtq Sonargaon, Narayanganj s'rfffi Gq eMffi € 6{R{rd Crafts Frame Exhibition and etq.fft Seminar r \o cl-GF \\ etqflQ'ss Exlribition :2G22 Jtily '96 6qft-{r* r \) rtqflt'sv Seminar: 2l July'96 q{letEf-ffq-iF t Chief Editor : Bazlur Rahmart Bhuiyan <q-{{r{TFwl Director eikF]Er$ Bangladesh Folk Art & Crafts <l(s]-cq.t cfis \3 s.kPftE +]Brs"r{ Foundation Dxecutive Editor : fiffiq-pp g qnr Syed Mahbub Alam tr{q rt<$ Deputy Director S"t-{kEF-s Bangladesh Folk Art & Crafts <tcql[q-.t 6fiO e F.rFiA TtBrsrf{ Foundation Cover & Illustration : elqn s qqqSTGt Jashimuddin ffiN6e-{ Display Officer erft Efrqt{ Bangladesh Folk Art & Crafts Foundation <tsqfm"l6qt-E s T.rfFE +-Itsrs.f{ Photography: qfrmf+fo g Shafiqur Rahman qftT< T<lT{ Photographer {dHIrK Bangladesh Folk Art & Crafts <lcEt[q"t 6{rf s s'lTFiE +-tBrs.rq' Foundation Date of Publication : l9th Jtrly eFFrC.FrstR{ a )br.lqflQ 555\e 1996 Publtshed by : efsf.FrfT B Bangladesh Folk Art & Crafts <l(q[fi.t cq]n rs s.l.trFqfiEIs,f{ FoundaUon, P. O. Aminpur, qf<R"ttiw c"l]a EIfr-qt<, frl{I<i1€, I Sonargaon, Narayanganj H,Ctt c,cffi$frBe6636 * prtnter : Asiatic Civil Military Press <1ft Message Folk Art and Crafts of Bangladesh s <lEffi-cK ffi+ $ITfirq< w{4 has a glorious past. The craftsmanship &fuq' <z-srq r dfcq< {t{T{6t TTFFTff< and artistic ingenuity displayed by TsFEil s mG-o CUv.rm fl ffirsFq rE q{ village artisans is certainly a part of our sl wqICE< wr6-l 1".1fu< {r5EI € national culture, distinguished by its f,firc?'r-< mArK r et cEfucs {t(Tfu-$ own characteristics. With a view to eferq< crw {-flrq 6{Io e $t+FE collecting, preserving, promoting and +]E?e"F m6{< G.fs e ntrFfc{< qcrlq reviving our traditional culture q({T6t, q<( Bangladesh Folk Art and Crafts enrH T{-rfr-{cl, ffis I ffi[$ s TtFFl(q< "I{.trffi-<o< q-cr] Foundation has organized an exhibition Er6l-< lT<t<"t {Ecl( Fwf,{t-cfl-$fizq< and seminar on Cra-ft Frames. It is hoped .tfu s;Nr<;Ilrs +lcq fl{ftffn Ecsrfi that this exhibition will be a milestone in rejuvenating our golden folk heritage. e-rBrs.F s]iRGE stflT'{ @r sr{ft s ffifr-{l< qft{tq-{ qr q'qr$"rcrtfr} This is not only a noble attempt but also very time serving in the context of etRrset I TIBTSTrq< tlr<<,szq'< qt revivalism in folk art. It is hoped that 4r<\6I{Frs {E rr+nR mrv< erqlr< the exhibition and seminar organized by sn4ft e ffift-{K TIffi pfuo "n"na the Folk Foundation on the research- qrl qc< <cs ffi spt TR I oriented craft frames would go a long way in creating greater awareness of our qtfr +t*w 6q sq{ft s cqfrflr<-< folk culture. {ftfu a1-q-qr sT{-q1 ffi 1 I wish the exhibition and seminar of Craft Frames a grand e<lqn+.trrd stuA Obatdul 9uadcr efigtTg.lll{ q<r. State Minister {< Ministry of Youth & Sports and wqBfrm-+Eqrfl{ I Ministry of Cultural Affairs rrft Message I am very delighted to know that <I(ElCq.I 6Erc \9 T.ltrFE Bangladesh Folk Art and Crafts +l6ce.rc+< offitotq s Frfr< Bgr<-{ Foundation has organized an $lr{l 61q-{ qnifr s cq'fr-a< s-{6s exhibition and seminar on Craft q6o q-\e-,F qr{F1-s {fm 6qr{ ffi r Frames developed by the officials swFtrq< {yq E-gl.<{, erqtm qt ffi't and artisans of the Foundation. This +-tBce.rc-{-{ Uffi.r E mri <ls-<l{cq q$ is certainly a very appropriate attempt towards revivalism folk <re-<]Irl lrr5Fell in art on the part of the Foundation, ffi +tBcem qrcn&o rc1<6ql marked by inventiveness and mrq-{ er{fr s 6qfr-{I(< {t+Ei s]T{l artistic values. oRr I wish the exhibitlon and seminar on Craft Frames all success. q{rtels cqte cffircqsfu Prof. Md. Rezaul Karim {(qq qE-{i, cqEr<{ts Member of the Parliament , q<( Sonargaon qr{iqIF and 1 "IRIE Member, Trustee Board <T(flrfi frrs s sltrfiq +tBce.lq Bangladesh Folk Art and Crafts Foundation rrft Message The folk art and crafts of <lcErfi-rfi 6q'ls E slT Flcq-< Bangiadesh is the lifeline of the .bfuq< {L<I qmrm {VB-< s16l r 6Ers trar-litional culture of this country. tsangladesh Folk'"{rt and Crafts s s'r{'Frcq< q$E, q(Ts'.t s "Il-*6<l Foundation, whieh is engaged in I ffi-s <l(Ercr{ 6{l-o rs srcfiq collecting, preserving and reviving rtBce.l{' qE$es $wT'{ 6&r qvr,{ft e folk heritage, has organized a rare c{frlm <t(Erm6fi .fis s +]TFne-< exhibition and seminar of Craft This may be described as a qa a{H r fi-c.K Frames. "f{-r6-<rl ffi laudable effort on the part of the ,4trr{ E<rqfts flTF6< Fnq-fl-(qrc Foundation to revive and recreate e +]wftcq< en m {st{qt <c{eq r new trend of folk culture. It is hoped c{t+ e s*fi6.< &ferq< "1l-rffi_<r{ that the exhibition and seminar, which would reflect on the rural arts flBce.rcq-< offit"rc"r< qW W<s and crafts would help revive the Ttn'm c+rl< eq{ft e cqfrqK E-{fi{ much neglected folk crafts of the e+ eq14 ym <t?rm Tm qt'rTm artisans and play a vital role in projectirrg folk traditions._ R-rE r ptBce-n qrmfrs re]F{'{ I wish the exhibition and ffi seminar, organized by the qq{ft qnP--ql rczl< s cqfr-{tcr< wffi{ Foundation all success. +tr+ oR r Cz-"4- Md. Mokhlesur Rahman Secretary 6qE mt"{6qd{qrf{ Ministry of Cultural Affairs qE< {".?trfrrrsr"qotFl I YF<'-f Introductlon The common people of rural <T(sl-cqr.'lR qtcl-{ {l{l-d"t Tns qF-{{f{ Bangladesh have succeeded in creating a srE {K caf+ s s,rsflE {E golden heritage of folk tradition by qF T11 cffi ,hfq p rerrrq r making indigenous and aesthetically Af\9q{n 6fE s slffiE IE om cm satisfying objects of folk art and.crafts frrt efir.td a<1&< {frEnrs w{rt-qg from time immemorial. In doing so they srr{ YrE {"K T.lcq ffi r played a vital role in projecting time- qfrffiE qIcT< cfl_{ftdt ,htrEm honoured craftsmanship of the village l<1fr< nffirm, qrrErrs ffi arusans in world arena. In spite of their Tfu< Eflq qFrq Cq-rs € Gr#ftrGR extreme constraints in obtaining folk materials the band of folk artists Tfmfts Cqft\r- sr[q I IEd "IRDT, dedicated themselves in not only .{lmfr c{rs e ot+ffi Trrran {ril:s, range of craftsmanship rl-srct, <( q, ?<F[&r rEr+{, ?<Cc< expanding their but continually experimenting new qfqTF q'Ffi[€ Tetrg.r<< qffi 6qfs \3 methods and technique, reflectlng their o.wFne-< v]'stf,r$ FIfrT "ffrftfl< perception, and qfr@T depth of utmost skili ftqt<q-E1m okc* rqro e ingenuity. They always combined their sIeF|'frrr {iFEI s'lc6rl, {rffi-{ $Tl{ originality with technical know-how, so ErEaT <E | fisI-dlt <l(EI[q-rlK Cq]-O s as to invent new and advanced forms of el+FB qm'cl< c4?F crkq-{ fl{r{"t folk tradition with all the locally cErT-{ slrq ffi, q-{R-{ r <IFts available folk materials they can lay q-{rqi q(rf qrffrslr{ q&s r qcs,e their hands on. In combining old lr1fr< qs qflTcnqi qs r fr{r+< techniques with new methodolory, they rifrE-{, at1fu< tfrr<{ s eminently succeeded in universalising "fRE{, their crafts which never remain static. Sfu54f1< 1t{mfl{ q|-il-<F <Iqs 6EFF € Their craftsmanship is not only the hall- m.rfiE 1 66 ft<c+< fiH-s-fl 6qffi s mark of their age-old techniques but also s.|pFftq< Frft s otR't< sl{ rK "ir6.r{ slrnptomatic of the rural cultural ethos q-fG ,tfu<rt< E"nqH Gq-c<q e e in which they were bom and bred. In fact frm cfls e er*Ffg ffi "t< "im r folk art is a reflection of the iolk society Ae-t"I< cEFF \B c(TlE< am $exqrd in which they iive. Their hopes and 6qr{ $],G-s <r{{r[r {,flsd Efu-TH aspirations are deepiy engrained in their n"figfts m.Cei I-<-?[ei qls T-f<, ffi1.q works. These folk objects are not merely ,ff56 qlTS{ efcffqr{ Cv-ffi 6qls s the oniy sources of earning for these 1511oFm q_$_{ol_mn qq\o, <6Tl{ s craftsman say, potter, wood carver, bell sRsJN< r]{r<< q-{r m{t-sr<< EfuTF metal worker etc., but also they represent tfwq, R( q, ffifcb n"ffs"Rson-< a kind of transition from the past to the present and also pave the way they would reIcRsH[{qtqefsHs(ir r develop or crystalize in future. cEt-oeorctrnq-<ffiEq{Ilq-s.rR It is well known fact that a folk {ro $g cd-fi s rr+.st{ b"r< Frd< artist is he who draws inspiratlon from +-rd qts{ \e 6ov{frs 6769I Erfikn the old arrd almost lost traditional c{rs € sltrFlrg< IE< sterrro cTa craftsmanship and tries to recreate his s<-rq I c{lrp e sItrFiTE< IE{ {Krs oljects with his ideas, concept, artistic qDEI, q<I]-€ <l"tN Ftfut{, qrsR-o feeling, with a view to enrich our folk traditional culture.
Load more

Recommended publications
  • A Voyage of Discovery Through the Threads of Bengali Embroidery
    a voyage of discovery through the threads of Bengali embroidery a voyage of discovery through the threads of Bengali embroidery .
    [Show full text]
  • Research Article
    Available Online at http://www.journalajst.com ASIAN JOURNAL OF SCIENCE AND TECHNOLOGY Asian Journal of Science and Technology ISSN: 0976-3376 Vol. 08, Issue, 10, pp.60 84-6089, October, 2017 RESEARCH ARTICLE KANTHA EMBROIDERY-A WOMAN-CENTRIC PATH TOWARDS EMPOWERMENT FOR ARTISANS IN WEST BENGAL 1Dr. Debaleena Debnath and 2Sreenanda Palit 1Assistant Professor, Folklore Dept., Kalyani University, Nadia, West Bengal 2Associate Professor and Centre Coordinator-Fashion Communication, National Institute of Fashion Technology, Kolkata, Ministry of Textiles, Govt. of India ARTICLE INFO ABSTRACT Article History: Niaz Zaman describes the needlecraft of Kantha as "women's art”. Traditionally the Kantha embroidery Received 04th July, 2017 of Bengal has been the forte of women, unlike Zardosi and Ari work which is predominated by men Received in revised form folk. The craft has a history of being a revered recycled product. A Kantha is considered to be layers of 21st August, 2017 old sarees or dhotis quilted together to form a blanket, used by the poor as a protection against cold. Accepted 06thSeptember, 2017 Later the ‘nakshi’ form of it was born in the household of undivided Bengal as a portrait of women’s th Published online 17 October, 2017 aspiration and dream. The paper discusses how Kantha has been dominated by women and has eventually helped to empower hundreds of them. The various factors that made it woman-centric have Key words: been explored through primary research conducted among 50 artisans from Nanoor, Birbhum District, Kantha, Needlecraft, Quilting, and Kadambagachi, Barashat District of West Bengal. The study presents a comparative study of both Women empowerment, the clusters.
    [Show full text]
  • Dr. Mahuya Hom Choudhury Scientist-C
    Dr. Mahuya Hom Choudhury Scientist-C Patent Information Centre-Kolkata . The first State level facility in India to provide Patent related service was set up in Kolkata in collaboration with PFC-TIFAC, DST-GoI . Inaugurated in September 1997 . PIC-Kolkata stepped in the 4th plan period during 2012-13. “Patent system added the fuel to the fire of genius”-Abrham Lincoln Our Objective Nurture Invention Grass Root Innovation Patent Search Services A geographical indication is a sign used on goods that have a specific geographical origin and possess qualities or a reputation that are due to that place of origin. Three G.I Certificate received G.I-111, Lakshmanbhog G.I-112, Khirsapati (Himsagar) G.I 113 ( Fazli) G.I Textile project at a glance Patent Information Centre Winding Weaving G.I Certificate received Glimpses of Santipore Saree Baluchari and Dhanekhali Registered in G.I registrar Registered G.I Certificates Baluchari G.I -173-Baluchari Dhanekhali G.I -173-Dhaniakhali Facilitate Filing of Joynagar Moa (G.I-381) Filed 5 G.I . Bardhaman Mihidana . Bardhaman Sitabhog . Banglar Rasogolla . Gobindabhog Rice . Tulaipanji Rice Badshah Bhog Nadia District South 24 Parganas Dudheswar District South 24 Chamormoni ParganasDistrict South 24 Kanakchur ParganasDistrict Radhunipagol Hooghly District Kalma Hooghly District Kerela Sundari Purulia District Kalonunia Jalpaiguri District FOOD PRODUCTS Food Rasogolla All over West Bengal Sarpuria ( Krishnanagar, Nadia Sweet) District. Sarbhaja Krishnanagar, Nadia (Sweet) District Nalen gur All over West Bengal Sandesh Bardhaman Mihidana Bardhaman &Sitabhog 1 Handicraft Krishnanagar, Nadia Clay doll Dist. Panchmura, Bishnupur, Terrakota Bankura Dist. Chorida, Baghmundi 2 Chhow Musk Purulia Dist.
    [Show full text]
  • Introduction History of Bengal
    Introduction West Bengal is one of the thirty-seven constituent states/ Union Territories of the Union of India lying on the eastern region of the country. India's total landmass is divided into 28 states and 9 union territories. Until 6 August 2019, there were officially 29 states in India. However, that number now has decreased by one to make 28 states after Jammu & Kashmir was granted the status of a Union Territory with its own legislature. It is the 4th ranked state in percentage share of 7.79 to total population of India and also the seventh most populous of the sub-national entity of the world, with over 91 million inhabitants covering a total area of 88,752 sq. km3. West Bengal is one of the most thickly populated states with population density of 1028 per sq. km. The striking point is that with 2.70 percent land share of the country it sustains 7.55 per cent of its population, ranks 12th in area but 4th in population share. A major agricultural producer, West Bengal is the 6th largest contributor to India’s net domestic product. It is bordered by the five national boundaries of Orissa, Jharkhand and Bihar on the west, Sikkim on the north and Assam on the east. It has international borders with the neighbouring countries – Bhutan and Nepal on the north and Bangladesh on the east. History of Bengal Bengal finds a place even in prehistoric times. Stone-age tools have been excavated in the state dating back 20,000 years. Remains of civilization in the greater Bengal region date back 4,000 years.
    [Show full text]
  • A Socio-Economic Study of Kantha-Stitch Craftswomen of Santiniketan
    Journal of Textile and Clothing Science ISSN (Online): 2581-561X Available online at http://www.jtcsonline.com A SOCIO-ECONOMIC STUDY OF KANTHA-STITCH CRAFTSWOMEN OF SANTINIKETAN Dibyendu Bikash Datta1 1Associate Professor, Department of Fashion Management Studies, National Institute of Fashion Technology (Ministry of Textiles, Govt. of India), Plot-3B, Block-LA, Sector III, Salt Lake City, Kolkata - 700 098 A R T I C L E I N F O A B S T R A C T Article history: Handicraft industries is an important role in the livelihood and Presented in National Workshop economy of rural people of the developing countries like India. and Seminar on Exploration of The kantha craft of Santiniketan is not an exception to this KANTHA EMBROIDERY for the Niche Market concept. Most of the Indian traditional industries are suffering from stagnation or decline and they survive even with the Keywords: onslaught in the era of globalization. Production organization Women, competition, hindrances, plays a vital role not only in economic activity but also in the challenges, artisans, embroidery, distribution of benefits of economic activity among the kantha. participants. The productivity of workers and earnings share vary substantially across different production organization, namely independent, intermediaries (under mahajan) and cooperative, and potentiality of growth varies across the trade. The present note seeks to analyse the above-noted issues with reference to kantha crafts of Santiniketan of West Bengal. The study reveals that production organization tied to mahajans is proliferating in the era of liberalization, privatization, and globalization of the economy while independent and cooperative organizations rather stagnate or even suffer decline.
    [Show full text]
  • A Study of Kantha Workers in Rural Bengal
    International Journals of Multidisciplinary Research Academy Editorial Board Dr. CRAIG E. REESE Professor, School of Business, St. Thomas University, Miami Gardens Dr. S. N. TAKALIKAR Principal, St. Johns Institute of Engineering, PALGHAR (M.S.) Dr. RAMPRATAP SINGH Professor, Bangalore Institute of International Management, KARNATAKA Dr. P. MALYADRI Principal, Government Degree College, Osmania University, TANDUR Dr. Y. LOKESWARA CHOUDARY Asst. Professor Cum, SRM B-School, SRM University, CHENNAI Prof. Dr. TEKI SURAYYA Professor, Adikavi Nannaya University, ANDHRA PRADESH, INDIA Dr. T. DULABABU Principal, The Oxford College of Business Management,BANGALORE Dr. A. ARUL LAWRENCE SELVAKUMAR Professor, Adhiparasakthi Engineering College, MELMARAVATHUR, TN Dr. S. D. SURYAWANSHI Lecturer, College of Engineering Pune, SHIVAJINAGAR Mr. PIYUSH TIWARI Ir. Executive, Dispatch (Supply Chain), SAB Miller India (Skal Brewaries Ltd.) July IJMT Volume 1, Issue 2 ISSN: 2249-1058 2011 __________________________________________________________ Prof S. R. BADRINARAYAN Sinhgad Institute for Management & Computer Applications, PUNE Mr. GURSEL ILIPINAR ESADE Business School, Department of Marketing, SPAIN Mr. ZEESHAN AHMED Software Research Eng, Department of Bioinformatics, GERMANY Mr. SANJAY ASATI Dept of ME, M. Patel Institute of Engg. & Tech., GONDIA(M.S.) Mr. G. Y. KUDALE N.M.D. College of Management and Research, GONDIA(M.S.) Editorial Advisory Board Dr.MANJIT DAS Assitant Professor, Deptt. of Economics, M.C.College, ASSAM Dr. ROLI PRADHAN Maulana Azad National Institute of Technology, BHOPAL Dr. N. KAVITHA Assistant Professor, Department of Management, Mekelle University, ETHIOPIA Prof C. M. MARAN Assistant Professor (Senior), VIT Business School, TAMIL NADU DR. RAJIV KHOSLA Associate Professor and Head, Chandigarh Business School, MOHALI Dr. S. K. SINGH Asst.
    [Show full text]
  • List of Awardees Sl. No Name Craft State Recipients of National Award
    List of Awardees Sl. No Name Craft State Recipients of National Award for the Year 2012 1 Shri Chanchal Chakraborty Metal Delhi 2 Shri T. M. Mayachar Bronze Carving Karnataka 3 Shri Man Mohan Soni Metal Engraving Uttar Pradesh 4 Shri Harpal Singh Yadav Brass Engraving Uttar Pradesh 5 Smt. Jhunu Dutta Cane &Bamboo West Bengal 6 Shri M.Devaraj Silpi Stone Carving Tamil Nadu Clay Modeling 7 Shri Sudhir Kumar Paul West Bengal (Terracotta) 8 Shri P.G.Keshavulu Gold Leaf Painting Andhra Pradesh 9 Shri K.Siva Prasad Reddy Kalamkari Painting Andhra Pradesh Shri Khatri Jumabhai 10 Rogan Painting Gujarat Daudbhai Shri Bhanubhai Chunilal Kalamkari Traditional 11 Gujarat Chitara Matani Pachhedi Painting 12 Shri Samsher Khan Miniature Phad Painting Rajasthan 13 Shri Shiv Shankar Sharma Miniature Painting Rajasthan 14 Shri Sindhe Maruthi Rao Leather Puppet Andhra Pradesh 15 Smt. Chandra Gujar Leather Mojri Juti Rajasthan Bagh Print (Traditional 16 Mohammed Dawood Khatri Hand Block Print with Madhya Pradesh Natural colour) 17 Smt. Khropeu Koza Artistic Tribal Textiles Nagaland Hand Embroidery 18 Smt.Shweta Kaistha Delhi Chikankari Kantha Stitch 19 Smt. Mahamaya Sikdar West Bengal Nakshi Kantha 20 Shri Rathindra Nath Malik Coconut Shell Carving West Bengal Recipients of National Award for the Year 2013 1 Shri Tijuram Vishwakarma Wrought Iron Chhattisgarh 2 Shri Sivakumar S.R Vedic Metal Art Kerala Sheet Metal art ware in 3 Shri R.Venkateshwarlu Telangana brass 4 Shri R.V.Shajahan @ Shaji Wood Carving Kerala 5 Shri K.R.Mohanan Wood Carving Kerala 6 Smt. Anita Das Cane & Bamboo Tripura 7 Shri Keshava Maharana Stone Carving Odisha 8 Smt.
    [Show full text]
  • Faculty of Medicine University of Dhaka Prevalence Of
    Faculty of Medicine University of Dhaka Prevalence of Musculoskeletal Disorder among the Hand Loom Workers Submitted by: (Md. Akhter Hossain) Course: MSc in Physiotherapy Roll no-114, Reg. no-4228 Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Physiotherapy Department of Physiotherapy Bangladesh Health Professions Institute (BHPI) May 2016 Preface I hereby humbly declare that the dissertation work titled “Prevalence of Musculoskeletal Disorder among the Hand Loom Worker” a requirement for the degree of MSc. (Physiotherapy) program under the University of Dhaka Faculty of Medicine Bangladesh was carried out by me under the guidance of Dr. Kamal Ahmed during the study period of January to May 2016 (Md. Akhter Hossain) Course: MSc. (Physiotherapy) Roll no-114, Reg. no- 4228 Session: 2012-2013 Department of Physiotherapy under University of Dhaka Bangladesh Health Professional Institute (BHPI) Saver, Dhaka Supervisor’s Certificate This is to certify that the dissertation entitled “Prevalence of Musculoskeletal Disorder among the Hand Loom Worker” submitted by Md. Akhter Hossain , student of MSc. (Physiotherapy), Session: 2012-2013 has carried out the dissertation work under my direct supervision and guidance in the Department of Physiotherapy, Bangladesh Health Professional (BHPI), Saver, Dhaka, under University of Dhaka Faculty of Medicine. I have the confidence regarding the originality of his data and I also express that the dissertation is up to my satisfaction. Dr. Kamal Ahmed Associate Professor Department of Physiotherapy Bangladesh Health Professional Institute (BHPI) Savar, Dhaka. Declaration This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree.
    [Show full text]
  • Photo Story of Durga Puja Your Home – Stuff Like Crockery, Cutlery, Tirthankar Das Decorative Items and Other Utilities
    THE COGNITION TREE October 2018 Issue Volume 1 Reviews... Page -2 | Opinion... Page - 3 | Photostory of Durga Puja... Page - 4 | Through Lenses... Page - 5 | Literary Wisdom... Page - 6 | Travellogue... Page - 7 | Interview Corner... Page - 8 NEWS IN BRIEF The Kolkata Call for ‘MAA asche’ Bollywood joins #metoo Priyadarshini Mukherjee pandals and the deities. The work of art of the pandals, i.e., the puja stations where Yaa Devi Sarva Bhute Shu, the deity is established and the puja is held, Shakti Rupey Na Sanskrita| is always presented via exciting themes or Namasta Seyi Namasta Seyi, subjects. The themes mostly signify history, Namasteseyi Namo Namahaaa|| science, art and literature, modern life, society or any latest event. They are he is the one revered since ages and steeped in our rich culture and traditions. reverted to always to picturize the The themes also are sometimes discovered Smanifestation of women power, the as upholding various pertinent social issues greatest epitome of strength and vitality. and places causing general awareness. With Tanushree Dutta accusing actor Nana She is the one who annihilated Mahishasura Pujas generally entice various sponsors Patekar of harassing her on the sets of Horn and is a figurative representation of the from a lucrative prospective who cohere ‘OK’ Pleassss and later sending political domination of good over evil in our society. for its brand promotions at the same time; it Durga Puja is metaphorically symbolized is a formative ground for any projection of party goons to cover up the act, it seems by the ‘Sharater er Akash, kash phooler art and literature.
    [Show full text]
  • The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected]
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2014 The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected] Cathy Stevulak Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons, and the Art Practice Commons Zaman, Niaz and Stevulak, Cathy, "The Refining of a Domestic Art: Surayia Rahman" (2014). Textile Society of America Symposium Proceedings. 886. http://digitalcommons.unl.edu/tsaconf/886 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Refining of a Domestic Art: Surayia Rahman Niaz Zaman and Cathy Stevulak The kantha or, as it is increasingly referred to now, the nakshi kantha, is an important women’s domestic art of Bengal. It is made all over Bangladesh except in the south-eastern Chittagong Hill Tracts region. Layers of old garments such as saris, lungis and dhotis are put together and reconstituted into objects of functional, ritual, or ceremonial use. Borders and motifs are embroidered in variations of the running stitch with coloured thread, traditionally drawn from the borders of old saris. The empty spaces are stitched with white yarn to create an effect of ripples. In most Bengali families, small kanthas made of soft, old cloth, are used to wrap babies. [Figure 1] Husbands or sons who leave home to work on land or water almost always carry with them a kantha made by their mothers or wives.
    [Show full text]
  • Registration Details of Geographical Indications
    REGISTRATION DETAILS OF GEOGRAPHICAL INDICATIONS Goods S. Application Geographical Indications (As per Sec 2 (f) State No No. of GI Act 1999 ) FROM APRIL 2004 – MARCH 2005 Darjeeling Tea (word & 1 1 & 2 Agricultural West Bengal logo) 2 3 Aranmula Kannadi Handicraft Kerala 3 4 Pochampalli Ikat Handicraft Telangana FROM APRIL 2005 – MARCH 2006 4 5 Salem Fabric Handicraft Tamil Nadu 5 7 Chanderi Sarees Handicraft Madhya Pradesh 6 8 Solapur Chaddar Handicraft Maharashtra 7 9 Solapur Terry Towel Handicraft Maharashtra 8 10 Kotpad Handloom fabric Handicraft Odisha 9 11 Mysore Silk Handicraft Karnataka 10 12 Kota Doria Handicraft Rajasthan 11 13 & 18 Mysore Agarbathi Manufactured Karnataka 12 15 Kancheepuram Silk Handicraft Tamil Nadu 13 16 Bhavani Jamakkalam Handicraft Tamil Nadu 14 19 Kullu Shawl Handicraft Himachal Pradesh 15 20 Bidriware Handicraft Karnataka 16 21 Madurai Sungudi Handicraft Tamil Nadu 17 22 Orissa Ikat Handicraft Odisha 18 23 Channapatna Toys & Dolls Handicraft Karnataka 19 24 Mysore Rosewood Inlay Handicraft Karnataka 20 25 Kangra Tea Agricultural Himachal Pradesh 21 26 Coimbatore Wet Grinder Manufactured Tamil Nadu 22 28 Srikalahasthi Kalamkari Handicraft Andhra Pradesh 23 29 Mysore Sandalwood Oil Manufactured Karnataka 24 30 Mysore Sandal soap Manufactured Karnataka 25 31 Kasuti Embroidery Handicraft Karnataka Mysore Traditional 26 32 Handicraft Karnataka Paintings 27 33 Coorg Orange Agricultural Karnataka 1 FROM APRIL 2006 – MARCH 2007 28 34 Mysore Betel leaf Agricultural Karnataka 29 35 Nanjanagud Banana Agricultural
    [Show full text]
  • Cottage Industries in India Page No
    GCM (S6)-04 Exam Code : RDRF Rural Development and Rural Finance in India SEMESTER - VI COMMERCE BLOCK - 1 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Rural Development and Rural Finance In India (Block-1) 1 Subject Experts Professor Nayan Barua, Gauhati University Professor H.C. Gautam, Gauhati University Dr. S. K. Mahapatra, Gauhati University Course Coordinators : Dipankar Malakar, Ph.D. Commerce, KKHSOU SLM Preparation Team UNITS CONTRIBUTORS Unit-1 Rupali Talukdar, K.C.Das Commerce College Unit-3 Dr. Jayashree Chowdhury, Handiqui Girls College Unit- 2,4,5,6,7 Priyanka Sharma, Cotton University Editorial Team Content : Dr. Bidyut Bikash Baishya (Unit 1 & 2) Prof. N.N. Sarma (Unit 3,4,5,6 & 7) Structure, Format & Graphics : Dipankar Malakar, Ph.D., KKHSOU First Edition : Jan, 2020 ISBN : 978-93-89955-12-5 This Self Learning Material (SLM) of the Krishna Kanta Handiqui State Open University is made available under a Creative Commons Attribution-Non Commercial-ShareAlike4.0 License (International) : http.//creativecommons.org/licenses/by-nc-sa/4.0 Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Head Office : Patgaon, Rani Gate, Guwahati-781017; Web : www.kkhsou.in/web_new City Office: Housefed Complex, Dispur, Guwahati-781006 The University acknowledges with thanks the financial support provided by the Distance Education Bureau, UGC, New Delhi, for preparation of this study material. 2 Rural Development and Rural Finance In India (Block-1) BACHELOR OF COMMERCE RURAL DEVELOPMENT AND RURAL FINANCE IN INDIA CONTENTS UNIT 1: Basic Concepts of Rural Development Page No. : 7 – 26 Meaning and concept of rural development; Strategies of rural development; Needs of rural development; Some dilemmas of development.
    [Show full text]