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TV movies and series

2006

Catalan Films & TV

Mestre Nicolau, 23, entresol 08021 Barcelona Tel.: + 34 935 524 940 Fax: + 34 935 524 953

Televisió de Catalunya (TVC)

Carrer de la TV3 s/n 08970 Sant Joan Despí (Barcelona) Spain Phone: + 34 935 674 967 Fax: + 34 934 731 563 E-mail: [email protected] www.tvcatalunya.com
Director: Àngela Bosch Coordinators:
Contact: Oriol Baquer

Carme Puig - Int’l Department Mònica García - Marketing and Communication David Matamoros - Market Research and Coproductions Carme Romero - Administration Cata Massana - Assistant Director

Printed by Ingoprint Dipòsit legal:

> GENERAL INDEX

34

> INTRODUCTION > TV MOVIES AND SERIES > IN DEVELOPMENT

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60 80
> PRODUCTION & SALES COMPANIES

THE PRODUCTION OF TV MOVIES HAS PROVED TO BE A FERTILE BREEDING GROUND FOR NEW TALENT, IN WHICH SCRIPTWRITERS, ACTORS, DIRECTORS AND PRO- DUCERS ALIKE PUT THEIR CREATIVE STRENGTHS TO THE TEST IN A GENRE CHARACTERIZED BY ITS IMMEDIACY AND FLEXIBILITY.

The most remarkable aspect of TV movies is that they have embraced almost the full gambit of themes, though they have perhaps found their greatest area of growth in biopics and news or factbased stories. This is the legacy the Catalan film and television industry took up very few years ago, and it has since gone on to create a burgeoning portfolio of TV movie titles.

Over 50 titles have been broadcast in dedicated slots on Televisió de Catalunya, some involving new approaches to co-production. This catalogue brings together the most recent crop, conceived with a view to accessing all possible sales channels: theatrical release, theme channels, satellite, etc. In brief, these are high-quality productions which are attracting the interest and the applause of their home audiences and are set to do the same on the international market.

Angela Bosch

Director

Francesc Escribano i Royo

Director of Televisió de Catalunya

2006

6

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48 hours Barcelona / Quito 6 films to keep you awake / 6 películas para no dormir A pirate’s heart / Cor de pirata Alleged involvement / Presumptes implicats Angels and saints / Angels i sants Atlantis / L'Atlàntida Buying beauty / Diario de una miss Echoes / Ecos Electroshock Family book / Llibre de familia From the back of my mind / Racons de la memòria Life’s a swine / Porca misèria Like butterflies in the light / Como mariposas en la luz
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Love in times of trouble / Amar en tiempos revueltos More than family / Más que hermanos Oil slick / Chapapote... o no Omar Martinez
34 36 38 40 42 44
10 12 14 16 18 20 22 24 26

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On wheels / Sobre rodes Secret music / Música secreta So that no one forgets your name / Per què ningú no oblidi el teu nom The carpark killer / El asesino del parking The year I trafficked in women / El año que trafiqué con mujeres Things that happen / Coses que passen Those skies / Aquells cels
46 48

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50 52 54 56 58
28 30

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We have to find Sara / Cal trobar la Sara

  • Windy Plains / Ventdelplà
  • 32

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48 hours Barcelona

Quito

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Carla allows little room for chance. A charming, headstrong young woman, she likes to plan her life rather than leave it to chance. She's achieved a lot already: a great husband, a big house, a comfortable life. But what she wants most of all is a child – and she’s arranged for that, too. On her way to Quito to adopt a child, Carla suddenly finds herself in Barcelona, on the run with a charming young artist named Raul and a painting he stole from Berlin museum. When the painting is re-stolen by thugs, Carla and Raul are in double trouble. The least of their problems is the pair of policemen chasing them: Antonio, a gentlemanly Catalan police inspector and Kurt his coarse, bumbling Berlin colleague. The real problem is the master criminal who commissioned Raul to steal the painting and who wants it delivered - now. To prove the point he kidnaps Raul’s sister. Up to her neck in big time criminal exploits, Carla puts her plans for a perfect life on hold – though she’s not giving up on that child in Quito....

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Director: David Carreras

Produced by: Steinweg Emotion Pictures/TVC/Network Movie (Germany) – 2004 Executive producer: Julia Steinweg Script: Peter Nadermann/Luis Vega/Angeles Diemant-Hartz Director of photography: Oscar Faura/Bernat Bosch Original score: Ia Clua Sound: Salva Mayolas Cast: Ximo Solano/Jessica Schwarz/Luis Homar/Armin Rohde Genre: Romantic comedy Audience: General Nº of episodes: 1 x 87 min. TV movie Format available: Color/16mm Original version: Spanish-German Other versions available: Spanish/German/Catalan Sales: Bavaria Media Television

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6 films to keep you awake

6 películas para no dormir

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A series of 6 fantasy-horror films designed for the Premium TV and Video/DVD market.

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Director: "To Let" – Jaume Balagueró
"The Baby’s Room" – Alex de la Iglesia "Spectre" – Mateo Gil "A Christmas Tale" – Paco Plaza "A Real Friend" – Enrique Urbizu "The Room Upstairs" – Narciso Ibáñez Serrador

Produced by: Castelao Productions/Estudios Picasso - 2005 Executive producer: Julio Fernández Genre: Fantasy-horror Audience: Adult Completion: 2005 Sales: Filmax International

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A pirate’s heart

Cor de pirata

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Störtebeker is a sailor in search of justice for the brutal murder of his parents. When he realises there’s no way of obtaining retribution because the murderers are the powerful Konrad von Wallenrod and his son, Simon, he becomes a pirate, repudiating the rules of a hypocritical society and living by his own law. But his keen sense of justice and solidarity make him a target for the hatred of the powerful, who hound him relentlessly. Throughout his adventures, Störtebeker attempts to win back his great love, Elisabeth, who has been promised in marriage to Simon.

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Director: Miguel Alexandre

Produced by: ICC/TVC/Bavaria Film/Degeto Film/Steinweg Emotion Pictures/ORF/TF1/TV Markíza/C˘ eská Produkc˘ní/Nova TV/RTL Klub/Baltijos TV/WDR/NDR/BR/MDR/SWR - 2005 Executive producer: Miguel Ángel González Script: Walter Kärger Director of photography: Peter Indergand Original score: Dominik Roth Sound: Michael Stecher Cast: Ken Duken/Claire Keim/Pepa López/Pep Ferrer Audience: General Nº of episodes: 2 x 90 min. Format available: Digital Betacam Original version: German-Catalan Other versions available: French/Lithuanian/Czech/Hungarian/Bulgarian Sales: Bavaria Film

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Alleged involvement

Presumptes implicats

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All at once, Santi loses his job, his girlfriend and his car. Victor and his friends know they’re to blame but don’t dare face the consequences of confessing it. In compensation, they come up with a great plan to settle their account with Santi by sorting out his problems. But he mustn’t find out what they’re up to...

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Director: Enric Folch

Produced by: Zip Films/Dacsa Produccions/TVC/TVV - 2006 Executive producer: Jordi Rediu/Norbert Llaràs/Xavier Crespo Script: Enric Folch Director of photography: Federico Ribes Sound: Licio Marcos de Oliveira Cast: Gaston Pauls/Xavi Mira/William Miller/Irene Montalá Audience: General Nº of episodes: 1 x 90 min. TV movie Format: Color/16mm Versions available: Spanish/Catalan Sales: Zip Films

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Angels and Saints

Angels i Sants

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Superintendent Ravell obtains authorization from the President of the Generalitat to go ahead with a risky operation. He’s convinced the wealthy Barcelonese businessman Ramon Figuerola and his son Alex are preparing a huge consignment of cocaine but lacks concrete evidence. To get the insider information he needs, Ravell pressures Joan Sants, a pimp who runs the Tavara Club, to work for him. As bait to entice the crim onto his side, Ravell retrieves an ex-agent, Àngels Muñoz, who left the force on account of an unfortunate incident with her drug addict brother. She bears an extraordinary resemblance to a prostitute by the name of Paula, a frustrated love from Joan Sants past.

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Director: Pau Freixa

Produced by: Fair Play Produccions/TVC - 2005 Executive producer: Ramon Tello/Jordi Roure Script: Francesc Bellmunt/Pau Freixa/Marc Crehuet/Hector Claramunt/Ivan Mercadé Director of photography: Julian Elizalde Original score: Joan Enric Garde Sound: Xavier Clarà Cast: Lluis Homar/Mar Regueras/David Selvas/Josep-Maria Pou Genre: Drama Audience: Adult Nº of episodes: 7 x 55 min. Format available: Digital Betacam shot on 16mm Original version: Catalan Sales: TVC

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Atlantis

L'Atlàntida

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Victoria has just found out she has only a short time to live and her main concern is to sort out her teenage son Mauro’s future. After years of estrangement from her ex-husband, Salinas, who is Mauro's father and a renowned musician, Victoria contacts him to propose selling the house they own jointly in Galicia, named Atlantis, in order to leave her son with some funds behind him. But Salinas refuses and proposes that Mauro go to live with him. Victoria disagrees because she distrusts Salinas, who has surreptitiously begun to strengthen his relationship with Mauro. Victoria decides to tell her son about her illness, but Mauro, incapable of coming to terms with his mother's having to die, takes refuge in the self-interested protection of his father.

The relationship between mother and son deteriorates little by little. Mauro runs away to La Coruña, where he discovers the lies and wretchedness of his father. When Victoria goes to fetch Mauro at the house she and Salinas had once shared, they finally reconcile the past and father and son agree to settle their differences and allow Victoria to live her last months in peace.

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Director: Belén Macías

Produced by: Prodigius Audiovisual - 2005 Executive producer: Jaume Santacana Script: Maite Carranza/Teresa Vilardell Director of photography: Enric Daví Original score: Juan Pablo Compaired/Xavi Capellas Sound: Pepe Cáceres Cast: Mercè Pons/Manuel Lozano/Nancho Novo/Ana Wagener Genre: Drama Audience: General Nº of episodes: 1 x 88 min. TV movie Original version: Spanish Other versions available: Catalan Sales: Prodigius Audiovisual

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Buying beauty

Diario de una miss

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A TV movie based on the exposé carried out by the production company El Mundo TV, specialised in investigative journalism, regarding fraudulent practices committed by some beauty contests.

The production company managed to infiltrate the contest organised by the Alicante delegation for the Miss Spain contest using a female reporter with a hidden camera. For a modest amount of money, the journalists, claiming to be from a fashion company, managed to buy the title of Miss Alicante, which was awarded, despite complaints, to the reporter/false Miss.

Taking the investigation further, the female reporter went on to compete against the winners of the other Spanish provinces in the final of the Miss Spain contest. Negotiations commenced to buy the national title, but the reporter was unmasked before the fraud reached conclusion. However, during the contest she lived in a hotel with all the other contestants and, using a hidden camera, managed to film the living conditions of the participants, who seem to be kept in a golden cage, as well as the scams of the organisers, who were always ready to use the contestants for their private concerns, constantly treating them as mere pieces of merchandise or simply as cattle, in the worst chauvinistic tradition, and continually exhibiting them as a lure for businessmen and other individuals close to the contest and the organisers.

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Director: Carles Vila

Produced by: Castelao Productions/Mundo Ficción - 2005 Executive producer: Carlos Fernández/Santiago Gimeno Script: Antonio Onetti Director of photography: Aitor Mantxola Original score: Francesc Gener Cast: Kira Miro/Paulina Galvez/Pau Dura/Roger Pera Audience: Adult Nº of episodes: 1 x 95 min. TV movie Sales: Filmax International

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Echoes

Ecos

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A young woman, Alba, loses her only daughter. The most serious after-effect for Alba, as well as all the psychological damage and the guilt that consumes her, is her temporary loss of hearing.

Isolated from the world, Alba finds she is able to hear sounds, which little by little turn into voices. Except that these voices are fragments of conversations with people who are already dead. One voice stands out amongst all the others, and invades every corner of her home and her nights, the voice of a girl.

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Director: Oriol Paulo

Produced by: Oberon Cinematogràfica/TVC/Continental Produccions/TVG - 2005 Executive producer: Antonio Chavarrías/Pancho Casal Script: Curro Royo/Juan Vicente Pozuelo/Oriol Paulo Director of photography: Bernat Bosch Original score: Sergio Moure Cast: Núria Prims/Chete Lera/Carlos Blanco/Sílvia Sabaté Genre: Mystery Audience: Teens/Adult Nº of episodes: 1 x 95 min. TV movie Format available: Digital Betacam/Stereo Original version: Spanish Other versions available: Catalan/Galician

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Electroshock

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Due to the prejudices of society, two women in love, Maria Carmen and Isabel, are unable to live together. The situation will lead them to self destruction.

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Director: Juan Carlos Claver

Produced by: Zip Films/TVC/TVV/Dacsa Produccions/Kines Produccions - 2005 Executive producer: Jordi Rediu/Norbert Llaràs/Xavier Crespo/Juan Carlos Claver Script: Juan Carlos Claver/Agustín Madariaga Director of photography: Javier Quintanilla Original score: Alejandro Román Sound: José María Bloch Cast: Carme Elias/Susi Sánchez/Julieta Serrano/Juli Mira Audience: General Nº of episodes: 1 x 85 min. TV movie Format: Color/HD Original version: Catalan-Spanish Sales: Zip Films

25

Family book

Llibre de familia

26

Virtu and Ramon are a couple who have been trying, unsuccessfully, to have a child. Virtu is tired of all the gynaecological tests she’s being put through to determine why she can’t get pregnant. Her friends, Paca and Marimar, and her mother, all think it’s Ramon who's sterile. Ramon finally agrees to take a fertility test and it confirms what everyone suspected: he’s the infertile one. Virtu tries to fix things and suggests they adopt, but Ramon wants a son of his own blood. On top of all this, Ramon’s father, Candido, who has been missing for years, suddenly reappears. He’s just got out of jail and wants to start up a questionable business with his son. Things begin to get out of hand and Virtu and Ramon's marriage enters dangerous terrain.

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Director: Ricard Figueras

Produced by: In Vitro Films/TVC/Canal Sur TV/Canal 9 - 2005 Executive producer: Ricard Figueras Script: Ricard Figueras/Pau Garsaball Director of photography: Mario Montero Original score: Alex Conrado Sound: Boris Zapata Cast: Antonio de la Torre/Inés Díaz/Lluís Homar/Alberto Lozano Genre: Comedy Audience: General Nº of episodes: 1 x 108 min. TV movie Format available: HD video Original version: Catalan Other versions available: Spanish Sales: In Vitro Films

27

From the back of my mind

Racons de la memòria

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Dani is a man in his fifties who has cancer and has to undergo surgery with no guarantee of success. The lack of certainty and the severity of the treatment lead him to doubt whether to go ahead with the operation, until the world of the memory surfaces from the back of his mind and helps him to muster up the optimism to carry on.

Flash back to 1964. At the age of sixteen, Dani is living in a small town with his authoritarian father and classic mother. At school, the boy awakens to new experiences under the influence of his progressive teacher and anarchist grandfather. At the end of high school, he doesn’t want to go to the city: he wants to be a writer. His teacher shows an interest in catching up with him in the future to see how things have worked out.

2005. Dani, now a disillusioned porn writer in crisis, remembers his date with his former teacher, the date with his memory. Despite a disappointing meeting with the teacher and, in some way, with his past, Dani does have the operation, confident of success and with the support of his girlfriend, Anna.

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Director: Sergi Schaaff

Produced by: Morlanda Produccions/Anxo Fernández P.C. - 2005 Executive producer: Marcel·lí Parés/Anxo Fernández Script: Joan Martí Valls Director of photography: Xavier Camí Original score: Piti Sanz Sound: Pepe Caceres Cast: Joan Massotkleiner/Pau Quintana/Pep Tosar/Camila Bossa Genre: Drama Audience: General Nº of episodes: 1 x 85 min. TV movie Format available: HD/Digital Betacam Original version: Catalan Other versions available: Galician

29

nd

Life’s a swine (2 season)

Porca misèria (2ª temporada)

30

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  • Demands of Female Representations in Spanish Audiovisuals: a Study of a Decade of Archetypes of Women in the Goya Awards

    Demands of Female Representations in Spanish Audiovisuals: a Study of a Decade of Archetypes of Women in the Goya Awards

    Revista de Ciencias de la Comunicación e Información. 2021. Vol. 26, 39-57 ISSN 2695-5016 DEMANDS OF FEMALE REPRESENTATIONS IN SPANISH AUDIOVISUALS: A STUDY OF A DECADE OF ARCHETYPES OF WOMEN IN THE GOYA AWARDS REIVINDICACIÓN DE LAS REPRESENTACIONES FEMENINAS EN EL AUDIOVISUAL ESPAÑOL: ESTUDIO DE UNA DÉCADA DE ARQUETIPOS DE MUJERES EN LOS PREMIOS GOYA Paula Meliveo Nogues. University of Malaga. Spain. [email protected] Carmen Cristófol-Rodríguez. University of Malaga. Spain. [email protected] How to cite this article: Meliveo Nogues, P. y Cristófol-Rodríguez, C. (2021). Demands of female representations in spanish audiovisuals: a study of a decade of archetypes of women in the goya awards. Revista de Ciencias de la Comunicación e Información, Vol. 26, 39-57. http://doi.org/10.35742/rcci.2021.26.e138 ABSTRACT In recent years, the Goya Awards have become a stage for the claims of the Spanish film sector due to the media coverage of the gala. Based on a methodological triangulation that applies case studies, content analysis, and in-depth interviews, this research proposes a new categorization of female archetypes in current Spanish cinema, proves the existence of gender discrimination through the stereotypical representation of women, and analyses whether these archetypes are also perpetuated and disseminated through high-end women's magazines and Sunday supplements. The main conclusion of this study is that the creation of a protectionist law to put an end to this marginalization is essential and a debt from Spain's historical and political past. KEYWORDS: Spanish Cinema, Goya Awards, women, gender stereotypes, demands. RESUMEN Los Premios Goya se han convertido en los últimos años en escenario de reivindicaciones del sector cinematográfico español por la repercusión mediática de su gala.
  • Spanish Cinema After Franco at BFI Southbank in June 2011

    Spanish Cinema After Franco at BFI Southbank in June 2011

    PRESS RELEASE MAY 2011 11/33 Good Morning Freedom! Spanish Cinema After Franco At BFI Southbank in June 2011 The death of Spain’s long term dictator Francisco Franco in 1975 gave rise to an alternative, adventurous and eclectic movement within Spanish culture that is reflected its filmmaking. BFI Southbank, throughout May, mounts a season celebrating the birth of this exciting period of cinema and features an extended run of the BFI release, Cria Cuervos (Raise Ravens, 1975) as well as screenings of both well known examples of the era, such as Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios, 1998), alongside lesser known titles including The Anchorite (El anacoreta, 1977) and Opera Prima (1980). The lifting of censorship following Franco’s demise brought with it the birth of a filmmaking generation unleashed from a climate of repression, approaching subjects that couldn’t have been mentioned before: sex, drugs, homosexuality, politics and all with an innovative, free spirit that brought together filmmakers, professional and amateur actors, designers and musicians. From late 1975 to the end of the 80s, when democracy had already consolidated in the country, emerged the movement which has come to be known as ‘la Movida Madrileña’, which saw such talents as Pedro Almodóvar and Iván Zulueta emerge in the field of cinema. The Movida was mainly a music movement to which many young bands from the capital contributed but, with mottos like ‘Madrid nunca duerme’ (‘Madid never sleeps’) or ‘¡Esta noche todo el mundo a la calle!’ (‘Everybody in the street tonight!’) – its spirit extended to other fields such as film, television, photography, fashion, comics and fanzines.
  • Spanish Cinema and Pedro Almodóvar Carol Murphy Pace University

    Spanish Cinema and Pedro Almodóvar Carol Murphy Pace University

    Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-9-2008 Spanish Cinema and Pedro Almodóvar Carol Murphy Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Murphy, Carol, "Spanish Cinema and Pedro Almodóvar" (2008). Honors College Theses. Paper 69. http://digitalcommons.pace.edu/honorscollege_theses/69 This Article is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Spanish Cinema and Pedro Almodóvar Carol Murphy [email protected] or [email protected] May 2008 Majors: Modern Languages & Cultures and Sociology/Anthropology Advisor: Martin Marafioti Advisor’s Department: Modern Languages & Cultures Advisor’s School: Dyson College of Liberal Arts and Sciences Précis This paper examines how Spanish film evolved since the years of Franco’s dictatorship to the present. By examining the influence of Franco’s censorship on the film industry, this paper will analyze how his censorship affected the changes that took place in cinema after his death by analyzing the films of Pedro Almodóvar. The first part of this paper focuses on the censorship measures that were put into place by Franco’s regime. The paper also examines what genres were popular during Franco’s era and how the regime attempted to manipulate the film industry in order to promote its fascist ideology. The paper goes on to discuss several directors who challenged Franco’s censorship and the Franco myth, the messages and themes that were promoted by that state in fascist films.

  • Film Library 2018

    FILM LIBRARY 2018 Latido Films is an international sales agency founded in 2003 to commercialize all-film rights of titles from all over the world (with a line-up of no more than 15 per year to ensure our quality standards), with a special focus in Spain and Latin-America and lately Eastern Europe. Latido has collaborated with prestigious filmmakers such as Juan Jose Campanella (“The Weasels”, “The Secret In Their Eyes” – Oscar for Best Foreign Language Film), Carlos Saura (“J: Beyond Flamenco”, “Fados”), Andres Wood (“Violeta Went To Heaven” and “Machuca”), just to mention some of them. Moreover, we support established arthouse directors such as Krzysztof Zanussi, Mariano Cohn and Gastón Duprat. On the other hand, we work with box office hits such as “Champions“ by Javier Fesser and “The Best Summer Of My Life” by Dani de la Orden. Likewise, Latido seeks after rising up new talents like Bartosz M. Kowalski (“Playground”) and Rodrigo Sorogoyen (“The Realm”, “May God Save Us”). We are also convinced that there’s a market for movies by striking new women directors, such as Pepa San Martin (“Rara”), Laura Mora (“Killing Jesus”) and Arantxa Echevarría (“Carmen & Lola”). Multi-audience animations and ground-breaking documentaries are also a must in our catalogue. FILM LIBRARY 1973. Uruguay is governed by a military dictatorship. One autumn Festivals & Awards A TWELVE-YEAR night, three Tupamaro prisoners are taken from their jail cells in a secret military operation. The order is precise: “As we can’t kill Venice Film Festival 2018 Festival Internacional de Cine de San NIGHT them, let’s drive them mad.” The three men will remain in solitary Sebastián LA NOCHE DE 12 AÑOS confinement for twelve years.Among them is Pepe Mujica –later to Busan International Film Festival Festival Biarritz Amérique Latine become president of Uruguay.

  • Pedro Almodóvar Part One (1 August – 31 August)

    PEDRO ALMODÓVAR PART ONE (1 AUGUST – 31 AUGUST) Pedro Almodóvar in Conversation His name is synonymous with Spanish cinema. One of the world’s most celebrated filmmakers, Pedro Almodóvar has created iconic roles for some of cinema’s grandes dames and a wealth of unforgettable screen images. His 20th feature film, Julieta, played in competition to critical acclaim at Cannes earlier this year. In addition to our extended run of Julieta, we’re pleased to welcome the Spanish master for an in-depth conversation about his career, his love of cinema and the influences that have shaped his unique cinematic language. Tickets £16, concs £12 Joint ticket available with Women on the Verge of a Nervous Breakdown (12 Aug only) £22, concs £16 (Members pay £1.70 less) FRI 12 AUG 18:30 NFT1 Julieta Spain 2016. Dir Pedro Almodóvar. With Emma Suárez, Adriana Ugarte, Rossy de Palma, Inma Cuesta. 99min. Digital. EST. 15 A ravishing study of love and loss from one of contemporary cinema’s great auteurs. For his twentieth feature, Almodóvar returns to the more sombre tone of The Flower of My Secret, rendering an exquisite study of a mother-daughter relationship tested through trying times. Adapted from three short stories by the Canadian Nobel Prize-winner Alice Munro, Julieta tells of a classics teacher struggling with past secrets and the consequences of her romance with Xoan, a Galician fisherman she meets on a train in 1985. Employing a non- linear structure to bold effect, Julieta is a mesmerising film highlighting how little we might know about ourselves and those we hold most dear.