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1984 “Na Makua Mahalo Ia (The Most Honored)” Award Concert
(Na Makua Mahalo Ia Award Concert—1984—broken into 2 videos on Vimeo.com) 1984 “NA MAKUA MAHALO IA (THE MOST HONORED)” AWARD CONCERT Enclosed are notes that correspond to the following three videos in the Na Makua Mahalo Ia Collection on HPSʻs Vimeo Channel. (http://vimeo.com/hulapreservationsociety) Ø 1984 Pt 1 of 2 Ø 1984 Pt 2 of 2 BACKGROUND: In the 1980s, a series of 5 concerts were held to honor elders of that time who persevered in the 20th century & planted seeds for the Hawaiian Renaissance that began in the 1970s. Over five concerts, 67 kūpuna were recognized, & their names are the ones we recall hearing stories about, for their contributions have deeply enriched the sentience of Hawaiians & the people of Hawaiʻi. “Na Makua” was created & led by Dr. Ishmael Stagner, who was a professor at Brigham Young University-Hawaiʻi at the time. To download a scan of BYUʻs actual program from this year, visit https://www.papakilodatabase.com & search the Hula Preservation Society Collection. You will also find short audio clips & comprehensive descriptions of select honorees there. 1984 Pt 1 of 2 Na Makua AwarD Concert MC, Host & Event Coordinator: Ishmael Stagner (1939-2014) (2:40) Opening prayer: Wylie W. Swapp (1919-2007) Tribute performances by: Ka Pa Hula Hawaii, Kumu Hula Kahai Topolinski Ka Pa Hula Hawaii under the direction of Kumu Hula Kahai Topolinski present the following performances as hoʻokupu to all of the recipients being honored at the 1984 Na Makua Mahalo Ia Awards: (3:31) - (Hula kahiko) “Pua Ai Lehua Ka Makani,” honoring -
The Pleasures and Rewards of Hawaiian Music for an 'Outsider'
12 Living in Hawai‘i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist Ricardo D . Trimillos Foreword I first met Stephen Wild at the 1976 Society for Ethnomusicology meeting in Philadelphia. Since that time we have enjoyed four decades as session- hopping colleagues and pub-crawling mates. In regard to the former, most memorable was the 1987 International Council for Traditional Music meeting in Berlin, where, appropriate to our honoree, one of the conference themes was ‘Ethnomusicology at Home’. It is this aspect of Stephen’s service that I celebrate in my modest effort for this festschrift. In 2006, the journal Ethnomusicology produced its ‘50th Anniversary Commemorative Issue’, which contained the essay ‘Ethnomusicology Down Under: A Distinctive Voice in the Antipodes?’ (Wild 2006). It was an informative and at times prescriptive account of the trajectory for ethnomusicology in Australia. I found the essay a most engaging exercise in personal positioning by an author within a historical narrative, one in which personality and persona were very much in evidence. Inspired by the spirit of that essay and emboldened by its novel approach, I share 335 A DISTINCTIVE VOICE IN ThE ANTIPODES observations about ‘doing ethnomusicology’ where I live—in Honolulu, Hawai‘i. This brief and personal account deliberately draws parallels with our honoree’s experiences and activities during a long career in his ‘homeplace’ (Cuba and Hummon 1993). The pleasures of Hawaiian music in California My first encounters with Hawaiian music were not in Hawai‘i but in San Jose,1 California, locale for the first two decades of my life. -
Share Your Thoughts with PBS Hawaii
HENRY LIVE An evening with Marchone of 8Hawaii’s | 8PM favorite sons, Henry Kapono MARCH 2009 As our PBS HawaiiLeslie board chairman, Wilcox, Neil Presidentand care in training& CEO about 20 paid college In Hawaii, it’s about our commitment to Hannahs, sometimes Alohareminds board Kakou and students in television production. each other and to the whole. And to future staff in considering what’s best: “It’s a Our small size and important educa- generations. k akou - thing.” tional mission mean that we perform as a Mahalo for being one of these caring K akou - , of course, refers to the Hawaiian team, with each member prepared to shift people. It is indeed a k akou - thing. value of inclusiveness. It’s about all of us. focus as needed. We all work shoulder to We feel privileged to steward resources that serve the entire community in these most isolated islands in the world. Mahalo, Neil’s paying job is managing agricul- shoulder while still handling our primary tural lands for the Kamehameha Schools, responsibilities. stewarding resources in an island state. He We feel privileged to steward resources cares about doing the right thing now and that serve the entire community in these for future generations. most isolated islands in the world. I see k akou - at work every day at Hawaii’s PBS Hawaii relies on viewer support in only public television station. addition to grants, corporate underwriting It may surprise you to learn that PBS and other funding. Many people, working Hawaii has only 30 staffers, considerably together across our island chain and on less than the workforce of the local (com- the continent, elevate the quality of life in mercial) TV network affiliates. -
View List of the Then Polynesian Collection at the Phoenix Library
Polynesian Cultural Materials donated by Arizona Aloha Festival to the Phoenix Library System Author Call # Title Finding Paradise Don R. Severson 745.0996 The O’ahu Snorkelers and Shore Divers Guide Francis De Carvalho 797.2300 Mark Twain’s Letters from Hawaii Mark Twain 919.6903 My Samoan Chief Fay G. Calkins 919.6130 Saturday Night at the Pahala Theatre Lois-Ann Yamanaka 811.5400 Nā Mo’olelo Hawai’io ka Wā Kahiko (Stories of Old Hawaii) Roy Kākulu Alameida 398.20996 The Craft of Hawaiian Lauhala Weaving Josephine Bird 746.4100 Plants and Flowers of Hawai’i S. H. Sohmer and R. Gustafson 581.9969 Buying Mittens Nankichi Niimi E Samoan Art & Artists Sean Mallon 745.0996 Loyal to the Land Dr. Billy Bergin 636.0109 (The Legendary Parker Ranch, 750-1950) From a Native Daughter Haunani-Kay Trask 320.9969 Kamehameha Susan Morrison 813.6000 (The Warrior King of Hawai’i) Māmaka Kaiao (Hard Cover) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Māmaka Kaiao (Paper back) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Nā pua ali’i O Kaua’i (Ruling Chiefs of Kaua’i) Frederick B. Wichman 996.9020 Melal A Novel of the Pacific Robert Barclay 813.6000 Hawaiian Flower Lei Making Adren J. Bird 745.9230 Ethnic Foods of Hawai’i Ann Kondo Corum 641.5996 Kahana How the Land was Lost Robert H. Stauffer 333.3196 Rarotonga & the Cook Islands Errol Hunt/Nancy Keller 910.0000 Tsunami! Walter C. Dudley/Min 363.3490 Lee Taking Land Tsuyoshi Kotaka 343.5025 (Compulsory Purchase and Regulations in Asian-Pacific David L. -
He Lei Poina 'Ole Ke Keiki
1 PROGRAM 7:30 pm – 10:00 pm Oli Ho‘okipa *Pule *Ho‘onani I Ka Makua Mau *Hawai‘i Pono‘ī He Lei No Pauahi ‘Ōlelo Ho‘okipa HO‘OKūKū O Nā KāNE Boys’ Competition HO‘OKūKū O Nā WāHINE Girls’ Competition HO‘OKūKū O Nā PAPA Combined Class Competition INTERMISSION • 15-minutes Nā PAPa I HUi Pū ‘ IA Combined Classes Hō‘ IKE Hā‘AWI MAKANA Presentation of Awards *Ka HīMENi KULA Alma Mater KA waiho‘olU‘u O Nā papa Seniors: ‘ula‘ula, red; Juniors: melemele, yellow; Sophomores: ‘ōma‘oma‘o, green; Freshmen: poni, purple *AUDIEnce plEASe sTanD Video and Flash Photography Prohibited INTRODUCTION HE LEI POINa ‘OlE KE KEIKI A Beloved Child is a Lei Never Forgotten Aloha pumehana e nā pua a Pauahi! “Warm welcome, children of Pauahi!” is a familiar greeting to Kamehameha haumāna. It affirms who they are as young, bright and industrious Hawaiians, who share a rich and proud tradition made possible through the love and generosity of Ke Ali‘i Pauahi. This year’s Song Contest theme focuses on our pua, our lei – our Hawaiian youth. The words lei (garland) and pua (flower) can poetically refer to children. There are many ‘ōlelo no‘eau, poetical wise sayings, that reflect traditional Hawaiian perspectives of keiki. He keiki mea kupuna refers to a child who is coddled and the center of attention of his or her grandparents. He keiki aloha nā mea kanu draws a parallel between children and plants both of which need care, nourishment and a healthy environment in which to thrive. -
Lexington's Hawaiian Room Showcased Isles in New York POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120615__Lexingtons_Hawaiian_Room_showcased_isles_in_New_York.html?id=159155765 Lexington's Hawaiian Room showcased isles in New York POSTED: 01:30 a.m. HST, Jun 15, 2012 StarAdvertiser.com Beginning in the 1920s, a wave of fascination with Hawaii and Polynesia swept the United States. From the mid-1930s until the 1960s, Hawaiian- and Polynesian-themed showrooms, restaurants, bars and hotels sprang up around the country. Nearly every large city had one. The first was at the Lexington Hotel in New York City, which opened a Hawaiian Room 75 years ago next week on June 23, courtesy lexington hotelThe Hawaiian Room in New York's Lexington Hotel was the first of its kind on the mainland in 1937. 1937. Soon, however, nearly every large city had a Hawaiian- or Polynesian-themed restaurant or bar. The Hawaiian Room's The hotel is on Lexington Avenue and 48th Street in Midtown performers included Ray Kinney, his orchestra and the Aloha Manhattan. Charles Rochester was the manager when it opened, Maids. and it had a large, unused basement. Rochester decided to open a Hawaii-themed restaurant there. Adria Imada, an assistant professor of ethnic studies at the University of California, San Diego, wrote in her journal article "Hawaiians on Tour: Hula Circuits through the American Empire" that the Hawaiian Room was a "supper club for dining, dancing and live performance. Walking into the large circular room decorated with tropical palms and murals of Diamond Head and Waikiki Beach, patrons were greeted with a flower lei, albeit a paper one." The Hawaiian Room offered twice the salary Hawaiian entertainers could earn at home. -
Section Viii
Dancing Cat Records Hawaiian Slack Key Information Booklet, SECTION VIII: ACKNOWLEDGMENTS AND ADDENDUM 1. For information about the tuning of a song that is not listed, or any other questions, you can e-mail Dancing Cat at [email protected], or write to Dancing Cat Productions, P.O. Box 4287, Santa Cruz, California, USA, 95063, attn: Dept. SKQ, and we will try to help. 2. Dancing Cat Records plans to produce more solo guitar based Slack Key recordings of the late Sonny Chillingworth, Ray Kane, the late Leonard Kwan, Keola Beamer, Led Kaapana, Cyril Pahinui, George Kuo, Ozzie Kotani, Bla Pahinui, Martin Pahinui, George Kahumoku, Jr., Moses Kahumoku, Cindy Combs, Malaki Kanahele, and Patrick Cockett, and others. Also planned are more recordings of pure duets of Slack Key guitar with acoustic steel guitar, including the late Barney Isaacs playing acoustic steel guitar duets with Slack Key guitarists George Kuo, Led Kaapana, and Cyril Pahinui; and Bob Brozman on acoustic steel with Led Kaapana and with Cyril Pahinui. 3. Mahalo nui loa (special thanks) to the following people who contributed in many various ways to make this information booklet possible: Leimomi Akana, Carlos Andrade, Haunani Apoliona, Kapono Beamer, Keola & Moanalani Beamer, Nona Beamer, Kapono Beamer, Reggie Berdon, Milan Bertosa, the late Lawrence Brown, Bob Brozman, Kiki Carmillos, Walter Carvalho, the late Sonny Chillingworth, Mahina Chillingworth, Patrick Cockett, Cindy Combs, Michael Cord, Jack DeMello, Jon DeMello, Cathy Econom, Ken Emerson, Heather Gray, the late Dave Guard, Gretchen Guard, Gary Haleamau, Uluwehi Guerrero, Keith Haugen, Tony & Robyn Hugar, the late Leland “Atta” Isaacs, Jr., the late Barney Isaacs & Cookie Isaacs, Barney Boy Isaacs, the late Winola Isaacs, Wayne Jacintho, Howard Johnston, J. -
<DISC 1> 01.A Kona Hema O Kalani Traditional Vocal
HULA Le’a Presents HAWAIIAN MELE CD-BOX ȊȪǟǝȮǸȮǫƶਙƮƔƛƛƳÁÁ ߅ైದ౽ƝǔƥƶࢩࡑƟƧఝຓƔཌભưƲǒ੫Տ౽ưƲƫƧ¹ ਙࢥ”ºإ ࣞ“ȊȪǟǝȮ½Ȝȧ 1001 ƝǔƧȊȪǟǝȮǸȮǫޯڀƗƶƒບƶƜාƳƒ҃ƐƟ¹ં ƶئףǚƳଵƐǓإ ǚҧౖƲۙǒŗŘ30 Ƴࢌ¹600ےƶҞ ŗŘôŖţŬÁÁ GNCP-1030 Ć31,500á୩ҤâÖĆ30,000áৎಫâ <DISC 1> 01.A Kona Hema O Kalani Traditional Vocal : Kalani Po’omaihealani 02.A Million Moons Over Hawaii Words by Billy Abrams Music by Andy Iona Long Vocal : enry Kaleialoha Allen 03.‘A ‘Oia Words & Music by John Kameaaloha Almeida Vocal : उпdžơLJ 04.A Song of Old Hawaii Words & Music by Johnny Noble & Gordon Beecher Vocal : އÐ้Гᇰ 05.Adios Ke Aloha Words & Music by Prince Leleiohoko Vocal : उпdžơLJ 06.Adventures in Paradise Words & Music by Dorcas Cochran Vocal : Kalani Po’omaihealani 07.Ahi Wela Words & Music by Lizzie Doirin & Lizzie Beckley Vocal : Takako 08.‘Ahulili Words & Music by Scott Ha'i Vocal : dzȢÓdzउҟ 09.Aia I Ka Mau’i Traditional Vocal : Takako 10.Aia I Nu’uanu Ko Lei Nani Traditional Vocal : Aloha Dalire Band 11.Aia La ‘O Pele Traditional, Mae L. Loebenstein Vocal : उпdžơLJ 12.‘Aina O Lanai Words & Music by Val Kepilino Vocal : उпdžơLJ 13.‘Aina O Molokai Words & Music by Kai Davis Vocal : ଇưƕࠃ 14.‘Akaka Falls Words & Music by Helen Perker Vocal : IWAO 15.‘Akaka Falls Words & Music by Helen Lindsey Perker Vocal : Lauloa 16.‘Ala Pikake Words & Music by Manu Boyd Vocal : उпdžơLJ 17.Alekoki Words by Kalalaua, Lunalilo Music by Lizzie Alohikea Vocal : उпdžơLJ 18.‘Alika Words & Music by Charles ka'apa Vocal : Kalani Po’omaihealani 19.Aloha E Kohala Words & Music by Robert Uluwehi Cazimero Vocal : ଇưƕࠃ 20.Aloha E Pele Traditional -
Ka Wai Ola O Will Print Your Listing at No Charge on a Space-Available Basis
KA WAI OLA THE LIVING WATER of OHA OFFICE of HAWAIIAN AFFAIRS • 711 Kapi‘olani Blvd., Ste. 500 • Honolulu, Hawai‘i 96813-5249 ‘Apelila (April) 2006 30th Anniversary return to Tahiti Vol. 23, No. 04 Mauna ‘Ala Caring for the royal resting place page 12 Waimea Valley Settlement negotiations continue page 09 Wiliwili woes Native tree threatened by tiny wasp page 11 Celebrating Hawai‘i’s ‘Songbird’ page 19 Interview with NAˉINOA THOMPSON Page 14 www.oha.org • Current business opportunities for Native Hawaiians The Office of Hawaiian Affairs • Info about the SBA 8(a) certification presents the program to access sole source contracts Hawaiian Business Conference & Economic Expo • Skills development and training May 18-19, 2006 workshops Hawai‘i Convention Center, Honolulu • Partnering opportunities with government REGISTER NOW FOR EARLY BIRD RATE and major contractors For information, conference fees and to register, visit online at www.oha.org or call the University of Hawai‘i Pacific Asian Center • Economic trade fair with exhibitors for Entrepreneurship and E-business at (808) 956-5083; fax: (808) 956-5107; e-mail: [email protected] • Inspirational keynote speakers EXCELLENT SPONSORSHIP OPPORTUNITIES STILL AVAILABLE • Networking receptions SPONSORS: Maile: Pakalana: Northrop Grumman Corporation American Savings Bank Council for Native Hawaiian Pikake: Advancement Bank of Hawai‘i Lockheed Martin Central Pacific Bank Patton Boggs LLP, Attorneys at Law Russell Investment Group U.S. Environmental Protection Agency NOW IN PROGRESS Attention all Hawaiian-owned businesses: the Office of Hawaiian We are in the process of updating the more than 300 listings Affairs is seeking to identify Hawaiian-owned businesses in from a previous Hawaiian business directory and would like to Hawai‘i for a directory to be published later this year and to be significantly increase the volume with new Hawaiian businesses. -
Ka Wai Ola O OHA – the Living Water of OHA Mei (May) 2005
Vol. 22, No. 5 Ka Wai Ola o OHA – The Living Water of OHA Mei (May) 2005 A conceptual draft of what an OHA headquarters and Hawaiian cultural center might look like at the Kaka‘ako waterfront site. While the boardroom, an outdoor performance actual design is likely to change, the complex is intended to include outdoor areas for cultural practice. Illustration: Courtesy of Architects Hawai‘i area, a food service court and an adjacent 180-stall parking lot. The complex would also include 60,000 OHA proposes new Hawaiian center square feet of office space for OHA and other organizations. $32-million waterfront complex would include offices and cultural center Wesley Kaiwi Nui Yoon, an architect OHA contracted to develop the By Sterling Kini Wong now begin more studies on the fea- “Many other groups have their own project’s preliminary plan, said that sibility of the site and will eventu- community centers, and it’s about time he used Hawaiian culture to guide his n April, OHA presented a ally provide a development plan to Hawaiians got their own, too. But this conceptual design of the complex. preliminary proposal to build a $32- its Board of Trustees for approval. isn’t just for Hawaiians, it’s for all “Hawaiian culture is very deep, and Imillion complex on the Kaka‘ako The agency would then present a for- of Hawai‘i.” the cultural nuances should be reflected waterfront that would include the first mal proposal to HCDA, which would The complex would serve as a multi- in the design of the project,” Yoon said, Hawaiian cultural center in the state and be followed by either lease or land functional location for a variety of adding that the project’s design was office space for the agency and other acquisition negotiations. -
Ka Wai Ola OHA A.M
- OFFICE OF HAWAIIAN AFFAIRS Leeward and Windward kupuna marked the end of another school year May 14 and 16, respectively, with functions at Kemoo Farm Restaurant and ' Pat's at 0 OfJf' Punaluu. These annual year· enders recognize the work of the kupuna and their resource teachers in the respective Volume 3 No. 7 "The Living Water 0/ OHA" lulai (July) 1986 schools. It is also acoming together of the kupuna in a spirit of po'okela and aloha. At Kemoo, newly· named District Resource Specialist Mieko Higuchi presented framed meritorious achieve- ment certificates to District Resource Teachers Kalani Accent on Traditional Hula Akana and Alohalani Kaina on behalf of the Leeward Oahu District School Advisory Council for the out- A picture of beauty and precision from the ladies of Kumu Hula standing job they did in the recent 'Aha Kupuna '0 Mapuana deSilva',s Halau Mohala 'Ilima as they danced their way to a Oahu conference at the Queen Kapiolani Hotel. first place tie in their division of the 13th Annual King Kamehameha Akana and Kaina in turn honored their kupuna with Traditional Hula and Chant Competition. presentation of framed Palapala Ho'ohanohano in recognition of their service. In a bit of cheery news, it was announced that Alohalani's husband, Enoka Kaina, District Resource Teachers Alohalani Kaina, left, received his law degree at the May 18 University of and Keith Kalani Akana, right, pose with their cer- Hawaii graduation exercises. Congratulations were tificates along with Mieko Higuchi, district re- very much in order. source specialist, Leeward Oahu, during year-end Leeward kupuna this year did no entertaining, hula or activity at Kemoo Farm Restaurant. -
KIKA News -Feb 2015
Home - Calendar - School events - ʻOhana searches - Place activities - Mai poina - Music Scene - KHB notes - Mahalo piha - Community T H E K A P A L A K I K O N E W S L E T T E R THE KAPALAKIKO NEWSLETTER 330 LELAND AVENUE, SAN FRANCISCO, CALIFORNIA, 94134-2737 TELEPHONE (415) 468-7125 EMAIL: [email protected]; WEB SITE: www.kapalakiko.org A Quarterly Newsletter 2015 #1 THE ALOHA SPIRIT IS NOT FOR US TO OWN, BUT IS SOMETHING TO BE SHARED THE KAPALAKIKO NEWSLETTER, is the publication arm of Kapalakiko I Ke Aloha; Kapalakiko Music, Art & Craft Productions, The Kapalakiko Hawaiian Band, the Kapalakiko Hawaiian Music Workshop, and Nā Menehune O Kapalakiko. It is published in February, May, August, and November and deadlines are the 1st day of the preceding month. If you want publicity for public Hawaiian events anywhere in the world, please send full information (date, time, place - including street address, cost, contact person and phone number, etc.) as early as possible for maximum exposure. Posting conditions can be found in our Community section and our website www.kapalakiko.org under the tab Newsletter. EDITOR/WRITER; Saichi Kawahara, CIRCULATION: Evelyn Kawahara, COMPUTERS: Randee Chin, WEBSITE: Randee Chin. Evelyn & Saichi Kawahara are the sole representatives of this newsletter. PLEASE READ THIS Notification of new issues of this newsletter are sent to our followers via email. If you have changed your contact information or have questions and/or comments please contact us via our website www.kapalakiko.org under Contact Us. Please be sure to include your: Name, Address, City, State, Zip, Phone/Mobile number and Email address.