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The Pleasures and Rewards of Hawaiian Music for an 'Outsider'
12 Living in Hawai‘i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist Ricardo D . Trimillos Foreword I first met Stephen Wild at the 1976 Society for Ethnomusicology meeting in Philadelphia. Since that time we have enjoyed four decades as session- hopping colleagues and pub-crawling mates. In regard to the former, most memorable was the 1987 International Council for Traditional Music meeting in Berlin, where, appropriate to our honoree, one of the conference themes was ‘Ethnomusicology at Home’. It is this aspect of Stephen’s service that I celebrate in my modest effort for this festschrift. In 2006, the journal Ethnomusicology produced its ‘50th Anniversary Commemorative Issue’, which contained the essay ‘Ethnomusicology Down Under: A Distinctive Voice in the Antipodes?’ (Wild 2006). It was an informative and at times prescriptive account of the trajectory for ethnomusicology in Australia. I found the essay a most engaging exercise in personal positioning by an author within a historical narrative, one in which personality and persona were very much in evidence. Inspired by the spirit of that essay and emboldened by its novel approach, I share 335 A DISTINCTIVE VOICE IN ThE ANTIPODES observations about ‘doing ethnomusicology’ where I live—in Honolulu, Hawai‘i. This brief and personal account deliberately draws parallels with our honoree’s experiences and activities during a long career in his ‘homeplace’ (Cuba and Hummon 1993). The pleasures of Hawaiian music in California My first encounters with Hawaiian music were not in Hawai‘i but in San Jose,1 California, locale for the first two decades of my life. -
Share Your Thoughts with PBS Hawaii
HENRY LIVE An evening with Marchone of 8Hawaii’s | 8PM favorite sons, Henry Kapono MARCH 2009 As our PBS HawaiiLeslie board chairman, Wilcox, Neil Presidentand care in training& CEO about 20 paid college In Hawaii, it’s about our commitment to Hannahs, sometimes Alohareminds board Kakou and students in television production. each other and to the whole. And to future staff in considering what’s best: “It’s a Our small size and important educa- generations. k akou - thing.” tional mission mean that we perform as a Mahalo for being one of these caring K akou - , of course, refers to the Hawaiian team, with each member prepared to shift people. It is indeed a k akou - thing. value of inclusiveness. It’s about all of us. focus as needed. We all work shoulder to We feel privileged to steward resources that serve the entire community in these most isolated islands in the world. Mahalo, Neil’s paying job is managing agricul- shoulder while still handling our primary tural lands for the Kamehameha Schools, responsibilities. stewarding resources in an island state. He We feel privileged to steward resources cares about doing the right thing now and that serve the entire community in these for future generations. most isolated islands in the world. I see k akou - at work every day at Hawaii’s PBS Hawaii relies on viewer support in only public television station. addition to grants, corporate underwriting It may surprise you to learn that PBS and other funding. Many people, working Hawaii has only 30 staffers, considerably together across our island chain and on less than the workforce of the local (com- the continent, elevate the quality of life in mercial) TV network affiliates. -
Ka Wai Ola O
Kamehameha Schools SP[CIAlmmo is now accepting applications Voter registration forms for th e 1999-2000 school year inside, Together, our voices VOLUME 15, NUMBER B o/£'c are stronger, VOTE! for kindergarten and grades 4, 7 and 9. KAMEHAMEHA SCHOOLS BERNICE PAUAHI BISHOP EsTATE KSBE's policy to give preference to individuals of Hawaiian descent as permitted by law has been ruled non -di scri minatory by the IRS. Ka Wai Ola 0 OHA, Office of Hawaiian Affairs 711 Kapi'olani Blvd., Suite 500 Honolulu, Hawai/i 96813-5249 - VOLUME 15, NUMBER 8, 'AUKAKE (AUGUST) 1998 .. ... OHA vs. State of Hawai'j egotiations begin; Court sets Dec. 1 deadli ne taken a tremendous leap forward without sacrificing By Ryan Mielke the entitlement owed our beneficiaries," said A. Frenchy DeSoto, chairperson, aHA Board of OHA's negotiations ESS THAN three months after their oral argu- Trustees. "Today marks another milestone in com- ments in the state's appeal in the case of the munication and negotiation with the state. This is a Office of Hawaiian Affairs vs. State of Hawai 'i, turning point for our people in their right to finally with the State of Hawaii both sides have asked the Hawai'i Supreme receive what they are owed. Court to hold its decision-making while aHA "I am also pleased that Governor Cayetano shares anld the tate discuss a settlement. my desire to do what is right for all of the people of What's being negotiated? On July 28, the Hawai'i Supreme Court granted Hawai'i, thus keeping true to Hawaiians and our con- the tay of its decision-making - with the require- stitution," she said. -
View List of the Then Polynesian Collection at the Phoenix Library
Polynesian Cultural Materials donated by Arizona Aloha Festival to the Phoenix Library System Author Call # Title Finding Paradise Don R. Severson 745.0996 The O’ahu Snorkelers and Shore Divers Guide Francis De Carvalho 797.2300 Mark Twain’s Letters from Hawaii Mark Twain 919.6903 My Samoan Chief Fay G. Calkins 919.6130 Saturday Night at the Pahala Theatre Lois-Ann Yamanaka 811.5400 Nā Mo’olelo Hawai’io ka Wā Kahiko (Stories of Old Hawaii) Roy Kākulu Alameida 398.20996 The Craft of Hawaiian Lauhala Weaving Josephine Bird 746.4100 Plants and Flowers of Hawai’i S. H. Sohmer and R. Gustafson 581.9969 Buying Mittens Nankichi Niimi E Samoan Art & Artists Sean Mallon 745.0996 Loyal to the Land Dr. Billy Bergin 636.0109 (The Legendary Parker Ranch, 750-1950) From a Native Daughter Haunani-Kay Trask 320.9969 Kamehameha Susan Morrison 813.6000 (The Warrior King of Hawai’i) Māmaka Kaiao (Hard Cover) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Māmaka Kaiao (Paper back) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Nā pua ali’i O Kaua’i (Ruling Chiefs of Kaua’i) Frederick B. Wichman 996.9020 Melal A Novel of the Pacific Robert Barclay 813.6000 Hawaiian Flower Lei Making Adren J. Bird 745.9230 Ethnic Foods of Hawai’i Ann Kondo Corum 641.5996 Kahana How the Land was Lost Robert H. Stauffer 333.3196 Rarotonga & the Cook Islands Errol Hunt/Nancy Keller 910.0000 Tsunami! Walter C. Dudley/Min 363.3490 Lee Taking Land Tsuyoshi Kotaka 343.5025 (Compulsory Purchase and Regulations in Asian-Pacific David L. -
Lexington's Hawaiian Room Showcased Isles in New York POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120615__Lexingtons_Hawaiian_Room_showcased_isles_in_New_York.html?id=159155765 Lexington's Hawaiian Room showcased isles in New York POSTED: 01:30 a.m. HST, Jun 15, 2012 StarAdvertiser.com Beginning in the 1920s, a wave of fascination with Hawaii and Polynesia swept the United States. From the mid-1930s until the 1960s, Hawaiian- and Polynesian-themed showrooms, restaurants, bars and hotels sprang up around the country. Nearly every large city had one. The first was at the Lexington Hotel in New York City, which opened a Hawaiian Room 75 years ago next week on June 23, courtesy lexington hotelThe Hawaiian Room in New York's Lexington Hotel was the first of its kind on the mainland in 1937. 1937. Soon, however, nearly every large city had a Hawaiian- or Polynesian-themed restaurant or bar. The Hawaiian Room's The hotel is on Lexington Avenue and 48th Street in Midtown performers included Ray Kinney, his orchestra and the Aloha Manhattan. Charles Rochester was the manager when it opened, Maids. and it had a large, unused basement. Rochester decided to open a Hawaii-themed restaurant there. Adria Imada, an assistant professor of ethnic studies at the University of California, San Diego, wrote in her journal article "Hawaiians on Tour: Hula Circuits through the American Empire" that the Hawaiian Room was a "supper club for dining, dancing and live performance. Walking into the large circular room decorated with tropical palms and murals of Diamond Head and Waikiki Beach, patrons were greeted with a flower lei, albeit a paper one." The Hawaiian Room offered twice the salary Hawaiian entertainers could earn at home. -
Section Viii
Dancing Cat Records Hawaiian Slack Key Information Booklet, SECTION VIII: ACKNOWLEDGMENTS AND ADDENDUM 1. For information about the tuning of a song that is not listed, or any other questions, you can e-mail Dancing Cat at [email protected], or write to Dancing Cat Productions, P.O. Box 4287, Santa Cruz, California, USA, 95063, attn: Dept. SKQ, and we will try to help. 2. Dancing Cat Records plans to produce more solo guitar based Slack Key recordings of the late Sonny Chillingworth, Ray Kane, the late Leonard Kwan, Keola Beamer, Led Kaapana, Cyril Pahinui, George Kuo, Ozzie Kotani, Bla Pahinui, Martin Pahinui, George Kahumoku, Jr., Moses Kahumoku, Cindy Combs, Malaki Kanahele, and Patrick Cockett, and others. Also planned are more recordings of pure duets of Slack Key guitar with acoustic steel guitar, including the late Barney Isaacs playing acoustic steel guitar duets with Slack Key guitarists George Kuo, Led Kaapana, and Cyril Pahinui; and Bob Brozman on acoustic steel with Led Kaapana and with Cyril Pahinui. 3. Mahalo nui loa (special thanks) to the following people who contributed in many various ways to make this information booklet possible: Leimomi Akana, Carlos Andrade, Haunani Apoliona, Kapono Beamer, Keola & Moanalani Beamer, Nona Beamer, Kapono Beamer, Reggie Berdon, Milan Bertosa, the late Lawrence Brown, Bob Brozman, Kiki Carmillos, Walter Carvalho, the late Sonny Chillingworth, Mahina Chillingworth, Patrick Cockett, Cindy Combs, Michael Cord, Jack DeMello, Jon DeMello, Cathy Econom, Ken Emerson, Heather Gray, the late Dave Guard, Gretchen Guard, Gary Haleamau, Uluwehi Guerrero, Keith Haugen, Tony & Robyn Hugar, the late Leland “Atta” Isaacs, Jr., the late Barney Isaacs & Cookie Isaacs, Barney Boy Isaacs, the late Winola Isaacs, Wayne Jacintho, Howard Johnston, J. -
Ka Wai Ola O Will Print Your Listing at No Charge on a Space-Available Basis
KA WAI OLA THE LIVING WATER of OHA OFFICE of HAWAIIAN AFFAIRS • 711 Kapi‘olani Blvd., Ste. 500 • Honolulu, Hawai‘i 96813-5249 ‘Apelila (April) 2006 30th Anniversary return to Tahiti Vol. 23, No. 04 Mauna ‘Ala Caring for the royal resting place page 12 Waimea Valley Settlement negotiations continue page 09 Wiliwili woes Native tree threatened by tiny wasp page 11 Celebrating Hawai‘i’s ‘Songbird’ page 19 Interview with NAˉINOA THOMPSON Page 14 www.oha.org • Current business opportunities for Native Hawaiians The Office of Hawaiian Affairs • Info about the SBA 8(a) certification presents the program to access sole source contracts Hawaiian Business Conference & Economic Expo • Skills development and training May 18-19, 2006 workshops Hawai‘i Convention Center, Honolulu • Partnering opportunities with government REGISTER NOW FOR EARLY BIRD RATE and major contractors For information, conference fees and to register, visit online at www.oha.org or call the University of Hawai‘i Pacific Asian Center • Economic trade fair with exhibitors for Entrepreneurship and E-business at (808) 956-5083; fax: (808) 956-5107; e-mail: [email protected] • Inspirational keynote speakers EXCELLENT SPONSORSHIP OPPORTUNITIES STILL AVAILABLE • Networking receptions SPONSORS: Maile: Pakalana: Northrop Grumman Corporation American Savings Bank Council for Native Hawaiian Pikake: Advancement Bank of Hawai‘i Lockheed Martin Central Pacific Bank Patton Boggs LLP, Attorneys at Law Russell Investment Group U.S. Environmental Protection Agency NOW IN PROGRESS Attention all Hawaiian-owned businesses: the Office of Hawaiian We are in the process of updating the more than 300 listings Affairs is seeking to identify Hawaiian-owned businesses in from a previous Hawaiian business directory and would like to Hawai‘i for a directory to be published later this year and to be significantly increase the volume with new Hawaiian businesses. -
Ka Wai Ola O OHA – the Living Water of OHA Mei (May) 2005
Vol. 22, No. 5 Ka Wai Ola o OHA – The Living Water of OHA Mei (May) 2005 A conceptual draft of what an OHA headquarters and Hawaiian cultural center might look like at the Kaka‘ako waterfront site. While the boardroom, an outdoor performance actual design is likely to change, the complex is intended to include outdoor areas for cultural practice. Illustration: Courtesy of Architects Hawai‘i area, a food service court and an adjacent 180-stall parking lot. The complex would also include 60,000 OHA proposes new Hawaiian center square feet of office space for OHA and other organizations. $32-million waterfront complex would include offices and cultural center Wesley Kaiwi Nui Yoon, an architect OHA contracted to develop the By Sterling Kini Wong now begin more studies on the fea- “Many other groups have their own project’s preliminary plan, said that sibility of the site and will eventu- community centers, and it’s about time he used Hawaiian culture to guide his n April, OHA presented a ally provide a development plan to Hawaiians got their own, too. But this conceptual design of the complex. preliminary proposal to build a $32- its Board of Trustees for approval. isn’t just for Hawaiians, it’s for all “Hawaiian culture is very deep, and Imillion complex on the Kaka‘ako The agency would then present a for- of Hawai‘i.” the cultural nuances should be reflected waterfront that would include the first mal proposal to HCDA, which would The complex would serve as a multi- in the design of the project,” Yoon said, Hawaiian cultural center in the state and be followed by either lease or land functional location for a variety of adding that the project’s design was office space for the agency and other acquisition negotiations. -
Ka Wai Ola OHA A.M
- OFFICE OF HAWAIIAN AFFAIRS Leeward and Windward kupuna marked the end of another school year May 14 and 16, respectively, with functions at Kemoo Farm Restaurant and ' Pat's at 0 OfJf' Punaluu. These annual year· enders recognize the work of the kupuna and their resource teachers in the respective Volume 3 No. 7 "The Living Water 0/ OHA" lulai (July) 1986 schools. It is also acoming together of the kupuna in a spirit of po'okela and aloha. At Kemoo, newly· named District Resource Specialist Mieko Higuchi presented framed meritorious achieve- ment certificates to District Resource Teachers Kalani Accent on Traditional Hula Akana and Alohalani Kaina on behalf of the Leeward Oahu District School Advisory Council for the out- A picture of beauty and precision from the ladies of Kumu Hula standing job they did in the recent 'Aha Kupuna '0 Mapuana deSilva',s Halau Mohala 'Ilima as they danced their way to a Oahu conference at the Queen Kapiolani Hotel. first place tie in their division of the 13th Annual King Kamehameha Akana and Kaina in turn honored their kupuna with Traditional Hula and Chant Competition. presentation of framed Palapala Ho'ohanohano in recognition of their service. In a bit of cheery news, it was announced that Alohalani's husband, Enoka Kaina, District Resource Teachers Alohalani Kaina, left, received his law degree at the May 18 University of and Keith Kalani Akana, right, pose with their cer- Hawaii graduation exercises. Congratulations were tificates along with Mieko Higuchi, district re- very much in order. source specialist, Leeward Oahu, during year-end Leeward kupuna this year did no entertaining, hula or activity at Kemoo Farm Restaurant. -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski pped My Rating Affliction A.F.I. Decemberunderground Acid Punk 5259671 217 7 2006 11/3/2006 8:27 PM 12/9/2006 11:11 AM 193 44100 MPEG audio file www.eMul enl.com 7 6/26/2010 2:24 PM Medina Abyssinia (Ethiopia) - Haile, Ighigou, Et Al. The Secret Museu m Of Mankind Vol.1 Ethnic Music Classics 1925-48 World 2981119 184 20 23 1995 1/27/2006 3:16 PM 1/27/200 6 3:16 PM 128 44100 AAC audio file 8 1/24/2012 11:25 PM 2 7/17/2009 9:50 PM Magic Aum Rock / Mercurial Meg Acid Mothers Temple Magic Aum Absolute ly Psychedelic 7352798 459 2 2002 5/25/2006 11:46 PM 5/26/2006 9:59 AM 128 44100 MPEG audio file 3 4/15/2010 9:11 PM 1 5/1/2010 9:20 AM Flying G Spot Acid Mothers Temple Get Yer Pots Out Psychedelic 12396544 530 1 2002 5/25/2006 11:15 PM 5/26/2006 9:59 AM 186 44100 MPEG aud io file from CD that came with Ptolemaic Terrascope Winter 2001/2002 i ssue no. 31 1 4/15/2010 9:20 PM 1 5/1/2010 9:21 AM In C Acid Mothers Temple Terry Riley In C Psychedelic 29568582 1231 1 2002 5/26/2006 12:23 AM 5/26/2006 9:59 AM 192 44100 MPEG audio file Mr. -
The Royal Sounds of Music
THE MONTHLY MAGAZINE OF HAWAII’S PUBLIC TELEVISION STATION | JUNE 2012 | VOLUME 30, NUMBER 6 The Royal Sounds of Music page 4 Getting to Know the Palace THE PBS HAWAII MONTHLY MAGAZINE Editor Roberta Wong Murray LESLIE WILCOX President and CEO Design/Photo Editor Bryan Bosworth • King David Kalakaua slept in a queen-sized bed. Contributing Writers Lynn Haff John Kovacich • The King’s bedroom doubled as his office, with staff reporting for work there. Kaylee Noborikawa Robert Pennybacker • The King, a world traveler, took a page from Napoleon and crowned himself. Liberty Peralta Jill Matsumoto (He picked up elegant his-and-hers crowns at a discount in Europe.) Communications Assistant Abby Tateishi • At formal dinners, the King did not sit at the head of the table. Instead, his larger royal dining chair was placed on a long side of the table, where he could interact PBS Hawaii with more people. 2350 Dole Street Honolulu, HI 96822 (808) 973-1000 hese are some of the nuggets our staff and college-student trainees picked Toll Free: (800) 238-4847 up during a visit to Iolani Palace. We all went to the palace to learn Website PBSHawaii.org its history and understand its protocol, as part of preparations for the Weekly Newsletter unprecedented taping of a PBS Hawaii television musical special there. Send request to: Our Na Mele program, as you’ll see elsewhere in this magazine, celebrates the music [email protected] T composed by four alii siblings, including King Kalakaua. Comments/Suggestions [email protected] Follow us: Docent Maggie Keener ushered us into rooms where King Kalakaua and his succes- sor, Queen Liliuokalani, lived and worked and gathered with friends and family and dignitaries. -
The Written Record of Hawaii's Women: an Annotated Guide to Sources of Information in Hawaii
THE WRITTEN RECORD OF HAWAIÿI'S WOMEN: An Annotated Guide to Sources of Information in Hawaiÿi 2nd Edition Compiled by Chieko Tachihata and Agnes Conrad Foundation for Hawaii Women's History Honolulu, Hawaiÿi 2001 The Written Record of Hawaiÿ i's Women: An Annotated Guide to Sources of Information in Hawaiÿi 2nd Edition Compiled by Chieko Tachihata and Agnes Conrad Foundation for Hawaii Women's History Honolulu, Hawaiÿ i 2001 CATALOGING DATA The Written Record of Hawaiÿ i's Women: an Annotated Guide to Sources of Information in Hawaiÿ i. Compiled by Chieko Tachihata and Agnes Conrad, for the Foundation for Hawaii Women's History. Honolulu: 2001. 2nd ed. Women Hawaii Bibliography. Foundation for Hawaii Women's History. Earlier edition: 1984. The Written Record of Hawaii's Women: an Annotated Guide to Sources of Information in Hawaii. Compiled by the Historians Committee Foundation for Hawaii Women's History. Honolulu: 1984. 36 p. Women Hawaii Bibliography. Foundation for Hawaii Women's History. Historians Committee. HQ1438 .H3 W75 1984 H 016.30141 F Copyright 2001, Foundation for Hawaii Women's History. Foundation for Hawaii Women's History P.O. Box 3371 Honolulu, HI 96801 This bibliography is accessible through the Internet on the web site of the University of Hawaiÿ i at Mänoa Library: http://www.hawaii.edu/speccoll/hawaii.html. Photocopying and downloading of this bibliography is permitted for non-profit or educational purposes, with acknowledgement of the source. TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................................