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Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
2.Hindu Websites Sorted Category Wise
Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 2 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civilization Indus Valley Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 4 Archaelogy http://www.ancientworlds.net/aw/Post/881715 Ancient Vishnu Idol Found in Russia Russia 5 Archaelogy http://www.archaeologyonline.net/ Archeological Evidence of Vedic System India 6 Archaelogy http://www.archaeologyonline.net/artifacts/scientific- Scientific Verification of Vedic Knowledge India verif-vedas.html 7 Archaelogy http://www.ariseindiaforum.org/?p=457 Submerged Cities -Ancient City Dwarka India 8 Archaelogy http://www.dwarkapath.blogspot.com/2010/12/why- Submerged Cities -Ancient City Dwarka India dwarka-submerged-in-water.html 9 Archaelogy http://www.harappa.com/ The Ancient Indus Civilization India 10 Archaelogy http://www.puratattva.in/2010/10/20/mahendravadi- Mahendravadi – Vishnu Temple of India vishnu-temvishnu templeple-of-mahendravarman-34.html of mahendravarman 34.html Mahendravarman 11 Archaelogy http://www.satyameva-jayate.org/2011/10/07/krishna- Krishna and Rath Yatra in Ancient Egypt India rathyatra-egypt/ 12 Archaelogy http://www.vedicempire.com/ Ancient Vedic heritage World 13 Architecture http://www.anishkapoor.com/ Anish Kapoor Architect London UK 14 Architecture http://www.ellora.ind.in/ Ellora Caves India 15 Architecture http://www.elloracaves.org/ Ellora Caves India 16 Architecture http://www.inbalistone.com/ Bali Stone Work Indonesia 17 Architecture http://www.nuarta.com/ The Artist - Nyoman Nuarta Indonesia 18 Architecture http://www.oocities.org/athens/2583/tht31.html Build temples in Agamic way India 19 Architecture http://www.sompuraa.com/ Hitesh H Sompuraa Architects & Sompura Art India 20 Architecture http://www.ssvt.org/about/TempleAchitecture.asp Temple Architect -V. -
Mantras and Sacred Chants
1 Peace Mala Mantras and Sacred Chants Mantras or sacred chants are often written in Sanskrit which is an ancient sacred language from India. Many of the holy books linked with Hinduism, Buddhism and Jainism are written in this language. The word ‘mala’, is from the Sanskrit language and means ‘garland of flowers’. In the East a mala is a string of beads used in meditation or prayer as each bead or ‘flower’ focuses on a prayer or mantra. You can see mala beads in this photo where the Buddhist practitioner is about to chant mantras to Medicine Buddha. Copyright © Pam Evans 2011 (revised 2020) www.peacemala.org.uk “Creative education that empowers and embraces all Uniting the World in Peace” “Addysg greadigol sy’n grymuso ac yn cofleidio pawb Uno'r Byd mewn Heddwch” 2 The word ‘mantra’ is also from the Sanskrit language and describes a sacred sound or group of words used in chanting. Mantras are repeated in order to focus the mind or consciousness. The oldest mantras composed in Sanskrit are at least 3000 years old. Some teachers refer to mantras as ‘mind protection’ or ‘secret speech’. This is because concentrating on mantras, and counting mala beads at the same time, helps to block out distracting thoughts. Western scientists are beginning to discover that the chanting of mantras has health benefits and helps to calm the mind and nervous system. The word ‘mantra’ can be broken down into two parts: ‘man’, which means mind, and ‘tra’, which means transport or vehicle. In other words, a mantra is an instrument of the mind—a powerful sound or vibration that you can use to enter a deep state of meditation. -
Yoga and Music and Chanting
Yoga and Music and Chanting Compiled by: Trisha Lamb Last Revised: April 27, 2006 © 2004 by International Association of Yoga Therapists (IAYT) International Association of Yoga Therapists P.O. Box 2513 • Prescott • AZ 86302 • Phone: 928-541-0004 E-mail: [email protected] • URL: www.iayt.org The contents of this bibliography do not provide medical advice and should not be so interpreted. Before beginning any exercise program, see your physician for clearance. “When we practice yoga asana, we [can be] easily seduced by an exclusively physical practice and all that may follow from this: obsession with youthfulness and fitness, compulsion for recognition, desire for physical perfection, a need to be the best, and a self-centeredness. As we begin to chant, longingly calling out to God, a Self-centered outlook develops; a life focused towards the Divine, towards spirit. This view brings into focus our friends, family, yoga community, neighbors and world community. We begin to desire not only a personal peace but a world peace.” —Kimberly Flynn From “Beyond Om” (cited below) NOTE: See also the “Mantra” and “Om” bibliographies. Allen, Ryan. Teacher profile: Steve Ross. LA Yoga, May/Jun 2003, pp. 11-12. Steve Ross, former professional guitarist, and teacher of Yoga for twenty years plays loud contemporary music in his asana classes. Ascent magazine. What Makes a Sound Sacred? issue. Summer 2002. See http://www.ascentmagazine.com. Balayogi, Ananda. The Yoga of Sound audiocassette. Kottakuppam, Tamil Nadu, India: International Centre for Yoga Education and Research, 1998. 90 minutes. (Carnatic vocal music with English lyrics.) Bergstrom-Nielsen, Carl. -
Theosophy Moving Forward
Independent Theosophical Magazine Electronic Edition 3rd Qtr 2013 Moving Theosophy ahead in the 21st Forward century Main theme in this issue Our Unity Chronology of Theosophical Unity The Eye and the Heart Doctrine Human Regeneration Adyar, Mon Amour Theosophical approaches to Christianity Theosophy Forward This independent electronic magazine offers a portal to Theosophy for all those who believe that its teachings are timeless. It shuns passing fads, negativity, and the petty squabbles of sectarianism that mar even some efforts to propagate the eternal Truth. Theosophy Forward offers a positive and constructive outlook on current affairs. Theosophy Forward encourages all Theosophists, of whatever organizations, as well as those who are unaligned but carry Theosophy in their hearts, to come together. Theosophists of any allegiance can meet and respectfully exchange views, because each of us is a centre for Theosophical work. It needs to be underscored that strong ties are maintained with all the existing Theosophical Societies, but the magazine's commitment lies with Theosophy only and not with individuals or groups representing these various vehicles. Theosophy Forward 4th Quarter 2013 Regular Edition of Theosophy Forward Front cover photo by David Grossman Published by Theosophy Forward Produced by the Rman Institute Copyright © Theosophy Forward 2013 Contents Page THEOSOPHY 6 Chelas and Lay Chelas by H. P. Blavatsky 7 Our Unity by Dorothy Bell 15 Our Unity by John Algeo 19 Our Unity The Aura of AllBeing by Nicholas -
Ravi Shankar Notes.Indd
CAL PERFORMANCES PRESENTS Sunday, May , , pm Zellerbach Hall Festival of India III featuring Ravi Shankar, sitar © Vincent © Vincent Limongelli and Anoushka Shankar, sitar with Tanmoy Bose, tabla Partho Sarothy, sarod Ravichandra Kulur, fl ute Neyveli S. Radhakrishna, violin Swarnima Gusain, vocals Hari Sivanesan, veena Pirashanna Th evarajah, percussion Sanjeev Shankar, shehnai Aditya Prakash, vocals Kenji Ota, tanpura Th is performance is made possible, in part, by the generous support of the members of the Cal Performances Producers Circle and Friends of Cal Performances. Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. CAL PERFORMANCES 27 PROGRAM ABOUT THE ARTISTS Sunday, May , , pm Legendary sitar virtuoso, composer, teacher and Grammy and Oscar for his original score to Gan- Zellerbach Hall writer, Ravi Shankar is India’s most esteemed musi- dhi, the Academy Award-winning classic fi lm by cal ambassador and a singular phenomenon whose Sir Richard Attenborough. He made history on artistry crosses all cultural and musical boundaries. both the British and Indian cultural scenes with Festival of India III A student of the illustrious guru “Baba” Ustad Al- the ballet Ghanashyam, which he wrote, composed laudin Khan, Mr. Shankar was already one of the and choreographed. featuring brightest stars in India before coming to interna- Ravi Shankar is the recipient of many awards tional attention in the s. Since then, he has and honors. including the Presidential Padma Vib- Ravi Shankar, sitar been the foremost pioneer in disseminating India’s hushan Award () and the Award of Deshikot- rich classical music tradition to the West. tam, given by Vishawa Bharati and presented in and Th e youngest son of a Bengali family, Ravi December by Prime Minister Indira Gandhi. -
Music, Myth and Motherland: Culturally Centered Music & Imagery
Valparaiso University ValpoScholar Music Faculty Publications Department of Music 2018 Music, Myth and Motherland: Culturally Centered Music & Imagery Sangeeta Swamy Valparaiso University Follow this and additional works at: https://scholar.valpo.edu/music_fac_pub Recommended Citation Swamy, Sangeeta, "Music, Myth and Motherland: Culturally Centered Music & Imagery" (2018). Music Faculty Publications. 17. https://scholar.valpo.edu/music_fac_pub/17 This Book Chapter is brought to you for free and open access by the Department of Music at ValpoScholar. It has been accepted for inclusion in Music Faculty Publications by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. MUSIC, MYTH AND MOTHERLAND: CULTURALLY CENTERED MUSIC AND IMAGERY WITH INDIAN ADULTS Sangeeta Swamy, PhD, MT-BC ABSTRACT This study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), a music-centered, psychotherapeutic technique that emphasizes socio-cultural context, identity and meaning. The purpose was to examine how participants’ native music, in the context of CCMI, could evoke identity-based imagery and assess ethnic identity in a globalized context. Five cisgender Indian men and women from Hindu backgrounds participated in one CCMI session each, including an interview and follow up discussions. The qualitative methodology of portraiture (Lawrence-Lightfoot, 1997) was used in this study. The results reveal how CCMI can access the cultural and ethnic unconscious, a relatively new area of consciousness in Jungian and GIM paradigms. The study also shows how CCMI can highlight the fluid and multiple nature of ethnic identity, revealing its intersection with other identities such as gender, sexual orientation, caste and religion. -
Cambridge University Press 978-1-108-41911-6 — the Beatles in Context Edited by Kenneth Womack Index More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Index More Information Index Abbey Road, i, vi, viii, xix, 39, 69, 93, 96, 146, 171, Atkins, Chet, 58 172, 173, 174, 175, 176, 177, 178, 179, 180, 183, ATV, 149, 308, 311, 312, 313 185, 212, 225, 227, 235, 243, 257, 263, 282, 304, Avengers, The, 16 308, 314, 317, 322, 327, 335, 336, 338, 339, 341 Abner, Ewart, 113 Baauer, 164 Abrams, Mark, 261 Baby, You’re a Rich Man, xx, 237 Across the Universe, 236, 238, 286 Baby’s in Black, xxii, 195 Act Naturally, 234 Bacharach, Burt, 28 Adele, 165, 178 Back in the USSR, 226, 259 Aerosmith, 236 Back Seat of My Car, The, 293 Agriculture Act of 1947, 4 Back to the Egg, 178 All I’ve Got To Do, 189 Bad Boy, 59 All My Loving, 57, 124, 191, 194 Badfinger, 309, 310 All the Way, 65 Ballad of John and Yoko, The, xix, 47, 152, 338 All Things Must Pass, 96, 178, 287, 297 Band on the Run, 296, 323 All You Need Is Love, xx, 156, 214, 236, 237, Baron, Steven, 85 276, 330 Barrett, Richie, 111 American Bandstand, 77, 118, 152 Barrow, Tony, 67, 71, 93, 98, 102, 104, 134 And I Love Her, 61, 193 Bassey, Shirley, 174 Angels, the, 17 Batman, 140 Anka, Paul, 134, 173 BBC, ix, xx, xxii, 6, 10, 14, 16, 23, 28, 42, 64, 109, Anna (Go to Him), 57 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 121, Anne, Queen, 102 163, 180, 207, 215, 220, 303, 319, 332, 333 Apple Boutique, 46, 256, 257, 303 Beach Boys, the, 17, 28, 134, 218, 219, 221, 226, Apple Corps, vii, xviii, xix, xx, 42, 46, 47, 48, 70, 227, 269, 326 96, 116, 143, 146, 147, -
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BeatlesInfoMail (wöchentlich plus einmal im Monat als „monatlich“): 25.10.20: BEATLES-Angebote /// BEATLES-Termine /// BEATLES-Magazin THINGS MANY YEARS AGO /// Aktuelle Veröffentlichungen Besuch’ unsere Internetseite: www.BeatlesMuseum.net / Dieses Zeichen kann in InfoMails (E-Mails) angeklickt werden. InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): E-Mail an [email protected] oder per Link (auf der Seite vermerken) Feiertage geöffnet: Sa. 31.10.20: Reformationstag / Sa. 01.11.20 Allerheiligen. Die Kurzrubrik I want to tell you ist in jeder der täglichen InfoMails (Dienstag bis Samstag). ---------------------------------------------------------------------------------------------- BeatlesInfoMail (wöchentlich): Sonntag 25. Okt. 2020 Termine / Beatles-Magazin THINGS / MANY YEARS AGO / Angebote für M.B.M.s und Fans, denen wir die täglichen und wöchentlichen BeatlesInfoMails zuschicken dürfen InfoMails verschicken wir auf Wunsch an alle, deren E-Mail-Adresse vorliegt. täglich = alle Neuerscheinungen und alle Angebote / wöchentlich = Termine und einige Angebote / monatlich = die wöchentliche SonntagsInfoMail zum Monatswechsel. Wichtig ist uns, dass wir in Kontakt bleiben - also bitte ab und zu melden. Bei länger zurückliegenden Kontakten, melden wir uns nur noch wöchentlich oder monatlich. Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900 / WhatsApp 0179-4284122 / Fax: 0345-2903908 E-Mail: [email protected] / Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an -
Ravi and Anoushka Shankar, Sitar Friday, September 19, 8 Pm, 2003 Zellerbach Hall
Ravi and Anoushka Shankar, sitar Friday, September 19, 8 pm, 2003 Zellerbach Hall with Tanmoy Bose and Arup Chattopadhyay, tabla Tonight’s program will be announced from the stage. Ravi and Anoushka Shankar record for Angel/EMI. ICM Artists, Ltd., New York City Lee Lamont, chairman emeritus; David V. Foster, president and CEO This performance has been made possible, in part, by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation and the Zellerbach Family Foundation for their generous support. Cal Performances receives additional funding from the National Endowment for the Arts, a federal agency that supports the visual, literary, and performing arts to benefit all Americans, and the California Arts Council, a state agency. Ravi Shankar (sitar), the legendary virtuoso sitarist, composer, teacher, and writer, is renowned throughout the world for his pioneering work in bringing Indian music to the West. He has been a cultural influence in the West for more than three decades as India’s most recognized and esteemed musical ambassador. The youngest son in a Bengali family, he was born in 1920 in Varansi (Benares), the holiest of Indian cities. At the age of 10, he accompanied his elder brother with his company of dancers and musicians to Paris, where he attended school. He spent several years in the West absorbing different kinds of music, but returned to India in 1938 to begin his career. Shankar combined his concert performances with his work for All India Radio (1949–56), where he established the National Chamber Orchestra. As word of his virtuosity spread throughout India—and then Europe, Asia, and the United States—Shankar embarked on one of the most extraordinary careers in the history of contemporary music. -
Music Therapy Portraits of Globalized Indian Identity Sangeeta Swamy Lesley University
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Dissertations (GSASS) Summer 7-29-2011 Temple of Ancient Knowing: Music Therapy Portraits of Globalized Indian Identity Sangeeta Swamy Lesley University Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_dissertations Part of the Social and Behavioral Sciences Commons Recommended Citation Swamy, Sangeeta, "Temple of Ancient Knowing: Music Therapy Portraits of Globalized Indian Identity" (2011). Expressive Therapies Dissertations. 76. https://digitalcommons.lesley.edu/expressive_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Dissertations by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected]. RUNNING HEAD: MUSIC THERAPY PORTRAITS OF GLOBALIZED INDIAN 1 IDENTITY TEMPLE OF ANCIENT KNOWING: MUSIC THERAPY PORTRAITS OF GLOBALIZED INDIAN IDENTITY A DISSERTATION STUDY Submitted by SANGEETA SWAMY In partial fulfillment of the requirements for the degree of Doctor of Philosophy LESLEY UNIVERSITY July 29, 2011 RUNNING HEAD: MUSIC THERAPY PORTRAITS OF GLOBALIZED INDIAN 2 IDENTITY RUNNING HEAD: MUSIC THERAPY PORTRAITS OF GLOBALIZED INDIAN 3 IDENTITY STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at Lesley University -
Globalization and Culture Prof. Anjali Gera Roy Department of Humanities and Social Sciences Indian Institute of Technology, Kharagpur
Globalization and Culture Prof. Anjali Gera Roy Department of Humanities and Social Sciences Indian Institute of Technology, Kharagpur Lecture – 28 Beatles, Ravi Shankar and Sitar Hello, we now move on to the next way of interest in India and all of (Refer Time: 00:25) in Indian and in this unit all focus on the 60s country culture and the interest in Indian religion of course, but also in Indian music with the historic collaboration between Pandith Ravi Shankar and the Beatles. (Refer Slide Time: 00:44) Now, what I would like to point out is that these 3 elements or all the elements are not really disconnected, but they seem to we intricately interwoven into one and other because he says interest in Hinduism and spirituality, which began in the 1920s and which continued in the 1960s, which created interest in Hinduism and India in the west particularly among western youth. The interest in music Indian music Indian classical music is a subset of this larger interest of the west in Indian the mysticism in spirituality, in also just like Yoga which I talk to about earlier the interest in Indian classic music and famous jugalbandi between George Harrison and Pandith Ravi Shankar is part of it is larger wider interest in Hinduism and spirituality as an answer to the crises in the west. The leaders may be become instrumental in the igniting this India wave the exotitisation of India and the west the fad for India and the west due to their own popularity in the western world and also in the entire world.