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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
Entertainment Memorabilia Entertainment
Thursday 10 December 2015 Knightsbridge, London ENTERTAINMENT MEMORABILIA ENTERTAINMENT ENTERTAINMENT MEMORABILIA | Knightsbridge, London | Thursday 10 December 2015 22818 ENTERTAINMENT MEMORABILIA Thursday 10 December 2015 at 12noon Knightsbridge, London BONHAMS ENQUIRIES The following symbol is used Montpelier Street Natalie Downing to denote that VAT is due on Knightsbridge +44 (0) 20 7393 3844 the hammer price and buyer’s London SW7 1HH [email protected] premium www.bonhams.com Consultant Specialist † VAT 20% on hammer price VIEWING Stephen Maycock and buyer’s premium Sunday 6 December +44 (0) 20 7393 3844 11am – 3pm [email protected] * VAT on imported items at Monday 7 December a preferential rate of 5% on 9am – 4.30pm Administrator hammer price and the prevailing Tuesday 8 December Sarah McLean rate on buyer’s premium 9am – 4.30pm +44 (0) 20 7393 3871 Wednesday 9 December [email protected] W These lots will be removed to 9am – 4.30pm Bonhams Park Royal Warehouse Thursday 10 December SALE NUMBER: after the sale. Please read the 9am – 10am 22818 sale information page for more details. BIDS CATALOGUE: +44 (0) 20 7447 7447 £15 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax regulations, please read the To bid via the internet PRESS ENQUIRIES information in the back of the please visit www.bonhams.com [email protected] catalogue. TELEPHONE BIDDING CUSTOMER SERVICES IMPORTANT INFORMATION Bidding by telephone will only Monday to Friday The United States Government be accepted on lots with a lower 8.30am – 6pm has banned the import of ivory estimate of £500 or above. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Elvis Presley & the Beatles Author(S)
Ideology, Trajectory & Stardom: Elvis Presley & The Beatles Author(s): Ian Inglis Source: International Review of the Aesthetics and Sociology of Music, Vol. 27, No. 1 (Jun., 1996), pp. 53-78 Published by: Croatian Musicological Society Stable URL: http://www.jstor.org/stable/3108371 Accessed: 14/10/2008 10:57 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=croat. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to International Review of the Aesthetics and Sociology of Music. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 29.12.20: I want to tell you /// Zwei Mal THINGS 343 - jeweils auf Deutsch und Englisch /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: Zwei Mal THINGS 343 - jeweils auf Deutsch und Englisch Versenden wir gut verpackt als Brief (mit Deutscher Post). Abbildungen von links: Titelseite und Inhaltsverzeichnis für deutsches THINGS 343 / alle 40 Seiten (verkleinert) Deutsches BEATLES-Magazin THINGS 343. 4,00 € inkl. Versand Herausgeber: Beatles Museum, Deutschland. 1617-8114. Heft, A5-Format, 40 Seiten; viele Farb- und Schwarzweiß-Fotos; deutschsprachig. Schwerpunktthemen (mindestens eine Seite): MANY YEARS AGO: BEATLES-Aufnahmen für das Album RUBBER SOUL. / PAUL McCARTNEY, RINGO STARR, JOHN LENNON, GEORGE HARRISON 1970. / JOHN LENNON und YOKO ONO - Interviews und Fotos im Cafe La Fortuna, New York. / JOHN LENNON und YOKO ONO - die Kimono-Fotos. / GEORGE und OLIVIA HARRISON besuchen Christie’s in London. / GEORGE HARRISON produziert neues My Sweet Lord-Video. / RINGO STARR auf Veranstaltung IMAGINE THERE’S NO HUNGER. / NEWS & DIES & DAS: BADFINGER-Mitglied JOEY MOLLAND mit neuen Versionen von drei Songs und neuem BADFINGER-Album. / 1966er BEATLES-Auftritt beim „‘New Musical Express’ Poll Winners Concert“. / „Record Store Day 2020“-Veröffentlichungen mit BEATLES-Bezug. / Buch BEATLEMANIA - FOUR PHOTOGRAPHERS ON THE FAB FOUR. / PAUL McCARTNEY-Album McCARTNEY III. Kompletter Inhalt: Coverfoto: THE BEATLES am Mittwoch 3. November 1965 im EMI Recording Studio 2 beim Aufnehmen von Songs für das nächste Album, RUBBER SOUL. Angebot / Info: Buch/Fotoband ASTRID KIRCHHERR WITH THE BEATLES. Seite halb Vier: BEATLES CLUB WUPPERTAL trauert um Doris Schulte-Albrecht. Impressum: Infos zum Beatles Museum und zu THINGS. Hallo M.B.M., die nächsten 40 Jahre. -
L-G-0003552750-0006830598.Pdf
GATHERED FROM COINCIDENCE __________________________________________ A singular history of Sixties’ pop by Tony Dunsbee Copyright © Tony Dunsbee 2014. All Rights Reserved An M-Y Books Production m-ybooks.co.uk Take what you have gathered from coincidence “It’s All Over Now, Baby Blue” – Bob Dylan (© 1965 Warner Bros. Inc., renewed 1993 by Special Rider Music) To my wife Nicky, with love and thanks for her patience and belief in my ability to give at least this much semblance of form and meaning to a lifetime’s obsession. Contents Chapter 1 The Intro … 5 Chapter 2 1960 14 Chapter 3 1961 36 Chapter 4 1962 61 Chapter 5 1963 95 Chapter 6 1964 158 Chapter 7 1965 246 Chapter 8 1966 355 Chapter 9 1967 464 Chapter 10 1968 560 Chapter 11 1969 615 Chapter 12 … and The Outro 678 Acknowledgements 684 Bibliography 686 Index 711 5 Chapter 1 The Intro … This may or may not turn out to be the book in my head but I’m still driven, even now in retirement, to write it by my undimmed passion for the music of the Sixties and a desire to set – no pun intended – the record straight. The one and only record? Well, all right then, by no means, but informed by my ambition to set down my record of the interweaving of the events of those tumultuous years and the impact of the music made in parallel to them, as I lived through the decade then and as I recall it now. Make no mistake, then: this is unashamedly a highly selective rather than a comprehensive account, dictated wholly by my own personal tastes and interests as they were shaped and developed by the consecutive twists and turns of the era. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200