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February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
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^PPip «^p -• fflSle GHp Stopl (Sazrtfr att& (Eolontat Hatlg INCORPORATING THE ROYAL GAZETTE (Etffcblished 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 15~~NO. 231 HAMILTON. BERMUDA, WEDNESDAY, OCOTBER 1, 1930 3D PER COPY—AOl- PER ANNUM ENGLAND MOURNS LOSS OF BRIIXIANT IAWYER^STATEMAN PREMIERS GATHER FOR DEATH OF LORD THE BERMUDA NEW YOK STOCK [ THEY SAY fl BIRKENHEAD RAILWAY MARKET That the expected flight of the Do-X IMPERIAL CONFERENCE is creating quite a lot of interest. Rapid Progress Expected * » * Brilliant Statesman, That it should mark an era ln de Hfr~ Yesterday's Closing velopment. Shortly * * * Lawyer and Writer Prices That proper recognition of the event Germany Faced With Big in consequence of a cable des should be made. patch received by us yesterday to * * * A special Reuter's despatch re the effeot-teat a railway construct Alleghany Oorp -„-„..- 18 That some will regret a foreign ion expert-.had sailed -by the Lady r Deficit ceived by the Royal Gazette and Allied Chemical. __. N.Q. firm is first in the field. Colonist Daily yesterday announced Somers to start construction on * * * Bermuda's first railway, our re Am. Oan 117 the death of Lord Birkenhead whose Am. ft Foreign Power 53) That nevertheless the first should health has been giving consider presentee called on Mr. O. A. always receive credit. Jones, the construction manager Am. Locomotive. 37} able anxiety for some time. Few Am. Power & Light... 70 * • • men of the present age have had a for Messrs Balfour, Beatty, & Com pany, **tho are building the railway. Am. Smelting & Refining. -
Silent B&W. Extracts from Commercial Films Starring Mildred Davis, Harold
Silent b&w. Extracts from commercial films starring Mildred Davis, Harold Lloyd, Snub Pollard and Noah Young in From Hand to Mouth, Glen Tryon, Blanche Mehaffee, Snub Pollard, Billy Engle and George Rowe in The Big Idea, Walter Hiers, Jack Duffy, William Irving and Diane Thompson in Wireless Lizzie, Snub Pollard in It’s a Gift and James Stewert, Shelley Winters in Winchester 73. Aslo glamour girls, animals, air stunts, water shute, old time comedy car, Marilyn Monroe, Jean Harlow and Hedy Keilser Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.237 Phantom Rancher, 1001 Nights, Full Speed Ahead, Tarzan’s Savage Fury, Soup to Nuts, Society Sensation, Country Girl, Honest Horace 350 feet 8mm Silent b&w. Extracts from commercial films starringKen Maynard in Pahntom Ride western, Billy Dooley in Full Speed Ahead, Lex Barker in Tarzan’s Savage Fury, Tiny Sandford in Soup to Nuts, Rudolph Valentino in Society Sensation and Billy Bevan in Honest Horace. Also glamour girls, jousting, animals (dog) and nudity Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.238 A Day With Paul Le Royer Calamy Productions 16mm Sound, b&w. Commercial film Noel Drewe Collection 178D5.239 A Harem Knight, Country Girl, Love Loot and Crash, Dunces and Danger, Whispering Lions, Winchester 73, The Vagabond Mack Sennett 1920s 350 feet 8mm Silent, b&w. Extracts from commercial films starring Ben Turpin in A Harem Knigt, Larry Semon in Dunces and Danger, Shelley Winters in Winchester 73 and Charles Chaplin in The Vagabon. Also includes glamour girls Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.240 Miracle of the White Stallions Disney 1963 8mm, Plio-Magic Silent, colour. -
40 Years of American Film Comedy to Be Shown
40n8 - 4?' THE MUSEUM OF MODERN ART tl WEST 53RD STREET, NEW YORK •fgLEPHONE: CIRCLE 5-8900 FOR IMMEDIATE RELEASE FORTY YEARS OF AMERICAN FIM COMEDY FROM FLORA FINCH AND JOHN BUNNY TO CHAPLIN, FIELDS, BENCHLEY AND THE MARX BROTHERS TO BE SHOWN AT THE MUSEUM OF MODERN ART That movies are the proper study of mankind has been estab lished at the Museum of Modern Art, where eight comprehensive series and four smaller groups of the outstanding films through which the great popular art of the cinema has evolved since 1895, have already been shown to Museum visitors. The Museum now announces a new series of fifteen programs in the art of the motion picture under the general title: Forty Years of American Film Comedy, Part i; Beginning Thursday, August 1, the series will be presented dally at 4 P.M. and on Sundays at 3 P.M. and 4 P.M. in the Museum1s auditorium at 11 West 53 Street. Instruction will thus be provided from the screen by Professors Mack Sennett, Frank Capra, W. C. Fields, Harpo and Groucho Marx, Robert Benchley and Charlie Chaplin in a new appraisal of screen comedy reviewed in the light of history. "It is very evident," states Iris Barry, Curator of the Museum's Film Library, "that the great farce-comedies, as well as the cowboy and gangster films, rank among this country1s most original contributions to the screen. We are grateful indeed to the film industry for cooperating with the Museum in providing this unique opportunity for tracing screen comedy to its sources in this group of classics now restored to view for the amateurs of the twentieth century's liveliest art. -
Hands Up! by Steve Massa
Hands Up! By Steve Massa Raymond Griffith is one of silent come- dy’s unjustly forgotten masters, whose onscreen persona was that of a calm, cool, world-weary bon vivant – some- thing like Max Linder on Prozac. After a childhood spent on stage touring in stock companies and melodramas, he ended up in films at Vitagraph in 1914 and went on to stints at Sennett,- L Ko, and Fox as a comedy juvenile. Not mak- ing much of an impression due to a lack of a distinctive character, he went be- hind the camera to become a gagman, working at Sennett and for other comics like Douglas MacLean. In 1922 he re- turned to acting and became the ele- gant, unflappable ladies’ man. Stealing comedies such as “Changing Husbands,” “Open All Night,” and “Miss Bluebeard” (all 1924) away ing very popular with his character of “Ambrose,” a put- their respective stars Paramount decided to give him his upon everyman with dark-circled eyes and a brush mous- own series, and he smarmed his way through ten starring tache. Leaving Sennett in 1917 he continued playing Am- features starting with “The Night Club” (1925). brose for L-Ko, Fox, and the independent Poppy Come- dies and Perry Comedies. His career stalled in the early “Hands Up!” (1926) soon followed, and is the perfect 1920s when he was blacklisted by an influential produc- showcase for Griffith’s deft comic touch and sly sense of er, but his old screen mate Charlie Chaplin came to the the absurd. The expert direction is by Clarence Badger, rescue and made Mack part of his stock company in films who started in the teens with shorts for Joker and Sen- such as “The Idle Class” (1921) and “The Pilgrim” (1923). -
The Silent Film Project
e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research. -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
The Silent Film Project
The Silent Film Project Films that have completed scanning: 43. Detecting (1927) 1. 13 Washington Square (Universal 1928) 44. Devil’s Island (Chadwick Pictures 1926) 2. A Collection Burton Holmes travelogues 45. Diamond Cutters of Amsterdam (Burton 3. A Hero on Horseback (Universal 1927) Holmes 1928) 4. A Kiss In The Dark (Paramount 1925) 46. Dixie Paradise (Ardelle Studios 1935) 5. A Pair of Silk Stockings (Schenck 1918) 47. Dress Parade (DeMille Pictures 1927) 6. A Raring Romeo (1925) 48. Dynamite Dan (Aywon Film Corp. 1924) 7. A Ten Minute Egg(1924) 49. Early Hollywood Production Footage 8. A trip thru a modern bottling plant 50. East Side-West Side (Principal Pictures 1923) 9. After the Storm (Poetic Gem 1935) 51. Electric Starter (1924) 10. African Dreams 52. Eyes Right (Goodwill 1926) 11. Aladdin and the Wonderful Lamp (Fox 1917) 53. Family Album 12. Alexandria (Burton Holmes 1921) 54. Famous People at Play 13. An Evening with Edgar A. Guest (Jam Handy) 55. Fast Black (1924) 14. Animals of the Cat Tribe 56. Film Inspection by Machine 15. At First Sight (1923) 57. Flying High (The Collegians) (1929 short) 16. Auntie’s Portrait 58. Four Times Foiled (C.L. Chester Prod. 1919) 17. Autumn (1922) 59. Fort Rupert (1951) 18. Babies Prohibited (Thanhouser 1913) 60. Freckles (RKO Radio Pictures, Inc. 1935) 19. Barnyard Cavalier (1922) 61. Frogland 20. Barnyard Wedding 62. Getting Gertie’s Goat 21. Bebe Daniels & Ben Lyon home movies 63. God’s Heaven (Soundie) 22. Bell Boy 13 (Thomas H. Ince 1923) 64. Golden Trails (William (Bill) Mix Prod. -
Catalog of Pathex Motion Pictures for the Home
Catalog MOTION PICTURES for theHome 1927 Scanned from the collection of Karl Thiede Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Pierce Digitized by the Internet Archive in 2011 with funding from Media History Digital Library http://www.archive.org/details/catalogofpathexm1927path 9, & —Producer of Pathe News, Pathecomedies, Patheserials, and world famed pioneer in the motion picture industry, presentsuresvnis ^» MOTION PICTURES for THE HOME a collection of films featuring many of Amer- ica's foremost screen artists, in addition to a great variety of other subjects—humorous, educational, travel, industrial, sporting—for use in the Pathex Motion Picture Projector. NOTE: New subjects are constantly being added to this catalog. To keep up to date, ask your dealer to mail you the monthly supplements as soon as they are issued. PATHEX, '~c. *A Subsidiary of Pathe &xchange,Snc. 35 'West 45ih. St. JVewjybrk. 2 Pathex Motion Pictures Pathex Films That Should be in Every Home NO. OF NO. TITLE REELS PRICE A 1 AT HOME WITH LIONS $1.00 A 9 THE FROG $1.00 AIO THE OTTER SI.OO C55 IT'S A GIFT ("SNUB" POLLARD) 2 $3.50 CIOO STEPPING OUT (DIPPY-DOO-DAD) SI.75 C104 THE EARLY BIRD (GLENN TRYON) 2 $3.50 E 2 GOLF FORM $1.75 E21 ROUGH RIDERS $1.75 E23 DIVING FORM $1.75 M24 THUMBELINA (NOVELTY) 2 $3.50 M26 PHANTOM BALLET (NOVELTY) $1.75 M30 AT THE WHITE HOUSE $1.75 T 9 BRUGES LA MORTE MONUMENTS $1.00 SINGLE HANDED SEAL HUNT T46 (NANOOK OF THE NORTH) $1.75 CI io MADAME MYSTERY (THEDA BARA) 2 $3.50 C105 TIRE TROUBLE (OUR GANG) 3 $5.25 C107 MOTHER'S PRIDE (OUR GANG) 2 $3.50 D32 SATAN TOWN (HARRY CAREY) 3 $5.25 MANHATTAN MADNESS D 1 (DOUGLAS FAIRBANKS) 3 $5.25 D 3 THE CRAB (FRANK KEENAN) 5 $8.75 T51 THE MEMORIALS OF A NATION 1 $1.75 C 9 PINCHED (HAROLD LLOYD) 2 $3.50 C14 OVER THE FENCE (HAROLD LLOYD) 2 $3.50 C81 THE CAKE EATER (WILL ROGERS) 3 $5.25 T17 ROME 1 $1.00 FOR BEST RESULTS Each time film is used it is important to pro- ceed as follows: Place reel on the axle of rewinder on top of Projector. -
The Harold Lloyd Comedy Collection, États-Unis, 1919-1936, 1442 Minutes Patrice Doré
Document generated on 09/26/2021 3:49 p.m. Séquences La revue de cinéma The Harold Lloyd comedy collection, États-Unis, 1919-1936, 1442 minutes Patrice Doré Number 244, July–August 2006 URI: https://id.erudit.org/iderudit/47701ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Doré, P. (2006). Review of [The Harold Lloyd comedy collection, États-Unis, 1919-1936, 1442 minutes]. Séquences, (244), 23–23. Tous droits réservés © La revue Séquences Inc., 2006 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ L'ÉCRAN DVD I PANORAMIQUE THE HAROLD LLOYD COMEDY COLLECTION AFTER HOURS FILM > Constamment sur la troisième marche du podium, sous FILM > On n'associe jamais d'instinct Martin Scorsese à la Charlie Chaplin et Buster Keaton, Harold Lloyd n'a jamais obtenu comédie. Encore moins au film d'horreur. Et pourtant •. véritable l'ombre de la diffusion de ses deux confrères du burlesque. cauchemar de résonance kafkaïenne. After Hours accumule, Peu de compilations vidéo et prou de cycle télévisuel. À quoi au cours d'une seule nuit, les drames et les problèmes d'une cela tenait-il ? L'homme aux lunettes à monture d'écaillé ne année entière. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.