CTBUH Journal

Total Page:16

File Type:pdf, Size:1020Kb

CTBUH Journal About the Council The Council on Tall Buildings and Urban Habitat, based at the Illinois Institute of CTBUH Journal Technology in Chicago, is an international International Journal on Tall Buildings and Urban Habitat not-for-profi t organization supported by architecture, engineering, planning, development, and construction professionals. Founded in 1969, the Council’s mission is to disseminate multi-disciplinary information on Tall buildings: design, construction, and operation | 2014 Issue I tall buildings and sustainable urban environments, to maximize the international interaction of professionals involved in creating Tree House Residence Hall, Boston the built environment, and to make the latest knowledge available to professionals in a useful Skyscrapers and Skylines: 1885–2007 form. The Social Sustainability of High-Rises The CTBUH disseminates its fi ndings, and facilitates business exchange, through: the Midcentury (un)Modern publication of books, monographs, proceedings, and reports; the organization of A Year in Review: Tall Trends of 2013 world congresses, international, regional, and specialty conferences and workshops; the Talking Tall: Rem Koolhaas maintaining of an extensive website and tall building databases of built, under construction, New York’s New Delirium and proposed buildings; the distribution of a monthly international tall building e-newsletter; the maintaining of an international resource center; the bestowing of annual awards for design and construction excellence and individual lifetime achievement; the management of special task forces/ working groups; the hosting of technical forums; and the publication of the CTBUH Journal, a professional journal containing refereed papers written by researchers, scholars, and practicing professionals. The Council is the arbiter of the criteria upon which tall building height is measured, and thus the title of “The World’s Tallest Building” determined. CTBUH is the world’s leading body dedicated to the fi eld of tall buildings and urban habitat and the recognized international source for information in these fi elds. Council on Tall Buildings and Urban Habitat S.R. Crown Hall Illinois Institute of Technology 3360 South State Street Chicago, IL 60616 Phone: +1 (312) 567 3487 Fax: +1 (312) 567 3820 Email: [email protected] http://www.ctbuh.org ISSN: 1946 - 1186 Inside News and Events Features 18 History, Theory & Criticism Skyscrapers and Skylines: cities are “strategic substitutes”: if City 2 sees that City 1 is heavily engaged in construction, New York and Chicago, 1885–2007 builders in City 2 fi nd that reducing Architects consider each city to have its own construction is the most profi table response. This paper investigates skyscraper competition between New York City and In general, markets in which a handful of fi rms “style, its own way of shaping its local 02 This Issue 38 Tall Buildings in Numbers Chicago from 1885 to 2007. Skyscraper rivalry between these cities is part of all produce a similar commodity will exhibit environment, its own individualistic U.S. historiography, yet little work has explored the veracity of this belief. Using this strategic-substitutes property. a newly created data set on skyscrapers, a series of statistical tests were contributions to the history of architecture. Yet Companies, for example, are frequently performed to see whether there is, in fact, competitive interaction across moving their corporate headquarters, based these contributions were not developed in Dennis Poon, Trustee 2013: A Tall Building Review cities. First, the results show that each city has “positively” responded to on which city provides the best “bundle” of Jason Barr decisions in the other city, suggesting that residents in each city have a desire offi ce space, employees, and access to isolation. There is a considerable amount of to build more and taller than the other. Second, height regulations for each markets and suppliers (Strauss-Kahn & Vives Author city have periodically reduced the size of each city’s skyline, and have spurred 2009). If these companies see an opportunity competitive interaction between architects, Jason Barr, Associate Professor to move to a city with newer offi ce space, Department of Economics increased building activity in the other city, providing evidence that Rutgers University they will do so. contractors, and developers in both cities. Newark NJ 07102, United States skyscraper space is substitutable across cities. t: +1 973 353 5835 ” f: +1 973 353 5819 However, if building height has non-expressly- e: [email protected] Introduction competition is about luring businesses and economic purposes, such as advertising, local Chicago and New York Chicago in 1885 (see Figure 1), was the fi rst www.rutgers.edu residents, and promoting job growth and pride or ego satisfaction, then relative height to incorporate an iron-skeleton structure to Since the late 1880s, New York and Chicago profi ts. is an important strategic variable. If developers With the completion of the Erie Canal in 1825, bear the load of the building; it paved the 04 CTBUH Latest 48 Talking Tall: Rem Koolhaas & Jason Barr Jason Barr is an associate professor of economics have been two of the world’s premier in one city go particularly tall, builders in the and the settling of Chicago in the 1830s, New way for the city’s early skyscraper boom. at Rutgers University, Newark, and the Director of skyscraper cities. By 1929, New York and However, because of their symbolic and other city will respond “positively” by adding York and Chicago became trading partners. Architects, engineers, and builders who “cut Graduate Studies for the economics department. He received his Bachelor’s degree from Cornell University Chicago contained 68% of the nation’s aesthetic nature, skyscrapers can also be used height to their buildings. In this case, building Capital, imports, and settlers fl owed west, while their teeth” on Chicago’s fi rst generation of in 1992, and his PhD from Columbia University in buildings of 20 stories or greater in height to express psychological or sociological heights can be called “strategic complements,” agricultural goods fl owed east. But as the skyscrapers were later employed in New York 2002. His research interests include urban and real Antony Wood, David Gianotten estate economics. In particular, Dr. Barr studies the (Weiss 1992). Of the 10 current tallest needs. A tall building can be a monument to in the sense that heights in the two cities relationship developed, they also became rivals. as well. This interaction has lead John economic determinants of skyscraper height since buildings in the United States, four are in local pride or a work of civic art that enhances move together. Since Chicago and New York Zukowsky to write: “Chicago and New York the late 19th century. His work has appeared in prominent economics journals, such as the Journal Chicago and four are in New York; six would citizens’ sense of place. The skyscraper can were the fi rst skyscraper cities in the United In 1871, Chicago’s Great Fire destroyed much of – these are often thought to be the two of Regional Science, the Journal of Economic History, be in New York, if the Twin Towers had not advertise the city, as a form of “urban States and were linked economically, we can the city’s offi ce space, and gave it the chance great superpowers of American architecture. and Real Estate Economics. He is currently writing a book on the history of the Manhattan skyline. been destroyed (Skyscraper Center 2013). boosterism,” drawing tourists, and placing it look to these two cities to test these to build a modern, fi reproof business district. Architects consider each city to have its own Executive Director The New Context of Tall within the national and international competition theories. The Home Insurance Building, completed in style, its own way of shaping its local Ever since the telegraph and railroad created a conversations on cities. environment, its own individualistic national market in the mid-19th century, contributions to the history of architecture. businesses and residents have had much Additionally, tall buildings can be used to Yet these contributions were not developed greater mobility and locational choices. Given express developers’ desire to engage in in isolation. Throughout the 19th and 20th the ability of labor and capital to go where the conspicuous consumption (or investment) to centuries there has been, and still is, a returns are greatest, we would expect this to project economic strength, and achieve a considerable amount of competitive generate some competition between leading higher social status. But the need for pride-, interaction between architects, contractors, cities. If residents of one city see its rivals ego- or advertising-based construction is also and developers in both cities” (Zukowski growing rapidly, they may feel compelled to a competitive process, since the height and 1984:12). 05 Debating Tall: respond. size of these projects mainly serve their purposes only relative to the height and size The list of past and present interactions is Historically, skyscrapers have embodied two of other projects. long, but here are a few important examples. types of competition. The fi rst is regional In the early period, Louis Sullivan, arguably Antennas vs. Spires competition for employment and industrial The two forms of competition can lead to two Chicago’s most famous skyscraper architect, growth. Economic activity must be housed diff erent outcomes. On the one hand, if designed one of his signature buildings in somewhere; if developers don’t provide the developers in City 1 go on a building spree, it New York – the Bayard-Condict Building, in space in one location, developers in another will reduce the price of building space. If 1899 (see Figure 2). Builder and skyscraper place will. As the economy evolves, buildings developers in City 2 see a falling price, the pioneer George Fuller and his fi rm built age and become functionally obsolete.
Recommended publications
  • CONGREXPO: LA ENORMIDAD COMO PROGRAMA IDEOLÓGICO CONGREXPO: Bigness AS an IDEOLOGICAL Agenda Ignacio Senra Fernández-Miranda
    N10_ GRAN ESCALA PROYECTO, PROGRESO, ARQUITECTURA 76 77 CONGREXPO: LA ENORMIDAD COMO PROGRAMA IDEOLÓGICO CONGREXPO: BIGNESS AS AN IDEOLOGICAL agenda Ignacio Senra Fernández-Miranda n 1989, como resultado de un concurso, Rem LA ARQUITECTURA COMO ALTERNATIVA AL Koolhaas recibió el encargo de dirigir y coordi- PLANEAMIENTO E nar el proyecto de planificación urbana de ma- El escepticismo de Koolhaas con el urbanismo le hace yor escala que en aquel momento se llevaría a cabo en confiar directamente a la arquitectura la solución de casi Europa: el desarrollo de la zona que ocuparía la nueva 120 hectáreas de terreno vacío, un espacio residual jun- estación del TGV en la ciudad francesa de Lille. Con la lle- to al centro histórico generado como consecuencia del gada del tren de alta velocidad y la construcción del túnel cruce de una autopista urbana sobre la enorme playa de que cruzaba el canal de la Mancha, la ciudad de Lille que- vías de la antigua estación de tren. OMA propone así un daba en una posición privilegiada, situándose a menos sencillo y contundente plan de compleja ejecución: tres RESUMEN El análisis del primer edificio de gran escala llevado a cabo por OMA, el Congrexpo de Lille, sirve para comprender de hora y media en tren de Londres, París y Bruselas. El piezas de escala gigantesca servirían para resolver todo mejor el interés desde un punto de vista teórico de Rem Koolhaas por las piezas de arquitectura de gran tamaño. El estudio del Con- 2 grexpo se centra por un lado en la relación del edificio con su entorno y por otro, en su propia estructura interna.
    [Show full text]
  • The Gallery Club Architecture in Photography
    Architecture in The Photography Gallery Four generations of Dutch Club architectural photographers The Gallery Club presents Architecture in Photography Four Generations of Dutch Architectural Photographers This exhibition focuses on four generations of Dutch architectural photographers, starting with Jan Versnel, who began working late 1940’s, followed by Jannes Linders and Iwan Baan, and concluding with Ossip van Duivenbode, whose work is from the last decade. The four photographers in this exhibition capture a wide variety of Dutch architecture in their images: from the work of the distinguished Nieuwe Bouwen (Dutch Modernism) architects Brinkman & Van der Vlugt to that of contemporary architects, such as Rem Koolhaas / OMA, Benthem Crouwel Architects, MVRDV and UNStudio / Ben van Berkel. International architects, such as Tadao Ando and SANAA, are also featured in the show. Together these photographers embody more than sixty years of Dutch architectural photography, capturing the development of the urban and architectural landscape. This presents a unique image of time and the special observation of four different photographers, who are inviting the audience to look with a different perspective than the eye of the architect. The Gallery Club is a platform for photography, organized around exhibitions, dinners and events. Every edition of The Gallery Club explores the work of a wide range of Dutch and international photographers through a different theme. www.thegalleryclub.com Jan Versnel 1924-2007 Photographer Jan Versnel is the most influential architectural photographer of his generation, known for his immaculate images of architecture, interiors and products. Contemporary architectural photographers see him as the pioneer of Dutch architectural photography and consider his work an important inspiration for the entire discipline.
    [Show full text]
  • PRO.VILLEROY-BOCH.COM/PROJECTS REFERENCE PROJECTS 44 Floors, Rotterdam
    REFERENCE PROJECTS 44 Floors, Rotterdam HOUSING Exclusive living in the largest multi-functional Construction sign building in the Netherlands The “44 Floors” in Rotterdam is the residential West Tower in Project name: 44 Floors, De Rotterdam, Netherlands www.44floors.com the building complex “De Rotterdam” completed at the end of www.derotterdam.nl 2013. The multi-functional building on the Wilhelmina Pier was designed by OMA, the office founded by Rem Koolhaas, as a Location: Wilhelmina Pier Rotterdam, Netherlands vertical city offering a total floor space area of 160,000 m2 with offices, restaurants, a hotel and leisure facilities, in addition to Building owner: 44 Floors: Amvest the “44 Floors” apartments and parking spaces. The exquisite www.amvest.nl luxury apartments were fitted out with sanitary objects of the De Rotterdam: Subway collection from Villeroy & Boch. Rabo Vastgoedgroep www.rabovastgoedgroep.nl Construction task: Multi-functional building with apartments Date of completion: November 2013 Architect: OMA Office for Metropolitan Architecture Lead designers: Rem Koolhaas, Reinier de Graaf, Ellen van Loon www.oma.eu Products: SUBWAY wash basin + double wash basin + hand wash basin + wash-down wall-mounted toilet + bathtub OMNIA CLASSIC vanity shelf Photos: Ossip van Duivenbode, Ossip Architectuur Fotografie, Rotterdam Graphic: De Rotterdam, Rotterdam Villeroy & Boch, Bathroom and Wellness Division, PROJECTS [email protected] PRO.VILLEROY-BOCH.COM/PROJECTS REFERENCE PROJECTS 44 Floors, Rotterdam The Wilhelmina Pier in Rotterdam had its historical peak at the end of The “44 Floors” were fitted out with hand wash basins, table wash the 19th century when innumerable emigrants set out from there for basins and cabinet wash basins as well as wall-mounted toilets from a better future in Canada or the USA.
    [Show full text]
  • ROTTERDAM ARCHITECTUURPRIJS2016 Skatepark Westblaak FIRST Rotterdam WINNAAR PUBLIEKS PRIJS
    ROTTERDAM ARCHITECTUURPRIJS2016 Skatepark Westblaak FIRST Rotterdam WINNAAR PUBLIEKS PRIJS Timmerhuis Timmerhuis Station Rotterdam Bergweg WINNAAR JURYPRIJS VroesenpaviljoenDe Rozenburcht ROTTERDAM ARCHITECTUURPRIJS2016 p. 3 Voorwoord p. 4 Longlist p. 6 Shortlist p. 7 Over de prijs p. 8 Juryprijs p. 14 Publieksprijs De Rozenburcht1 Rotterdam Architectuurprijs 2016 Rotterdam, van ruwe diamant tot schitterend juweel Rotterdam bruist. We zijn een moderne stad, geroemd in binnen- en buitenland, de laatste jaren vooral door de nieuwe bijzondere gebouwen die er zijn neergezet. En er komt nog veel meer aan, kan ik u vertellen. Daarover straks meer. Rotterdammers weten natuurlijk al jaren dat we een mooie stad zijn. Ik ben daar zelf voorbeeld van: ik kwam hier als vierjarig jochie wonen en ben nooit meer weggegaan. Desondanks was die trots op de stad meer iets onbewusts. Een gevoel dat alleen werd uitgesproken als niet-Rotterdammers het waagden iets negatiefs te zeggen over mijn stad. Maar zo is het al lang niet meer. Er waren eigenlijk buitenstaanders nodig om ons wakker te schudden. Sinds kranten als The New York Times en The Guardian Rotterdam in het vizier hebben gekregen en sinds we op allerlei ranglijsten staan, kijken we met andere ogen naar onze stad. Zelfbewust worden via de u-bochtconstructie noem ik het. Opeens beseffen we dat Rotterdam inderdaad bruist. En dat we best hardop mogen zeggen dat we trots zijn op onze stad. Het blijft niet alleen bij woorden. We zijn inmiddels een trekpleister voor nieuwe bedrijven en toeristen. Ook willen steeds meer mensen in Rotterdam wonen of blijven wonen: jonge gezinnen, hoger opgeleiden en oud-Rotterdammers die terugkeren vanuit de randgemeenten.
    [Show full text]
  • Ideas. Solutions. Possibilities. Success Stories 2
    Edition 2 Ideas. Solutions. Possibilities. Success stories 2 MORE PERFORMANCE. MORE POSSIBILITIES. MORE VALUE. 3 Dear Readers, Welcome to the second issue of our Success stories magazine. EDITORIAL It features several of the exciting and informative customer Success stories we’ve been compiling throughout the year about projects that your colleagues in the scaffolding, trades, construction and event industries have executed efficiently and safely. In this issue you’ll discover what a children’s swing and Axel Springer the publisher have in common, why the White Horse Inn moved from Wolfgangsee Lake to Ammersee Lake, why Kilkenny should also be famous for its milk and why concrete is such a versatile material. All the stories are based around companies and entrepreneurs that operate successfully in their markets – and have even opened up new lines of business – with Layher scaffolding systems. Every day we strive to make the biggest possible contribution to our customers’ success with our More Possibilities Package package of advice, delivery excellence, detailed technical documentation and innovative products. Because our success depends on their success. Enjoy reading! More Success stories – including video clips – are published on www.scaffoldingstories.com. Perhaps you’ll find some inspiration there for your own projects. Take advantage of the added value that Layher delivers to customers for your business and your future. 4 TEUPE & SÖHNE GERÜSTBAU GMBH New Axel-Springer building, Berlin HANGING FLOORS AND SUPPORTING ELEMENTS A spectacular new building is currently under construction in central Berlin, less than a mile away from the Brandenburg Gate and right on top of the former border between eastern and western Germany.
    [Show full text]
  • La Arquitectura De Las Publicaciones
    Producción de Publicaciones de Arquitectura de OMA / AMO (ver páginas siguientes, al final de esta entrevista) OMA / AMO production of Architectural Publications (see following pages, at the end of this interview) [Conversación entre Beatriz Colomina y Rem Koolhaas] LA ARQUITECTURA DE LAS PUBLICACIONES Rotterdam, Febrero 2007 En OMA ha existido desde siempre una relación muy íntima entre el Since the beginning of OMA there has been a very intimate rela- mundo de las publicaciones y el de la práctica profesional. El pri- tionship between publications and practice. However, although mero es inseparable del segundo. Y sin embargo, las publicaciones your publications are inseparable from your practice, they have nunca han sido parte fundamental de las monografías dedicadas a never been part of any special issue devoted to OMA, including OMA, ni siquiera en los números tan sólidos y minuciosamente deta- these very thorough, detailed surveys in El Croquis. Even AMO, llados que ha publicado El Croquis. Y además está el caso de AMO, which analyzes everything, doesn’t seem to analyze itself. There que lo analiza todo menos a sí mismo. No hay publicaciones sobre are no publications about publications, no timelines of publis- las publicaciones, ni listados de obras publicadas. Por eso me gus- hed works. That is what I would like to do— to think about this taría reflexionar acerca de este aspecto fundamental de su trabajo, huge aspect of your practice, which ironically enough is not part del que irónicamente no hay registro. of the record. Su planteamiento es claro y absolutamente cierto; es una Your argument is totally clear and absolutely true, a bizarre absence.
    [Show full text]
  • Exercise 2.WPS
    Arch 5563: Advanced Building Technology Exercise 2: Studio Precedent Weichao Guan Deuk-Geuk Hong A C E G I B D F H J Rem Koolhaas in 1987 Born Remment Lucas Koolhaas Ram Koolhaas was born on 17 November 1944 in Rotterdam, Netherlands. He was a journalist for the Haagse Post before starting studies, in 1968, in architecture at the Architectural 17 November 1944 (age 69) Association School of Architecture in London, followed, in 1972, by further studies with O. Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Insti- Rotterdam, Netherlands tute for Architecture and Urban Studies in New York City. 1 He founded OMA with Elia and Zoe Zenghelis and Madelon Vriesendorp as a collaborative office practicing architecture and urbanism in 1975. OMA notified their name through a Nationality Dutch series of groundbreaking entries in major competitions and now OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. 2 Alma mater Architectural Association A B School of Architecture, Cor- OMA presented their innovative ideas through an residence: VILLA DALL’AVA in France, 1991 , and EDUCATORIUM in Netherlands, 1997 , showed a streamlined shape by concrete C nell University with a special interior space. They designed a monumental building: CCTV – HEADQUARTERS in China in 2002 and they started to work with engineer firm ARUP from this project. the project, NETHERLANDS EMBASSY in Germany, 2003 D, has the sequence of circulation and showed how the public (corridor, stair, unprogramed) spaces are related with private Awards Pritzker Prize (2000) spaces and context of the site.
    [Show full text]
  • Roaming Rotterdam Route (Approx
    ROAMING EN ROTTERDAM Walking / bicycle route through imposing architecture Visit Museum Boijmans ROAMING Van Beuningen and embark on an THROUGH ROTTERDAM adventure through art from the Middle Ages to Welcome to Rotterdam, the city that enjoys growing inter­ the twenty-first century. national acclaim as a popular destination for city trips. Why? Discover the museum’s You’ll find out for yourself as you roam throughR otterdam. unique collection of The walking route brings you past iconic architecture and masterpieces by Bosch, shows the eclectic mix of old and new that has made Rotter­ Rembrandt, Van Gogh dam so famous – from the Late Gothic architecture of the and Dalí. Add to this the sensational temporary Laurenskerk to the futuristic Markthal. From the Cube Hou­ exhibitions of art and ses on Blaak to the gleaming high­rise buildings on the Kop design from different van Zuid peninsula. The route also takes you through resi­ eras and the restaurant dential neighbourhoods, parks and shopping streets and with its outlook on the along sidewalk cafés, museums and the waterfront. From statue garden, and you Erasmus Bridge you’ll enjoy the view of the Maas River and are guaranteed hours the water taxis and ships sailing by. You’re looking out at of enjoyment in the one of the world’s biggest ports – not to mention that museum. spectacular skyline that Rotterdam is famous for. www.boijmans.nl Walking the entire Roaming Rotterdam route (approx. 10 km) Maurizio Cattelan, Untitled, 2001. Copyright Maurizio Cattelan, courtesy Marian Goodman Gallery, New York. Photo: Attilio Maranzano takes about half a day.
    [Show full text]
  • Dear PAM Member, Greetings from Pertubuhan Akitek Malaysia (PAM
    All images copyright OMA Taipei Performing Arts Center. Taiwan David Gianotten Michael Kokora Dear PAM Member, Greetings from Pertubuhan Akitek Malaysia (PAM). We are pleased to inform you that there will be an upcoming PAM Public Lecture on Wednesday, 17 December 2014. Speaker: David Gianotten and Michael Kokora | Office for Metropolitan Architecture (OMA) Lecture Title: Building Urban Culture Time: Reception and Registration starts 7.15pm. Lecture starts on time at 8.00pm. Venue: White Box, Map@Publika, Level G2-01, Block A5, Solaris Dutamas, No. 1, Jalan Dutamas 1, 50480 Kuala Lumpur. OMA OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA’s buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners - Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora - and sustains an international practice with offices in Rotterdam, New York, Beijing, Hong Kong, and Doha. OMA’s recently completed projects include the G-Star Headquarters in Amsterdam (2014) Shenzhen Stock Exchange (2013); De Rotterdam, the largest building in the Netherlands (2013); the headquarters for China Central Television(2012); New Court, the headquarters for Rothschild bank in London ; Milstein Hall, an extension to the Architecture, Art, and Planning school at Cornell University; Maggie’s Centre, a cancer care centre in Glasgow (all 2011). The work of Rem Koolhaas and OMA has won several international awards including the Pritzker Architecture Prize in 2000, the Praemium Imperiale (Japan) in 2003, the RIBA Gold Medal (UK) in 2004, the Mies van der Rohe - European Union Prize for Contemporary Architecture (2005), the Golden Lion for Lifetime Achievement at the 2010 Venice Biennale, and most recently, the prestigious RIBA Charles Jencks Award in 2012 and the Johannes Vermeer Prijs in 2013.
    [Show full text]
  • De Rotterdam * «Exploring the Vertical City»
    INTERNATIONAL SEMINAR * DE ROTTERDAM * «explORING THE VERTICAL CITy» INTERNATIONAL SEMINAR * DE ROTTERDAM * «explORING THE VERTICAL CITy» International Seminar De Rotterdam: Exploring the Vertical City www.complexdesign.epfl.ch contacts: [email protected] or [email protected] 1 INTERNATIONAL SEMINAR * DE ROTTERDAM * «explORING THE VERTICAL CITy» International Seminar De Rotterdam: Exploring the Vertical City www.complexdesign.epfl.ch 4th of July 2014 Rotterdam INTERNATIONAL SEMINAR * DE ROTTERDAM * «explORING THE VERTICAL CITy» INTERNATIONAL SEMINAR * DE ROTTERDAM * «explORING THE VERTICAL CITy» 04th July 2014 Detailed Program 8h45 – 9h00 Introduction Marta Brandao & Nelson Vera 9h00 – 10h15 Guided tour inside the building ‘De Rotterdam’ by Kees van Casteren & Mischa Molsbergen 10h15 – 10h30 Coffee Break 10h30 – 11h10 Housing and urban planning in the Netherlands, the virtue of necessity Nicolas Pham - Architect & Urban Planner, CH/NL 11h10 – 11h50 The Compact City: spatial planning strategies, recent developments and future prospects in the Netherlands Kersten Nabielek - PBL Netherlands Environmental Assessment Agency, The Hague 11h50 – 12h30 Financing public infrastructure in high-density central urban areas Demetrio Muñoz Gielen - Public officer, Lecturer and Freelance consultant 12h30 – 14h00 Lunch at Nhow Hotel - De Rotterdam (7th floor) 14h00 – 14h40 Architectural Concept of De Rotterdam Kees van Casteren - Project Architect OMA 14h40 – 15h20 De Rotterdam: The overall process of conception, construction and management Mischa Molsbergen - Project Director De Rotterdam C.V. 15h20 – 16h00 The juridical complexity of De Rotterdam: mix of functions, contractors, users and investors Karen Quist - Head of Legal Affairs / Lawyer at MAB Development 16h00 - 16h15 Coffee Break Meeting Point: 16h15 – 16h55 Sustainable real estate is, above all, future proof real estate Nhow Hotel - De Rotterdam Pieter Zwart - adj.
    [Show full text]
  • HET DEPOT BOIJMANS VAN BEUNINGEN in ROTTERDAM Onderzoek Naar De Werking Van Een Kijkdepot
    HET DEPOT BOIJMANS VAN BEUNINGEN IN ROTTERDAM Onderzoek naar de werking van een kijkdepot. Masterproef voorgelegd aan de Faculteit Letteren en Wijsbegeerte, Vakgroep Kunst-, Muziek- en Theaterwetenschappen, voor het verkrijgen van de graad van Master of Arts in de Kunstwetenschappen door Celine Vervaet. Promotor: prof. dr. ir. arch. Maarten Liefooghe. Copromotor: prof. dr. Linda Van Santvoort Academiejaar 2017-2018 IF ART IS NOT SEEN, IT IS NOT ALIVE. WITHOUT CARE, ART IS ENDANGERED.1 1 Bettina Friedli, red., Schaulager. Preserve, Study, Share (Bazel: Laurenz Foundation, 2012), 12. ​ ​ 1 WOORD VOORAF Ik heb geen klassiek studietraject doorlopen, maar ben vandaag ontzettend blij dat ik deze masterproef af heb en mezelf straks Master in de Kunstwetenschappen mag noemen. Daarbij wil ik graag een aantal mensen ontzettend bedanken. Eerst en vooral mijn promotor, prof. dr. ing. arch. Maarten Liefooghe, die ik al na een telefoontje bereid vond om mij te begeleiden rond het onderwerp van het Depot Boijmans Van Beuningen. Bedankt voor de flexibiliteit, de sessies via Skype, de ontmoetingen in Gent, het doorploegen van mijn veelschrijverij, de ontzettend nuttige tips, inhoudelijke opmerkingen en het organiseren van extra feedback door Wouter Davidts en Maarten Van Den Driessche. Ook hen wil ik graag van harte bedanken voor hun kritische blik en leerzame opmerkingen. Daarnaast wil ik ook Linda Van Santvoort, Marjan Sterckx en Katharina Pewny van de Vakgroep Kunst-, Muziek- en Theaterwetenschappen aan de Faculteit Letteren en Wijsbegeerte bedanken om mij de toestemming te geven mijn masterproef te schrijven onder begeleiding van een promotor van de Faculteit Ingenieurswetenschappen en Architectuur, Vakgroep Architectuur en Stedenbouw.
    [Show full text]
  • The Master of Bigness, Martin Filler
    The Master of Bigness By Martin Filler May 10, 2012 OMA/Progress an exhibition at the Barbican Art Gallery, London, October 6, 2011–February 19, 2012 Project Japan: Metabolism Talks… by Rem Koolhaas and Hans Ulrich Obrist, edited by Kayoko Ota and James Westcott Taschen, 717 pp., $59.99 (paper) A rendering of the China Central Television Headquarters in Beijing, designed by Rem Koolhaas’s architecture firm, OMA, in partnership with the engineering firm Arup. Begun in 2004, the building is now largely completed but has yet to be occupied. With his prodigious gift for invention, shrewd understanding of communication techniques, and contagiously optimistic conviction that modern architecture and urban design still possess enormous untapped potential for the transformation of modern life, no master builder since Le Corbusier has offered a more impressive vision for a brighter future than the Dutch architect Rem Koolhaas. To be sure, there are other present-day architects also at the very apex of the profession who do certain things better than he does. Robert Venturi is a finer draftsman and a more elegant writer; Denise Scott Brown has a more empathetic feel for the social interactions that inform good planning; and Frank Gehry displays a sharper eye for sculptural assemblage and a keener instinct for popular taste. But when it comes to sheer conceptual audacity and original thinking about the latent possibilities of the building art, Koolhaas today stands unrivaled. Through his Rotterdam-based practice, the Office for Metropolitan Archi-
    [Show full text]