P6attended an P20 Shakespeare Event Flagging Off and Co Has Attracted the Swiss Week a Huge Audience in at Grand Hyatt Doha and Elsewhere on Monday
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Thursday, February 16, 2017
17 Thursday, February 16, 2017 RUNNING SHAADI.COM Thomas Lennon (Hindi/Comedy/ Romance) DANA : Timings: 10:30, 14:30, Starring: Arsh Bajwa, Brijendra 18:30, 22:30, 00:30 Kala, Tapsee Pannu DANA : Timings: 10:45,13:00,15: RAEES (Hindi/ Action / Crime / 15,17:30,19:45,22:00,00:15 Drama ) Starring: Shah Rukh Khan, / Romance ) DANA : Timings: 10:30, 13:15, IRADA (HINDI) ( HINDI / Sunny Leone, Nawazuddin Sid- Starring: Mostafa Amar Yousra 16:00, 18:45, 21:30, 00:15 DRAMA ) diqui El Lozy Shereen Adel Starring: Naseeruddin Shah, DANA : Timings: 10:30,15:45, DANA : Timings: 10:45, 13:00, RINGS ( Drama / Horror ) Arshad Warsi, Sagarika Ghatge 21:00 15:15, 17:30, 19:45, 22:00, 00:15 Starring: Matilda Anna Ingrid DANA : Timings: 10:45,13:00,15: Lutz, Alex Roe, Johnny Galecki 15,17:30,19:45,22:00,00:15 KAABIL (Hindi/ Action / Drama / Romance ) FIST FIGHT ( Comedy ) DANA : Timings: 13:00, 17:00, Starring: Ice Cube, Charlie Day, 21:00, 01:00 JOLLY LLB 2 ( Hindi /Comedy Starring: Hrithik Roshan, Yami Tracy Morgan / Drama ) Gautam, Ronit Roy DANA : Timings: 11:00,12:45,1 KUNG FU YOGA ( Action / Starring: Akshay Kumar, Huma DANA : Timings: 13:15, 18:30, 4:30,16:15,18:00,19:45,21:30,23: Adventure / Comedy ) Qureshi, Sayani Gupta 23:45 10,01:00 Starring: Jackie Chan, Disha DANA : Timings: 10:45,13:15,15: Patani, Amyra Dastur 45,18:15,20:45,23:15 FEIN QALBY (Arabic / Comedy SINGHAM 3 ( Tamil / Action DANA : Timings: 11:00, 15:00, / Masala ) 19:00, 23:00 GOLD (Adventure/ Drama / Starring: Suriya, Shruti Haasan, Thriller ) Anushka Shetty THE REMAINS ( Horror -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
A Study on Computer Graphics & Animation in Film
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056 Volume: 03 Issue: 11 | Nov-2016 www.irjet.net p-ISSN: 2395-0072 A STUDY ON COMPUTER GRAPHICS & ANIMATION IN FILM MEDIA B. Senthil Kumar1, D. Nivedhitha2, Col. Manoj Kumar3, Ayem Perumal4, M.R. Chitra Mai5 1Researcher, Indian Institute of Industry Interaction Education & Research, India 2Associate Professor & Head, Dept, of Mass Communication, Pondicherry 3Research Scholar, Pondicherry University 4Quality Control Manager, NSH, Kuwait 5Research Scholar, CSJM University, India -----------------------------------------------------------------------***------------------------------------------------------------------------ Abstract – The main aim of this research article is to study the impact of computer graphics and animation in film media. In this f a s t d e v e l o p i n g i n f o r m a t i o n society computer graphics and animation has become the most important communication tool. The development of the film media and the progress of computer graphics and animation are intimately related to each other in many ways. The film media not only provide information and entertainment, but they also provide directly and indirectly many opportunities to the unemployed people in India. Every year, thousands of films are released with computer graphics and animation. Multibillion film projects are now very common in India. Computer graphics and visual effects are now becoming the part of all cinema projects. Even though 3D animated film and ordinary commercial film has differed, the visual effects are common. Many famous Indian film directors have used visual effects to communicate their dream effectively. Computer graphics have impact on the target audience, fuel to our knowledge, attitudes, and behaviors. -
UTV Joins Hands with Ace Director Sundar C and Producer Khushbu Sundar to Produce Masala Café
UTV joins hands with ace director Sundar C and Producer Khushbu Sundar to produce Masala Café Chennai, October 17th 2011: Continuing its alliance with some of the most prominent names in the South Film Industry, UTV Motion Pictures has now partnered with the popular director Sundar C for his film Masala Café in association with his wife - Khushbu Sundar’s production house Avni CineMax. With a slate of successful films like Ullathai Alli Tha, Mettukudi, Superstar Rajinikanth’s Arunachalam, Kamal Haasan’s Anbe Sivam, Winner, Giri, London, Rendu to his credit, Sundar C is back to writing and directing with his latest venture Masala Café. The film slated to be a comic entertainer stars the current young heroes Vimal, “Mirchi” Shiva, Anjali, Santhanam among others. Sundar C along with directing is also penning the story and screenplay while dialogues are being written by Badri and camera by U.K. Senthil Kumar. The music composer is Ebinizer, from the film Kanden fame.Targeted at the youth, Masala Café will be a summer 2012 release. The film will commence shooting in Kumbakonam and Chennai from November 2011. UTV Motion Pictures, post releasing the highly appreciated Deiva Thirumagal and Muran will also release Vettai, Vazhakku Enn 18/9 and Kumki produced in association with Lingusamy’s Thiruppathi Brothers and is currently in the process of commencing the shooting of Mysskin’s Mugamoodi, starring Jiiva, Narain, Pooja Hegde and others. About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region. -
Download the Previous Society Member List
I as a o 3 F.No.M- 17O13/4/2016-DO(FTII a o 5 ,\v ttrtl tl 0. li GOVERNUENT OF IITDIA *rgrnm 1/. dl MIITISTRY OT' IITFORIUA'TION & BROAIrcASTIITG 'A'Wlng, Shastri Bhawan, New Delhl-l1OOO1 *ffi ?A Dated tho November 10, 2Ol ORDER In pursuance of Rule 3 read with Rule 6 of the Regulations of the Satyajit Ray Film & Television Institute (SRFTI), Kolkata, it has been decided to reconstitute the Society for the block starting from 18.O8.2016 for a period of three years or until further orders, whichever is earlier' 2, In pursuance of Rules 3 end' 22 of the Regulations of the Satyajit Ray Film & Television Institute (SRFT!, Kolkata, the Government of India nominate Shrl Victor Banerjee as the President of the SRFTI Society and Chairman of its Governing Council. 3. In pursuance of Rule 3(1) of the Regulations of SRFTI, the Govemment of India nominates the following ex-oflicio members of the SRFTI Society. They shall remain members of the Societ5r as long as they retain the oflice or status by virtue of which ttrey became members of the Society: (1) Addl. Secretary & FA, Member Min. of I&8. or his/her Nominee not below the rank of Deputy Secretary (21 Joint Secretary (Films), Member Min. of I&B or his/her Nominee not below the rank of Deputy Secretary (3) Chief Executive Officer, Member Prasar Bharati or his/her ""rr;;" not below ttre rank of Deputy Director Generai Contd...../ ,',PP"\s -2- (4) Managing Director, NFDC, Mumbai Member (5) Director, FTII, Pune Member (6) Director, SRFTI, Kolkata Member 4. -
Jolly Llb – a Review
JOLLY LLB – A REVIEW Written by ANIRUDHA Saturday, 16 March 2013 03:22 The trailer and the punch lines were a lure enough to catch the movie. Also the star cast of Arshad Warsi and Boman Irani known for their comic timing were a good reason to go to the theater to have a good time. It could be defined as a sharply made spoof that really does not switch into a preachy mode. The reality of judiciary system in our country is not hidden from any one, but the presentation and performance is what makes the movie a worthy watch. Talking about the story, young lawyer Jagdish Tyagi aka Jolly played by Arshad Warsi is frustrated with his legal career going nowhere. He leaves Meerut and moves to Delhi in search of thriving opportunities. Easy popularity comes knocking on his door when he tries to encash some residual fame off a Land Cruiser hit and run case fashioned on the similar BMW case of Sanjeev Nanda by filing a PIL. Pitted against the very best lawyer Rajpal played by Boman Irani who shrewdly scores over Jolly by virtue of his obvious position, stature he has attained in his profession and experience, this fight isn’t an easy one. Jolly suddenly finds himself down from every side with manipulations and threats coming his way. Truth demands strength so can Jolly uncover the intricacies of the case, and fight the likes of such powerful men? What unfolds is a fascinating legal drama, harsh face offs and a strong ending. Now coming down to the performances, the script is not a very elaborate one, but surely leaves room for a brilliant screenplay to flow. -
Synopsis of Films for Film Festival Date/ Day Title of Film And
Synopsis of Films for Film Festival Date/ Day Title of Film and Synopsis Film maker Duration 16/08/2014 1. Pather Panchali Satyajit Ray 126 mins Saturday The time is early twentieth century, a remote village in Bengal.The film deals with a Brahmin family, a priest - Harihar, his wife Sarbajaya, daughter Durga, and his aged cousin Indir Thakrun - struggling to make both ends meet. Harihar is frequently away from home on work. The wife is raising her mischievous daughter Durga and caring for elderly cousin Indir, whose independent spirit sometimes irritates her... Apu is born. With the little boy's arrival, happiness, play and exploration uplift the children's daily life. 2. Red Ant Dream ‘Let us declare that the state of war does exist and shall exist’, the revolutionary patriot had said Sanjay Kak 120 mins almost a hundred years ago, and that forewarning travels into India’s present, as armed insurrection simmers in Bastar, in the troubled heart of central India. To the east too, beleaguered adivasis from the mineral-rich hills of Odisha come forth bearing their axes, and their songs. And in the north the swelling protests by Punjabi peasants sees hope coagulate–once more–around that iconic figure of Bhagat Singh, revolutionary martyr of the anti-colonial struggle. But are revolutions even possible anymore? Or have those dreams been ground down into our nightmares? This is a chronicle of those who live the revolutionary ideal in India, a rare encounter with the invisible domain of those whose everyday is a fight for another ideal of the world. -
Sensitizing Gender Parity in Urban India: a Cinematic Revolution
International Journal of Advancements in Research & Technology, Volume 3, Issue 6, June-2014 91 ISSN 2278-7763 Sensitizing Gender Parity in Urban India: A Cinematic Revolution. Rashmi Condra Abstract: Gender concern has always remained a core issue of social evolution in every period known. India sustainably going through the process of modernizing could not evade ‘change’ and outlook towards sections that was emancipating. As cities developed so went up the standard of living vis-à-vis continuous efforts to maintain it. Cinema in India reflected this transformation but dealt mainly in focusing on inequity than on social balance. This paper analyze the role of working women in urban society and their representation in Indian Cinema. This includes formation of equal space, her sartorial style, patriarchal marginalization, dealing with male chauvinism and call for change as projected in Indian cinema. An attempt will be also be made to understand representation of Urban working Woman and her dynamics in contemporary Cinema and whether the celluloid woman has made considerable progress towards realizing the motto, ‘the freedom to choose, and the right to excel’ like most of her ‘real’ life counterpart. IJOART Copyright © 2014 SciResPub. IJOART International Journal of Advancements in Research & Technology, Volume 3, Issue 6, June-2014 92 ISSN 2278-7763 Sensitizing Gender Parity in Urban India: A Cinematic Revolution. Rashmi Condra Assistant Professor RTM Nagpur University. Social milieu in Modern India and Indian Cinema: Gender concern has always remained a core issue of social evolution in every period known. India sustainably going through the process of modernizing could not evade ‘change’ and ‘outlook’ towards sections that was emancipating. -
Lucknow on Wednesday
34 8" $ !)'9 '9 9 "#67"8!)2. 5-$5$6 8579(// ,-57/ ! 2/","0",2 06"/ 60//,1,64/3162,2%/"/" *1$4*174 4/2 $45,50 .23 715707124/316 612 ,61,06 12$,%16 A16,4,2,/"46 $4"460.316/,,2751 ./41 "4/"155602$46 $461$02 ?$46171$@,*1?31$1 5 34:;""5 <= >1/ 4 1 ! ' *.*(*!9%!.$ 243$45, ! " # $ % arnataka on Wednesday ' Kjoined the list of States reporting infectious Delta Plus variant of Covid-19, a mutat- ed version of highly contagious ($ ) Delta variant, taking the total number of reported cases to 46 * across the country, more than *10 doubling a day after the report- ed 22 cases on Tuesday. + he return of political nor- Maharashtra tops the list so ,$' Tmalcy in Jammu & far with 21 cases followed by Kashmir and conduct of elec- Kerala and Madhya Pradesh tions will largely depend on the which are already on alert. outcome of the crucial all- The Centre has issued them # ) 0'( 1 P!"# ". , O party meet convened by Prime advisory amid concerns over . Minister Narendra Modi with likely third wave of the pan- ! the leaders of the Union demic in the country in the Delta Plus virus is prevalent in Ministry and a further course $ Territory in New Delhi on next few months. Presently, the nine countries across the world of action is being planned. /0 Thursday. — the US, the UK, Portugal, The Minister said the State 1 .# ' Former Jammu & Kashmir " /1 Switzerland, Japan, Poland, Government is monitoring the Chief Minister and PDP chief $$(2 Nepal, China, and Russia. -
Online Film Festival Raytoday by Films Division
A Report Films Division Govt. of India, Min. of I & B, 24- Dr. G Deshmukh Marg, Mumbai -26 Dated the 10th May, 2021 Online Film Festival RayToday by Films Division Satyajit Ray, one of the greatest film makers of all the time, is credited with taking Indian cinema to the global level. A true renaissance man, Ray earned worldwide fame for himself and to the art of cinema as well, with his poetic realism and cinematic imagination. Films Division marked beginning of the year-long birth centenary celebrations of the legendary filmmaker by screening Shyam Benegal’s eponymous biopic, Satyajit Ray on 2nd May 2021 on its website. Continuing with the celebrations of the auteur, Films Division has organized an online film festival, RayToday, a curated package of non-feature works by Ray along with films on him and his oeuvre, on FD website from 7th to 9th May 2021. RayToday included, among others, a rare documentary made by him on Nobel laureate, Rabindranath Tagore, the one and only television film by Ray on a short story by Munshi Premchand and the much acclaimed biopic by Shyam Benegal. The following films werestreamed in the festival : Sadgati (Satyajit Ray/Doordarshan/52 Mins/1981) - a television film set on rural India which throws light on caste system in society. Two (Satyajit Ray/Esso World Theatre/15 Mins/1964) - a simple but hard hitting societal commentary on the class struggle shows an encounter between a child of a rich family and a street child, and displays attempts of one-upmanship between kids in their successive display of toys. -
Unit-2 Silent Era to Talkies, Cinema in Later Decades
Bachelor of Arts (Honors) in Journalism& Mass Communication (BJMC) BJMC-6 HISTORY OF THE MEDIA Block - 4 VISUAL MEDIA UNIT-1 EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA UNIT-2 SILENT ERA TO TALKIES, CINEMA IN LATER DECADES UNIT-3 COMING OF TELEVISION AND STATE’S DEVELOPMENT AGENDA UNIT-4 ARRIVAL OF TRANSNATIONAL TELEVISION; FORMATION OF PRASAR BHARATI The Course follows the UGC prescribed syllabus for BA(Honors) Journalism under Choice Based Credit System (CBCS). Course Writer Course Editor Dr. Narsingh Majhi Dr. Sudarshan Yadav Assistant Professor Assistant Professor Journalism and Mass Communication Dept. of Mass Communication, Sri Sri University, Cuttack Central University of Jharkhand Material Production Dr. Manas Ranjan Pujari Registrar Odisha State Open University, Sambalpur (CC) OSOU, JUNE 2020. VISUAL MEDIA is made available under a Creative Commons Attribution-ShareAlike 4.0 http://creativecommons.org/licences/by-sa/4.0 Printedby: UNIT-1EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA Unit Structure 1.1. Learning Objective 1.2. Introduction 1.3. Evolution of Photography 1.4. History of Lithography 1.5. Evolution of Cinema 1.6. Check Your Progress 1.1.LEARNING OBJECTIVE After completing this unit, learners should be able to understand: the technological development of photography; the history and development of printing; and the development of the motion picture industry and technology. 1.2.INTRODUCTION Learners as you are aware that we are going to discuss the technological development of photography, lithography and motion picture. In the present times, the human society is very hard to think if the invention of photography hasn‘t been materialized. It is hard to imagine the world without photography.