Carole Lieberman, Md , Mph Forensic Psychiatrist

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CAROLE LIEBERMAN, M.D. , M.P.H. FORENSIC PSYCHIATRIST/ EXPERT WITNESS 204 South Beverly Drive, Suite 108 Beverly Hills, CA 90212 (310) 278-5433 Area of High Profile Cases P olice Brutality Abuse: Sexual, Physical and Expertise: Sexual Harassment Psychiatric Malpractice Emotional Entertainment Law Wrongful Termination Child/Adolescent Issues Media Copycats Discrimination Terrorism Divorce P.I. Post-Traumatic Stress Custody S ports Injuries Priest Misconduct B attered Woman (Including Equestrian) Murder/Rape Syndrome Malingering Class Action Elder Abuse Competency Will Contestation Professional Dr. Lieberman has a winning record as a leading Psychiatric Expert Witness and Legal/Trial Consultant in Experience: hundreds of civil and criminal cases. Many of these have been high profile, including: • P eople v. Redmond O'Neal (drug felony) • J ames Arthur Ray (Sedona Sweat Lodge) • Mino r v. Kid Nation (emotional distress) • T erri Schiavo appeal (profile of wife abuser) • P eople v. Michael Jackson (complaint to Child Protective Services) • P eople v. Jonathan Schmitz (Jenny Jones Talk Show Murder Trial) • Nevada v. Floyd Maywether (domestic violence) • T ate v. Larry Johnson/Stacey Augman (NBA paternity and assault) • V ega, Rodriguez et al (key plaintiffs) v. Catholic Archdiocese of Los Angeles • S chool Shooting cases: Families v. Media • Celebrity divorce cases: Roseanne Barr, Jean Claude Van Damme, Jim Carrey Dr. Lieberman has qualified at trial as an expert witness in Psychiatry and in Media and Communications. She has also testified several times before Congress. She is a regular commentator on CBS, NBC, ABC, CNN, Fox News and other media outlets – called upon to give her opinion on cases in the news, such as: Dr. Conrad Murray, Casey Anthony, Tiger Woods, Jaycee Dugard, Lindsay Lohan, Charlie Sheen, Terrorist Trials, Nadya Suleman, Britney Spears, Michael Jackson, Laci Peterson, Kobe Bryant, O.J. Simpson, Paris Hilton, Anna Nicole Smith, Priest Molestation, Police Brutality, and Natalee Holloway. Professional Board Certified Psychiatrist - licensed in California & New York Qualifications: Clinical Faculty - U.C.L.A. Psychiatry Department Expert Reviewer for the California Medical Board Consultant to Congress & Media Education/ N.Y.U. - Bellevue - Psychiatric residency (appointed chief resident) Training: Maudsley Hospital and Hampstead Clinic (under Anna Freud), London U.C.L.A. School of Public Health: NIMH Fellowship & Masters in Public Health Comments: Excellent references from top attorneys available upon request.

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Early Working Draft Raw Materials, Creative Works, and Cultural
Early Working Draft Raw Materials, Creative Works, and Cultural Hierarchies Andrew Gilden In disputes involving creative works, courts increasingly ask whether a preexisting text, image or persona has been used as “raw material” for new authorship. If so, the accused infringer becomes shielded by the fair use doctrine under copyright law or a First Amendment defense under right of publicity law. Although copyright and right of publicity decisions have begun to rely heavily on the concept, neither the case law nor existing scholarship has explored what it actually means to use something as “raw material,” whether this inquiry adequately draws lines between infringing and non- infringing conduct, or how well it maps onto the expressive values that the fair use doctrine and the First Amendment defense aim to capture This Article reveals serious problems with the raw material inquiry. First, a survey of all decisions invoking raw materials uncovers troubling distributional patterns; in nearly every case the winner is the party in the more privileged class, race or gender position. Notwithstanding courts’ assurance that the inquiry is “straightforward,” distinctions between raw and “cooked” materials appear to be structured by a range of social hierarchies operating in the background. Second, these cases express ethically troubling messages about the use and reuse of text, image and likeness. The more offensive, callous and objectionable the appropriation, the more visibly “raw” the preexisting material is likely to be. Given the shortcomings of the raw material inquiry, this Article argues that courts should engage more directly with an accused infringer’s actual creative process and rely less on a formal comparison between the two works in dispute.
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Carole Lieberman, M.D., M.P.H
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