Party of the Year

Total Page:16

File Type:pdf, Size:1020Kb

Party of the Year SOCIAL SAFARI | by R. COURI HAY Ariana Madonna @ Rockefeller, Raising Malawi Hannah Selleck and Georgina Bloomberg @ NY Botanical Garden Winter Wonderland Ball Event planner Harriette Rose Katz @ Animal Ashram Anne Hathaway @ NY Botanical Prince Pavlos, Garden Princess Marie- Winter Chantal and Wonderland Princess Olym- Bal pia of Greece and Denmark graced Gstaad Board Members Audrey and Martin Gruss @ Lincoln Center Fund Gala, Georgina Chapman honoring Carolina Herrera hosted a dinner in Gstaad PARTYGstaad,Valentino, Georgina OF Chapman, THE Botanical Garden, CarolinaYEAR Herrera, Karolína Wilbur Ross, Madonna & Animal Ashram Kurková @ Raising Malawi TEARS OF A CLOWN artwork by Damien Hirst, Ai Weiwei, Julian Schnabel, Cindy Sher- If parties could win an Oscar, then Madonna’s Raising Malawi baccha- man, Richard Prince, Steven Meisel and a piece by Tracey Emin, nal would take home top honors for 2016. It was a night of a hundred who beamed from the audience when it sold for $550,000. Karolína stars including Leonardo DiCaprio, Adriana Lima, A-Rod, Donna Kurková sold a diamond snake by Bulgari to Prince Alexander von Karan, Len Blavatnik, Jeremy Scott, Natasha Poly, Alexander Gilkes, Furstenberg for $180,000, but only afer she ofered to lick the serpent. P. Diddy, Calvin Klein, Ron Burkle and David Blaine, who smirked Ooh la la! When a Fiat 500 came on the block, she slapped Agnelli as he swallowed a broken wineglass. Tey all played a role in this night heir Lapo Elkann, saying, “Tis car has been arrested along with its of fun, performance and mischief. Madonna’s 11-year-old son, David owner.” Ouch! Banda, whom she adopted from the tiny African nation, said, “I’d like to introduce you to this clown that I call mom.” In a room decorated DONALD TRUMPS BED like a circus tent, the radiant Material Girl used her wicked tongue (she After The Late Late Show host James Corden introduced hilarious sets kissed and twerked with Ariana Grande) and wild antics (she gave lap by Dave Chappelle and Chris Rock, Madonna came back and con- dances) to raise $7.5 million to build a children’s hospital in Malawi. fessed, “Dating is hard. It’s weird to think the love of your life might Sean Penn helped get the riotous auction rolling when he jumped on- not even be born yet,” adding, “I’m very single and haven’t had sex stage, handcufed Madonna and crawled through her legs to help sell in a long time,” before she launched into an inspired set that ranged a trio of their wedding photographs by Herb Ritts. “For once, he’s not from her own “Holiday” to Britney Spears’ “Toxic,” as pictures of The the one being arrested,” Her Madgesty quipped, before confessing “I’m Donald flashed behind her. The Queen of Pop revealed, “I’ve been in still in love with you, in fact I think I love you more now that we’re Donald Trump’s bed,” but professed it was “only for a magazine shoot divorced.” Penn countered with, “As Americans, we’re used to serving and Trump wasn’t there.” Then she took a dig at his sheets, exclaiming, either a queen or a clown, but I’m used to doing both.” Tis unique “They weren’t Egyptian cotton, because we all know how he feels about strategy racked up $230,000 for the photographs. Other items included Muslims, don’t we.” Meow! MCMULLAN ©PATRICK 112 | AVENUE MAGAZINE • AVENUE ON THE BEACH • FEBRUARY 2017 SOCIAL SAFARI Carolina Guest @ Animal Ashram THE THREE HUNDRED The evening felt like a private affair because 80 percent of the 300 people already knew each other. Tickets ranged from $5,000 (no guarantee of a seat) to $150,000 for a table, but don’t quibble: you got a single plate of French fries (to share) as the only course. Madonna closed the four-hour extravaganza saying, “They think I’m controversial, but the most controversial thing I’ve done is stick around for 34 years.” Want more? There was an after party with Paris Hilton, Rosario Dawson and Courtney Love. At 4 a.m., Madonna swept in and had a tête-a-tête with Sean Penn. What happened after that, only they know, but the Blond Ambition singer wasn’t found handcuffed to her bed; then again, she had the key. MARCHESA TAKES GSTAAD Marchesa designer Georgina Chapman and Harvey Weinstein had a dinner for director Quentin Tarantino at Gstaad’s Palace Hotel, which at 104 remains the life and soul of the village. Patricia and Henry Hay’s dashing son, Julian Hay, lead the young set to the hotel’s notorious GreenGo nightclub, where all the ritzy students from Le Rosey dance until dawn. Regulars in this tiny alpine enclave include Val- entino, who entertained Prince Pavlos and Princess Marie-Chantal of Greece and their daughter, Princess Maria-Olympia of Greece; Naty Abascal; Mar- gherita Missoni; and Tatiana Santa Domingo at his Chalet Giferhorn. Other regulars at the very private Eagle Club include Prince Nikolaos of Greece and Denmark and Princess Tatiana, Pia Getty, Lady Liliana and Lord William Cavendish, Janna Bullock and Roman Polanski. Te Alpina Hotel, the ul- trachic newcomer favored by Tarantino and Elton John, is a must-do for their Sixth Sense Spa experience and New Year’s Day brunch, as well as the end-of- the-year freworks extravaganza orchestrated by owners Marcel Bach, Jean- Larry Wohl and Leesa Claude Mimran and his sons David and Nachson Mimran. Rowland@ Animal Ashram CHEERS AT DOUBLES Hilary Geary and Wilbur Ross got more attention than Santa Claus at Jay and Anne Hearst McInerney and George Farias’ festive party at Doubles. Princess Tatiana and Ross confded they had gotten a house suitable for entertaining in Washington, Prince Nikolaos of where he will become secretary of commerce. Mufe Potter Aston said that Greece and Denmark do Gstaad Hilary will be “the hostess with the mostess in DC.” In the mix were Patricia Hearst Shaw, Michael and Tara Rockefeller, Candace Bushnell, Agnes Gund, Diandra Douglas, Judith Giuliani, Carol Mack, Deborah Norville, Donna Tartt, Hunt Slonem, Amanda Hearst, Robert Zimmerman, Carol Alt, Chuck Scarborough, Ann Dexter-Jones, Wendy Carduner and 200 others more or less just like them. WINTER WONDERLAND BALL Anne Hathaway led the perfumed pack to the New York Botanical Garden’s Win- Alexandra ter Wonderland Ball. Te night showcased their Holiday Train Show winding Valentino Lebenthal through a sprawling landscape of iconic New York landmarks made of natural and entertains Sharon Naty Abascal materials. Among those enjoying a sumptuous dinner by Starr Catering Group Bush @ in Gstaad Animal were Gillian Hearst Simonds, Natalie and Georgina Bloomberg, Kick Kennedy, Ashram Ariana Rockefeller, Alexandra Lebenthal, Cristina Cuomo, Whitney Fairchild, Alexandra Lind Rose, Ben Diamond and Emil Gotshall. Te Garden is one of our city’s treasures and should be visited every season. nybg.org ANIMAL ASHRAM Cornelia Guest and Leesa Rowland organized a beneft for Animal Ashram, which helps homeless pets fnd forever families. Miss Guest served a vegan dinner with Urbani trufes for 80, paired with Dom Ruinart champagne and Whispering Sibylle Eschapasse Angel rosé. Guests included Prince Dimitri of Yugoslavia, Sharon Bush, Jennifer and entrepreneur Royce Pinkwater Creel, Somers and Jonathan Farkas, artists Peter Max and Robert Cenedella, unveil $25 million Maggie Norris, Patrick McMullan, Dr. Chris Calapai, and others of that ilk and townhouse @ 14th East 11th Street stripe. Chef Josh Tanner of New York Prime Beef prepared Kobe and Wagyu ✦ steaks for the carnivores. animalashram.com MCMULLAN ©PATRICK 114 | AVENUE MAGAZINE • AVENUE ON THE BEACH • FEBRUARY 2017 .
Recommended publications
  • Early Working Draft Raw Materials, Creative Works, and Cultural
    Early Working Draft Raw Materials, Creative Works, and Cultural Hierarchies Andrew Gilden In disputes involving creative works, courts increasingly ask whether a preexisting text, image or persona has been used as “raw material” for new authorship. If so, the accused infringer becomes shielded by the fair use doctrine under copyright law or a First Amendment defense under right of publicity law. Although copyright and right of publicity decisions have begun to rely heavily on the concept, neither the case law nor existing scholarship has explored what it actually means to use something as “raw material,” whether this inquiry adequately draws lines between infringing and non- infringing conduct, or how well it maps onto the expressive values that the fair use doctrine and the First Amendment defense aim to capture This Article reveals serious problems with the raw material inquiry. First, a survey of all decisions invoking raw materials uncovers troubling distributional patterns; in nearly every case the winner is the party in the more privileged class, race or gender position. Notwithstanding courts’ assurance that the inquiry is “straightforward,” distinctions between raw and “cooked” materials appear to be structured by a range of social hierarchies operating in the background. Second, these cases express ethically troubling messages about the use and reuse of text, image and likeness. The more offensive, callous and objectionable the appropriation, the more visibly “raw” the preexisting material is likely to be. Given the shortcomings of the raw material inquiry, this Article argues that courts should engage more directly with an accused infringer’s actual creative process and rely less on a formal comparison between the two works in dispute.
    [Show full text]
  • Carole Lieberman, M.D., M.P.H
    CAROLE LIEBERMAN, M.D., M.P.H. l FORENSIC PSYCHIATRIST l EXPERT WITNESS l LEGAL CONSULTANT l Winning record in Civil & Criminal Cases! ALL cases (Plaintiff & Defense) involving psychiatric issues/emotional distress, including: • High Profile Cases • Entertainment Law/Media Copycats • Sexual Harassment • Discrimination/Wrongful Termination • Divorce/Custody • Abuse: Sexual, Physical & Emotional • Malpractice/Wrongful Death • Child/Adolescent issues • Personal Injury/Equestrian/Other Sports • Terrorism/Violence/Murder • Police and Priest Misconduct • Elder Abuse/Will Contestation PRIOR CASES INCLUDE: Michigan v. Kelli Stapleton (attempted murder of autistic daughter) California v. Redmond O’Neal • LEGAL ANALYST: TV, RADIO, (drug felony) Plaintiffs v. James Arthur Ray PRINT (CNN, HLN, ABC, CBS, (Sedona sweat lodge homicide) NBC, FOX) Minor v. Kid Nation (reality TV → emotional distress) Terri Schiavo • BOARD CERTIFIED PSYCHIATRIST appeal Nevada v. Floyd Mayweather • CLINICAL FACULTY U.C.L.A. (domestic violence) Michigan v. Jonathan Schmitz • CONSULTANT TO CONGRESS (Jenny Jones Talk Show murder trial) Celebrity Divorces: Roseanne Barr, Jim Carrey, Jean Claude Van Damme • CA MEDICAL BOARD EXPERT School Shootings: victims’ families v. media Tate v. Larry Johnson/Stacey Augman (NBA paternity and assault) Vega et al v. Catholic Archdiocese of L.A. (priest molestation) Psych out the opposition! 204 South Beverly Drive, Suite 108, Beverly Hills, CA 90212 (310) 278-5433 (310) 457-5441 [email protected] and • (Please see reverse for recommendations from attorneys) Here’s what your colleagues are saying about Carole Lieberman, M.D. Psychiatrist and Expert Witness: “I have had the opportunity to work with the “I have rarely had the good fortune to present best expert witnesses in the business, and I such well-considered testimony from such a would put Dr.
    [Show full text]
  • Cybex by Jeremy Scott
    CYBEX BY JEREMY SCOTT - CYBEX präsentiert internationale Fashion Kollaboration Heutzutage sind Kinderwagen und Babysitze mehr als nur sichere Transportmittel für Babys und Kinder. Immer mehr Eltern sind auf der Suche nach einem Style-Statement, das sie bei allen Großstadtabenteuern begleitet. Nach der ersten, sehr erfolgreichen Fashion Kollaboration mit dem Modellabel Lala Berlin hat sich CYBEX ein weiteres Mal vorgenommen, für dieses Lebensgefühl die idealen Begleiter zu kreieren. Um eine einzigartige und aufsehenerregende Kollektion zu kreieren, ist niemand besser geeignet als das Enfant Terrible der Fashion Szene - Jeremy Scott. Das Ergebnis ist eine fröhliche Fusion von Pop Art und Prêt-a-Porter mit einer unverwechselbaren Prise Jeremy Scott. Auf leuchtend blauem Grund hat der Designer seine Idee eines "Food Fights" designt. Mutiges Popcorn kämpft gegen einen angriffslustigen Burger und eine schicke Sodaflasche fordert den toughen Hotdog zum Kampf heraus. So ist der definitiv stylischste Kampf aller Zeiten entstanden. Zu seiner Inspiration äußert sich Jeremy Scott "Es fing mit dem Gedanken bzw. dem englischen Begriff "Food Fight" an, was manchmal in den Filmen der 80er Jahre vorkommt. Da ist z. B. eine Cafeteria Szene, in der ein Schüler mit Pizza auf Jemanden wirft. Dieser wirft wieder etwas und dann ein anderer und plötzlich werfen alle mit Essen herum. Ich begann also darüber nachzudenken, wie es aussehen würde, wenn Essen wirklich kämpfen könnte." Den unverwechselbaren Print der CYBEX by Jeremy Scott Kollektion wird das luxuriöse Callisto 3-in-1 System und den leichten Onyx Buggy noch ein bisschen extravaganter machen. Die neue Babyschale Aton 3 und die Babytrage 2.GO werden zu einem fröhlichen Begleiter auf den Straßen der hipsten Städte.
    [Show full text]
  • Profiles in Style
    PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ.
    [Show full text]
  • Cybex by Jeremy Scott
    CYBEX BY JEREMY SCOTT CYBEX présente une collaboration mode internationale Bien plus qu’un moyen de transport sûr pour les plus petits, poussettes et sièges auto se font aujourd’hui les complices stylés des parents, accompagnant petits et grands dans leurs aventures urbaines. Après une première collaboration couronnée de succès avec la marque de mode Lala Berlin, CYBEX s’est à nouveau attaché à imaginer le compagnon idéal de ce lifestyle contemporain, s’associant pour l’occasion à l’enfant terrible de la mode, Jeremy Scott. À la clé, une collection inédite et spectaculaire, joyeuse fusion du pop-art et du prêt-à- porter, signature de Jeremy Scott. Sur un bleu éclatant, le designer a imprimé sa vision d’un "food fight" : de courageux pop-corn luttent contre un impressionnant hamburger, alors qu’une élégante bouteille de soda défie un hot-dog coriace… Sans doute la bataille de nourriture la plus fun et la plus stylée jamais créée. Derrière ce design, une inspiration ludique, comme l’explique Jeremy Scott : "Tout a commencé avec une réflexion sur le terme "food fight", qui désigne les batailles parfois représentées dans les films des années 80. Dans une scène se déroulant dans une cafétéria, par exemple, un élève lance une part de pizza à quelqu'un. Puis il jette un autre morceau, et quelqu'un d'autre se met à le faire, puis tout à coup tout le monde se met à lancer de la nourriture. J'ai commencé à imaginer à quoi cela pourrait ressembler si la nourriture pouvait vraiment se battre !" L'imprimé emblématique de la collection CYBEX by Jeremy Scott offre ainsi au luxueux système Callisto 3-en-1 et au buggy léger Onyx une petite touche d’extravagance..
    [Show full text]
  • Exhibition Advisory
    ^ exhibition advisory Exhibition: Reigning Men: Fashion in Menswear, 1715–2015 On View: April 10–August 21, 2016 Location: BCAM, Level 2 (Image captions on page 5) (Los Angeles — January 12, 2016) The Los Angeles County Museum of Art (LACMA) presents Reigning Men: Fashion in Menswear, 1715–2015, a major survey exploring the history of men’s fashionable dress from the 18th to the early 21st century. Re- examining the frequent association of “fashion” with “femininity,” the five thematic sections of the exhibition’s 300-year survey—Revolution/Evolution, East/West, Uniformity, Body Consciousness, and The Splendid Man—reveal that early fashion trends were informed by what men were wearing, as much as they were by women’s dress. In the 18th century, the male aristocrat wore a three-piece suit conspicuous in make and style and equally as lavish as the opulent dress of his female counterpart; the 19th-century dandy made famous a more refined brand of expensive elegance; the 20th-century mod relished in colorful and modern styles; and the 21st century man—in an ultra-chic suit by day and a flowered tuxedo by night—redefines today’s concept of masculinity. Reigning Men makes illuminating connections between history and high fashion, tracing cultural influences over the centuries, examining how elements of the uniform have profoundly shaped fashionable dress, and revealing how cinching and padding the body was, and is, not exclusive to women. The exhibition, featuring 200 looks drawn mostly from LACMA’s renowned permanent collection of costume and textiles, celebrates a rich history of restraint and resplendence in menswear.
    [Show full text]
  • Fame Us Introduction
    FAME US INTRODUCTION Brian Howell A while ago, I started taking pictures of celebrity impersonators after a string of chance encounters with look-alikes. When I began researching the subject, I had no idea that so many people made a living at it. I became intrigued, and as a result, this project was born. I attended a number of conventions for the celebrity imper- sonator industry; there are two major gatherings a year: Las Vegas in the spring and Orlando, Florida in the fall. The impersonators are there to showcase their tal- ent and to network with others in the industry; the conventions are like any other, except that on any given day, you might see George W. Bush hamming it up with Ozzy Osbourne, or bump into Marilyn Monroe wearing her dress from The Seven Year Itch, except there is no subway air vent to blow it up to her waist. Impersonation is a full-time career for many of the people who appear in this book. Some of them make a great living at it, including a few who look more like the ce- lebrity they impersonate than the actual celebrity himself. While getting to know them better, I’ve learned that the biggest misconception about impersonators is that they are somehow obsessed fans desperate to physically become the celebrity they impersonate. But I never met anyone like that. On the contrary, many imper- sonators got into the business because of others—those passersby on the street who stop and stare, and ask, “Has anyone ever told you you look like…?” Simply put, and not in a derogatory way, impersonators are opportunistic, taking advan- tage of a culture with an insatiable, uncontrollable thirst for celebrity and all that it entails.
    [Show full text]
  • FESTIVAL to the Volcanoes of Auvergne – Unforgettable
    InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels.
    [Show full text]
  • ENTERTAINMENT WEEKLY Interview for Not Making It Clear That He Wasn't the Father of the Baby She Miscarried Last May
    Love's Story The combative singer-actress embarks on a legal skirmish with her record label that may change what it means to be a rock star. Oh, and she also has some choice words about her late husband's bandmates, her newfound ancestry, Russell Crowe, Angelina Jolie... By Holly Millea | Mar 25, 2002 Image credit: Courtney Love Photographs by Jean Baptiste Mondino COURTNEY LOVE IS IN A LIMOUSINE TAKING HER FROM Los Angeles to Desert Hot Springs on a detox mission. "I've been on a bit of a bender after 9/11," she admits. "I've got a lot of s--- in me. I weigh 147 pounds." Which is why she's checking into the We Care colonic spa for five days of fasting. Slumped low in the seat, the 37-year-old actress and lead singer of Hole is wearing baggy faded jeans, a brown pilled sweater, and Birkenstock sandals, her pink toenails twinkling with rhinestones. On her head is a wool knit hat - 1 - that looks like something she found on the street. Last night she sat for three hours while her auburn hair extensions were unglued and cut out. "See?" Love says, pulling the cap off. "I look like a Dr. Seuss character on chemo." She does. Her hair is short and tufty and sticking out in all directions. It's a disaster. Love smiles a sad, self-conscious smile and covers up again. Lighting a cigarette, she asks, "Why are we doing this story? I don't have a record or a movie to promote.
    [Show full text]
  • A Denial the Death of Kurt Cobain the Seattle Police Department
    A Denial The Death of Kurt Cobain The Seattle Police Department Substandard Investigation & The Repercussions to Justice by Bree Donovan A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2014 i Abstract Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain‟s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being on the cover of Rolling Stone magazine wasn‟t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero. The musician- a reluctant hero at best, but one who took a dark, frightening journey into another realm, to emerge stronger, clearer headed and changing the trajectory of his life.
    [Show full text]
  • 11090389 Stony Brook Foundation Annual Report to Donors 28 Stony Brook Foundation Annual Report to Donors 29
    STONY BROOK FOUNDATION ANNUAL REPORT TO DONORS FISCAL YEAR 2010-2011 MESSAGE FROM THE PRESIDENT CONTENTS extend my sincerest thanks to each and every one of our fiscal year 2010-2011 donors. Your generosity continues to provide Stony Brook MESSAGE FROM THE PRESIDENT 1 I University with the resources we need to make a difference in the class- MESSAGE FROM THE 2 room, the laboratory, and at the patient’s bedside, as well as in the cultural, FOUNDATION CHAIRMAN technological, and economic life of our region. We greatly appreciate your commitment to us. THE YEAR IN REVIEW 4 Stony Brook’s promising students look to our donors with gratitude for BOARD OF TRUSTEES 7 continuing to strengthen our ability to serve as a world-class research DONORS OF DISTINCTION 8 university. From fostering academic excellence across a broad spectrum of Samuel L. Stanley Jr., M.D. Association of American Universities-caliber programs to providing the means REPORT ON COMBINED FINANCIAL STATEMENTS 24 for talented candidates to earn their degrees at a prestigious institution, you can be proud of the active role you have chosen to take in our success—and in the lives and careers of our alumni long after they graduate. As donors, you also can look with pride to your support of Stony Brook’s faculty and the impact that they are having on both our students and our collective knowledge. In a span of just a few months last year, for example, our faculty’s research was recognized through the $1 million Abel Prize in Mathematics; the R&D 100 Award for an energy-harvesting shock absorber; three American Association for the Advancement of Science Fellowships for groundbreaking work in infectious diseases, ecology, and nuclear physics; and three Guggenheim Fellowships to further innovative work in religious studies, linguistics, and political science.
    [Show full text]
  • Contradictionary Lies: a Play Not About Kurt Cobain Katie
    CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE Bachelor of Arts in English/Dramatic Arts Cleveland State University May 2012 Master of Arts in English Cleveland State University May 2015 submitted in partial fulfillment of requirements for the degree MASTER OF FINE ARTS IN CREATIVE WRITING at the NORTHEAST OHIO MFA and CLEVELAND STATE UNIVERSITY May 2018 We hereby approve this thesis For KATIE WALLACE Candidate for the MASTER OF FINE ARTS IN CREATIVE WRITING degree For the department of English, the Northeast Ohio MFA Program And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ________________________________________________________________ Thesis Chairperson, Imad Rahman ____________________________________________________ Department and date _________________________________________________________________ Eric Wasserman _____________________________________________________ Department and date ________________________________________________________________ Michael Geither ____________________________________________________ Department and date Student’s date of defense April 19, 2018 CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE ABSTRACT Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy,
    [Show full text]