Demo Competition V470 Individuals Somewhere, 4

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Draw of Riders Draw of Riders Demo Competition v470 Individuals Somewhere, 4. April 2021 Session 1 Session 2 Session 3 Heat 1 Heat 1 Heat 1 Jay Leno Justin Timberlake Neil Diamond Bruce Willis Elton John Tiger Woods George Lopez Ozzy Osbourne Elton John Nicole Kidman Bob Hope Tom Cruise Angelina Jolie Ben Stiller Johnny Depp Charles Bronson Brooke Shields Eric Clapton Michelle Pfeiffer Charles Bronson Farrah Fawcett Heat 2 Heat 2 Heat 2 Tiger Woods Tom Cruise Jodie Foster Brooke Shields Elizabeth Hurley Courteney Cox Richard Hammond Natalie Portman Nicole Kidman Jennifer Lopez Paris Hilton Ben Affleck Robbie Williams Courteney Cox Carmen Electra Chris Evans Gwen Stefani Elizabeth Hurley Halle Berry Halle Berry Bob Hope Heat 3 Heat 3 Heat 3 Ben Affleck Michelle Pfeiffer Paris Hilton Jodie Foster Jennifer Lopez Natalie Portman Farrah Fawcett Neil Diamond Richard Hammond Paris Hilton Angelina Jolie George Lopez Natalie Portman Carmen Electra Ben Stiller Tom Cruise Richard Hammond Chris Evans Heat 4 Heat 4 Heat 4 Gwen Stefani Eric Clapton Gwen Stefani Justin Timberlake Farrah Fawcett Michelle Pfeiffer Elizabeth Hurley Jay Leno Ozzy Osbourne Neil Diamond Nicole Kidman Charles Bronson Bob Hope Ben Affleck Bruce Willis Eric Clapton George Lopez Justin Timberlake GamesPro v4.7.0 page 1 of 2 Created: 28.11.2020 Draw of Riders Draw of Riders Demo Competition v470 Individuals Somewhere, 4. April 2021 Session 1 Session 2 Session 3 Heat 5 Heat 5 Heat 5 Johnny Depp Tiger Woods Jennifer Lopez Courteney Cox Chris Evans Angelina Jolie Ben Stiller Johnny Depp Robbie Williams Elton John Jodie Foster Halle Berry Carmen Electra Bruce Willis Jay Leno Ozzy Osbourne Robbie Williams Brooke Shields GamesPro v4.7.0 page 2 of 2 Created: 28.11.2020.

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Early Working Draft Raw Materials, Creative Works, and Cultural
Early Working Draft Raw Materials, Creative Works, and Cultural Hierarchies Andrew Gilden In disputes involving creative works, courts increasingly ask whether a preexisting text, image or persona has been used as “raw material” for new authorship. If so, the accused infringer becomes shielded by the fair use doctrine under copyright law or a First Amendment defense under right of publicity law. Although copyright and right of publicity decisions have begun to rely heavily on the concept, neither the case law nor existing scholarship has explored what it actually means to use something as “raw material,” whether this inquiry adequately draws lines between infringing and non- infringing conduct, or how well it maps onto the expressive values that the fair use doctrine and the First Amendment defense aim to capture This Article reveals serious problems with the raw material inquiry. First, a survey of all decisions invoking raw materials uncovers troubling distributional patterns; in nearly every case the winner is the party in the more privileged class, race or gender position. Notwithstanding courts’ assurance that the inquiry is “straightforward,” distinctions between raw and “cooked” materials appear to be structured by a range of social hierarchies operating in the background. Second, these cases express ethically troubling messages about the use and reuse of text, image and likeness. The more offensive, callous and objectionable the appropriation, the more visibly “raw” the preexisting material is likely to be. Given the shortcomings of the raw material inquiry, this Article argues that courts should engage more directly with an accused infringer’s actual creative process and rely less on a formal comparison between the two works in dispute.
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