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BODACC-B 20090176 0001 P000.Pdf
o Quarante-troisième année. – N 176 B ISSN 0298-2978 Samedi 12 et dimanche 13 septembre 2009 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE Standard......................................... 01-40-58-75-00 DIRECTION DES JOURNAUX OFFICIELS Annonces....................................... 01-40-58-77-56 Renseignements documentaires 01-40-58-79-79 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-58-79-20 www.journal-officiel.gouv.fr (8h30à 12h30) www.bodacc.fr Télécopie........................................ 01-40-58-77-57 BODACC “B” Modifications diverses - Radiations Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Ventes et cessions .......................................... Créations d’établissements ............................ @ Procédures collectives .................................... ! BODACC “A” Procédures de rétablissement personnel .... Avis relatifs aux successions ......................... * Avis de dépôt des comptes des sociétés .... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Extelia, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services, Cartegie, La Base Marketing, Infolegale, France Telecom Orange et Telino. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction des Journaux officiels. Le numéro : 2,50 € Abonnement. − Un an (arrêté du 21 novembre 2008 publié au Journal officiel du 27 novembre 2008) : France : 367,70 €. Pour l’expédition par voie aérienne (outre-mer) ou pour l’étranger : paiement d’un supplément modulé selon la zone de destination ; tarif sur demande Paiement à réception de facture. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Destination Eurovision Que France 2 Programmera En Prime Pendant Plusieurs Semaines
EUROVISION 2018 1 EUROVISION 2018 RENDEZ-VOUS POUR UNE 63ÈME SAISON EXCEPTIONNELLE ! « TOUS A BORD » POUR L’EUROVISION 2018 ! Suite à la victoire écrasante de Salvador Sobral en mai dernier, c’est à Lisbonne, sur la scène de l’Altice Arena, que sera organisée l’édition 2018 du grand concours européen de la chanson. La France sera évidemment de la partie avec un artiste et une chanson qui seront cette année choisis par le public via le talent show inédit Destination Eurovision que France 2 programmera en prime pendant plusieurs semaines. Deux chaines couvriront l’événement en direct : France 4 diffusera les demi-finales tandis que France 2 diffusera la finale. Soutenez la France et découvrez le gagnant de l’Eurovision 2018 ! 2 3 EUROVISION 2018 UN ÉVÉNEMENT FÉDÉRATEUR DEPUIS PLUSIEURS DÉCENNIES L’Eurovision est le divertissement le plus regardé au monde En 2017, l’Eurovision a été retransmis à travers 47 pays, ainsi que sur Youtube en direct 23 millions d’euros : c’est le budget prévus pour l’organisation du Concours 2018 + 1 500 chansons ont été interprétées à l’Eurovision depuis sa création Source : 4 EUROVISION 2018 TOUS A BORD ! 63ème Édition Du 8 au 12 mai 2018 43 pays représentés Altice Arena : le stade de 20 000 places accueillera le Concours européen de la chanson 5 EUROVISION 2018 UN SHOW PUISSANT A TRAVERS LE MONDE +182 millions de téléspectateurs à travers le monde en 2017* + 8,5 millions de vues en replay à travers le monde 25% de part d’audience en France (+4,7M de téléspectateurs) 98% de part d’audience en Islande (150 000 téléspectateurs) 64% de part d’audience aux Pays-Bas (+4M téléspectateurs) 33% de part d’audience au Portugal (+1,4M de téléspectateurs) Source : *Cumulé sur les 3 émissions dans les 42 pays ayant participés à l’émission. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Asian American Romantic Comedies and Sociopolitical Influences
FROM PRINT TO SCREEN: ASIAN AMERICAN ROMANTIC COMEDIES AND SOCIOPOLITICAL INFLUENCES Karena S. Yu TC 660H Plan II Honors Program The University of Texas at Austin May 2019 ______________________________ Madhavi Mallapragada, Ph.D. Department of Radio-Television-Film Supervising Professor ______________________________ Chiu-Mi Lai, Ph.D. Department of Asian Studies Second Reader Abstract Author: Karena S. Yu Title: From Print to Screen: Asian American Romantic Comedies and Sociopolitical Influences Supervisor: Madhavi Mallapragada, Ph.D. In this thesis, I examine how sociopolitical contexts and production cultures have affected how original Asian American narrative texts have been adapted into mainstream romantic comedies. I begin by defining several terms used throughout my thesis: race, ethnicity, Asian American, and humor/comedy. Then, I give a history of Asian American media portrayals, as these earlier images have profoundly affected the ways in which Asian Americans are seen in media today. Finally, I compare the adaptation of humor in two case studies, Flower Drum Song (1961) which was created by Rodgers and Hammerstein, and Crazy Rich Asians (2018) which was directed by Jon M. Chu. From this analysis, I argue that both seek to undercut the perpetual foreigner myth, but the difference in sociocultural incentives and control of production have resulted in more nuanced portrayals of some Asian Americans in the latter case. However, its tendency to push towards the mainstream has limited its ability to challenge stereotyped representations, and it continues to privilege an Americentric perspective. 2 Acknowledgements I owe this thesis to the support and love of many people. To Dr. Mallapragada, thank you for helping me shape my topic through both your class and our meetings. -
Does Winning Eurovision Impact a Country's Economy? Kendall Bard University of Tennessee, Knoxville, [email protected]
University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange University of Tennessee Honors Thesis Projects University of Tennessee Honors Program 5-2018 Does Winning Eurovision Impact a Country's Economy? Kendall Bard University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Economics Commons Recommended Citation Bard, Kendall, "Does Winning Eurovision Impact a Country's Economy?" (2018). University of Tennessee Honors Thesis Projects. https://trace.tennessee.edu/utk_chanhonoproj/2160 This Dissertation/Thesis is brought to you for free and open access by the University of Tennessee Honors Program at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in University of Tennessee Honors Thesis Projects by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Does Winning Eurovision Impact a Country’s Economy? Kendall Bard Advisor: Dr. Holladay Global Leadership Scholars, Class of 2018 Bard 2 Table of Contents Introduction ............................................................................................................... 3 Contest History and Participants ............................................................................... 6 Voting and Entries .................................................................................................... 9 Win and Host History ............................................................................................ -
Gambling with an Asian Plot a Hollywood Comedy, Which Has Broken Barriers, Is Set for Its Mainland Debut, Xu Fan Reports
Thursday, November 29, 2018 19 LIFE CHINA DAILY HONG KONG EDITION Romance comedy Crazy Rich Asians is a watershed hit that could change the way Asian faces are perceived in Hollywood. PHOTOS PROVIDED TO CHINA DAILY Gambling with an Asian plot A Hollywood comedy, which has broken barriers, is set for its mainland debut, Xu Fan reports. or most critics in the West, the romance come dy Crazy Rich Asians is a watershed hit that could Fchange the way Asian faces are It doesn’t have to be perceived in Hollywood. The movie — a modern Cinder about being Asian, ella story — is the first major Hol Chinese or Ameri lywood studio film with an all Asian cast in 25 years since The can. It is just about Joy Luck Club in 1993, and is set to open across the Chinese main all the different pie land theaters. The $30 million movie, which ces that make up has pulled in $174 million in North America in the past two your unique identity.” months, is now the highestgross ing romance comedy in the Jon M. Chu, world’s largest movie market in a director of Crazy Rich Asians decade. Aside from its commercial suc But will the Chinese mainland cess, Crazy Rich Asians — which audience buy this idea? opens in China on Friday — has As of Tuesday, Crazy Rich also received mainly positive Asians had seen its bookings total reviews on review sites, exempli 847,000 yuan ($121.900), accord fied by 92 percent critic reviews ing to live boxoffice tracker Mao reckoning it “fresh” on Rotten yan. -
OSIM International
Consumer Discretionary / Singapore OSIM SP Consumer Discretionary / Singapore 10 August 2015 OSIM International OSIM International Target (SGD): 1.88 Upside: 10.3% OSIM SP 7 Aug price (SGD): 1.71 Initiation: the second coming 1 Buy • Premium retailer in the healthy lifestyle segment; share price is 2 Outperform (initiation) down 40.6% since end-July 2014 3 Hold • Net profit should pick up by 15.4% and 9.8% for 2016-17E, 4 Underperform driven by new product launches and the growing tea business 5 Sell • Initiating with Outperform (2) rating and 12-month TP of SGD1.88 (13.5% above the consensus mean) How do we justify our view? ■ Catalysts likely because we are more bullish New products. OSIM launched its on its tea business. latest massage chair, the uMagic, in 2Q15, and the results have been ■ Risks encouraging, with this product The key risks to our positive call Shane Goh boosting overall revenue growth to would be: 1) a poor take-up rate for (65) 6499 6546 6.4% QoQ for 2Q15 and net profit new products, and 2) delays in store [email protected] growth to 66.1% QoQ. In 2H15, OSIM openings. plans to release the uDiva Classic, the sequel to its existing massage sofa. ■ Investment case The uDiva Classic would have a lower The share price of OSIM, a retailer price of SGD1,999 (vs. SGD2,588 for Share price performance of premium lifestyle products such the uDiva). (SGD) (%) 2.9 105 as massage chairs and luxury tea, is down by 40.6% in the past year. -
Serving Humanity, Saving Lives Annual Report 2011 SINGAPORE RED CROSS SOCIETY
Serving Humanity, Saving Lives SINGAPORE RED CROSS SOCIETY annual report 2011 Vision Mission To realise the Singapore Red Cross as a leading and The SRC is dedicated to protecting human life and dignity, distinctive humanitarian organisation that brings people relieving human suffering and responding to emergencies. and institutions together in aid of the vulnerable. Our Core Values Compassion Passion Professionalism Fundamental Principles • Humanity • Impartiality • Neutrality • Independence • Voluntary Service • Unity • Universality Chairman’s Report 2 Our Governance 4 Compassion Organisation Chart 5 Passion Financial Overview 7 Professionalism Key Achievements in 2011 8 Significant Events in 2011 10 Fundamental Principles Serving our Local Community 12 Serving our International Community 21 Funding the Services of Red Cross 26 Engaging the Community 30 Investing in the Future 32 Financial Statements 37 Committees 67 A year in review Chairman’s report The complexities and challenges of 2011 • Trained and certified 8,187 individuals and the public to mobilise resources have given us a glimpse of how adversity in first aid, a 20% increase from 2010, and respond to these emergency crisis can unleash the best of humanity. bringing us a step closer to the national situations. We look forward to your When we launched a fundraising goal of a first aider in every home. continued support. appeal for the victims of the earthquake • Increased our capacity to provide long- and tsunami in Japan, the response from term care for more severely disabled at POISED TO DO MORE, AND DO BETTER Singaporeans was overwhelming. People Red Cross Home for the Disabled at its As we look to the year ahead, what do we from all walks of life came forward and gave new premise at Family Link @ Lengkok need to do to further our mission? It is critical generously. -
MOST POPULAR CATEGORY NOMINEES (Open for Public Voting)
APPENDIX 2 – MOST POPULAR CATEGORY NOMINEES (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 罗志祥 Show Luo 2 林宥嘉 Yoga Lin 3 林俊杰 JJ Lin 4 卢广仲 Crowd Lu 5 周杰伦 Jay Chou 6 王力宏 Wang Lee Hom 7 方大同 Khalil Fong 8 陈奕迅 Eason Chan 9 黄靖伦 Huang Jing Lun 10 萧敬腾 Jam Hsiao B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 ( 阿密特) A-Mei 2 萧亚轩 Elva Hsiao 3 张芸京 Zhang Yun Jing 4 孙燕姿 Stefanie Sun 5 梁静茹 Fish Leong 6 徐佳莹 Lala Hsu 7 杨丞琳 Rainie Yang 8 张韶涵 Angela Chang 9 梁文音 Liang Wen Yin 10 蔡依林 Jolin Tsai 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 伍家辉 Wu Jiahui 2 Olivia Ong Olivia Ong 3 孙燕姿 Stefanie Sun 4 林俊杰 JJ Lin 5 阿杜 A-Do 6 蔡健雅 Tanya Chua 7 蔡淳佳 Joi Chua 8 陈伟联 Chen Weilian 9 何维健 Derrick Ho 10 黄靖伦 Huang Jing Lun D. e 乐人气乐团 Most Popular Band 1 五月天 Mayday 2 苏打绿 Soda Green 3 纵贯线 Superband 4 F.I.R. F.I.R. 5 Tizzy Bac Tizzy Bac E. e 乐人气组合 Most Popular Group 1 SHE SHE 2 飞轮海 Fahrenheit 3 BY2 BY2 4 大嘴巴 Da Mouth 5 棒棒堂 Lollipop F. e 乐人气海外新人 Most Popular Regional Newcomer 1 郭书瑶 ( 瑶瑶) Yao Yao 2 张芸京 Zhang Yun Jing 3 潘裕文 Peter Pan 4 徐佳莹 Lala Hsu 5 纵贯线 Superband 6 棉花糖 KatnCandiX2 7 黄鸿升 ( 小鬼) Alien Huang (Xiao Gui) 8 谢和弦 Chord 9 袁咏琳 Cindy Yen 10 梁文音 Liang Wen Ying 2 G. -
Janvier Février Mars
JANVIER FÉVRIER MARS SALLE DE MUSIQUES ACTUELLES DE STRASBOURG CLIO CHANSON FRANÇAISE · 10 JAN DAVID BRESSAT JAZZ · 16 JAN AKSHAM JAZZ · 21 JAN Feat. Elina Duni DAVID LAFORE CHANSON FRANÇAISE · 15 FÉV SAGES COMME MUSIQUE DU MONDE · 7 MARS DES SAUVAGES MISC JAZZ · 19 MARS KENNEDY, MILTEAU & SÉGAL CROSSBORDER BLUES BLUES · 27 MARS THE AMAZING KEYSTONE JAZZ · 3 AVR BIG BAND We love Ella MACHA GHARIBIAN JAZZ · 7 AVR THE YOKEL FOLK ROCK · 30 AVR DJAZIA SATOUR MUSIQUE DU MONDE · 6 MAI SHAÏ MAESTRO JAZZ · 7 MAI PRINTEMPS DU FLAMENCO 18–30 MAI Licences Catégorie 1: 111 49 50 / 111 49 51 / 111 49 53 – Catégorie 2 : 111 49 54 - Catégorie 3: 111 49 52 49 111 3: Catégorie - 54 49 111 2 : Catégorie – 53 49 111 / 51 49 111 / 50 49 111 1: Catégorie Licences © Cercle Studio. Studio. © Cercle WWW.VILLE-SCHILTIGHEIM.FR . 03 88 83 84 85 SAISON 19 20 SCHILTIGHEIM CULTURE A I T L E R I A E L A TOP 160 L CHANSON FRANÇAISE R CLIO 10 JAN R · T P «STARS FRANCOPHONES E F T A C DAVID BRESSAT JAZZ · 16 JAN PASSÉES EN 25 ANS DE LAITERIE ! *CLASSEMENT FAIT PAR LE BOOKINGMEISTER AKSHAM JAZZ · 21 JAN Feat. Elina Duni AARON C2C 2007 . 2010 . 2015 - ELECTRO POP MELANCOLIQUE 2012 - ELECTRONICA TRIP HOP ALTERNATIF HIP HOP CHANSON FRANÇAISE DAVID LAFORE 15 FÉV ABD AL MALIK CHARLELIE COUTURE · 2006 - RAP JAZZ SLAM CHANSON 1997 - CHANSON POP SAGES COMME MUSIQUE DU MONDE AIR CHARLOTTE GAINSBOURG · 7 MARS 1998 . 2001 . 2010 -ELECTRONICA DOWNTEMPO SPACE ROCK DREAM POP 2012 - ELECTRO POP ROCK DES SAUVAGES ALAIN BASHUNG CHINESE MAN 2003 .