Doilu 1 Otf &Uffu Qfu M&Fwal(Mm J

Total Page:16

File Type:pdf, Size:1020Kb

Doilu 1 Otf &Uffu Qfu M&Fwal(Mm J doilu 1 otf &Uffu Qfu m&fwal(mm J -- -p , I 'Pussy Cats' purrs : r with ex-Beatl- es' help Record review by Chuck Strinz Pussy Cats by Harry Nilsson. Harry Nilsson has come out with yet another good album. This time it's Pussy Cats, produced by John Lennon and featuring the likes of Keith Moon (from The Who), Jim Keltner and Sneeky Pete (both of Joe Cocker's Mad and Jim Horn ft " Dogs Englishmen), (Layla i it and others), Ringo Starr, Klaus Voorman, and of course, John Lennon. Lennon first became acquainted (and obsessed) with Harry back in '68 when they met in Surrey, England. Nilsson .had just finished recording his first album which included a collection of Beatle songs melted together into a musical collage. Several of Nilsson's LPs have featured performances of ex-Beatl- es and seeniinalv thousands of other artists and arouos have recorded Nilsson tunes (Yardbirds, Monkees, Bad-finge- r, The Herb Sweat and . Turtles, Alpert, Blood, i s Tears and on and on and on). A The voice of Harry Nilsson is often heard crossing the boundaries of rock, country-wester- n, easy listening, and jazz, as well as three octaves. He is the King of Overdub and has been known to record a Nilsson choir Judy Zimmerman and Roger Johnson " In a School For Wives" playing of some ninety voices (all his own). Lennon says Harry tonight, Wednesday and Saturday at Howell Memorial Theatre. Nilsson is his favorite group. Lennon's influence is evident on Pussy Cats, especially on the cut, "Subterranean Homesick Blues." a 1965 Dylan song. Several other cuts are remakes of Theatre oldies. "Loop de Loop" contains a goodly amount of the Nebraska Repertory Chubby Checker spirit, "Save the Last Dance for Me" includes a great parody of the old voice over music heart-to-hea- rt lyric recitation, and the final cut, "Rock to close its seventh season Around the Clock," (about the 846th version) ends appropriately. This week the Nebraska Repertory The Nebraska Repertory off ict.al'y Nilssorj's inability to take himself seriously makes its Theatre closes its seventh season. begins with the acceptance of applica- appearance on "B'lack Sails," a song about a girl with Today through Saturday, Lincoln aud- tions in March. Highly competitive so many veins in her leqs they look like maps ("You're iences will have their last chances to see auditions in the beginning of the so veinyYou probably think this map is about either Moliere's The School For Wives, summer get the bal more visabiy you"(.The album also features a performance by the Harold Pinter's The Birthday Party, or roiling. Each of the four productions is Masked Alberts Orchestra, whatever that is. On an David Bell's Cohan is a Grand Old in rehearsai for about six weeks and it is album by a man who is know to have listed Harrison Name. The fourth production in the the challenge for the company to brinq ' " s and Starr on the Dredits as George Harrysong and'' year's repeftoryr-Rick-Besoyan- 's Llttlo' it aft together by the tiffie WTr'sTow'-open- i r ,!.-- Richie Snsyra, well, which former Be&ttr-- cotltf oh Mary Sunshine, closed. Saturday. in the last week in June,.r . ,- Masked Albert? It's of course, but pure speculation, The of why not? Every other ex-Bea- tle has popped up on one The Nebraska Theatre unique problems repertory Repertory of theatre is, a different show Nilsson Album or another; why not McCartney? Company draws both local and national style (that talent to Lincoln for the summer. The every night) must also be reckoned with. Sets for all the shows must be able to be is funded Dy the UNL, cultural events professional company as as the scedule city University, the Nebraska Arts Council, changed quickly National Endowment for the Arts demands and must be easily and listed in booklet the stored while other shows are 'lively' and box office receipts. compactly The "Lively Arts at UNL," a listing of cultural events playing. to this In Lincoln is available free students again year. Lis Lewis, a technician with the This summer the Nebraska Repertory The booklet includes a chronological listing and who has been associated with art company' Theatre was scheduled for 51 perfor- pynianatinns of music, theater, dance, film, and the theatre company for several years, 28 academic mances from June through August events and guest speakers during the year, noted that "every year it gets better," 31. general editor Dennis Ellermeier said. She suggested that it is exciting for both It centers on campus events, he said, but includes the actors and regular audiences to see Following its last performance in major community activities such as those by the how the individual actors respond to the Lincoln, The School For Wives will Community Playhouse, Community Concerts and different and varied roles they piay tour Nebraska for a week. Dunng this Lincoln Symphony, he said. during the summer. fourth annual tour the company will visit The booklet Is much like its predecessor last year, four or five Nebraska communities and Ellermeier said, but the events it reports have Lewis also indicated that the concen- perform in gymnasiums, outdoor arenas of 14 several or suitable facilities. Improved. tration hour work days and other ' The booklets are distributed free in dormitories, in repeated performances of the same School For Wives will piay tonight. booths and at the program office in the Nebraska Union show not only produces excellent Wednesday and Saturday. Cchan is a and at Kimball Recital Hall. productions but also a core of exper- Grand Old Name will play Tues-ja- and, It is complied by the University of Nebraska-Lincol- n ienced people who continue with the Friday. And Birthday Party wdl pi.i on Cultural Affairs Committee. University during the school year and Thursday. All shows begin at B pm at It is subsidized by the University' Alumni Associa- help maintain the excellence of the Howell Memorial Theatre. Ail reserved tion, event sponsors and miscellaneous sources, University Theatre productions. seats are $2.50. Ellermeier said. Anima! Crackers, the 1930 Marx films whose showings are attem'p- - But the fact remains trat to' movie has 4CU iihCut the benefit cf a new ad . Brother's (men second) " e ,w t t ... Animai been around a long time but its angle or pandering publicity. But funnier movies than the M.irx ? recent re-relea- se (after years of that's another story. Brothers. The direct Marx af frontal legal, distribution hassles) has sent on dignified social norms - Crackers' hordes of slavering Marx fanatics and, somehow, hs fitting and countless others back into the a commentary on our own tr1'. : as theaters. The Marx's cult is huge, ukow t was in their depression and sometimes it's difficult to greg Vrs. revives belive that one of the Brothers, (According to Groucho, marriage, is still around. He is was an institution "put over or irm Groucho, i American when cw arx-ist- s perhaps the wittiest senile old man people toys in the world. were over there.") Who kntvr., seven-ccr- .t 1 Groucho's Eight of the first 1 Marx films perhaps have been shown at some or nickei is the answer to aM cif place m'lation another in Lincoln during the past problems. to Animal Crackers is not the best few years. They have proven be Marx film. It is a bit too movies" that consis- stagey (like the only "old their first, Cocoanuts, it was taken The Sheldon Film Theatre lo- draw in a broad of 1974-7- 5 tently spectrum from their successful Broadway gins its season Tuesuay, moviegoers to downtown theaters. the wierd sets Wednesday and Thursday with the of never-endin- g production: (note , This speaks well the and fake thunder and first in itj semester-lon- g serif-- of that Groucho, Chico, lightning) appeal and some of their comedy scenes documentary films. Shown this Harpo and Sometimes Zeppo (but suffer from lack of week is Sunseed, a film uy never still command. But together the Gummo) camera, editing and sound flexibil- Frederick Cohn. Also scheduled is in another sense it points out the common to the sound a short feature, Evolution of a meets thr? few other old ity early fate that films. Yogi. J 13 monday, august 28, 1974 daily nebraskan pago.
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Floor Debate February 22, 2018
    Transcript Prepared By the Clerk of the Legislature Transcriber's Office Floor Debate February 22, 2018 [LB220 LB256 LB299 LB702 LB717 LB743 LB747 LB750 LB766 LB773 LB775 LB936 LB953 LB957 LB1035 LB1069 LB1073 LR319] PRESIDENT FOLEY PRESIDING PRESIDENT FOLEY: Good morning, ladies and gentlemen. Welcome to George W. Norris Legislative Chamber for the thirty-first day of the One Hundred Fifth Legislature, Second Session. Our chaplain for today is Pastor Bobby Johnston from the Freedom Baptist Church in Stamford, Nebraska, Senator Hughes' district. Please rise. PASTOR JOHNSTON: (Prayer offered.) PRESIDENT FOLEY: Thank you, Pastor Johnston. I call to order the thirty-first day of the One Hundred Fifth Legislature, Second Session. Senators please record your presence. Roll call. Mr. Clerk, please record. CLERK: I have a quorum present, Mr. President. PRESIDENT FOLEY: Thank you, Mr. Clerk. Are there any corrections for the Journal? CLERK: I have no corrections. PRESIDENT FOLEY: Thank you, sir. Are there any messages, reports, or announcements? CLERK: Mr. President, the Business and Labor Committee chaired by Senator Albrecht reports LB957 to General File with committee amendments. Agriculture Committee chaired by Senator Brasch reports LB766 to General File. I also have two confirmation reports from the Agriculture Committee. An announcement. The Revenue Committee will have an Executive Session today at 11:00...or excuse me, at 10:00, Room 2022. Revenue at 10:00. That's all that I have, Mr. President. (Legislative Journal pages 707-710.) [LB957 LB766] PRESIDENT FOLEY: Thank you, Mr. Clerk. (Visitors and doctor of the day introduced.) Now proceeding to the first bill.
    [Show full text]
  • Love As a Fictitious Commodity: Gift-For-Sex Barters As Contractual Carriers of Intimacy
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Repository and Bibliography - Luxembourg Sexuality & Culture (2013) 17:598–616 DOI 10.1007/s12119-012-9162-1 ORIGINAL PAPER Love as a Fictitious Commodity: Gift-for-Sex Barters as Contractual Carriers of Intimacy Christopher S. Swader • Olga Strelkova • Alena Sutormina • Viktoria Syomina • Volha Vysotskaya • Irene Fedorova Published online: 7 December 2012 Ó Springer Science+Business Media New York 2012 Abstract Gift-for-sex (GFS) barters are a niche practice potentially representing the commodification of everyday dating practices. We inquire how GFS exchanges are practiced and understood in contemporary Russia. Second, we situate these in relation to contemporary economic culture. Our project provides answers in two steps based on online content. First, we identify GFS exchange practices within a major dating website. Next, we take the signals exchanged in those dating profiles and display their intersubjective meanings in Russia based on blogs and discussion fora. Our analysis focuses on gender roles and inter-gender conflicts, the use of economic jargon, the link between luxury consumption and sexuality, and under- standings of gift-giving and generosity, in order to show how GFS barters, despite being contractual, carry emotional and romantic content. As such, love is under a constant conversion process, through the medium of the contractual gift, into the fictitious commodity form. Keywords Compensated dating Á Fictitious commodification Á Gift-exchange Á Post-socialist transformation Á Economic jargon Á Sexuality Introduction How does the modern economic culture influence intimate social relationships? Classically oriented scholars have investigated the ways in which capitalism, consumerism, or money are in constant tension with core human sociality.
    [Show full text]
  • 1974 Timeline
    1974 (Excerpted from Solo in the 70s by Robert Rodriguez © 2014) January Topping the US singles chart: “Time In A Bottle” by Jim Croce “The Joker” by Steve Miller “Show and Tell” by Al Wilson “You’re Sixteen” by Ringo Starr On the airwaves: “One Tin Soldier” by Coven “Sister Mary Elephant” by Cheech and Chong “Smokin’ In The Boys Room” by Brownsville Station Topping the US album chart: The Singles: 1969-1973 by The Carpenters Albums released this month include: Court and Spark by Joni Mitchell Sundown by Gordon Lightfoot Hotcakes by Carly Simon The Way We Were by Barbra Streisand January – Beginning this month and running through till February, Paul and Wings work on Mike McGear’s album at 10CC’s Strawberry Studios Tuesday 8 – The Early Beatles, Capitol’s abridgment of Please Please Me, is finally certified gold nearly eleven years after its issue Monday 28 – “Jet”/“Mamunia” (Apple 1871; peaks at #7) Thursday 31 – Paul and Linda appear on the cover of Rolling Stone Thursday 31 – Film producer Samuel Goldwyn dies at 94 February 1974 Topping the US singles chart: “The Way We Were” by Barbra Streisand “Love’s Theme” by Love Unlimited Orchestra On the airwaves: “Doo Doo Doo Doo Doo (Heartbreaker)” by the Rolling Stones “Americans” by Byron MacGregor “Let Me Be There” by Olivia Newton-John Topping the US album chart: You Don’t Mess Around With Jim by Jim Croce Albums released this month include: Radio City by Big Star Can’t Get Enough by Barry White Rock ‘n’ Roll Animal by Lou Reed What Were Once Vices Are Now Habits by the Doobie Brothers
    [Show full text]
  • The Owl, Vol. 8, No. 2 Santa Clara University Student Body
    Santa Clara University Scholar Commons The Owl SCU Publications 10-1873 The Owl, vol. 8, no. 2 Santa Clara University student body Follow this and additional works at: http://scholarcommons.scu.edu/owl Part of the Fiction Commons, Nonfiction Commons, and the Poetry Commons Recommended Citation Santa Clara University student body, "The Owl, vol. 8, no. 2" (1873). The Owl. Book 36. http://scholarcommons.scu.edu/owl/36 This Book is brought to you for free and open access by the SCU Publications at Scholar Commons. It has been accepted for inclusion in The Owl by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ()W VOl. VIII. OCT()BER, 1873. i\'o. 2. THE ST.A.rrES1\fA.N'S DREAJVL (W. P. VEUVE, Mental Philosophy.) B ~A.z O N E D ' high amid the records of the pillared dome of Fame, With a lustre ever brightening, shines Iny praised illy honored nan.1c. Far and wide my deeds are sounded, in the hearty Saxon tongue; Thousands for my beck have waited, thousands on my accents hung. Fortune's favor on me showers all the gifts my soul can crave: Wealth is mine: more never miser hoarded yet in secret cave. Friends surround me, strong in numbers, true in faith as tempered steel; Ready, or with hand or fortune, to . b ~ s t i r them for n1Y weal. Think'st thou then, 0 gentle stranger, that il1y lot 111U.st happy be? Nay, but list, tbe while I tell thee of a dream that haunted I11e] "Twas a fair autumnal evening, not so very long ago; Ah l distinctly I remember how the shadows 'gan to grow.
    [Show full text]
  • THE LOST LENNON TAPES Megatree Liners Index
    THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200
    [Show full text]
  • HARRY NILSSON's "PUSSY CATS" Heard in Ages and Manages to Take a Few Mild Satiric Pot Shots at Carly Simon, Among ...And How They Sounded Others)
    communicate all that much, and although I can dig it on its own recycling level, I can't help preferring the kind of artist who deals in more bedrock human concerns than pop music and its creator's relationship to it. So what about the new album? Well, as you may have gathered by now, it contains nothing I'm going to be listening to after my three or four times through it for the sake of my reviewer's conscience. It opens with a passable rendition of Jimmy Cliff's beautiful Many Rivers to Cross,which has a nice neo- Spector production from John (in the vein of hislast album), dead catchy guitar figures, and a vocal by Harry that is an obvious par- ody of John's Primal Screaming-at once hilariously accurate and inappropriate to the song. There's a remake ofRock Around the Clock thatis both 1974 -heavy and almost slavishly accurate but stillwill not cause anyone to rip out theater seats, a Dylan tune treated in the manner ofJump into the Fire asheavy-metal jungle boogie, a symphonic work-out ofSave the Last Dance for Me that in its own way is equally as dreadful and sans soul as the recent hit cover version by the (gasp!) DeFranco Family, and some light bits of whimsey penned by Harry that have made next to no impression on me at all (except forBlack Sails,which has one of the most gorgeous string arrangements I've HARRY NILSSON'S "PUSSY CATS" heard in ages and manages to take a few mild satiric pot shots at Carly Simon, among ...and how they sounded others).
    [Show full text]
  • Sara's Addiction, Television, and Self-Mediation in Hubert Selby Jr
    “‘IN THE END ITS ALL NICE’: SARA’S ADDICTION, TELEVISION, AND SELF- MEDIATION IN HUBERT SELBY JR.’S REQUIEM FOR A DREAM” James Derek Payseur A Thesis Submitted to the University of North Carolina Wilmington in Partial Fulfillment Of the Requirements for the Degree of Master of Arts Department of English University of North Carolina Wilmington 2007 Approved by Advisory Committee Mark Boren Michael Wentworth Nicholas Laudadio Chair Accepted by ______________________________ Dean, Graduate School TABLE OF CONTENTS ABSTRACT.......................................................................................................................... iii ACKNOWLEDEMENTS..................................................................................................... iv DEDICATION...................................................................................................................... v CHAPTER I.......................................................................................................................... 1 Selby and His Style........................................................................................................... 1 CHAPTER II......................................................................................................................... 26 The Cultural Construction of Sara’s Selves and the Influence of Television................... 26 CHAPTER III ....................................................................................................................... 58 The Destruction of Sara’s Selves.....................................................................................
    [Show full text]
  • The World of Beatle Fandom
    Written by BILL HARRY Produced by Colourgold Ltd, 80 Bell St, NWl. 01-402 8586, Distributed by Comag, West Drayton, Printed by: Chromoworks Ltd,Wigman Rd., Aspley, Nottingham. 1940-1980 orn October 9th, 1940 in At the art school John was popular with the Liverpool, died December 8th, girls and opted for one in particular: Cynthia 1980 in New York. The cruel Powell. Later, when she became pregnant, they hand of fate shut the door on the married secretly. He also met Stuart Sutcliffe, a talent of the best-loved musician talented artist who was to make a lasting of the Western world when the impession on him. Stu joined the band, now called Btragic killing of John Lennon occurred outside the The Silver Beatles. They made a short tour of Dakota Building in New York that fateful day Scotland and, with the addition of drummer Pete almost two years ago. Of all the Beatles, he was Best, set off for Hamburg. His exploits abroad the one on whom people had bestowed the title with the group became more important than the of 'genius'. college and he never returned. He was more than just a singer, a guitarist, one Together with Paul, he was the 'idol' of the fans, half of the Lennon/ McCartney songwriting team: although Paul became the main target of the girls' he was a working class hero, a rebel, a writer - affections when Julian was born and the marriage and his sometimes eccentric activities provided a details were revealed in the press. John was then touch of colour to many people's lives - although able to bring Cynthia and Julian to London and we mustn't forget the years of abuse he received bought variO\JS houses, ending up in the when he teamed up with Yoko, the ugly hustling stockbroker's belt in Weybridge.
    [Show full text]
  • Jpm4444's Favorite Tweet Book
    jpm4444's Favorite Tweet Book Compiled By Wolfgang Plattner˜. jpm4444 Wolfgang Plattner˜ aka @WolfgP1 Vienna, Austria All content © Wolfgang Plattner˜. All rights reserved. 2010 April Thursday, 22nd of April. 15:49:22 @Evan_Guerin i'm not angry, i am wondering what the world is coming to when my father can hire cops and walk into my apt w/out notice By:lindsaylohan 16:12:53 Thanks @ParisHilton for leaving your car in my driveway WITHOUT the keys and blocking my car in! By:NickyHilton 16:24:59 Soooo close to tasting @PMarizzle !! http://tweetphoto.com/19480692 By:AvyScottXXX 16:54:57 Stopping by my favorite lingerie shop to get the newest sets! By: jenxstudios 18:01:14 The first person to correctly guess what my favorite lingerie shop/brand is gets a signed 8x10!!!! By:jenxstudios 18:20:11 @ dannydutch guessed it first! It's Agent Provocateur!! I have every set they've done for the last 5 years! By:jenxstudios 18:42:34 Driving without your shoe on feels so awkward By:ConradHilton 18:54:00 http://twitpic.com/1hlnyt - With Jerry Brown in Salinas announcing gang member arrests from warrants issued to more than 40 gang members By:Schwarzenegger 18:55:27 At @greenday in nyc! Glad to be back in fla!! But had a blast.. Thoughts?? I LOVE the glove lol http://tweetphoto.com/19496681 By:serenawilliams 19:36:07 Some of my jewelry samples were delivered today. Soooo happy! They look amazing! :) By: NickyHilton 19:41:16 Anna Karina at DGA tomorrow?!!! So sad I'll be missing it, but I'll be having fun with @G4tv :D By:SashaGrey 20:09:14 oh and as for the rediculous tmz bs "concerned" father interview, i must correct michael lohan when i say that Aliana IS watched with a By:lindsaylohan 20:09:58 with and by a guardian AT ALL TIMES...
    [Show full text]
  • Calliope Spring 1957
    Calliope (1954-2001) Volume 4 Issue 2, Spring 1957 Article 1 Spring 1957 Calliope Spring 1957 Follow this and additional works at: https://scholarworks.wmich.edu/calliope Part of the Creative Writing Commons Recommended Citation (1957) "Calliope Spring 1957," Calliope (1954-2001): Vol. 4 , Article 1. Available at: https://scholarworks.wmich.edu/calliope/vol4/iss2/1 This Complete Issue is brought to you for free and open access by the English at ScholarWorks at WMU. It has been accepted for inclusion in Calliope (1954-2001) by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. CALLIOPE Volume IV, No. 2 Editor: James Keats Business Manager: Harold Males Make-up Editor: Richard Hauck Staff Artist: Pauline Hylkema Staff James Bull, Terry Caszatt, Jerome Cartwright, Dorothy Coyne, Lola DeLong, Bryce Forester, Frank Friedman, Karen Gernant, Douglas Hodgman, James Kahler, Gretchen Mall and John Murphy. Faculty Advisers: Dr. Edward Elsasser and Dr. John Woods. CONTENTS AND CONTRIBUTORS Prose Two For The Price of One, page 3 Harold Males Green and White Love, page 7 Richard Hauck My Melody, page 15 James Loch Hometown Girl, page 25 Jeremiah Halbert The Pills, page 30 John E. Rathbun Sam, page 33 Harold Males The Elevator, page 36 Sandra Lawrence Poetry The Keeper, page 2 Douglas Hodgman And When in Silent Years, page 2 Philip Greco A Fling at Lunacy, page 6 Douglas Hodgman Chanson de Printemps, page 9 Diane Peacock A Reckoning, page 10 Philip Greco My Solo, page 16 Anna Fable Far-Away Blues, page 28 E. G.
    [Show full text]
  • The Legendary Sideman
    THE L EGENDARY SI DEMAN WOODWIND PLAYER JIM HORN IS ONE of the world’s greatest session musicians. Few, if any, living musicians can boast such stellar credits: Elvis and Elton. Sinatra and Sting. Waylon and Wynonna. The Stones, the Who, Bob Dylan, and all four members of the Beatles. He was once told by Bruce Springsteen that he is, in fact, a legend. Horn made his mark in the ’60s as part of the Wrecking Crew, the famed Los Angeles studio team. There he played on countless hits, often contributing immortal melodic hooks. He relocated to Nashville in 1983, where he remains a tireless sideman, playing on hit after hit and crisscrossing the globe with high-profile tours and sessions. Fresh off a United States and Canadian tour with Kenny Chesney, the affable Horn shared recollections of some of his most memorable collaborations. SWINGING WITH SINATRA. “We’d spend a whole session rehearsing, so when Sinatra came in at 7:00 p.m., all we’d have to do is play it through and not make mistakes. He always started by coming over to say hi to the horns. He’d say, ‘Nice to have you here. Just call me Frank. See that bar over there? Go have one drink, and that's it. Then get your asses back here, and I'll try to knock out the songs for you so you guys won't hurt your chops.’ A couple of us had a drink, but most of us were afraid to drink before we had to work.” 26 27 “YAMAHA INSTRUMENTS PRACTICALLY PLAY FOR YOU.
    [Show full text]