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Cambridge University Press 978-1-107-01237-0 - Music and the Exotic from the Renaissance to Mozart Ralph P. Locke Index More information

Index

acting, 12, 14, 19, 50, 53, 97, 117, 139, 149, 169, Solo Violin, BWV 1004 (D minor), 131; St. 170, 172, 190, 193, 208, 231, 232, 252, 271, John Passion, 127, 198; St. Matthew Passion, 274, 310, 317, 322 198, 199 aesthetics, 13, 34–42, 133, 141, 208–10, 240, bagpipe, 98, 132, 161, 162, 166, 196, 324–26 ballad, 11, 105, 108, 109, 171, 173, 269, 272 Africa, 4, 10, 39, 49, 51, 53, 56, 60, 64, 65, 72, 75, ballet, 3, 4, 6, 8, 10, 19, 28, 33, 34, 35, 55, 78, 93, 78, 86, 93, 105, 115, 117, 129, 130, 140, 143, 94, 103, 105, 114, 115, 116, 117, 128, 129, 146, 156, 161, 173, 187, 223, 229, 241, 243, 132, 134, 135, 139–64, 165, 175, 208, 217, 265, 267, 280, 282, 283, 308, 317, 323 222, 227, 232, 241, 242, 267, 269, 274, 276, Albania, 14, 15, 16, 57, 58, 223, 256, 320, 321, 277, 278, 279, 280, 304, 322; comédie-ballet, 323 208, 222–23, 224, 226, 229, 302 “All the Music in Full Context” Paradigm, 20, barbarian, 48, 84, 217 21, 25, 163, 351; deﬁned, 19–27 bastinado, 65, 226 allegory, 11, 201, 205, 230 Beaumarchais, Pierre, 304–6 allusion, 10, 37, 174, 184, 185, 201, 218, 265, Beethoven, Ludwig van, 18, 36, 77, 133, 283, 323 267, 272, 305, 372 n. 104 Behn, Aphra, 87, 228 Amazons, 39, 142, 166, 169, 218, 223, 263 bird, 38, 72, 130, 141, 248 America, 10, 16, 23, 33, 35, 76, 77, 78, 81, 91, 93, Bohemian, 31 104, 113, 115, 147, 149, 161, 163, 174, 187, Boston, 191 204, 231, 236, 267, 280, 281, 283, 323; see also Brazil, 53, 84, 88, 91, 97, 114, 187, 323 Brazil; Caribbean; Mexico; Native Brockes, Barthold Heinrich, 199 Americans; Peru Buxtehude, Dieterich, 184, 187; Wo ist doch animals, 35, 59, 62, 72, 79, 91, 121, 156, 174, mein Freund geblieben? (BuxWV 111), 184 175, 182, 183, 313, 314, 359, 363; see also bird; horse Campra, André, 116, 232, 243, 322; Carnaval Arabs, 7, 9, 10, 23, 42, 47, 48, 49, 51, 52, 53, 56, de Venise, 234; L’Europe galante, 234 57, 65, 68, 70, 72, 86, 88, 93, 94, 96, 124, 140, Capece, Carlo Sigismondo, 260 147, 182, 194, 207, 218, 223, 224, 244, 287, Caribbean, 10, 75, 76, 77, 149, 161, 204, 216, 288, 292, 299, 303, 321 227, 235, 247, 269, 271, 272, 273, 282, 283 Ariosto, Ludovico, 5, 6, 52, 218, 243, 244, 261, castanets, 127, 129, 132, 143 262, 377 Catherine de’ Medici, 88, 92 Aristotle, 37, 43, 48, 90 Cavalli, Francesco, 49; Bradamante, 175; Arnold, Samuel, 281 Giasone, 191, 220; Veremonda, amazzone di Asia, 4, 18, 53, 64, 78, 146, 149, 156, 284, 285, Aragona, 218 286, 287, 306; see also China; India; Japan Cesti, Antonio, 176, 216, 365, 373 and Japanese; Middle East; Persia and Chabeaussière, Chevalier de la, 282 Persians; Philippines chaconne, 32, 35, 113, 115, 117, 125, 128–31, Aztecs, 77, 95, 148, 229, 230, 231, 259, 260 132, 176, 229, 235 Charlemagne, 51 Bach, Johann Sebastian, 18, 114, 127, 188, 192, Charles IX, 92 193, 198–201; Brandenburg Concerto no. 1, China, 131, 190, 191, 223, 248, 249, 257, 279, 133; Christmas Oratorio, 195; Notenbüchlein 283, 284, 286, 300 für Anna Magdalena Bach, 308; Partita for Cicognini, Giacinto Andrea, 220 445

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01237-0 - Music and the Exotic from the Renaissance to Mozart Ralph P. Locke Index More information

446 Index

Cigna-Santi, Vittorio Amadeo, 260 Music in Full Context” Paradigm; “Exotic Circassia, 213, 295 Style Only” Paradigm civilization, 50, 92, 171, 232, 241 “Exotic Style Only” Paradigm, 20, 21, 23; Cleopatra, 128, 253, 254, 263, 270, 321 deﬁned, 17–19 climate, 48, 72, 341 Colman, George, 281 Favart, Charles Simon, 292, 295, 302 competition, 10, 57, 77 food, 270, 273, 276 conquest, 34, 53, 84, 94, 204, 231, 265 four corners of the world, 149 Constantinople, 5, 51, 52, 56, 186 Fux, Johann Jacob; Partita turcaria, 357 contredanse, 134 Fuzelier, Louis, 34, 238 Cook, Captain James, 98, 232, 274 Corelli, Arcangelo, 195 Galuppi, Baldassare, 250, 380; L’inimico delle Corneille, Thomas, 62, 239 donne, 284 costumes, sets, and staging, 10, 14, 19, 21, 22, Gay, John, and Johann Christoph Pepusch; 25, 36, 53, 115, 117, 123, 124, 135, 142, 155, The Beggar’s Opera, 272–73 156, 163, 169, 175, 176, 188, 190, 192, 208, gender and gender relations, 10, 19, 232, 241, 300, 318 62, 65, 73, 129, 130, 153, 217, 227, 230, 271, cultural history, 27 282, 284 culturescape, ethnic, 232, 282, 322, 323 Gluck, Christoph Willibald von, 132, 278, 279, 286, 296–98, 322; Iphigénie en Dalayrac, Nicolas, 282, 322; Azémia, ou, le Tauride, 39, 49; La halte des Calmouckes, nouveau Robinson, 281–83 279; La rencontre imprévue, 299, 300; Le dance, 3, 7, 8, 9, 10, 11, 12, 19, 22, 24, 25, 34–35, cinesi, 284 40, 88, 93, 96, 113–35, 139, 140–42, 143, 144, Grétry, André, 282, 288, 322; La caravane du 146, 147, 149, 150, 154, 155–59, 161, 163, Caire, ou, L’heureux esclavage, 302; Le 164, 166, 170, 171, 174, 175–80, 187, 194, Huron, 281; Zémire et Azor, 295 208, 214, 222–23, 227, 229, 235, 236, 245, 252, 254, 263, 274, 278, 279, 282, 283, 290, Handel, George Frideric, 74, 193, 199, 205, 262, 300, 303, 317, 325 270, 325; Belshazzar, 127, 193, 203; Concerto Dowager ballet, 144, 147, 148, 152, 159, 160, 162 Grosso Op. 6, no. 3, 133; Floridante, 262, drink, 65, 104, 108, 109, 143, 310 264; Giulio Cesare, 128, 253–56, 323; Israel in Dryden, John, 229, 231, 240 Egypt, 192; Judas Maccabeus, 203; Messiah, 192, 195; operas (general), 250–53; oratorios Eastern Europe, 47; see also Poland and Poles; (general), 201; Orlando, 260, 261; Poro, 256, Russia and Russians; Ukraine 271; Riccardo Primo, 265; Rinaldo, 14, 117, Egyptians, 128, 143, 150, 174, 192, 193, 202, 128, 240, 263; Samson, 205; Saul, 194; Serse, 207, 241, 253, 256, 304, 313, 314, 315, 317 49, 252; Solomon, 201; Tamerlano, 57, 258; Elizabeth I, queen of England, 76 Teseo, 252; Theodora, 195 empire, 9, 28, 33, 53, 75, 77, 81, 84, 86, 88, 91, harem women, 20, 68, 144, 257, 292, 294, 302, 93, 94, 95, 98, 142, 147, 204, 231, 267, 270, 306 273, 280, 281, 284 harem, operas about, 271, 308–11 England, colonies of, 203, 204 harmony, 27, 98, 216, 298, 299 Enlightenment, 72, 73, 77, 92, 238, 260, 261, Haydn, Franz Joseph, 36, 133, 299, 322, 273, 274, 281, 282 330 n. 29, 383 n. 18, 386 n. 9 entrée, 93, 116, 129, 139, 141, 142, 144, 146, Haym, Nicola, 253 149, 150, 152, 154, 156, 157, 159, 161, 164, Herodotus, 48, 169, 248, 252, 253 222, 232, 234, 235, 236, 237, 276 Hiller, Friedrich Adam, 302 Eszterházy family, 76 “Hindostannie airs,” 99 Ethiopia and Ethiopians, 49, 140, 147, 174, 183, homosexuality (male), 65, 170, 293 269 horse, 48, 53, 169, 175, 185, 217, 251 Euripides, 48, 220, 221 humanism, 47, 73–74, 84 exotic, exoticism (term, concept, paradigms), Hungary and Hungarians, 7, 18, 20, 32, 57, 58, 17–25, 27–33, 324–26; see also “All the 80, 132, 278, 283, 286

Index 447

Incas, 227, 235, 237 Middle East, xx–xxi, 64–74, 284–308; see also India, 60, 75, 86, 99, 143, 152, 174, 223, 241, Arabs; harem, operas about; Muslims; sul- 248, 265, 304 tan; Turkey and Turks Indians, 10, 12, 35, 80, 82, 88, 146, 149, 155, 156 Milton, John ; Samson Agonistes, 205 intermedio (intermezzo, intramezzo), 79, 125, missionary work, 10, 91, 191 165, 166, 169, 175, 263 Montaigne, Michel de, 75, 91, 94 Ireland and Irish, 64, 108, 142, 171 Montesquieu, Charles de, 391; Lettres Islam, see Muslims persanes, 299 Monteverdi, Claudio, 96, 125, 250; “La mia Japan and Japanese, 17, 190, 267, 276 turca, che d’amor,” 168; “Nigra sum,” 183; Jem, 374 L’incoronazione di Poppea, 268; Orfeo, 39, Jennens, Charles, 203 209, 210, 270; Vespro della beata Vergine, Jews and Judaism, xxi, 3, 5, 30, 33, 35, 50, 51, 183 56, 60, 62, 72, 73, 77, 78, 81, 95, 170, 171, “Moor,” multiple meanings of, 53, 122, 288, 314 172, 184, 188, 189, 194, 197, 198, 200, 271, Moreau, Jean-Baptiste, 189 327 moresca (dance), 114, 115, 117–25, 135, 160, Jonson, Ben, 142, 147, 155, 356, 358 165, 166, 171 moresca (vocal piece about Moors, plural Kapsberger, Johann Hieronymus: Apotheosis, moresche), 39, 170–71 190 Morrell, Thomas, 203 key (tonality), 27, 157 Moscow, 283, 296 motet, 182, 183, 187 Lassus, Orlande de, 170; Videntes stellam magi, Motte, Houdar de La, 234 182 Motteux, Peter Anthony, 265 Le Cerf de la Viéville, Jean-Laurent, 245 Mozart, Leopold, 26, 308 Lesage, Alain-René, 296, 298 Mozart, Wolfgang Amadeus, 16, 18, 250, 292, literacy, 92, 108 296, 302, 308–11, 322, 323; Così fan tutte, London, 96, 108, 113, 117, 240, 251, 261, 264, 227, 308, 318–22; Die Entführung aus dem 265, 268, 274, 276, 280, 296 Serail, 26, 37, 288, 299; letters, 26–27; Le Louis XIII, 84, 144, 147, 158 nozze di Figaro, 132, 270; Piano Sonata Louis XIV, 81, 132, 149, 150, 151, 156, 157, 189, in A, K. 331, 300; Variations for 217, 223, 242, 243, 247, 292 Solo Piano, K. 455, 298; Violin Concerto Louis XV, 76, 232, 234, 247, 292 in A, K. 219, 300; Die Zauberﬂöte, 227, Lully, Jean Baptiste, 223, 224, 227, 232, 239, 311–18 243, 247, 262; Armide, 13, 244, 263; Le Muslims, xx, 4, 9, 12, 14, 16, 23, 26, 47, 51, 52, bourgeois gentilhomme, 228; Orlando 53, 56, 57, 64, 65, 73, 76, 77, 86, 88, 94, 105, furioso, 243; Roland, 244, 261 117, 125, 142, 143–44, 147, 153, 156, 175, Luther, Martin, 200 184, 188, 195, 200, 217, 218, 222, 224, 226, 228, 240, 242, 244, 256, 258, 260, 264, 287, Marais, Marin, 126, 132 298, 299, 302, 308, 310, 320, 323; see also marvels, 88 Turkey and Turks; Arabs masquerade and masks, 11, 117, 124, 223, 288, mutes and muteness, 70, 146, 306, 326 310, 390 nn. 73, 75 Mass (religious music), 62, 184–86 Maximilian I, 121 Native Americans, 97, 236, 237, 276, 280, 281, melody, 18, 19, 36, 41, 97, 98, 99, 100, 105, 129, 282, 283, 284 132, 169, 176, 196, 200, 283, 298, 308 Negro, 92, 306, 358; see also race, racial; slavery metaphor, 11, 82, 172, 320 and the slave trade Metastasio, Pietro, 239, 241, 248, 250, 251, 257, New Cultural History, 28 285 New Historicism, 12, 28 meter, verse, 221, 253, 293 New Orleans, 269 Mexico, 10, 53, 78, 126, 127, 186, 216, 229, 231, New York City, 283 269 news value; see recent events, allusion to

448 Index

Noble Savage (bon sauvage);see savages quinario sdrucciolo; see meter; verse North Africa; see Arabs; Middle East; Muslims Quinault, Philippe, 14, 239, 243, 246, 247

offensiveness (real or perceived), 95, 220 race, racial, 5, 49, 53, 56, 86–91; see also Negro; Omai, 274 slavery and the slave trade opera, 11, 37, 252, 253, 254, 257; comic, 210, Racine, Jean, 68, 70, 189, 304 252, 267, 268–71, 273, 276, 280–84, 287, 288, Rameau, Jean-Philippe, 24, 96, 99, 243, 283, 290–99, 302, 318, 325; “dramatick,” 229; 292, 311, 322; Les Indes galantes, 93, 227, opera seria, 210, 239, 248, 249, 250, 235–38, 251; Les sauvages, 96, 283 256, 257, 268, 269; opéra-ballet, 127, 208, rape, see sexual excess and sexual violence 232, 235; semi-opera, 208, 251; tragédie reading, see literacy lyrique, 239, 242, 248, 251 recent events, allusion to, 273; [Cavalli?], opera (sacred), 190–91 Bradamante, 175; Kapsberger, Apotheosis, oratorio, 3, 10, 11, 37, 41, 74, 103, 114, 127, 135, 190; Telemann, Miriways, 251; Vivaldi, 187–89, 192–207, 230, 261, 287 Scanderbeg, 256; see also allegory; allusion Oriental, Orientalism, 31, 32–34, 119, 184, 223, reception history, 28 302, 328 religious authority, 10 Ottoman Empire; see Turkey and Turks religious music, 51, 181, 194, 207, 300; see also out-of-tune playing, 12 Mass; opera (sacred); oratorio rhythm, 18, 24, 27, 43, 97, 99, 114, 116, 126, Palestrina, Giovanni Pierluigi da, 182 127, 129, 131, 132, 150, 163, 166, 169, 178, Paris, 7, 96, 105, 113, 135, 146, 150, 189, 226, 194, 210, 221, 245, 279, 300, 317, 325 232, 236, 242, 247, 268, 269, 271, 278, 283, Rousseau, Jean-Jacques, 35, 98; Dictionnaire de 288, 292, 296, 302, 303, 304, 306 musique, 98, 99; Le devin du village, 270 pastoral, 7, 10, 172, 195, 197, 202, 209, 210, 251, Russia and Russians, 48, 59, 68, 142, 223, 269, 270, 285, 300 270, 288, 300, 320 percussion, 117, 123, 124, 143, 161, 171, 178, 180, 187, 236, 280, 285, 298, 299, 300 Sacchini, Antonio, 250 performance decisions, 11–16, 42–43, 163–64, sacred music, see religious music 175–80 Said, Edward, 31–33 Persia and Persians, 47, 48, 49, 56, 72, 80, 81, Saint-Mard, Toussaint Rémond de, 244 88, 97, 144, 149, 168, 174, 184, 189, 213, 236, Salieri, Antonio, 290, 322; Axur, re d’Ormus, 248, 251, 252, 253, 260–61, 265, 287, 295, 306; Tarare, 304 296, 302–6 sarabande, 3, 35, 105, 113, 115, 117, 125, Peru, 33, 78, 80, 147, 161, 229, 231, 269 126–28, 132, 135, 252, 253, 254 Philadelphia, 269, 296 Sartorio, Antonio, 253 Philippines, xxi, 53, 186 savage, 35, 48, 91, 93, 115, 146, 152, 154, 155, Phrygia, 48, 162, 243 156, 236, 257, 280, 282, 325, See also wild pirates and piracy, 52, 60, 64, 94, 105, 107, 143, man 154, 159, 171, 173, 175, 198, 207, 223, 245, Scarlatti, Alessandro; Agar et Ismaele esiliati, 258, 278 41, 193 Plato, 48, 142, 341, 359, 375 Scotland and Scots, 20, 108, 171, 203, 267 Poland and Poles, 50, 57, 58, 76, 80, 133, 139, Scythia (Skythia), 48, 147, 240, 265, 142, 172, 220, 278 269, 292 Ponte, Lorenzo da, 306, 318, 322 sensory synthesis, 38, 159, 334 nn. 8, 14 pope, papacy, 5, 62, 185, 192, 200, sexual excess and sexual violence, 29, 48, 50, 51, 341, 364 78, 112, 144, 234, 317, 320 Portugal, 51, 53, 76, 114, 132, 139, Shakespeare, William, 284, 315, 344 186, 304 Sheppard, John, 182 program music, 334 Siam (Thailand), 150–51 Purcell, Henry, 49, 130, 228; The Fairy Queen, slavery and the slave trade, 90, 91, 267, 272, 130, 229, 339; The Indian Queen, 229–31, 273, 281, 302–4; see also Negro; race, 259 racial

Index 449

song, 25, 34, 47, 50, 52, 64, 75, 98, 103–12, 126, Turkish music (eighteenth-century phrase), 26; 129, 131, 140, 142, 153, 156, 158, 165, 168, see also percussion 170, 171, 184, 185, 186, 199, 202, 209, 210, Turkish style, x, 4, 8, 18, 20, 24, 27, 32, 36, 222, 227, 228, 268, 272, 280, 290, 295, 296, 99, 176, 197, 279, 283, 296, 299, 300, 301, 299, 306; see also ballad 303, 308, 310, 311, 313, 314, 315, 318, 398, South America, 35, 115, 128, 216, 423 186, 229 Southeast Asia, 235, 305 Ukraine, 67, 68, 144, 169 Spain and Spaniards, 18, 35, 52, 75, 53, 76, 77, 78, 90, 91, 105, 113, 117, 126, 132, 142, 172, Venice, 29, 60, 64, 115, 146, 168, 171–80, 186, 203, 218, 228, 231, 243, 259, 260, 265, 210–14, 220 282 verisimilitude, 208, 214, 220 Spain, colonies of, 53, 126, 217 Vienna, 7, 50, 51, 58, 64, 66, 96, 109, 113, Spohr, Louis, 296 132, 135, 175, 189, 220, 249, 269, 271, Starzer, Joseph, 278, 383 n. 26 274, 278, 284, 285, 286, 296, 298, 299, 306, sultan, 20, 34, 51, 57, 58, 62, 65, 66, 67, 68, 73, 321, 322 144, 149, 184, 211, 218, 220, 234, 254, 256, villancico, 186–87 258, 271, 276, 288, 292, 293, 295, 302, 305; Vivaldi, Antonio, 132; Juditha triumphans, see also harem, operas about 197; La verità in cimento, 257; Motezuma, Süssmayr, Franz Xaver, 302 260; Scanderbeg, 256 Switzerland and Swiss, 7, 35, 170, 227, 276, 390 Vogler, Georg Joseph, 283 Voltaire (François-Marie Arouet), 75, 92, 281 Tasso, Torquato, 52, 55, 68, 209, 218, 243, 245, 246 Washington DC, 14, 16 Telemann, Georg Philipp, 36, 114, 133, 199; water; see drink Miriways, 251; Partie polonoise, 133 wild man, 30, 166; see also savages texture, musical, 27, 98, 132, 153, 158, 170, womanizing; see sexual excess and sexual 185, 189 violence Thrace, 209, 218, 240 wordlessness (advantages of), 21, 25, 140, todesca (plural todesche), 364 175; see also mutes and muteness Turkey and Turks, 26, 36, 47, 58, 60, 63, 67, 74, 95, 134, 141, 161, 171, 189, 195, 213, Xerxes, 48, 49, 252, 253 214, 218, 224, 234, 278, 287, 288, 293, 299, 308, 310 Zeno, Apostolo, 239, 241, 251