Quick Reference Guide to the Da Vinci Code by Dan Brown

Total Page:16

File Type:pdf, Size:1020Kb

Quick Reference Guide to the Da Vinci Code by Dan Brown Depth and Details– A Reader’s Guide to Dan Brown’s The DaVinci Code Introduction This book is a compilation of literary, artistic and historical references in Dan Brown’s brilliant thriller The Da Vinci Code. In much the same way as Dan built his novel on the brilliant, fascinating, and just plain odd stories that make up our history and culture, this compilation is built on the web pages, images and analysis that others have created to enhance your enjoyment of reading The Da Vinci Code. My contribution is simply to make all these scattered references available in one place as a Reader’s Guide. A special thanks to Leah Riley for the beautiful cover art, and Craig Lightfoot for his PDF wizardry. Many thanks to Annie Broadwater who tirelessly worked at obtaining permissions so this reader’s guide could become a reality. Thanks to John and Michelle Eble who inspired me to read this novel and start me on this journey. Finally, a big thank you to those of you who read the first version of this Reader’s Guide and sent me emails with suggestions and comments. I am so pleased you found something new and contributed in your own special way. This work is being offered to enhance your experience with Dan Brown’s exciting and thought provoking novel. The supporting documents within were all found by searching the internet. I have made every effort to acquire permission for promoting this web content. If you feel I have presented your work in any other manner than what it was intended, please contact me ([email protected]). My hope is that you will enjoy the works of all of the creators compiled within. 1 Table of Contents: Acknowledgements.................................................................................................................................6 Research Locations used in the novel: ................................................................................................................. 6 Prologue.................................................................................................................................................7 Layout & photos of the Grand Gallery – Louvre.................................................................................................... 7 Picture of Caravaggio painting in the Grande Gallery – Louvre ............................................................................ 8 Chapter 1:...............................................................................................................................................9 Link to Harvard University professor/department of Religious Symbology ........................................................... 9 symbols.com........................................................................................................................................................ 9 Defn: ideogram from dictionary.com................................................................................................................... 9 Defn: religious iconography............................................................................................................................... 10 Chapter 2:.............................................................................................................................................11 Eglise de Saint-Sulpice in Paris .......................................................................................................................... 11 Cilice.................................................................................................................................................................. 11 The Way............................................................................................................................................................. 12 Chapter 3:.............................................................................................................................................11 Claude Monet and Tuileries ............................................................................................................................... 13 IM Pei and La Pyramide at the entrance of the Louvre ....................................................................................... 14 Chapter 4:.............................................................................................................................................16 666 panes of glass in La Pyramide?.................................................................................................................... 16 Information about the Denon Wing of the Louvre .............................................................................................. 16 Goddess Art: ...................................................................................................................................................... 27 Gold caducei...................................................................................................................................................... 28 Tject ankhs ........................................................................................................................................................ 28 Statue of Isis nurturing Horus............................................................................................................................ 28 Crux Gemmata from symbols.com..................................................................................................................... 29 Chapter 5:.............................................................................................................................................30 Opus Dei World Headquarters in NYC................................................................................................................ 30 Josemaria Escriva’s spiritual book “The Way” – 1934...................................................................................... 31 Opus Dei drugs new recruits with mescaline?.................................................................................................... 31 FBI spy Robert Hanssen’s involvement in Opus Dei ........................................................................................... 31 Chapter 6:.............................................................................................................................................32 The pentacle – what is it?................................................................................................................................... 32 The Goddess Venus and the Planet Venus .......................................................................................................... 33 Olympic Games ties to Venus (cycle of Venus) .................................................................................................. 34 Chapter 8:.............................................................................................................................................39 The Vitruvian Man – Leonardo Da Vinci ............................................................................................................ 39 Leonardo Da Vinci – the man ............................................................................................................................ 39 Chapter 11:...........................................................................................................................................44 Fibonacci Sequence – Leonardo Fibonacci........................................................................................................ 44 2 Chapter 20:...........................................................................................................................................46 Secret Societies and the Origins of Tarot ........................................................................................................... 46 Mathematics of the pentacle, divine proportion, phi and the Fibonacci sequence ............................................. 51 Fibonacci Numbers............................................................................................................................................ 54 Book on Mathmatical puzzles and Phi: .............................................................................................................. 57 Fibonacci Numbers and The Golden Section in Art, Architecture and Music...................................................... 57 The Golden section in architecture .................................................................................................................... 57 The Golden Section and Art ............................................................................................................................... 60 Leonardo's Art ................................................................................................................................................... 60 Vitruvian Man .................................................................................................................................................... 66 Architect Marcus Vitruvius – De Architectura .................................................................................................... 67 The Last Supper ................................................................................................................................................. 67 Kabbala.............................................................................................................................................................
Recommended publications
  • 5 the Da Vinci Code Dan Brown
    The Da Vinci Code By: Dan Brown ISBN: 0767905342 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 CONTENTS Preface to the Paperback Edition vii Introduction xi PART I THE GREAT WAVES OF AMERICAN WEALTH ONE The Eighteenth and Nineteenth Centuries: From Privateersmen to Robber Barons TWO Serious Money: The Three Twentieth-Century Wealth Explosions THREE Millennial Plutographics: American Fortunes 3 47 and Misfortunes at the Turn of the Century zoART II THE ORIGINS, EVOLUTIONS, AND ENGINES OF WEALTH: Government, Global Leadership, and Technology FOUR The World Is Our Oyster: The Transformation of Leading World Economic Powers 171 FIVE Friends in High Places: Government, Political Influence, and Wealth 201 six Technology and the Uncertain Foundations of Anglo-American Wealth 249 0 ix Page 2 Page 3 CHAPTER ONE THE EIGHTEENTH AND NINETEENTH CENTURIES: FROM PRIVATEERSMEN TO ROBBER BARONS The people who own the country ought to govern it. John Jay, first chief justice of the United States, 1787 Many of our rich men have not been content with equal protection and equal benefits , but have besought us to make them richer by act of Congress. -Andrew Jackson, veto of Second Bank charter extension, 1832 Corruption dominates the ballot-box, the Legislatures, the Congress and touches even the ermine of the bench. The fruits of the toil of millions are boldly stolen to build up colossal fortunes for a few, unprecedented in the history of mankind; and the possessors of these, in turn, despise the Republic and endanger liberty.
    [Show full text]
  • Dan Brown: Narrative Tourism and “Time Packaging”
    International Journal of Language and Linguistics Vol. 2, No. 2; June 2015 Dan Brown: Narrative Tourism and “Time Packaging” Prof. Stefano Calabrese Department of Education University of Modena and Reggio Emilia Viale Allegri 9, 42100 Reggio Emilia Italy Roberto Rossi Ph.D. School in Humanities University of Modena and Reggio Emilia Viale Allegri 9, 42100 Reggio Emilia Italy Abstract Reasons for the extraordinary success of Dan Brown’s novels may be found in the particularly appealing formula he adopts in his storytelling: a mix of elements that have proved to be highly appreciated by a new typology of globalized reader. These include the deliberate blurring of distinctions between reality, history and fiction, the competent use of narratological devices to produce immersive space/time dimensions, and the creation of a cross- national and cross-generational media debate with diffuse critical authorship on the Web. Brown’s fiction can be taken as example of a new kind of novel placing high emphasis on transcoding and cognitive appreciation. Keywords: Bestsellers, storytelling, cross-media, global novel, immersivity, metalepsis, oxymoron. 1. Projections The Da Vinci Code (2003) jumped to the first place in New York Times bestseller list in the first week, with 6,000 copies sold on the very first day; so far the copies sold have soared beyond 80 million, with versions in 45 different languages. Besides, its success has given new momentum to the previous novels, to the point that in 2004 the New York Times bestseller list contained all four of Brown’s novels. A retroactive as well as prospective success, we may say, as the next two novels, The Lost Symbol (2009) and Inferno (2013) have ridden the long wave of interest generated around the author and his serial character Robert Langdon, scoring six-digit sales and righteously entering the number of best-bestsellers of any time (Murray, 80).
    [Show full text]
  • Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms.
    [Show full text]
  • Da Vinci Code Research
    The Da Vinci Code Personal Unedited Research By: Josh McDowell © 2006 Overview Josh McDowell’s personal research on The Da Vinci Code was collected in preparation for the development of several equipping resources released in March 2006. This research is available as part of Josh McDowell’s Da Vinci Pastor Resource Kit. The full kit provides you with tools to equip your people to answer the questions raised by The Da Vinci Code book and movie. We trust that these resources will help you prepare your people with a positive readiness so that they might seize this as an opportunity to open up compelling dialogue about the real and relevant Christ. Da Vinci Pastor Resource Kit This kit includes: - 3-Part Sermon Series & Notes - Multi-media Presentation - Video of Josh's 3-Session Seminar on DVD - Sound-bites & Video Clip Library - Josh McDowell's Personal Research & Notes Retail Price: $49.95 The 3-part sermon series includes a sermon outline, discussion points and sample illustrations. Each session includes references to the slide presentation should you choose to include audio-visuals with your sermon series. A library of additional sound-bites and video clips is also included. Josh McDowell's delivery of a 3-session seminar was captured on video and is included in the kit. Josh's personal research and notes are also included. This extensive research is categorized by topic with side-by-side comparison to Da Vinci claims versus historical evidence. For more information and to order Da Vinci resources by Josh McDowell, visit josh.davinciquest.org. http://www.truefoundations.com Page 2 Table of Contents Introduction: The Search for Truth..................................................................................
    [Show full text]
  • Movie Review: ‘Inferno’
    Movie Review: ‘Inferno’ By John Mulderig Catholic News Service NEW YORK – While not exactly hellish, “Inferno” (Columbia), director Ron Howard’s screen version of Dan Brown’s 2013 novel, does produce some of the purgatorial tedium of sitting around in a dentist’s waiting room or standing at a bus stop. On the up side, Catholic viewers will be glad to note that neither their faith nor the early history of their church is trampled on, as they both were so blatantly in Brown’s best-known work, “The Da Vinci Code.” In fact, aside from a few scenes set in such famous locales as St. Mark’s Basilica in Venice and the baptistery of Florence’s cathedral, the church is entirely absent as “symbology” professor Robert Langdon (Tom Hanks) embarks on another of his globetrotting cultural scavenger hunts. The chase begins in confusion: Langdon wakes up in an Italian hospital afflicted with amnesia only to find himself, mere moments later, being shot at by an assassin (Ana Ularu) disguised as a police officer. He escapes, thanks in large measure to the help of British-bred emergency room physician Sienna Brooks (Felicity Jones). An intellectual prodigy, Dr. Brooks has been a fan of Langdon’s books since childhood. Hunkered down in Brooks’ apartment, Langdon fights off the effects of a head injury – Brooks tells him he was grazed by a bullet, but he has no memory of the circumstances – as he tries to piece together why he’s being pursued not only by a killer but by the World Health Organization.
    [Show full text]
  • The Da Vinci Code
    The Da Vinci Code Dan Brown FOR BLYTHE... AGAIN. MORE THAN EVER. Acknowledgments First and foremost, to my friend and editor, Jason Kaufman, for working so hard on this project and for truly understanding what this book is all about. And to the incomparable Heide Lange—tireless champion of The Da Vinci Code, agent extraordinaire, and trusted friend. I cannot fully express my gratitude to the exceptional team at Doubleday, for their generosity, faith, and superb guidance. Thank you especially to Bill Thomas and Steve Rubin, who believed in this book from the start. My thanks also to the initial core of early in-house supporters, headed by Michael Palgon, Suzanne Herz, Janelle Moburg, Jackie Everly, and Adrienne Sparks, as well as to the talented people of Doubleday's sales force. For their generous assistance in the research of the book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei. My gratitude also to Water Street Bookstore for tracking down so many of my research books, my father Richard Brown—mathematics teacher and author—for his assistance with the Divine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, Peter McGuigan, Francis McInerney, Margie Wachtel, André Vernet, Ken Kelleher at Anchorball Web Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown.
    [Show full text]
  • Female Representation and Generic Constraints in the Da Vinci Code
    THE NOT SO SACRED FEMININE: FEMALE REPRESENTATION AND GENERIC CONSTRAINTS IN THE DA VINCI CODE Jenn Brandt A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2007 Committee: Jeffrey A. Brown, Advisor Montana Miller ii ABSTRACT Dr. Jeffrey A. Brown, Advisor Since its publication in 2003, Dan Brown’s The Da Vinci Code has dominated bestseller lists, becoming one of the most widely read, discussed, and analyzed books in recent history. Although The Da Vinci Code offers a radical view of history that argues for the equality and power of women, at the end of the novel nothing has actually changed. In light of this, my thesis is a feminist analysis of the female protagonist, Sophie Neveu, in both Dan Brown’s The Da Vinci Code and Ron Howard’s 2006 film adaptation. In analyzing these texts, I ultimately conclude that the lack of actual female empowerment is the result of the conventions of the classical mystery/detective genre. John Cawelti’s theories of genre and formula and Laura Mulvey’s psychoanalytical theories of gender and the gaze form the theoretical base for my observations. These theories, along with those relating to gender and the detective genre, are instrumental in my close readings of Dan Brown’s novel and Ron Howard’s film adaptation. In examining The Da Vinci Code in terms of its popular culture effects and popularity, I situate the text within the historical locations of postmodernism and a post- 9/11 United States.
    [Show full text]
  • Mystery Lies in Dan Brown's the Da Vinci Code
    The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 MYSTERY LIES IN DAN BROWN’S THE DA VINCI CODE Dr.N.Asharudeen, Assistant Professor, G.Nilanandhini, Research Scholar, Department of English Edayathangudy G.S. Pillay Arts & Science College Nagapattinam „Mystery‟ means something is hidden and difficult to understand but it can easily drag the attraction. This sort of fictional writings becomes more popular for the last two decades. The answer of every mystery lies in its complicated hints. Those complicated hints can definitely be a signs and symbolsthat cannot be easily broken by all.In the mystery novels, signs and symbols are used as inexplicableclues to solve the mystery. The main purpose of hidden things is not to let anybodyknow that but it should be secured by sacredness. It is believed that signs and symbolsare the tools that can secure the conspiracy and it seems the soul of purity can only unveil the secret. Conspiracy theory is the major role takes place inDan Brown‟s novels. It makes the plot so vibrant with complete excitement about apowerful community, anorganization or people employing together secretly.Dan Brown‟s The Da Vinci Codeis one of the mystery novels in contemporary American literature. The plot of the novel revolves around the Christianity religion engages with suspense and surprise.Zhenwu Zhu and Aiping Zhang point out that, “Brown had come up with his own series of thriller fiction filled with codes, mysteries and exciting settings” (1). These signs and symbols are created by covert societies to uncover their secrets intention.
    [Show full text]
  • The Meaning of the Decision Made by Robert Langdon the Main Character of Dan Brown's the Da Vinci Code to Search for the Holy
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE MEANING OF THE DECISION MADE BY ROBERT LANGDON THE MAIN CHARACTER OF DAN BROWN’S THE DA VINCI CODE TO SEARCH FOR THE HOLY GRAIL A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Kristiyanto Student Number: 131214091 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE MEANING OF THE DECISION MADE BY ROBERT LANGDON THE MAIN CHARACTER OF DAN BROWN’S THE DA VINCI CODE TO SEARCH FOR THE HOLY GRAIL A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Kristiyanto Student Number: 131214091 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DEDICATION PAGE I dedicate this undergraduate thesis to: R. YOHANES KRISNO UTOMO ZEFI SUGIYATNI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitan Sanata Dharma Nama : Kristiyanto Nomer Mahasiswa : 131214091 Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul: THE MEANING OF THE DECISION MADE BY ROBERT LANGDON THE MAIN CHARACTER OF DAN BROWN’S THE DA VINCI CODE TO SEARCH FOR THE HOLY GRAIL beserta perangkat yang diperlukan (bila ada).
    [Show full text]
  • The Holy Grail
    The Holy Grail by Miles Mathis First published April 16, 2021 Just my opinion, as usual No one has seemed to notice that I have long since solved the Holy Grail mystery. Yes, all my genealogy work combined with my disinterment of the Phoenicians has put this one to rest as well. Did you get it? If not, I am here to connect the dots for you. You should have realized that Dan Brown's The Da Vinci Code was just the latest attempt to misdirect on this. Before that, Raiders of the Lost Ark, Monty Python and the Holy Grail, and many others did the job. But in every decade and every century we have seen similar misdirection by the same people for the same reason. As with thousands of other things I have since unwound, they have to keep you off the right answer. I now think Dan Brown was assigned his project specifically to answer my arrival on the scene in 2000. That's when Angels and Demons hit the shelves. It was also when I began working on my important papers. Once again, they appear to have seen me coming. Dan Brown (same age as me) has an empty Geni.com page, with no ancestors listed. Geneanet has no page for him. Geneastar scrubs the Brown line completely, and the Gerhard line also quickly dies out. This tells me he is probably a Kohen, possibly through the Markleys. But whoever he is, we know his project was primarily one of diversion. It was a necessary diversion because I would soon show the importance of bloodlines, an importance they had been keen to hide from the beginning.
    [Show full text]
  • Symbology in “THE DΛ VINCI CODE"
    Symbology in “THE DΛ VINCI CODE" Syrian Arab Republic Ministry of Education National center for the distinguished Course: English Supervised by: Ms. Bayan Soufi Presented by: Al-Abbass Mohamed 2014-2015 Research problematic Are the historical “facts” Dan Brown had mentioned true or not? Aims of this research To show that not everything we read is true. To lighten and discover some historical facts that we don’t know. 3 Preface Biography: Dan Brown was born on July 22, 1964 in Exeter, New Hampshire to Richard G. Brown (A mathematics teacher) and Connie Brown (Professional musician involved in performing sacred music). He grew up in a house where science and religion coexisted peacefully. While the foundation of science relied on proof, claims, equations and codes, religion relied on faith only, so Dan Brown had the best of both of them together. Educationally, Brown graduated from ‘Philips Exeter Academy’ after which he attempted ‘Amherst College’ and graduated with a degree in English and Spanish in 1986. Whilst in 1985, he went to Seville Spain to do an art history course from the University of Seville. Dan Brown had a short musical career as a songwriter and pianist in which he released four CDs. Then a switch in his happened when he read Sydney Sheldon’s (Doomsday conspiracy) and turned his interest into writing instead of music. He released “Digital Fortress” in 1998, after which he turned to full-time writing. Moreover, in 2000 “Angles & Demons” was published. It sat the stage for the best to come from Dan Brown, and was the first novel that introduced the character “Robert Langdon”, which was subsequently seen in the future works of Brown.
    [Show full text]
  • CHAPTER I INTRODUCTION A. Background of the Study the Lost
    CHAPTER I INTRODUCTION A. Background of the Study The Lost Symbol is a thriller fiction novel which has story about ancient organization and involve some historical buildings in America. This novel made by American author Dan Brown. The book consists of 133 chapters and 478 pages with prolog and epilog. This book was published in 2009. The Lost Symbol is the fifth novel of Dan Brown after his four best seller novels. Dan Brown is a famous author from America. He studied in Amherst College. After Graduated from Amherst College, he spent time as an English teacher before turning his efforts fully to writing. He wrote some bestseller novel. His novels are Digital Fortress, Angels and Demons, Deception Point, The Da Vinci Code, and The Lost Symbol. Brown's novels are thriller fiction, treasure hunts, set in a 24-hour time period, feature the recurring themes of cryptography, keys, symbols, codes, and conspiracy theories. Not only interesting for people around the world to read the novels, but the novels also caused some controversies. Dan Brown is the author of numerous bestselling novels, including the #1 New York Times bestseller, The Da Vinci Code is the one of the bestselling novels of all time. In early 2004, all four of Dan Brown's novels held spots on the New York Times bestseller list during the same week. 1 2 Recently named one of the World's 100 Most Influential People by TIME Magazine, Dan Brown has made appearances on CNN, The Today Show, National Public Radio, Voice of America, as well as in the pages of Newsweek, Forbes, People, GQ, The New Yorker, and others.
    [Show full text]