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5 the Da Vinci Code Dan Brown
The Da Vinci Code By: Dan Brown ISBN: 0767905342 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 CONTENTS Preface to the Paperback Edition vii Introduction xi PART I THE GREAT WAVES OF AMERICAN WEALTH ONE The Eighteenth and Nineteenth Centuries: From Privateersmen to Robber Barons TWO Serious Money: The Three Twentieth-Century Wealth Explosions THREE Millennial Plutographics: American Fortunes 3 47 and Misfortunes at the Turn of the Century zoART II THE ORIGINS, EVOLUTIONS, AND ENGINES OF WEALTH: Government, Global Leadership, and Technology FOUR The World Is Our Oyster: The Transformation of Leading World Economic Powers 171 FIVE Friends in High Places: Government, Political Influence, and Wealth 201 six Technology and the Uncertain Foundations of Anglo-American Wealth 249 0 ix Page 2 Page 3 CHAPTER ONE THE EIGHTEENTH AND NINETEENTH CENTURIES: FROM PRIVATEERSMEN TO ROBBER BARONS The people who own the country ought to govern it. John Jay, first chief justice of the United States, 1787 Many of our rich men have not been content with equal protection and equal benefits , but have besought us to make them richer by act of Congress. -Andrew Jackson, veto of Second Bank charter extension, 1832 Corruption dominates the ballot-box, the Legislatures, the Congress and touches even the ermine of the bench. The fruits of the toil of millions are boldly stolen to build up colossal fortunes for a few, unprecedented in the history of mankind; and the possessors of these, in turn, despise the Republic and endanger liberty. -
Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University
John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 6-2018 From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University Kristen Tobey John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Religion Commons, and the Television Commons Recommended Citation Collins, Brian and Tobey, Kristen, "From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture" (2018). 2018 Faculty Bibliography. 55. https://collected.jcu.edu/fac_bib_2018/55 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. From Middlemarch to The Da Vinci Code: Portrayals of Religious Studies in Popular Culture TEMPLE MIDDLEMARCH Directed by Michael Barrett Television serial Screen Media, 2017. 78 minutes Directed by Anthony Page BBC, 1994 DEXTER. SEASON SIX Created by James Manos Jr. MIDDLEMARCH: THE SERIES Showtime, 2011 Directed by Rebecca Shoptaw DEATH DU JOUR YouTube, 2017 By Kathy Reichs New York: Pocket Books, 1999 ANGELS & DEMONS Pp. 480. $17.19 By Dan Brown New York: Washington Square Press, 2006 [2000] THE BLACK TAPES Pp. 496. $17.00 Podcast. Created by Paul Bae and Terry Miles 2015–2017 THE DA VINCI CODE By Dan Brown. THE REAPING New York: Anchor Books, 2009 [2003] Directed by Stephen Hopkins Pp. 597. $9.99 Warner Brothers, 2007. 99 minutes THE LOST SYMBOL SINISTER By Dan Brown Directed by Scott Derickson New York: Anchor Books, 2012 [2009] Blumhouse Productions, 2012. -
Dan Brown: Narrative Tourism and “Time Packaging”
International Journal of Language and Linguistics Vol. 2, No. 2; June 2015 Dan Brown: Narrative Tourism and “Time Packaging” Prof. Stefano Calabrese Department of Education University of Modena and Reggio Emilia Viale Allegri 9, 42100 Reggio Emilia Italy Roberto Rossi Ph.D. School in Humanities University of Modena and Reggio Emilia Viale Allegri 9, 42100 Reggio Emilia Italy Abstract Reasons for the extraordinary success of Dan Brown’s novels may be found in the particularly appealing formula he adopts in his storytelling: a mix of elements that have proved to be highly appreciated by a new typology of globalized reader. These include the deliberate blurring of distinctions between reality, history and fiction, the competent use of narratological devices to produce immersive space/time dimensions, and the creation of a cross- national and cross-generational media debate with diffuse critical authorship on the Web. Brown’s fiction can be taken as example of a new kind of novel placing high emphasis on transcoding and cognitive appreciation. Keywords: Bestsellers, storytelling, cross-media, global novel, immersivity, metalepsis, oxymoron. 1. Projections The Da Vinci Code (2003) jumped to the first place in New York Times bestseller list in the first week, with 6,000 copies sold on the very first day; so far the copies sold have soared beyond 80 million, with versions in 45 different languages. Besides, its success has given new momentum to the previous novels, to the point that in 2004 the New York Times bestseller list contained all four of Brown’s novels. A retroactive as well as prospective success, we may say, as the next two novels, The Lost Symbol (2009) and Inferno (2013) have ridden the long wave of interest generated around the author and his serial character Robert Langdon, scoring six-digit sales and righteously entering the number of best-bestsellers of any time (Murray, 80). -
RELX Group Annual Reports and Financial Statements 2015
Annual Reports and Financial Statements 2015 Annual Reports and Financial Statements 2015 RELX Group is a world-leading provider of information and analytics for professional and business customers across industries. We help scientists make new discoveries, lawyers win cases, doctors save lives and insurance companies offer customers lower prices. We save taxpayers and consumers money by preventing fraud and help executives forge commercial relationships with their clients. In short, we enable our customers to make better decisions, get better results and be more productive. RELX PLC is a London listed holding company which owns 52.9 percent of RELX Group. RELX NV is an Amsterdam listed holding company which owns 47.1 percent of RELX Group. Forward-looking statements The Reports and Financial Statements 2015 contain forward-looking statements within the meaning of Section 27A of the US Securities Act of 1933, as amended, and Section 21E of the US Securities Exchange Act of 1934, as amended. These statements are subject to a number of risks and uncertainties that could cause actual results or outcomes to differ materially from those currently being anticipated. The terms “estimate”, “project”, “plan”, “intend”, “expect”, “should be”, “will be”, “believe”, “trends” and similar expressions identify forward-looking statements. Factors which may cause future outcomes to differ from those foreseen in forward-looking statements include, but are not limited to competitive factors in the industries in which the Group operates; demand for the Group’s products and services; exchange rate fluctuations; general economic and business conditions; legislative, fiscal, tax and regulatory developments and political risks; the availability of third-party content and data; breaches of our data security systems and interruptions in our information technology systems; changes in law and legal interpretations affecting the Group’s intellectual property rights and other risks referenced from time to time in the filings of the Group with the US Securities and Exchange Commission. -
The Da Vinci Code Phenomenon: a Brief Overview and Response
THE DA VINCI CODE PHENOMENON: A BRIEF OVERVIEW AND RESPONSE J.B. HIXSON Assistant Academic Dean College of Biblical Studies Houston, Texas I. INTRODUCTION Dan Brown’s book, The Da Vinci Code,1 gives a fictional account of a Harvard researcher named Robert Langdon. In the story, Langdon is called upon to analyze Leonardo Da Vinci’s work and decode its hidden mysteries. What he uncovers is an elaborate scheme of secret societies, religious conspiracies, and centuries old cover ups. His investigation does not sit well with the religious establishment and he quickly becomes a marked man. So goes the plot of this entertaining and influential novel. Dan Brown’s novel has generated no shortage of analysis. To date, the Code has been cracked, broken, solved, decoded, exposed, scruti- nized, dismantled and otherwise deftly refuted in at least thirteen pub- lished books and hundreds more electronic articles on various websites.2 1 Dan Brown, The Da Vinci Code: A Novel (New York: Doubleday, 2003). 2 See Richard Abanes, The Truth Behind the Da Vinci Code (Eugene, OR: Harvest House Publishers, 2004); Darrell L. Bock, Breaking the Da Vinci Code: Answers to the Questions Everybody's Asking (Nashville: Thomas Nelson, 2004); Secrets of the Code: The Unauthorized Guide to the Mysteries Behind The Da Vinci Code, ed. Dan Burstein (New York: CDS Books, 2004); Simon Cox, Cracking the Da Vinci Code (New Dehli: Sterling Publishing, 2004); James L. Garlow and Peter Jones, Cracking Da Vinci’s Code (Colorado Springs: Cook Communications, 2004); Brandon Gilvin, Solving the Da Vinci Code Mystery (St. -
Biometrics & Security
Biometrics & Security: Combining Fingerprints, Smart Cards and Cryptography THÈSE NO 4748 (2010) PRÉSENTÉE LE 25 AOÛT 2010 À LA FACULTÉ INFORMATIQUE ET COMMUNICATIONS LABORATOIRE DE SÉCURITÉ ET DE CRYPTOGRAPHIE PROGRAMME DOCTORAL EN INFORMATIQUE, COMMUNICATIONS ET INFORMATION ÉCOLE POLYTECHNIQUE FÉDÉRALE DE LAUSANNE POUR L'OBTENTION DU GRADE DE DOCTEUR ÈS SCIENCES PAR Claude BARRAL acceptée sur proposition du jury: Prof. A. Lenstra, président du jury Prof. S. Vaudenay, Dr A. Tria, directeurs de thèse Prof. B. Dorizzi, rapporteur Dr A. Drygajlo, rapporteur Prof. A. Ross, rapporteur Suisse 2010 Acknowledgments First of all, I would like to thank David Naccache for his crazy idea to give me the opportunity to start a PhD thesis, on the late, and Serge Vaudenay for his welcoming in LASEC, for teaching me cryptography, and his incredible patience with my slow advancement in this PhD work. Many thanks to Jean-Pierre Gloton, David Naccache and Pierre Paradinas for sup- porting my Doctoral School application. I must thank all my colleagues in Gemplus, then Gemalto, for all their support. Especially Pierre Paradinas for hiring me, more than ten years ago, in his GRL team - the Gemplus Research Lab - Denis Praca, my very first mentor at Gemplus and Michel Agoyan for his precious sup- port whatever was the subject (e.g. Hardware, Software, Chip Design, Trainees management). Then Eric Brier and Cédric Cardonnel, first persons to work with me on Biometrics. Pascal Paillier and Louis Goubin for their support in cryptography. Jean-Louis Lanet for giving me the opportunity to give my very first courses at universities. Precisely, I would like to thank every person having trusted me for my teaching skills on Biomet- rics, Smart Cards and Cryptography: Traïan Muntean at Ecole Supérieure d’Ingénieurs de Lu- miny, Marseille, France. -
Digital Fortress Dan Brown Reviewed By: Justin 15 Star Teen Book Reviewer of Be the Star You Are! Charity
Digital Fortress Dan Brown Reviewed by: Justin 15 Star Teen Book Reviewer of Be the Star You Are! Charity www.bethestaryouare.org Digital Fortress is a science fiction book about TRANSLATR, a code in the NSA that, if released, would carry massive implications for national security and US intelligence. The code is written by Tankando, a former NSA employee who felt that the NSA’s intrusions into the private lives of citizens were unjustified. When people in the NSA attempt to break it, they find that it is impossible to break. The NSA hires Susan Fletcher, a cryptographer (expert in coding/decoding), to locate a password that would allow the NSA to stop TRANSLATR. Throughout the plot, Susan encounters various complications that prevent her discovery of the code, including the death of Tankando. This was one of the best science fiction books I have read. Suspenseful cliffhangers throughout the novel kept my eyes glued after every chapter. My favorite parts of the book were definitely the plot twists, which were abundant. The best surprise was a revelation about the person who created TRANSLATR. However, I cannot tell you all of the surprises; you will have to read the book to find out! On the other hand, the book was not without faults. Some of the information presented about cryptology and the NSA weren’t entirely accurate. If you’re especially interested in those fields, the book may not be the best source. However, the slight inaccuracies don’t take away from the plot. In addition, the various perspectives in the book were sometimes difficult to follow, especially if you read the book in many sittings. -
Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Da Vinci Code Research
The Da Vinci Code Personal Unedited Research By: Josh McDowell © 2006 Overview Josh McDowell’s personal research on The Da Vinci Code was collected in preparation for the development of several equipping resources released in March 2006. This research is available as part of Josh McDowell’s Da Vinci Pastor Resource Kit. The full kit provides you with tools to equip your people to answer the questions raised by The Da Vinci Code book and movie. We trust that these resources will help you prepare your people with a positive readiness so that they might seize this as an opportunity to open up compelling dialogue about the real and relevant Christ. Da Vinci Pastor Resource Kit This kit includes: - 3-Part Sermon Series & Notes - Multi-media Presentation - Video of Josh's 3-Session Seminar on DVD - Sound-bites & Video Clip Library - Josh McDowell's Personal Research & Notes Retail Price: $49.95 The 3-part sermon series includes a sermon outline, discussion points and sample illustrations. Each session includes references to the slide presentation should you choose to include audio-visuals with your sermon series. A library of additional sound-bites and video clips is also included. Josh McDowell's delivery of a 3-session seminar was captured on video and is included in the kit. Josh's personal research and notes are also included. This extensive research is categorized by topic with side-by-side comparison to Da Vinci claims versus historical evidence. For more information and to order Da Vinci resources by Josh McDowell, visit josh.davinciquest.org. http://www.truefoundations.com Page 2 Table of Contents Introduction: The Search for Truth.................................................................................. -
The Informant
PRESS INFORMATION The Informant History Permanent exhibition Collection Eye-witnesses Facts AS OF 10/17 Inhalt History 4 Permanent exhibition 6 Our collection 9 Eye-witnesses 10 Our experts 11 Events 12 Facts 14 Dear members of the press, Thank you very much for your interest in our museum. We hope that the information we provide here, about our permanent exhibition focussing on the secret world of espionage from ancient times to the present, will be of use to you. This is just an overview of our activities; if you have any further questions, please do not hesitate to contact us. We are also happy to give interviews and look forward to your visit! Robert Rückel, Director Contact: [email protected] Tel: +49 (0)30 - 39 82 00 45 - 0 Further information: deutsches-spionagemuseum.de/en/press 4 HISTORY The history of espionage The Persian King Cyrus II. (6th century BC) established a wide network of spies Alberti’s cipher disc, one of the first tools for Mata Hari – a double agent in WWI The Cryptex may look medieval but was the encryption of messages (15th century) invented by the author Dan Brown Knowledge has always been power – right Espionage was profes sionalized during the gauge the strength of enemy forces and shore back to the earliest settlements and the 15th century. The counsellors of the English up various political systems. The collapse of need of every ruler to find out what his Queen Elizabeth I (1533–1603) established the Warsaw Pact in the 1990s heralded a fur- enemies were doing, thinking and planning. -
Movie Review: ‘Inferno’
Movie Review: ‘Inferno’ By John Mulderig Catholic News Service NEW YORK – While not exactly hellish, “Inferno” (Columbia), director Ron Howard’s screen version of Dan Brown’s 2013 novel, does produce some of the purgatorial tedium of sitting around in a dentist’s waiting room or standing at a bus stop. On the up side, Catholic viewers will be glad to note that neither their faith nor the early history of their church is trampled on, as they both were so blatantly in Brown’s best-known work, “The Da Vinci Code.” In fact, aside from a few scenes set in such famous locales as St. Mark’s Basilica in Venice and the baptistery of Florence’s cathedral, the church is entirely absent as “symbology” professor Robert Langdon (Tom Hanks) embarks on another of his globetrotting cultural scavenger hunts. The chase begins in confusion: Langdon wakes up in an Italian hospital afflicted with amnesia only to find himself, mere moments later, being shot at by an assassin (Ana Ularu) disguised as a police officer. He escapes, thanks in large measure to the help of British-bred emergency room physician Sienna Brooks (Felicity Jones). An intellectual prodigy, Dr. Brooks has been a fan of Langdon’s books since childhood. Hunkered down in Brooks’ apartment, Langdon fights off the effects of a head injury – Brooks tells him he was grazed by a bullet, but he has no memory of the circumstances – as he tries to piece together why he’s being pursued not only by a killer but by the World Health Organization.